MARIPOSA TECKNICOLOR
Fito Paez
COMPOSITOR: FITO PAEZ
ÁLBUM: CIRCO BEAT
GRABADORA: WM ARGENTINA
GÉNERO: ROCK ARGENTINO
AÑO: 1994

Circo Beat é o nono álbum do roqueiro argentino Fito Páez.
Circo Beat é o álbum sucessor do El amor después del amor, que é o álbum mais vendido da história do rock argentino. Assim, as expectativas eram grandes antes mesmo do lançamento deste álbum. Com hits de ampla difusão nas radios, como "Mariposa Tecknicolor" e "Tema de Piluso", o álbum teve uma vendagem de 350.000 copias, tornando-o assim o segundo álbum com maior exito no ano de 95, na Argentina





Todas las mañanas que viví
todas las calles donde me escondí
el encantamiento de un amor
el sacrificio de mis madres
los zapatos de charol
los domingos en el club
salvo que cristo sigue allí en la cruz
las columnas de la catedral y la tribuna
grita gol el lunes por la capital

*Todos yiran y yiran
todos bajo el sol
se proyecta la vida
Mariposa technicolor
cada vez que me miras
cada sensación
se proyecta la vida
Mariposa technicolor

Vi sus caras de resignación
los vi felices llenos de dolor
ellas cocinaban el arroz
se levantaba sus principios
de sutil emperador

Todo al fin se sucedió
sólo que el tiempo no los esperó
la melancolia de morir en este mundo
y de vivir sin una estúpida razón

*coro

Yo te conozco de antes
desde antes del ayer
yo te conozco de antes
cuando me fui
no me alejé
llevo la voz cantante
llevo la luz del tren
llevo un destino errante
llevo tus marcas en mi piel

y hoy solo te vuelvo a ver (x3)




Fito Páez

Mariposa Tecknicolor


Tom: C
C                   Em7
Todas las mañanas que viví
           Dm7               C/G - G
todas las calles donde me escondí
C/G                    G
el encantamiento de un amor
                      C
el sacrificio de mis padres,
                  F
los zapatos de charol.

C                Em7
Los domingos en el club
          Dm7                     C/G - G
salvo que Cristo sigue all¡ en la cruz
C/G                   G
las columnas de la catedral
                   C
y la tribuna grita gol,
                  F
el lunes por la Capital.

C        G/B    Am  Am/G
Todos yiran y yiran
F      Em     D7   G
todos bajo el sol
B7      E       Am   Am/G
se proyecta la vida
F             F/G   C
mariposa technico  lor.

C    G/B     Am   
Cada vez que me miras
F    Em   D7   G
cada sensación
B7      E       Am
se proyecta la vida
F             F/G C
mariposa technicolor.

C                    Em7
V¡ sus caras de resignación
       Dm7         C/G     G
los vi felices, llenos de dolor
 C/G               G
ellas cocinaban el arroz
                      C                   F
,l levantaba sus principios de sutil emperador.

C                Em7
Todo al fin se sucedió,
            Dm7      C/G       G   
solo que el tiempo no los esperó
C/G              G
la melancolía de morir en este mundo
     C                      F
y de vivir sin una estúpida razón.

Todos yiran y yiran..
cada vez que me miras...

F      C/G     G      C
Yo te conoz   co de antes
F      C/G      G  C
desde antes del a yer
F      C/G    G      Am
yo te conoz  co de antes
           Dm7        G
cuando me fui no me alejé.


Llevo la voz cantante
llevo la luz del tren
llevo un destino errante
llevo tus marcas en mi piel.

F                G     C     Am
Y hoy solo te vuelvo a ver..
F                G     C     Am
y hoy solo te vuelvo a ver..
F               C/G    C
y hoy solo te vuelvo a ver.
  • Am
    123
    X02210
  • Am/G
    1234
    3X221X
  • B7
    1234
    X21202
  • C
    123
    X32010
  • C/G
    1234
    332X1X









  • D7
    123
    XX0212
  • Dm7
    34
    X57565
  • E
    123
    022100
  • Em
    12
    022000
  • Em7
    123
    022030









  • F
    234
    133211
  • F/G
    1234
    3X321X
  • G
    123
    320003
  • G/B
    123
    X2003


COMFORTABLY NUMB
PINK FLOYD
COMPOSERS: ROGER WATERS & DAVID JON GILMOUR
ALBUM: THE WALL
LABEL: EMI
GENRE: ROCK PROGRESSIVE
YEAR: 1979

Comfortably Numb é uma canção do Pink Floyd, escrita pelo guitarrista David Gilmour e por Roger Waters, baixista da banda. Foi uma das principais e mais reconhecidas músicas da banda. Foi gravada no álbum duplo The Wall de 1979.
A ideia da letra de Comfortably Numb surgiu a Roger Waters num dia da digressão do álbum Animals pelos Estados Unidos, onde se encontrava numa situação semelhante à de Pink. Waters sofria de um problema no fígado e teve de ser examinado por um médico num procedimento muito semelhante ao descrito nesta canção. A letra da canção em diversos momentos remete justamente a esse universo das drogas, solidão e desesperança. Talvez no auge da música, nas últimas estrofes, encontramos uma das frases de efeito mais fortes da música:
"(...) the child's grown the dream's gone and I have become Comfortably Numb".





Is there anybody in there?
Just nod if you can hear me.
Is there anyone home?
Come on now
I hear you're feeling down.
Well I can ease your pain
Get you on your feet again.
Relax.
I'll need some information first.
Just the basic facts.
Can you show me where it hurts?

There is no pain you are receding
A distant ship smoke on the horizon.
You are only coming through in waves.
Your lips move but I can't hear what you're saying.
When I was a child I had a fever
My hands felt just like two balloons.
Now I've got that feeling once again
I can't explain you would not understand
This is not how I am.
I have become comfortably numb.

O.K.
Just a little pinprick.
There'll be no more, ah!
But you may feel a little sick.
Can you stand up?
I do believe it's working, good.
That'll keep you going through the show
Come on it's time to go.

There is no pain you are receding
A distant ship, smoke on the horizon.
You are only coming through in waves.
Your lips move but I can't hear what you're saying.
When I was a child
I caught a fleeting glimpse
Out of the corner of my eye.
I turned to look but it was gone
I cannot put my finger on it now
The child is grown,
The dream is gone.

I have become comfortably numb.



The Look of Love
SÉRGIO MENDES & BRASIL’ 66
COMPOSER: BURT BACHARACH & HAL DAVID
CASINO ROYAL SOUNTRACK
ALBUM: FOUR SIDER
LABEL: AM RECORDS
GENRE: JAZZ
YEAR: 1967

"The Look of Love" is a popular song composed by Burt Bacharach and Hal David and sung by English pop Singer Dusty Springfield, which appeared in the 1967 spoof James Bond film Casino Royale. In 2008, the song was inducted into the Grammy Hall of Fame. It also received a Best Song nomination in the 1968 Academy Awards.
Ursula Andress inspired Burt Bacharach to compose "The Look of Love" watching her in an early cut of the film Casino Royale. The track is played while Vesper Lynd seduces Evelyn Tremble, observed through a man-size aquarium.





The look of love
Is in your eyes
A look the time, can't disguise

The look of love
It's saying so much more than
Just words could ever say
And when my heart has hurt
Well, it takes my breath away

I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you

You've got that look of love
It's on your face
A look that time can't erase

You're mine tonight
Let this be just the start of
So many nights like this
Let's take what lover's found
And then seal it with a kiss

I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you

Don't ever go, don't ever go
Don't ever go, don't ever go

Don't ever go


Stranger in paradise
Ray coniff
Compositor: alexander borodin
COUNTRY: U. S. A.
Créditos da melodia: robert wright & george forrest
Álbum: book of songs – vol. 1
Gravadora: Sony BMG music
Canção popular do kismet
Ano: 1953

Joseph Raymond "Ray" Conniff, also known as "Jay Raye" (November 6, 1916 – October 12, 2002) was na American bandleader and arranger best known for his Ray Conniff Singers during the 1960s.
"Stranger in Paradise" is a popular song from the 1953 musical Kismet and is credited to Robert Wright and George Forrest. Like all the music in that show, the melody was taken from music composed by Alexander Borodin (1833 –1887), in this case, the "Gliding Dance of the Maidens," from the Polovtsian Dances in the opera Prince Igor. The song in the musical is a lovers' duet and describes the transcendent feelings that love brings to their surroundings. Later versions were mostly edited to be sung by male solo artists.