Mostrando postagens com marcador FOLK MUSIC. Mostrar todas as postagens
Mostrando postagens com marcador FOLK MUSIC. Mostrar todas as postagens

BY THE TIME I GET TO PHOENIX

GLEN CAMPBELL
SONGWRITER: WEBB JIMMY L.
COUNTRY: U. S. A.
ALBUM: BY THE TIME I GET TO PHOENIX
LABEL: CAPITOL RECORDS
GENRE: FOLK MUSIC
YEAR: 1967
 
      Glen Travis Campbell(April 22, 1936– August 8, 2017) was an American guitarist, singer, songwriter, actor and television host. He was best known for a series of hit songs in the 1960s and 1970s, and for hosting The Glen Campbell Goodtime Hour on CBS television from 1969 until 1972. He released 64 albums in a career that spanned five decades, selling over 45 million records worldwide, including twelve gold albums, four platinum albums, and one double-platinum album.
       Born in Billstown, Arkansas, Campbell began his professional career as a studio musician in Los Angeles, spending several years playing with the group of instrumentalists later known as "The Wrecking Crew". After becoming a solo artist, he placed a total of 80 different songs on either the Billboard Country Chart, Billboard Hot 100, or Adult Contemporary Chart, of which 29 made the top 10 and of which nine reached number one on at least one of those charts. Among Campbell's hits are "Universal Soldier", his first hit from 1965, along with "Gentle on My Mind" (1967), "By the Time I Get to Phoenix" (1967), "Dreams of the Everyday Housewife" (1968), "Wichita Lineman" (1968), "Galveston" (1969), "Rhinestone Cowboy" (1975), and "Southern Nights" (1977).
      In 1967, Campbell won four Grammys in the country and pop categories. For "Gentle on My Mind", he received two awards in country and western; "By the Time I Get to Phoenix" did the same in pop. Three of his early hits later won Grammy Hall of Fame Awards(2000, 2004, 2008), while Campbell himself won the Grammy Lifetime Achievement Award in 2012. He owned trophies for Male Vocalist of the Year from both the Country Music Association(CMA) and the Academy of Country Music(ACM), and took the CMA's top award as 1968 Entertainer of the Year. Campbell played a supporting role in the film True Grit(1969), which earned him a Golden Globe nomination for Most Promising Newcomer. He also sang the title song, which was nominated for an Academy Award.
         By the Time I Get to Phoenix is the seventh album by American singer-guitarist Glen Campbell, released in November 1967 by Capitol Records.
       In March 1969 the album won the Grammy for Album of the Year(for 1968), the first country album to do so. In February 1968 the album's lead single "By the Time I Get to Phoenix", released October 1967, won Grammys for both Best Vocal Performance, Male and Best Contemporary Male Solo Vocal Performance (for 1967). In 2004 "By the Time I Get to Phoenix" was inducted in the Grammy Hall of Fame.

By the time I get to Phoenix
She'll be rising
She'll find the note I left hanging on her door
She'll laugh, when she reads the part that says I'm leaving
Cause I've left that girl, so many times before
 
By the time I make Albuquerque
She'll be working
She'll probably stop at lunch,
And give me a call
But she'll just hear that phone keep on ringing
Off the wall, that's all
 
By the time I make Oklahoma
She'll be sleeping
She'll turn softly and call my name out low
And she'll cry, just to think, I'd really leave her
Though time and time I've tried to tell her so
She just didn't know,
I would really go. 

IT HAD TO BE YOU

BARBRA STREISAND
SONGWRITERS: GUS KAHN & ISHAM JONES
COUNTRY: U. S. A.
ALBUM: THE THIRD ALBUM
LABEL: COLUMBIA STUDIOS
GENRE: FOLK
YEAR: 1964
 
       Barbara Joan Streisand (/ˈstraɪsænd/; born April 24, 1942), known professionally as Barbra Streisand, is an American singer, actress, and filmmaker. With a career spanning over six decades, she has achieved success in multiple fields of entertainment, and is among the few performers awarded an Emmy, Grammy, Oscar, and Tony(EGOT).
     Streisand began her career by performing in nightclubs and Broadway theaters in the early 1960s. Following her guest appearances on various television shows, she signed to Columbia Records, insisting that she retain full artistic control, and accepting lower pay in exchange, an arrangement that continued throughout her career, and released her debut The Barbra Streisand Album(1963), which won the Grammy Award for Album of the Year. Throughout her recording career, Streisand has topped the US Billboard 200 chart with 11 albums—a record for a woman—including People(1964), The Way We Were(1974), Guilty(1980), and The Broadway Album(1985). She also achieved five number-one singles on the US Billboard Hot 100—"The Way We Were", "Evergreen", "You Don't Bring Me Flowers", "No More Tears(Enough Is Enough)", and "Woman in Love".
       Following her established recording success in the 1960s, Streisand ventured into film by the end of that decade. She starred in the critically acclaimed Funny Girl(1968), for which she won the Academy Award for Best Actress. Additional fame followed with films including the extravagant musical Hello, Dolly!(1969), the screwball comedy What's Up, Doc?(1972), and the romantic drama The Way We Were(1973). Streisand won a second Academy Award for writing the love theme from A Star Is Born(1976), the first woman to be honored as a composer. With the release of Yentl(1983), Streisand became the first woman to write, produce, direct, and star in a major studio film. The film won an Oscar for Best Score and a Golden Globe for Best Motion Picture Musical. Streisand also received the Golden Globe Award for Best Director, becoming the first (and for 37 years, the only) woman to win that award. Streisand later directed The Prince of Tides(1991) and The Mirror Has Two Faces(1996).
      The Third Album is the title of Barbra Streisand's third solo studio album which was released in February 1964. By 1966, the album sold over one million copies worldwide.
Seems like dreams like I always had
Could be, should be making me glad
Why am I blue?
It's up to you to explain
 
I'm thinking maybe, baby, I'll go away
Someday, some way, you'll come and say it's you I need
And you'll be pleading in vain
It had to be you, had to be you
 
I wondered around, finally found somebody who
Could make me be true, could make me be blue
And even be glad just to be sad
Thinking of you
 
Some others I've seen
Might never be mean, might never be cross
I tried to be boss, but they wouldn't do
'Cause nobody else gave ma a thrill
 
With all your faults I love you still
Had to be you, crazy old you, had to be you.

 DUERME NEGRITO

DANIEL VIGLIETTI
COPILADA: ATAHUALPA YUPANQUI
PAIS: URUGUAY
ÁLBUM: URUGUAY CANCIONES PARA MÍ AMÉRICA
DISCOGRAFIA: LE CHANT DU MONDE
GÉNERO: MUSICA POPULAR/FOLK
AÑO: 1968
 
        Daniel Alberto Viglietti Indart (Montevideo, 24 de julio de 1939-Ib., 30 de octubre de 2017) fue un cantante, compositor y guitarrista, considerado uno de los mayores exponentes del canto popular uruguayo y de gran reconocimiento en América Latina.
       Desde 1994 realizó un importante aporte a la difusión de música e intérpretes de América Latina a través de sus programas de radio y televisión "Tímpano" y "Párpado".
       Nacido el 24 de julio de 1939 en el seno de una familia de músicos —su madre era la pianista Lyda Indart, y su padre el guitarrista Cédar Viglietti—, desde niño entró en contacto con la música clásica y popular. Estudió guitarra con los maestros Atilio Rapat y Abel Carlevaro, adquiriendo así una sólida formación como concertista para luego dedicarse, en los años 1960, principalmente a la música popular.
Durante esa década desarrolló una intensa actividad como autor-compositor, cantor, docente y locutor en radio, que se inscribe en una creciente movilización popular en Uruguay. Participó en el semanário Marcha, y creó y dirigió el Núcleo de Educación Musical (Nemus). Su primera obra discográfica fue "Impresiones para canto y guitarra y canciones folclóricas" de 1963, a la que le seguirán cinco producciones más hasta 1973.
         Su obra adquirió un carácter radical de fuerte contenido social y de izquierda, con letras asociadas a las luchas populares en Uruguay y en Latinoamérica. En el marco de represión de los movimientos de izquierda que precedió al golpe de estado cívico-militar de 1973, Viglietti fue preso en 1972. La campaña por su liberación desde el exterior fue encabezada por nombres como Jean Paul Sartre, François Mitterrand, Julio Cortázar y Oscar Niemeyer.
      En 1973 comenzó su exilio em Argentina, que después continuaría en Francia, país donde vivió por once años. Durante el exilio retrajo su capacidad de composición, todas las canciones de entonces solamente se publicaron a su regreso, en un disco grabado en vivo, "no por casualidad" titulado "Trabajo de hormiga". No obstante, continuó un intenso trabajo periodístico y radiofónico, y sobre todo recorrió el mundo en giras musicales solidarias, llevando su canto y denunciando la dictadura en el Uruguay y varios países de Latinoamérica.
          Su exilio terminó con su regreso a Montevideo el 1 de septiembre de 1984, donde fue recibido por miles de personas en un recital que recordó como "el más emocionante en 40 años de carrera". Desde entonces editó y reeditó numerosos trabajos entre los que se destaca, en particular, el titulado A dos voces con Mario Benedetti en 1985, reflejo discográfico de numerosos recitales realizados junto al gran poeta uruguayo durante el exilio compartido por ambos.
         Durante muchos años fue imposible encontrar sus discos anteriores a la dictadura, debido a la compra del sello Orfeo por multinacionales de la música con otros intereses y a los contratos leoninos que lo ligaban al sello. Recién en 1999, después de un largo juicio, Viglietti logró recuperar sus derechos. Remasterizados por él mismo, sus discos de los años 1960 y 1970 fueron entonces reeditados en CD por el sello Ayuí / Tacuabé.
       Paralelamente a su actividad como músico, realizó una intensa tarea de investigación, preservación y difusión de la música latinoamericana. Durante años construyó un extenso archivo musical al que denominó "Memoria Sonora de América Latina", que incluye, además, entrevistas a músicos y escritores realizadas en un lapso de 40 años de trabajo. Desde 1994 realizó el programa radial "Tímpano" por Radio El Espectador de Montevideo, que fue retransmitido en Argentina, Venezuela y Francia, donde incluía grabaciones de su archivo y entrevistas nuevas. Desde 2004 llevó adelante el programa televisivo "Párpado" por TV Ciudad.
          El 27 de noviembre del 2003 fue declarado Ciudadano Ilustre de la Ciudad de Montevideo por la Junta Departamental de Montevideo.
           El 7 de octubre de 2015 recibió de manos de Silvio Rodríguez el premio "Noel Nicola", otorgado por el Proyecto para la Canción Iberoamericana Canto de Todos, el festival de canción de autor Barnasants de Cataluña y el Instituto Cubano de la Música en su primera ocasión, en la "Casa de las Américas" de La Habana, Cuba, la misma CASA donde se celebrara en 1967 el Encuentro Internacional de la Canción Protesta en el que Viglietti participó entre muchos músicos del mundo. 
Duerme, duerme, negrito
Que tu mama está en el campo
Negrito...
Duerme, duerme, mobila
Que tu mama está en el campo
Mobila...
 
Te va a traer
Codornices para ti
Te va a traer
Rica fruta para ti
Te va a traer
Carne de cerdo para ti
Te va a traer
Mucha cosa para ti
 
Y si negro no se duerme
Viene el diablo blanco
Y ¡zas! le come la patita
¡Chacapumbe
Chacapum
Apumbe, chacapum!
 
Duerme, duerme, negrito
Que tu mama está en el campo
Negrito...
Trabajando
Trabajando duramente
Trabajando sí
Trabajando y va de luto
Trabajando sí
Trabajando y no le pagan
Trabajando sí
Trabajando y va tosiendo
Trabajando sí
Pa'l negrito chiquitito
Pa'l negrtito sí
Trabajando sí
Trabajando sí
 
Duerme, duerme, negrito
Que tu mama está en el campo
Negrito...

HEART OF GOLD

JOHNNY CASH
SONGWRITER: NEIL YOUNG
COUNTRY: U. S. A.
ALBUM: UNEARTHED
LABEL: UNIVERSAL MUSIC
GENRE: FOLK MUSIC
YEAR: 2003
 
        John R. Cash(born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer, songwriter, musician, and actor. Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. He was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark all-black stage wardrobe which earned him the nickname "The Man in Black".
     Born to poor cotton farmers in Kingsland, Arkansas, Cash rose to fame in the burgeoning rockabilly scene in Memphis, Tennessee, after four years in the Air Force. He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash", followed by "Folsom Prison Blues", one of his signature songs. Alongside "Folsom Prison Blues", his other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue", a duet with his future wife June called "Jackson" (followed by many further duets after their wedding), and railroad songs such as "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, he covered songs by contemporary rock artists of the time; his most notable covers were "Hurt" by Nine Inch Nails, "Rusty Cage" by Soundgarden and, "Personal Jesus" by Depeche Mode.
            Cash is one of the best-selling music artists of all time, having sold more than 90 million records worldwide. His genre-spanning music embraced country, rock and roll, rockabilly, blues, folk, and gospel sounds. This crossover appeal earned him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame. His music career was dramatised in the 2005 biopic Walk the Line.
        Unearthed is a box set by American country music singer-songwriter Johnny Cash. It was released by American Recordings on November 25, 2003, two months after Cash's death. The album was compiled by Cash and Rick Rubin, who also produced the set. It was certified Gold on December 2, 2004, by the Recording Industry Association of America
I want to live,
I want to give
I've been a miner for a heart of gold.
It's these expressions I never give
That keeps me searching for a heart of gold
And I'm getting old.
It keeps me searching for a heart of gold
And I'm getting old.
 
I've been to Hollywood
I've been to redwood
I crossed the ocean for a heart of gold
I've been in my mind, it's such a fine line
That keeps me searching for a heart of gold
And I'm getting old.
It keeps me searching for a heart of gold
And I'm getting old.
 
You keep me searching for a heart of gold
I've been a miner for a heart of gold.
And I'm getting old.

SAPATINHO DE NATAL
CORAL DESCONHECICO
COMPOSITOR: OTAVIO BABO FILHO(1915)
PAÍS: BRASIL
ÁLBUM: DE MÚSICAS NATALINAS
GRAVADORA: IGNORADA
GÊNERO: MÚSICA DE NATAL
ANO: IGNORADO

As cantigas de Natal, também conhecidas como cantigas natalinas, canções de Natal ou canções natalinas, são uma tradição antiga e bastante difundida entre os países cristãos tanto católicos quanto protestantes. As cantigas são ensinadas às crianças e cantadas em coros, igrejas e residências na época do Natal para comemorar o nascimento de Jesus Cristo e reforçar os valores cristãos.
25 de Dezembro é o título de um disco lançado em 1995 pela cantora brasileira Simone na gravadora PolyGram. O disco foi o primeiro a apresentar exclusivamente canções cristãs/natalinas e com isso inaugurou um segmento até então inexistente na indústria fonográfica nacional; o disco vendeu mais de 1.5 milhões de cópias em menos de um mês e meio.
                   
                                                  
Deixei meu sapatinho na janela do quintal
Papai Noel deixou meu presente de Natal

Como é que Papai Noel não se esquece de ninguém
Seja rico ou seja pobre, o velhinho sempre vem
Como é que Papai Noel não se esquece de ninguém
Seja rico ou seja pobre, o velhinho sempre vem

Deixei meu sapatinho na janela do quintal
Papai Noel deixou meu presente de Natal

Como é que Papai Noel não se esquece de ninguém
Seja rico ou seja pobre, o velhinho sempre vem
Como é que Papai Noel não se esquece de ninguém

Seja rico ou seja pobre, o velhinho sempre vem

Como é que Papai Noel não se esquece de ninguém
Seja rico ou seja pobre, o velhinho sempre vem
Como é que Papai Noel não se esquece de ninguém
Seja rico ou seja pobre, o velhinho sempre vem



Sapatinho de Natal

Natal

Tom: C
C                          G           C
Deixei Meu Sapatinho, Na Janela Do Quintal. 
C                         G          C   C7
Papai Noel Deixou, Meu Presente De Natal 
F                               C
Como É Que Papai Noel, Não Se Esquece De Ninguém. 
     C       F    C      F    G            C
Seja Rico Ou Seja Pobre, O Velhinho Sempre Vem. 
     C       F    C      F    G            C
Seja Rico Ou Seja Pobre, O Velhinho Sempre Vem.
Acordes para:
  • C
    123
    X32010
  • C7
    1234
  • F
    234

  • G
    123