LET'S PUT IT ALL TOGETHER
THE STYLISTICS
SONGWRITERS: GEORGE DAVID WEISS; HUGO PERETTI & LUIGI CREATORE
COUNTRY: U.S.A.
ALBUM: LET’S PUT IT ALL TOGETHER
LABEL: AVCO RECORDS
GENRE: RHYTHM AND BLUES
YEAR: 1974

Let's Put It All Together is the fourth studio album recorded by American R&B group The Stylistics, released in May 1974 on the Avco label. It was produced by Hugo & Luigi and recorded at Media Sound Recording Studios in New York City. This was the group's first album recorded outside of Philadelphia.




Your arms around me are tender and warm
My arms are meant to hold you
Your arms and my arms
What more is there to say

Let's put it all together
Let's put it all together
Let's put it all together
Girl, ‘cause lovin is all there is

Your lips can thrill me just touching my cheek
My lips are meant to kiss you
Your lips and my lips
What more is there to say

Let's put it all together
Let's put it all together
Let's put it all together
Girl, ‘cause lovin is all there is

Love like this never happened before
Perfect and true
Day by day we been feeling it more
You love me (You love me) and I love you

Let's put it all together
Let's put it all together
Let's put it all together

Girl

(BABY I COULD BE) SO GOOD AT LOVING YOU

BUZZ CLIFFORD
SONGWRITER: BUZZ CLIFFORD
COUNTRY: U. S. A.
ALBUM: SEE YOUR WAY CLEAR
LABEL: BOW RECORDS
GENRE: PSYCHEDELIC ROCK
YEAR: 1969
 
        Reese Francis Clifford III (October 8, 1941 – January 26, 2018), known professionally as Buzz Clifford, was an American pop singer and songwriter. His biggest success came with his recording of "Baby Sittin' Boogie" (1961), which peaked at No. 6 on the Billboard Hot 100.
            Clifford was born in Berwyn, Illinois. He played guitar as a child and won several talent competitions as a teenager. He signed to Bow Records at age 15, releasing a few singles but finding no success. After signing with Columbia Records, he released the single "Hello Mr. Moonlight", which did not chart. The follow-up, "Baby Sittin' Boogie"/"Driftwood" (though "Driftwood" was technically the B-side the record tends to be regarded as a double-A-side), became a crossover hit in the US in 1961, peaking at No. 6 on the Billboard Hot 100, No. 27 R&B, and No. 28 Country. The record went on to sell over one million copies, and as a result of its success, Columbia tried to groom Clifford as a heartthrob pop singer. He appeared on TV with Perry Como and Merv Griffin and on American Bandstand, and toured the United Kingdom with Freddy Cannon and Dion. Clifford's fame was short-lived, however; further singles went nowhere (a remake of Kay Kyser's "Three Little Fishies" hit #102) and Clifford soon found himself without a recording contract.
          After serving in the National Guard, Clifford moved to Los Angeles, California, and found work as a songwriter, writing tunes sung by Keith Barbour, Petula Clark, Clyde McPhatter, Lou Rawls, Leon Russell, Freddie King, and Kris Kristofferson. Later in the 1960s, he was involved with a band called Carp (including actor Gary Busey and songwriter Daniel Moore), who released one album on Epic Records in 1969. After a stint as one third of the group Hamilton Streetcar (with John Boylan of "Appletree Theatre" fame, and original group member Ralph Plummer—the group was originally named on behalf of former member John Burge, aka Ian Hamilton) which in 1969 recorded a self-titled album for Dot Records (Dot DLP25939), he also did recording sessions in Tulsa, Oklahoma, with former Beach Boy David Marks, but these were never issued.

Wanted to tell you
How I felt for so long
Scared to try
‘Cause it might turn out wrong
Wish I could tell you
Take my time simplify
Let you know what I’ve kept to myself
Deep inside
Wanting to touch you
 
Baby I could be so good at loving you
Baby I could learn to love you a lot
Baby I could be so good at loving you
If you’d let me we’d never stop
 
Hoping that you feel
Like I do want me to
Loving you
Means oh so much to me
Wait for the moment
Everyday hope and pray
That today might be the one
When I can tell you
Tell you
I love you
 
Baby I could be so good at loving you
Baby I could learn to love you a lot
Baby I could be so good at loving you
If you’d let me we’d never stop
 
Baby I could be so good at loving you
Baby I could learn to love you a lot
Baby I could be so good at loving you
If you’d let me we’d never stop.

EVEN FLOW
PEARL JAM
SONGWRITERS: Eddie Vedder & Stone Gossard
COUNTRY: U.S.A.
ALBUM: TEN
LABEL: EPIC RECORDS
GENRE: GRUNGE
YEAR: 1991

Ten é o álbum de estreia da banda grunge estadunidense Pearl Jam, lançado em 27 de agosto de 1991 através da Epic Records. Após a saída do baixista Jeff Ament e do guitarrista Stone Gossard de seu grupo anterior Mother Love Bone, os dois recrutaram o vocalista Eddie Vedder, o guitarrista Mike McCready e o baterista Dave Krusen para formar o Pearl Jam em 1990. A maioria de suas canções começaram como jams instrumentais, a que Vedder adiciona letras sobre temas como depressão, desabrigados e abuso.
Ten não foi um sucesso imediato, mas no final de 1992 ele tinha alcançado o 2º lugar na parada Billboard 200. O álbum produziu três singles de sucesso: "Alive", "Even Flow" e "Jeremy", além da canção "Black", que não foi um single, mas também teve sucesso. Enquanto o Pearl Jam foi acusado de saltar para o grunge na época, Ten foi fundamental na popularização do rock alternativo no mainstream. O álbum foi certificado treze vezes platina pela RIAA nos Estados Unidos, vendendo cerca de 13.500.000 cópias, e permanece como o álbum mais bem sucedido do Pearl Jam.




Freezin', rests his head on a pillow
Made of concrete, again
Oh, Feelin' maybe he'll see a little better,
Set a days, ooh yeah
Oh, hand out, faces that he sees time again
Ain't that familiar, oh yeah
Oh, dark grin, he can't help,
When he's happy looks insane, oh yeah

Even flow, thoughts arrive like butterflies
Oh, he don't know, so he chases them away
Someday yet, he'll begin his life again
Life again, life again...

Kneelin', looking through the paper
Though he doesn't know to read,
ooh yeah
Oh, prayin', out to something
that has never showed him anything
Oh, feelin', understands the weather of the winters on its way
Oh, ceilings,
few and far between all illegal halls of shame, yeah

Even flow, thoughts arrive like butterflies
Oh, he don't know, so he chases them away
Someday yet, he'll begin his life again
Whispering hands, gently lead him away
Him away, him away...
Yeah!
Woo...ah yeah...fuck it up...

Even flow, thoughts arrive like butterflies
Oh, he don't know, so he chases them away
Someday yet, he'll begin his life again, yeah
Oh, whispering hands, gently lead him away
Him away, him away...
Yeah!

Woo...uh huh...yeah, yeah, mommy, mommy...
I’LL NEVER FORGeT LAST NIGHT
LITTLE PEGGY MARCH
Songwriter: buzz clifford
Country: u.s.a.
Album: I will follow him
Label: rca victor
Genre: pop
Year: 1963

Peggy March (born Margaret Annemarie Battavio, March 8, 1948, Lansdale, Pennsylvania) is an American pop singer. She is primarily known for her 1963 million-selling song "I Will Follow Him". Although she is sometimes remembered as a one-hit wonder, she continued to have success in Europe until the 1970s.




You were standing all alone
When I saw you at the dance
And the thrill I've never known
Came to me with just one glance

I'll never forget last night
I'll never forget the ecstasy
I'll say, I'll never forget last night
You gave your love
You gave your love to me

All dressed up just like a queen
In a gown of pink and blue
If I ever saw a dream
Darling, darling it was you

I'll never forget last night
I'll never forget the ecstasy
I say, I'll never forget last night
You gave your love
You gave your love to me

Then as we were walking home
We kissed beneath the stars above
On your face the moonlight shone
In your eyes the look of love

I'll never forget last night
I'll never forget the ecstasy
I say, I'll never forget last night
You gave your love

You gave your love to me