IF I NEED YOU

THE BROKEN CIRCLE BREAKDOWN BLUEGRASS BAND

SONGWRITER: TOWNES VAN ZANDT

COUNTRY: CANADA

MOVIE: BE HERE TO LOVE ME

ALBUM: THE BROKEN CIRCLE BREAKDOWN

LABEL: UNIVERSAL MUSIC JAPAN

GENRE: ROCK

YEAR: 2012

"If I Needed You" is a song written by Townes Van Zandt and performed on his 1972 album The Late Great Townes Van Zandt. It was covered 9 years later by American country music artists Emmylou Harris and Don Williams as a duet, and was released in September 1981 as the first single from Harris' album Cimarron. The song reached #3 on the Billboard Hot Country Singles chart and #1 on the RPM Country Tracks chart in Canada.

If I needed you

Would you come to me,

Would you come to me,

And ease my pain?

If you needed me

I would come to you

I'd swim the seas

For to ease your pain

In the night forlorn

The morning's born

And the morning shines

With the lights of love

You will miss sunrise

If you close your eyes

That would break

My heart in two

The lady's with me now

Since I showed her how

To lay her lily

Hand in mine

Loop and Lil agree

She's a sight to see

And a treasure for

The poor to find

I'LL BE HERE IN THE MORNING

DON WILLIAMS

SONGWRITER: TOWNES VAN ZANDT

COUNTRY: U.S.A.

ALBUM: REFLECTIONS

LABEL: CAROLINE RECORDS

GENRE: COUNTRY

YEAR: 2014

Don Williams (born May 27, 1939, Floydada, Texas, United States) is an American country singer, songwriter and a 2010 inductee to the Country Music Hall of Fame. He grew up in Portland, Texas, and graduated in 1958 from Gregory-Portland High School. After seven years with the folk-pop group Pozo-Seco Singers, he began his solo career in 1971, singing popular ballads and amassing 17 number one country hits.

His straightforward yet smooth bass-baritone voice, soft tones, and imposing build earned him the nickname: "Gentle Giant" of country music.

There's no stronger wind than the one that blows

down a lonesome railroad line

No prettier sight than looking back

on a town you left behind

There is nothin' that's as real

as a love that's in my mind

Close your eyes

I'll be here in the morning

close your eyes

I'll be here for a while

There's lots of things along the road

I'd surely like to see

I'd like to lean into the wind

and tell myself I'm free

but your softest whisper's louder

than the highways call to me

Close your eyes

I'll be here in the morning

close your eyes

I'll be here for a while

All the mountains and the rivers

and the valleys can't compare

to your blue lit dancin' eyes

and yellow shining hair

I could never hit the open road

and leave you layin' there

Close your eyes

I'll be here in the morning

close your eyes

I'll be here for a while

Lay your head back easy, love,

close your cryin' eyes

I'll be layin' here beside you

when the sun comes on the rise

I'll stay as long as the cuckoo wails

and the lonesome bluejay cries.

Close your eyes

I'll be here in the morning

close your eyes

I'll be here for a while[x2]

NÓS VAMOS INVADIR SUA PRAIA

RAIMUNDOS

COMPOSITOR: ROGER

PAÍS: BRASIL

ÁLBUM: NÓS VAMOS INVADIR SUA PRAIA

GRAVADORA: WEA

GÊNERO: ROCK

ANO: 1985

Nós Vamos Invadir Sua Praia é o álbum de estreia da banda brasileira de rock Ultraje a Rigor, lançado em 1985 pela gravadora WEA. Ganhou o disco de platina no Brasil.

Com o sucesso dos primeiros compactos, Inútil/Mim Quer Tocar e Eu Me Amo/Rebelde Sem Causa, a banda decidiu gravar seu primeiro LP no estúdio Nas Nuvens. O título do disco é explicado pelo produtor Pena Schmidt como uma provocação das bandas paulistas aos grupos cariocas, pelo fato de estar chegando uma geração de paulistas fazendo sucesso no Rio de Janeiro, um dos berços do rock nacional dos anos 1980.

Daqui do morro dá pra ver tão legal

O que acontece aí no seu litoral

Nós gostamos de tudo, nós queremos é mais

Do alto da cidade até a beira do cais

Mais do que um bom baseado

Nós queremos fumar do seu lado

Nós 'tamo' entrando sem óleo nem creme

Precisando a gente se espreme

Trazendo a farofa e a galinha

Levando também a vitrolinha

Separa um lugar nessa areia

Nós vamos chacoalhar a sua aldeia

Mistura sua laia

Ou foge da raia

Sai da tocaia

Pula na baia

Agora nós vamos invadir sua praia

Daqui do morro dá pra ver tão legal

O que acontece aí no seu litoral

Nós gostamos de tudo, nós queremos é mais

Do alto da cidade até a beira do cais

Mais do que um bom bronzeado

Nós queremos estar do seu lado

Agora se você vai se incomodar

Então é melhor se mudar

Não adianta nem nos desprezar

Se a gente acostumar a gente vai ficar

A gente tá querendo variar

E a sua praia vem bem a calhar

Não precisa ficar nervoso

Pode ser que você ache gostoso

Ficar em companhia tão saudável

Pode até lhe ser bastante recomendável

A gente pode te cutucar

GET YOU BACK

MAYER HAWTHORNE

SONGWRITER: ANDREW COHEN & JACK SPLASH

COUNTRY: U.S.A.

ALBUM: MAN ABOUT TOWN

LABEL: VAGRANT RECORDS

GENRE: SOUL MUSIC

YEAR: 2016

Man About Town is the fourth studio album by American musician Mayer Hawthorne. It was released on April 8, 2016, under Vagrant Records.

Man About Town received generally positive reviews from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 74, based on 8 reviews. Mark Deming of AllMusic said, "Man About Town doesn't boast much in the way of radical steps forward. But it confirms the man is still very good at what he does." Ken Capobianco of The Boston Globe said, "Highlights album come when the songs stretch beyond Hawthorne's solo comfort zone." Mackenzie Herd of Exclaim! said, "There is an invigorating energy that shines through the lyrics and tempo of this album, so although lyrics about the finer things of California living aren't necessarily profound or entirely relatable, on Man About Town, Hawthorne's buoyant optimism for beginning anew in 2016 is utterly contagious." Colin McGuire of PopMatters said, "Like it or not, there aren't many people who can pull off what Mayer Hawthorne does best these days as well as Mayer Hawthorne does it. It fills a very real void in an increasingly crowded and grossly jaded pop music world. It is, in essence, important work."

When we spoke you were throwin' those words at me

I didn't understand what I did wrong

I got on a plane to Miami

And when I got back you were gone

And now all I have

Is an empty flask

'Cause I'm still attached

And I've got to find a way

To get you back

Get you back

Get you back

Get you back

I still smell your perfume on my pillow

(Chanel No. 5)

You lit up the room when the lights went out

Lord I didn't know what I was in for

(Caught me by surprise)

Hit me like an 808 from the dirty South

And now all I have

Is an empty flask

'Cause I'm still attached

And I've got to find a way

To get you back

Get you back

Get you back

Get you back