RAINDROPS KEEP FALLING ON MY HEAD
B.J. THOMAS
SONGWRITERS: BURT BACHARACH & HAL DAVID
COUNTRY: U.S.A.
ÁLBUM: B.J. THOMAS/SINGLE
LABEL: SCEPTER
GENRE: POP
YEAR: 1969

Billy Joe Thomas(born August 7, 1942) is an American singer. He is particularly known for his hit songs of the 1960s and 1970s, which appeared on the pop, country, and Christian music charts. His best-known recordings are the original version of the Mark James song "Hooked on a Feeling" (1968), and Burt Bacharach and Hal David song, "Raindrops Keep Fallin' on My Head" (1969).
In 1966, B.J. Thomas and The Triumphs released the álbum I'm So Lonesome I Could Cry(Pacemaker Records). It featured a hit cover of the Hank Williams song "I'm So Lonesome I Could Cry". The single sold over one million copies and was awarded a gold disc. The follow-up single, "Mama", peaked at No. 22. In the same year, Thomas released a solo album of the same title on the Scepter Records label.
Thomas came back to achieve mainstream success again in 1968, first with "The Eyes of a New York Woman", then five months later with the much bigger "Hooked on a Feeling", which featured the sound of Reggie Young's electric sitar and was first released on the album On My Way(Scepter Records). "Hooked on a Feeling" became Thomas's second million-selling record. A year later Butch Cassidy and the Sundance Kid featured Thomas performing the Bacharach/David song "Raindrops Keep Fallin' on My Head", which won the Academy Award for best original song that year and hit No. 1 on the Billboard Hot 100 in January 1970. Sales of it also exceeded one million copies, with Thomas being awarded his third gold record. The song was also released on an album of the same title. Other hits of the 1970s were "Everybody's Out of Town", "I Just Can't Help Believing" (No. 9 in 1970, covered by Elvis Presley), "No Love at All", "Mighty Clouds of Joy", and "Rock and Roll Lullaby".(…)
"Raindrops Keep Fallin' on My Head" is a song written by Hal David and Burt Bacharach for the 1969 film Butch Cassidy and the Sundance Kid. It won an Oscar for Best Original Song. David and Bacharach also won Best Original Score. The song was recorded by B. J. Thomas in seven takes, after Bacharach expressed dissatisfaction with the first six. In the film version of the song, Thomas had been recovering from laryngitis, which made his voice sound more abrasive than in the 7-inch release. The film version featured a separate vaudeville-style instrumental break in double time while Paul Newman performed bicycle stunts.
The single by B. J. Thomas reached No. 1 on charts in the United States, Canada, Norway and reached No. 38 in the UK Singles Chart. It topped the Billboard Hot 100 for four weeks in January 1970 and was also the first American No. 1 hit of the 1970s. The song also spent seven weeks atop the Billboard adult contemporary chart. Billboard ranked it as the No. 4 song of 1970. According to Billboard magazine, Thomas' single had sold over 2 million copies by March 14, 1970, with eight-track and cassette versions also climbing the charts.
Raindrops keep falling on my head
And just like the guy whose feet are too big for his bed,
nothing seems to fit
those,
raindrops are falling on my head, they keep falling

so I just did me some talking to the sun,
and I said I didn't like the way he got things done,
sleeping on the job
those,
raindrops are falling on my head they keep falling

But there's one thing, I know
the blues they sent to meet me won't defeat me.
It won't be long 'till happiness steps up to greet me

Raindrops keep falling on my head
but that doesn't mean my eyes will soon be turning red.
Crying's not for me, cause
I'm never gonna stop the rain by complaining
because I'm free
nothing's worrying me

It won't be long till happiness steps up to greet me

Raindrops keep falling on my head
but that doesn't mean my eyes will soon be turning red
crying 's not for me
Cause I'm never gonna stop the rain by complaining
because I'm free
Nothing's worrying me


trailler of MOVIE

DINDÍ
MAYSA
COMPOSITORes: ALOYSIO DE OLIVEIRA & TOM JOBIM
PAÍS: BRASIL
ÁLBUM: MAYSA
GRAVADORA: UNIVERSAL MUSIC JAPAN
GÊNERO: JAZZ/MPB
ANO: 1996

Maysa é um álbum de compilação duplo das músicas da cantora brasileira Maysa, lançado em 1996 pela RGE. O primeiro disco apresenta os sucessos da cantora em português e o segundo só músicas em outras línguas.
Céu, tão grande é o céu
E bandos de nuvens que passam ligeiras
Prá onde elas vão, ah, eu não sei, não sei!

E o vento que toca nas folhas
Contando as histórias, que são de ninguém
Mas que são minhas
e de você também

Ai, Dindí
Se soubesses o bem que eu te quero
O mundo seria, Dindí,
tudo, Dindí, tão lindo, Dindí

Ai! Meu Dindí, se um dia você for embora
Me leva contigo, Dindí
Olha, Dindí, fica, Dindí...

E as águas desse rio onde vão,
eu não sei a minha vida inteira, esperei,
esperei
Por vo...cê, Dindí
Que é a coisa mais linda que existe
É você não existe, Dindí
Fica Dindí, adivinha Dindí...

E as águas desse rio onde vão,
eu não sei a minha vida inteira, esperei,
esperei
Por vo...cê, Dindí
Que é a coisa mais linda que existe
É você não existe, Dindí
Fica Dindí,
Adivinha Dindí...
INSENSATEZ
TOM JOBIM
COMPOSITORES: ANTONIO CARLOS JOBIM; VINÍCIUS DE MORAES. &NORMAN GIMBEL
PAÍS: BRASIL
ÁLBUM: INSENSATEZ
GRAVADORA: VERVE
GÊNERO: BOSSA NOVA
ANO: 1963

Uma das canções mais famosas da dupla, "Insensatez" guarda similaridades em seus arranjos de piano com o Prelúdio N°4 em Mi Menor, Opus 28, de Chopin. A canção foi gravada por vários artistas brasileiros (João Gilberto, Nara Leão, Elis Regina, Sylvia Telles, Maria Creuza, Roberto Carlos e, mais recentemente, por Fernanda Takai). A versão em inglês, adaptada por Norman Gimbel como "How Insensitive", fez sucesso no exterior e foi regravada por artistas como Frank Sinatra, Ella Fitzgerald, Peggy Lee, Nancy Wilson, Morgana King, Stan Getz, Sinéad O'Connor, Claudine Longet, Wes Montgomery, Astrud Gilberto, Diana Krall, e, mais recentemente por Iggy Pop. No momento a versão em inglês da canção faz parte da trilha sonora do filme Seven Pounds (Sete Vidas - em português) onde e estrelado pelo ator Will Smith. Faz parte também da trilha sonora do filme Lost Highway, do diretor norte-americano David Lynch. Existe também uma versão de Pat Metheny e que está disponível no DVD, relativo ao espectáculo ao vivo em New Brunswick(new Jersey), quando da apresentação do álbum "Secret Story".
Antônio Carlos Brasileiro de Almeida Jobim(Rio de Janeiro, 25 de janeiro de 1927 —Nova Iorque, 8 de dezembro de 1994), mais conhecido pelo seu nome artístico Tom Jobim, foi um compositor, maestro, pianista, cantor, arranjador e violonista brasileiro. É considerado o maior expoente de todos os tempos da música popular brasileira pela revista Rolling Stone e um dos criadores e das principais forças do movimento da bossa nova.
A insensatez que você fez
Coração mais sem cuidado
Fez chorar de dor
O meu amor
Um amor tão delicado

Ah, porque você foi fraco assim?
Assim tão desalmado
Ah, meu coração quem nunca amou
Não merece ser amado

Vai meu coração ouve a razão
Usa só sinceridade
Quem semeia vento, diz a razão
Colhe sempre tempestade
Vai, meu coração pede perdão
Perdão apaixonado
Vai porque quem não
Pede perdão
Não é nunca perdoado.

CALL ME
PETULA CLARK
COMPOSER: TONY HATCH
ORIGINE: BRITISH SONG
COUNTRY: U.K.
ALBUM: CALL ME
LABEL: PYE RECORDS
GENRE: JAZZ
YEAR: 1965

"Call Me" is a song composed by Tony Hatch for Petula Clark which became an easy listening standard via a hit version by Chris Montez.
"Call Me" first appeared as the title cut on a Petula Clark EP released in 1965 by Pye in the UK. "Call Me" and the three other tracks on the EP: "Heart", "Everything in the Garden" and "Strangers and Lovers" were also released on Clark's álbum I Know a Place (akaThe New Petula Clark Album).
If you're feeling sad and lonely
There's a service I can render
Tell the one who loves you only
I can be so warm and tender

Call me, don't be afraid, you can call me
Maybe it's late, but just call me
Tell me and I'll be around

When it seems your friends desert you
There's somebody thinking of you
I'm the one who'll never hurt you
Maybe that's because I love you

Call me, don't be afraid, you can call me
Maybe it's late, but just call me
Tell me and I'll be around

Now don't forget me
'Cause if you let me
I will always stay by you
You gotta trust me
That's how it must be
There's so much that I can do

If you call I'll be right with you
You and I should be together
Take this love I long to give you
I'll be at your side forever
Call me, don't be afraid, you can call me
Maybe it's late, but just call me
Tell me and I'll be around

instrumental bridge

Call me, don't be afraid, you can call me
Maybe it's late, but just call me
Tell me and I'll be around

Now don't forget me
'Cause if you let me
I will always stay by you
You gotta trust me
That's how it must be
There's so much that I can do

If you call I'll be right with you
You and I should be together
Take this love I long to give you
I'll be at your side forever

Call me, don't be afraid, you can call me
Maybe it's late, but just call me
Tell me and I'll be around


You gotta call me, call me now.