CROSSROAD BLUES
ROBERT JOHNSON
SONGWRITER: ROBERT JOHNSON
COUNTRY: U.S.A.
ALBUM: KING OF DELTA BLUES SINGERS
LABEL: VOCATION REC ORDS
GENRE: BLUES
YEAR: 1961

Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues singer-songwriter and musician. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Johnson's shadowy and poorly documented life and death at age 27 have given rise to much legend, including the Faustian myth that he sold his soul to the devil at a crossroads to achieve success. As na itinerant performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime.
It was only after the reissue of his recordings in 1961, on the LP King of the Delta Blues Singers, that his work reached a wider audience. Johnson is now recognized as a master of the blues, particularly of the Mississippi Delta blues style. He is credited by many rock musicians as an important influence; Eric Clapton has called Johnson "the most important blues singer that ever lived." Johnson was inducted into the Rock and Roll Hall of Fame as an early influence in its first induction ceremony, in 1986. In 2010, David Fricke ranked Johnson fifth in Rolling Stone magazine's "100 Greatest Guitarists of All Time".
"Cross Road Blues" (more commonly known as "Crossroads") is a blues song written and recorded by American blues artist Robert Johnson in 1936. Johnson performed it as a solo piece with his vocal and acoustic slide guitar in the Delta blues-style. The song has become part of the Robert Johnson mythology as referring to the place where he supposedly sold his soul to the Devil in exchange for his musical talents, although the lyrics do not contain any specific references.
Bluesman Elmore James revived the song with recordings in 1954 and 1960–1961. English guitarist Eric Clapton with Cream popularized the song as "Crossroads" in the late 1960s. Their blues rock interpretation inspired many cover versions and the Rock and Roll Hall of Fame included it as one of the "500 Songs That Shaped Rock and Roll". Rolling Stone placed it at number three on the magazine's list of the "Greatest Guitar Songs of All Time" in recognition of Clapton's guitar work.





I went down to the crossroad
fell down on my knees
I went down to the crossroad
fell down on my knees
Asked the lord above "Have mercy now
save poor Bob if you please"
Yeeooo, standin at the crossroad
tried to flag a ride
ooo ooo eee
I tried to flag a ride
Didn't nobody seem to know me babe
everybody pass me by
Standin at the crossroad babe
risin sun goin down
Standin at the crossroad babe
eee eee eee, risin sun goin down
I believe to my soul now,
Poor Bob is sinkin down
You can run, you can run
tell my friend Willie Brown
You can run, you can run
tell my friend Willie Brown
(th)'at I got the croosroad blues this mornin Lord
babe, I'm sinkin down
And I went to the crossraod momma
I looked east and west
I went to the crossraod baby
I looked east and west
Lord, I didn't have no sweet woman

ooh-well babe, in my distress
I'M A FOOL TO WANT YOU
ROBIN MCKELLE & THE FLYTONES
SONGWRITERS: FRANK SINATRA, JACK WOLF, JOEL S. HERRON
COUNTRY: U.S.A
ALBUM: SOUL FLOWER
LABEL: RCA VICTOR
GENRE: JAZZ BLUE
YEAR: 2012

"I'm a Fool to Want You" is a 1951 song composed by Frank Sinatra, Jack Wolf, and Joel Herron. Frank Sinatra released the song as a Columbia Records single. The ballad is considered a pop and jazz standard.
It certainly is rare to read about a soul/blues singer who once finished third in the Thelonious Monk International Jazz Vocal competition. Originally from Rochester, NY, vocalist Robin McKelle migrated to France, where two recordings of big band swing material made her a star. Five years ago she began a transformation that took her through songs from composers like Willie Dixon and Doc Pomus to this latest recording that celebrates the musical legacy of the city of Memphis.
McKelle’s  band, the Flytones, quickly serve notice that they have an innate understanding of  sweet soul music with Al Street on guitar, Ben Stivers on a multitude of keyboards, Derek Nievergelt on bass and Adrian Harpham on drums 7 percussion. Producer Scott Bomar certainly brings a wealth of experience to the project. He is the bass player for the Bo-Keys and learned how to work a studio alongside the legendary Willie Mitchell, leading to Bomar engineering two Al Green recordings. Two other members of the Bo-Keys add their considerable talents to the mix – Mark Franklin on trumpet & flugelhorn and Kirk Smothers on saxophones & flute.




I'm a fool to want you
I'm a fool to want you
To want a love that can't be true
A love that's there for others too

I'm a fool to hold you
Such a fool to hold you
To seek a kiss not mine alone
To share a kiss the Devil has known

Time and time again I said I'd leave you
Time and time again I went away
But then would come the time when I would need you
And once again these words I'll have to say

I'm a fool to want you
Pity me, I need you
I know it's wrong, it must be wrong
But right or wrong I can't get along

Without you
BEI MIR BIST DU SCHÖN
THE HOT SARDINES
SONGWRITERS: SHOLOM SECUNDA & JACOB JACOBS
COUNTRY: U.S.A.
ALBUM: LIVE AT JOE’S PUB
LABEL: THE HOT SARDINES
GENRE: JAZZ BAND
YEAR: 2013

The Hot Sardines is an American jazz band formed in New York City in 2007 by artistic director, singer and writer Elizabeth Bougerol and artistic director, actor and piano player Evan Palazzo.
"Bei Mir Bistu Shein" é uma canção popular de língua iídiche. Foi composta por Jacob Jacobs e Sholom Secunda em 1932 para a comédia musical I Would If I Could. O título da canção original em iídiche é "Bay Mir Bistu Sheyn". A versão em iídiche original da canção (em Dó menor) é um diálogo entre dois amantes que compartilham os versos da canção.
A canção ficou famosa após ser interpretada em inglês, mas mantendo o título iídiche, "Bei Mir Bistu Shein". Em uma regravação alemã, a canção apareceu com o título em alemão "Bei Mir Bist Du Schön".




Of all the boys I’ve known and I’ve known some
‘Til I first met you I was lonesome
You came in sight and my heart grew light
The world was new to me

You’re swell I’ll admit you
Deserve expressions that fit you
Racked my brain hoping to explain
Things you do to me

Bei mir bist du schoen
Please let me explain
Bei mir bist du schoen
Means that you’re grand

Bei mir bist du schoen
Again and again
Means you’re the fairest in the land

I could say bella bella
Even say wunderbar
Each language only goes to show
How wonderful you are

I try to explain
Bei mir bist du schoen
So kiss me, say you’ll understand

Zulu man is feeling blue, hear his heart beat a little tattoo
(Diga diga doo diga doo doo, diga diga doo diga doo)
You love me and I love you, when you love it’s natural to
(Diga diga doo diga doo doo, diga diga doo diga doo)
Well I’m so diga diga doo by nature (by nature)
If you don’t say diga diga doo to your mate you’ll lose that papa
Let those funny people smile, how can there be a virgin isle
(Diga diga doo diga doo doo, diga diga doo diga doo)

Bei mir bist du schoen
Please let me explain
Bei mir bist du schoen
Means that you’re grand

Bei mir bist du schoen
Again and again
Means that you’re the fairest in the land
I could say bella bella
Even say wunderbar
Each language only goes to show
How wonderful you are

I try to explain

Bei mir bist du schoen
Kiss me, kiss me

Kiss me, baby

Bei mir bist du schoen
OVERJOYED
ESPERANZA SPALDING
SONGWRITER: STEVIE WONDER
COUNTRY: U.S.A.
ALBUM: OVERJOYED
LABEL: HEADS UP
GENRE: JAZZ
YEAR: 2008

The Library of Congress Gershwin Prize for Popular Song is an award given to a composer or performer for his or her lifetime contributions to popular music. Created in 2007 by the United States Library of Congress, the prize is named after brothers George and Ira Gershwin, whose contributions to popular music included songs such as "I Got Rhythm," "Embraceable You," and "Someone to Watch Over Me," the orchestral pieces Rhapsody in Blue and An American in Paris, and the opera Porgy and Bess. Smokey Robinson was named the 2016 recipient.
On September 3, 2008, the Library announced that Stevie Wonder would become the second recipient of the honor. President Barack Obama presented Wonder with the Library of Congress' Gershwin Prize at a February 25, 2009 White House ceremony. Performers included Wonder as well as India.Arie, Tony Bennett, Wayne Brady, Anita Johnson, Diana Krall, Mary Mary, Martina McBride, Rickey Minor, Paul Simon, Esperanza Spalding and will.i.am.
Over time
I've been building my castle of love
Just for two
Though you never knew you were my reason
I''ve gone much too far
For you now to say
That I've got to throw
My castle away

Over dreams
I have picked out a perfect come true
Though you never knew it was of you I've been dreaming

The sand man has come
From too far away
For you to say come
Back some other day

And though you don't believe that they do
They do come true
For did my dreams
Come true when I looked at you
And maybe too if you would believe
You too might be
Overjoyed
Over love
Over me

Over hearts
I have painfully turned every stone
Just to find
I have found what I've
searched to discover

I come much too far
For me now to find
The love that I sought
Can never be mine

And though you don't believe that they do
They do come true
For did my dreams
Come true when I looked at you
And maybe too if you would believe
You too might be
Overjoyed
Over love
Over me

And though the odds say improbable
What do they know
For in romance
All true love needs is a chance
And maybe with a chance you will find
You too like I
Overjoyed
Over love
Over you
Over you.