SAIDEIRA

SANTANA(BANDA)

SONGWRITERS: SAMUEL ROSA & RODRIGO F. LEÃO

SPANISH TRANSELATION: SAMUEL ROSA

COUNTRY: U. S. A.

ALBUM: CORAZÓN

LABEL: RCA VICTOR

GENRE: ROCK LATINO

YEAR: 2014

 

Santana is an American rock band formed in San Francisco in 1966 by Mexican-American guitarist and songwriter Carlos Santana. The band has undergone multiple recording and performing line-ups in its history, with Carlos Santana the only consistent member. Santana had early success with their appearance at Woodstock in 1969 and their first three albums, Santana (1969), Abraxas (1970), and Santana III (1971). Other important core members during this period include Gregg Rolie, Michael Carabello, Michael Shrieve, David Brown, and José "Chepito" Areas, forming the "classic" line-up.

Following its initial success Santana experimented with elements of jazz fusion on Caravanserai (1972), Welcome (1973), and Borboletta (1974). Santana reached a new peak of commercial and critical success with Supernatural (1999) and its singles "Smooth", featuring singer Rob Thomas, and "Maria Maria". The album reached Nº. 1 in eleven countries and sold 12 million copies in the US. In 2014, the "classic" line-up reunited for Santana IV (2016) and the group continue to perform and record.

Santana is one of the best-selling groups of all time with 43.5 million certified albums sold the US, and an estimated 100 million sold worldwide. Its discography include 25 studio albums, 14 of which reached the US top 10. In 1998, the line-up of Santana, Rolie, Carabello, Shrieve, Brown, and Areas was inducted into the Rock and Roll Hall of Fame. In 2000, the band won six Grammy Awards in one night, a record tied with Michael Jackson, and three Latin Grammy Awards. 

Corazón is the twenty-third studio album (thirty-seventh album overall) by Santana, released on May 6, 2014.

Produced by Lester Mendez, the album features collaborations with various singers like Gloria Estefan, Ziggy Marley and Cindy Blackman.

"La Flaca" featuring Juanes, the first single from the album, was released in November 2013. The album was certified double platinum in the Latin by the RIAA for shipping over 120,000 copies in the United States; furthermore, it has sold over 95,000 copies in the country according to Nielsen SoundScan. 

Dame más (x3)

 

Hay un lugar diferente que se llama saideira

Los que quieren besos y los hay que se pelean

Hay un lugar diferente que se llama saideira

Los hombres se vuelven salvajes y las chicas más guerreras

Muy bien

 

CORO

Camarero capitán tío hermano presidente

Maestro compañero otra ronda por la gente (x2)

 

(Dame más X2)

 

Hay un lugar diferente que se llama saideira

Hay banderas que se esconden y banderas que flamean

Hay un lugar diferente que se llama saideira

Si te tomas otro trago se cura la borrachera

Muy bien

 

CORO (x2)

(Camarero capitán tío hermano)

 

Hay un lugar diferente donde pasan muchas cosas

Los hombres se vuelven monos y las chicas diosas

Hay un lugar diferente todo el mundo sabe donde

Después de dos vasos y medio toda lengua se comprende

Muy bien

 

CORO (x2)

Dame más

 

CORO (x2)

Dame más, dame más…

  

SO WHAT

MILES DAVIS

SONGWRITER: MILES DAVIS

COUNTRY: U. S. A.

ALBUM: KIND OF BLUE

LABEL: COLUMBIA

GENRE: MODAL JAZZ

YEAR: 1959

 

           Miles Dewey Davis III(May 26, 1926– September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz.

         Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the Birth of the Cool sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term contract with Columbia Records and recorded the album 'Round About Midnight in 1955. It was his first work with saxophonist John Coltrane and bassist Paul Chambers, key members of the sextet he led into the early 1960s. During this period, he alternated between orchestral jazz collaborations with arranger Gil Evans, such as the Spanish music-influenced Sketches of Spain(1960), and band recordings, such as Milestones(1958) and Kind of Blue(1959). The latter recording remains one of the most popular jazz albums of all time, having sold over five million copies in the U.S.

   Davis made several line-up changes while recording Someday My Prince Will Come(1961), his 1961 Blackhawk concerts, and Seven Steps to Heaven(1963), another mainstream success that introduced bassist Ron Carter, pianist Herbie Hancock, and drummer Tony Williams. After adding saxophonist Wayne Shorter to his new quintet in 1964, Davis led them on a series of more abstract recordings often composed by the band members, helping pioneer the post-bop genre with albums such as E.S.P(1965) and Miles Smiles(1967), before transitioning into his electric period. During the 1970s, he experimented with rock, funk, African rhythms, emerging electronic music technology, and an ever-changing line-up of musicians, including keyboardist Joe Zawinul, drummer Al Foster, and guitarist John McLaughlin. This period, beginning with Davis's 1969 studio album In a Silent Way and concluding with the 1975 concert recording Agharta, was the most controversial in his career, alienating and challenging many in jazz. His million-selling 1970 record Bitches Brew helped spark a resurgence in the genre's commercial popularity with jazz fusion as the decade progressed.

        "So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis.

       It is one of the best-known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E♭ Dorian and another eight of D Dorian. This AABA structure puts it in the thirty-two-bar format of American popular song.

       The piano-and-bass introduction for the piece was written by Gil Evans for Bill Evans(no relation) and Paul Chambers on Kind of Blue. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' first quintet(minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction, after which the quintet played the rest of "So What". The use of the double bass to play the main theme makes the piece unusual. This arrangement was later performed and recorded as part of the album Miles Davis at Carnegie Hall.

     While the track is taken at a very moderate tempo on Kind of Blue, it is played at an extremely fast tempo on later live recordings by the quintet, such as Four & More.

       The distinctive voicing employed by Bill Evans for the chords that interject the head: from the bottom up, three notes at intervals of a perfect fourth followed by a major third, has been given the name "So What chord" (shown below) by such theorists as Mark Levine.

Miles Davis walked off the stage

That's what the folks are all saying

Oh yes, he did leave the stage

After his solo was all over

Coltrane he walked off the stage

That's what the folks are all saying

Yes, they both left the stage

Clean out of sight

They felt they had to rehearse

Although we know they are masters

They get a real groovy sound

And you will have to admit it

Yes, they both left the stage

Soon as their solo's were over

And if you can't figure out

Their groove I'd like to help you

Their groove, I've helped you

So what.

COMO DUELE

RICARDO ARJONA

COMPOSITOR: RICARDO ARJONA

PAIS: GUATEMALA

ALBUM: 5TO PISO

DISCOGRÁFICA: WARNER MUSIC INTERNACIONAL

GÉNERO: POP/TROVA

AÑO: 2008

Cómo duele es una canción de Ricardo Arjona lanzada el 29 de septiembre de 2008 como primer sencillo de su álbum 5to piso (2008). La canción es conocida por ser la más temática de Ricardo Arjona durante toda su carrera, así como por su estilizado video musical. Esta Canción es utilizada como tema principal de la exitosa telenovela Doña Barbara, solamente en Argentina.

La canción es la tercera más exitosa de toda la carrera de Ricardo Arjona, después de "El problema" y "Quién". "Cómo Duele" fue igualmente exitosa con respecto a velocidad con sus sucesoras, siendo esta una ya caracterizada atribución de Arjona.

Te conseguí la luz del sol a medianoche

Y el número después del infinito,

Instalé la Osa Mayor en tu diadema

Y tú seguías ahí como si nada;

Endulcé el agua del mar para tu sed,

Te alquilé un cuarto menguante de la luna,

Y como buen perdedor busqué en la cama

Las cosas que el amor no resolvía

Y cómo duele que estés tan lejos

Durmiendo aquí en la misma cama;

Cómo duele tanta distancia,

Aunque te escucho respirar

Y estás a cientos de kilómetros.

Y duele quererte tanto,

Fingir que todo está perfecto

Mientras duele gastar la vida

Tratando de localizar

Lo que hace tiempo se perdió…

Acabé con los jardines por tus flores,

Inventé la alquimia contra la utopía,

Y he llegado a confundir con la ternura,

La lástima con que a veces me miras

Que triste es asumir el sufrimiento,

Patético es creer que una mentira,

Convoque a los duendes del milagro,

Que te hagan despertar enamorada.

Y cómo duele que estés tan lejos

Durmiendo aquí en la misma cama;

Cómo duele tanta distancia,

Aunque te escucho respirar

Y estás a cientos de kilómetros.

Y duele quererte tanto

Fingir que todo está perfecto

Mientras duele gastar la vida

Tratando de localizar

Lo que hace tiempo se perdió

Por qué nos duele tanta distancia,

Fingir que todo está perfecto

Mientras sientes que te duele,

Gastar la vida durmiendo aquí en la misma cama

Como duele...

Let it GO

IDINA MENZEL

COMPOSERS: Kristen Anderson-Lopez e Robert Lopez

MUSIC: CRISTOPHE BECK

ALBUM: FROZEN

LABEL: WALT DISNEY

GENRE: SOUNDTRACK

YEAR: 2013

"Let It Go" is a song from Disney's 2013 animated feature film Frozen, whose music and lyrics were composed by husband-and-wife songwriting team Kristen Anderson-Lopez and Robert Lopez. The song was performed in its original show-tune version in the film by American actress and Singer Idina Menzel in her vocal role as Queen Elsa. Anderson-Lopez and Lopez also composed a simplified pop version (with shorter lyrics and background chorus) which was performed by actress and singer Demi Lovato over the start of the film's closing credits. A music video was separately released for the pop version.

Let it go, let it go

Can't hold it back anymore

Let it go, let it go

Turn my back and slam the door

The snow blows white on the mountain tonight

Not a footprint to be seen

A kingdom of isolation and it looks like I'm the queen

The wind is howling

Like the swirling storm inside

Couldn't keep it in

Heaven knows I try

Don't let them in, don't let them see

Be the good girl you always had to be

Conceal, don't feel, don't let them know

Well now they know

Let it go, let it go

Can't hold it back anymore

Let it go, let it go

Turn my back and slam the door

And here I stand

And here I'll stay

Let it go, let it go

The cold never bothered me anyway

It's funny how some distance

Makes everything seem small

And the fears that once controlled me

Can't get to me at all

Up here in the cold thin air I finally can breathe

I know I left a life behind

But I'm too relieved to grieve

Let it go, let it go

Can't hold it back anymore

Let it go, let it go

Turn my back and slam the door

And here I stand

And here I'll stay

Let it go, let it go

The cold never bothered me anyway

Standing frozen in the life I've chosen

You won't find me, the past is so behind me

Buried in the snow

Let it go, let it go

Can't hold it back anymore

Let it go, let it go

Turn my back and slam the door

And here I stand

And here I'll stay

Let it go, let it go

The cold never bothered me anyway

Let it go

And here I'll stay, let it go, let it go

Let it go

VIDEO:

(Frozen - O Reino do Gelo ou Frozen - Uma Aventura Congelante), é um filme de animação musical estadunidense produzido pela Walt Disney Animation Studios. É o 53º filme animado produzido pelo estúdio. Inspirado pelo conto de fadas A Rainha da Neve, de Hans Christian Andersen, narra as desventuras das princesas de Arendelle. A mais jovem, Anna, parte em uma jornada com Kristoff, o homem da montanha, sua leal rena de estimação (Sven) e Olaf, um boneco de neve que sonha em experimentar o verão, para encontrar sua irmã Elsa, cujos poderes congelantes transformaram o reino onde vive em um inverno eterno. As vozes originais principais foram de Kristen Bell como Anna, Idina Menzel como Elsa e Jonathan Groff como Kristoff.

     Nota: "Let it Go" foi a primeira música que Kristen Anderson-Lo –pez e Robert Lopez escreveram para o filme. A dupla se inspirou em outros filmes da Disney, como A Pequena Sereia e A Bela e a Fera e artistas contemporâneos, incluindo Lady Gaga e Adele. Embora não intencional, a composição da música foi fundamental na caracterização do filme de Elsa. Originalmente escrito como uma vilã, os co-dire-tores Chris Buck e Jennifer Lee gradualmente reescreveram Elsa como uma das protagonistas do filme. Anderson-Lopez e Lopez escreveu especificamente a canção para Idina Menzel, referindo-se a ela como "uma das vozes mais gloriosas da Broadway e um ícone no teatro musical". Alcance vocal de Menzel foi levado em consideração durante a composição da música.