NADA SEI

KID ABELHA

COMPOSITORES: GEORGE ISRAEL & PAULZ

PAÍS: BRASIL

ÁLBUM: ACÚSTICA MTV

GRAVADORA: UNIVERSAL MUSIC GROUP

GÊNERO: POP ROCK

ANO: 2002

Acústico MTV é um álbum acústico da banda brasileira Kid Abelha, lançado em 2002 em CD e DVD.

Gravado no Pólo de Cinema e Vídeo, do Rio de Janeiro, no dia 18 de setembro de 2002, o álbum é um apanhado geral da carreira da banda, incluindo desde grandes sucessos, como No Seu Lugar, Lágrimas e Chuva, Grand'Hotel, Amanhã é 23, Fixação e Te Amo Pra Sempre, até canções recentes, como Eu Contra a Noite, Maio e as inéditas Nada Sei, Meu Vício Agora, Gilmarley Song e Te Amo Pra Sempre.

O disco também se destaca pelas regravações de Quero Te Encontrar, da dupla funk Claudinho & Buchecha (homenagem a Claudinho, falecido em Junho de 2002) e Brasil, sucesso de Cazuza, além de uma versão intimista para Os Outros, apenas com a líder Paula Toller e o pianista Humberto Barros no palco.

Participaram como convidados especiais o cantor Lenine, na canção Na Rua, Na Chuva, Na Fazenda (Casinha de Sapê), e o músico Edgard Scandurra (Ira!), em Como Eu Quero e Mudança de Comportamento

O álbum foi o sétimo mais vendido de 2002 no Brasil, chegando ao disco duplo de platina (na época, mais de 500 mil cópias).

Nada sei dessa vida

Vivo sem saber

Nunca soube, nada saberei

Sigo sem saber

Que lugar me pertence

Que eu possa abandonar

Que lugar me contém

Que possa me parar

Sou errada, sou errante

Sempre na estrada

Sempre distante

Vou errando

Enquanto tempo me deixar

Errando enquanto tempo me deixar

Nada sei desse mar

Nado sem saber

De seus peixes, suas perdas

De seu não respirar

Nesse mar, em segundos

Insistem em naufragar

Esse mar me seduz

Mas é só prá me afogar

Sou errada, sou errante

Sempre na estrada

Sempre distante

Vou errando

Enquanto o tempo me deixar

Errando enquanto o tempo me deixar

Sou errada, sou errante

Sempre na estrada

Sempre distante

Sou errada, sou errante

Sempre na estrada

Sempre distante

Vou errando

Enquanto o tempo

Me deixar passar

Errando enquanto o tempo me deixar

MAMBO ITALIANO

DEAN MARTIN

SONGWRITER: FRANKIE LAINE & BOB MERRILL

COUNTRY: U.S.A.

ALBUM: THE VERY BEST OF DEAN MARTIN – VOL. 2

LABEL: CAPITOL RECORDS

GENRE: POP

YEAR: 2004

"Mambo Italiano" is a popular song written by Bob Merrill in 1954 and recorded by Rosemary Clooney. Merrill wrote it under deadline, scribbled hastily on a paper napkin in an Italian restaurant in New York, United States using the wall pay-phone to dictate the melody, rhythm and lyrics to the recording studio pianist, under the aegis of conductor Mitch Miller. The song became a hit for Clooney, reaching #10 on the charts in the United States and number one in the UK Singles Chart early in 1955.

The original record was produced by Mitch Miller.

In 2000, it was remixed and re-released by Shaft, reaching #12 on the UK Singles Chart.

Dean Martin (Steubenville, 7 de junho de 1917 — Beverly Hills, 25 de dezembro de 1995) foi um dos mais influentes artistas do século 20, tanto na música, televisão, bem como no cinema. Seu nome de batismo é Dino Paul Crocetti.

Era integrante da "Rat Pack", um grupo de amigos formado por Frank Sinatra, Sammy Davis, Jr., Peter Lawford e Joey Bishop que realizaram algumas atividades artísticas em conjunto na década de 1960. É bastante reconhecido por sua parceria de enorme êxito com Jerry Lewis. Morreu em decorrência de câncer no pulmão.

A boy went back to Napoli

because he missed the scenery

the native dances

and the charming songs

but wait a minute

something's wrong!

'cause now it's...

Hey mambo

mambo Italiano

hey hey mambo

mambo Italiano

Go go go

you mixed up Siciliano

All you Calabrese do the mambo like-a crazy with the

Hey mambo

don't wanna tarantella

Hey mambo no more mozzarella

Hey mambo

mambo Italiano

Try an enchilada

with a fish baccala

And then hey gumba love how you dance the rumba

But take a some advice pisano learn how to mambo

If you're gonna be a square you ain't-a gonna go nowhere

Hey mambo

mambo Italiano

hey mambo

mambo Italiano

Go go Joe

shake like a tiavanna

E lo che se dice

you get happy in the pizza when you

Mambo Italiano

Hey chadrool

you don't-a have to go to the school

Just make it with a big bambino

It's like vino

Kid you good-a looking but you don't-a know what's cooking 'til you

Hey mambo

mambo Italiano

Hey hey mambo

mambo Italiano

Ho ho ho

you mixed up Siciliano

E lo che se dice you get happy in the pizza when you

Mambo Italiano

SUNSHINE BOY

TOWNES VAN ZANDT

Songwriter: TOWNES VAN ZANDT

Country: u.s.a.

Album: SUNSHINE BOY: THE UNHEARD STUDIO SESSIONS & DEMOS 1971-1972

Label: omnivore records

Genre: folk

Year: 2013

John Townes Van Zandt (March 7, 1944 – January 1, 1997), best known as Townes Van Zandt, was an American songwriter. He is widely regarded for his poetic, often heroically sad songs. In 1983, six years after Emmylou Harris had first popularized it, Willie Nelson and Merle Haggard covered his song "Pancho and Lefty", scoring a number one hit on the Billboard country music charts. Much of his life was spent touring various dive bars, often living in cheap motel rooms and backwoods cabins. For much of the 1970s, he lived in a simple shack without electricity or a phone.

He suffered from a series of drug addictions, alcoholism, and bipolar disorder. When he was young, the now discredited insulin shock therapy erased much of his long-term memory.

Van Zandt died on New Year's Day 1997 from cardiac arrythmia caused by health problems stemming from years of substance abuse. The 2000s saw a resurgence of interest in Van Zandt. During the decade, two books, a documentary film titled Be Here to Love Me, and a number of magazine articles about the singer were written.

You won't learn nothing from the sunshine, boy

Except how to get away from home

You won't learn nothing from the darkness, boy

Except how to die all alone

Time will teach you hunger, boy

On the very day you're grown

It'll come to you like a daydream, boy

And it'd cost you everything you own

So, watch for birds and binders too

Move in a natural way

Follow the sidewalk with your tongue

'Cause it will try to slip away

Find you a friend like Little John

Rememberin' nothing's free

Find you a girl like Gretchen, son

But don't bring her home to me

Keep your eyes on the rhythm, boy

And let the words go by

Rhythm is pulse and breathing, boy

The words will usually lie

The sky was made to walk beneath

And the ground to walk along

Just let 'em both rub against your skin

Before you try to decide where you belong

ASTURIAS

JOHN WILLIAMS

COMPOSITOR: ISAAC ALBENIZ

PAÍS: SPAIN

ALBUM: ECHOES OF SPAIN

DISCOGRÁFICA: SONY MUSIC

GÉNERO: ALLEGRO

AÑO: 1975

Isaac Albéniz (Camprodón, 29 de maio de 1860 - Cambô-les-Bains, 18 de maio de 1909) foi um compositor, pianista e dramaturgo espanhol.

Asturias (Leyenda), named simply Leyenda by its composer, is a musical work by the Spanish composer and pianist Isaac Albéniz.

The opening is shown here in piano score. The repeated D is an example of the use of a pedal note

The piece, which lasts around six minutes in performance, was originally written for the piano and set in the key of G minor. It was first published in Barcelona, by Juan Bta. Pujol & Co., in 1892 as the prelude of a three-movement set entitled Chants d'Espagne.

The name Asturias (Leyenda) was given to it posthumously by the German publisher Hofmeister, who included it in the 1911 "complete version" of the Suite española, although Albéniz never intended the piece for this suite. Despite the new name, this music is not considered suggestive of the folk music of the northern Spanish region of Asturias, but rather of Andalusian flamenco traditions. Leyenda, Hofmeister's subtitle, means legend. The piece is noted for the delicate, intricate melody of its middle section and abrupt dynamic changes.

Albéniz's biographer, Walter Aaron Clark, describes the piece as "pure Andalusian flamenco". In the main theme the piano mimics the guitar technique of alternating the thumb and fingers of the right hand, playing a pedal-note open string with the index finger and a melody with the thumb. The theme itself suggests the rhythm of the bulería — a fast flamenco form. The ‘marcato’/'staccato’ markings suggest both guitar sounds and the footwork of a flamenco dancer. The piece sounds as though it is written in the Phrygian mode which is typical of bulerías. The second section is a reminiscent of a copla — a sung verse following a specific form. Clark states that it is written in typical Albéniz form as it is "presented monophonically but doubled at the fifteenth for more fullness of sound. The music alters between a solo and accompaniment that is typical of flamenco. The short middle section of the piece is written in the style of a malagueña — another flamenco style piece. The malagueña borrows two motives from the previous copla and builds on them. The piece returns to its first theme until a slow "hymn-like" passage ends the piece.

John Towner Williams (Long Island, 8 de fevereiro de 1932) é um aclamado compositor americano premiado várias vezes por suas trilhas sonoras.