SING, SING, SING WITH A SWING
HORIA BRENCIU ORCHESTRA BIG BAND
SONGWRITER: LOUIS PRIMA(1936)
COUNTRY: U.S.A.
ALBUM: SING, SING, SING
LABEL: HB MEDIA ENTRETAINMENT
GENRE: SWING
YEAR: 2015

"Sing, Sing, Sing" é uma canção de 1936 escrita por Louis Prima que se tornou um dos hits da época das Big bands e da Swing Era. A música é comumente associada a Benny Goodman, apesar de ser de Louis Prima.
Em 6 de Julho de 1937 "Sing, Sing, Sing" foi gravada em Hollywood com Benny Goodman no clarinete; Harry James, Ziggy Elman, e Chris Griffin no trompete; Red Ballard e Murray McEachern no trombone; Hymie Schertzer e George Koenig no sax alto; Art Rollini e Vido Musso no sax tenor; Jess Stacy no piano; Allan Reuss na guitarra; Harry Goodman no baixo; e Gene Krupa na bateria. A música contou ainda com o arranjo de Jimmy Mundy. Diferentemente da maioria dos arranjos das Big Bands da época, que eram limitados a 3 minutos de música em média para que coubessem em um dos lados do disco padrão de 10-polegadas 78-rpm, a versão de 1937 da banda de Goodman para "Sing, Sing, Sing" era maior, tinha 8 min 43 sec, e ocupava ambos os lados de um disco de 12-polegadas 78-rpm.
Muitos aficcionados consideram a versão tocada por Benny Goodman no famoso concerto do Carnegie Hall em 1938 como sendo a performance definitiva de "Sing, Sing, Sing".
Através das décadas "Sing, Sing, Sing" transformou-se num dos mais visíveis símbolos da Swing Era, sendo ouvida desde comerciais de televisão até bandas marciais.
Horia Brenciu (born 27 August 1972 in Brașov) is a Romanian singer, television host for the Romanian version of Dancing with the Stars, successful entertainer, and philanthropist. He studied at National College Andrei Şaguna from Braşov, then he continued to Şcoala Populară de Artă Braşov, at piano and canto class, and in 1998 he finished The Theater Academy in Bucharest.
At 18 years old he started his musical career by singing with the piano in his own band, "Apropo". In 1993, he entered into the world of television as the host for a popular show, at that time called Robingo at TVR. In the following years he was a prominent TV presenter, and he was the host of some kids' shows. In 2002, he created one of the most important brands in Romania, HB Media, and from 2004 to 2010, he was the planner of Stars on Mariott and other popular shows for New Year's Eve. From 2003, he made a stand by creating "Cabaret Nights at Hilton", cabaret shows which have been enjoyed by international cycus stars and some Romanian celebrities.
In 2002, Horia Brenciu did the first step for HB Orchestra, a powerful project very active in the background for many artists in Romania. A project with thousands of concerts and live acts, at present the project with Julie Mayaya, the winner from Vocea României can be watched at Antena 1 in the show Serviciul Român de Comedie. In 2007 Brenciu released his first album, 35, and in 2008 he received some awards from Radio Romania International in "The best male voice" category.



THE SAILOR'S HORNPIPE
ORCHESTRAL COLLEGE HORNPIPE
SONGWRITER: J. Dale of London
COUNTRY: ENGLAND
ALBUM: The Sailor's Hornpipe
LABEL: ROUNDER RECORDS
GENRE: HORNPIPE MELODY
YEAR: 1998

The Sailor's Hornpipe (also known as The College Hornpipe and Jack's the Lad) is a traditional hornpipe melody.
Originally in triple time, this famous folk melody appears to have started as a dance performed to the accompaniment of the hornpipe, a Celtic instrument. "The Sailor's Hornpipe" or "The Sailors' Hornpipe" is also known by many variant names including the "College Hornpipe", and of course has numerous different arrangements. The nautical connection did not develop until about the end of the Seventeenth and beginning of the Eighteenth Centuries when it found its way into the repertoire of sailors. Also about this time, its time signature was changed to 4/4 or 2/4 time.
The usual tune for this dance was first printed as the "College Hornpipe" in 1797 or 1798 by J. Dale of London. It was found in manuscript collections before then – for instance the fine syncopated version in the William Vickers manuscript, written on Tyneside, dated 1770. The dance imitates the life of a sailor and their duties aboard ship. Due to the small space that the dance required, and no need for a partner, the dance was popular on-board ship.
Accompaniment may have been the music of a tin whistle or, from the 19th century, a squeezebox. Samuel Pepys referred to it in his diary as "The Jig of the Ship" and Captain Cook, who took a piper on at least one voyage, is noted to have ordered his men to dance the hornpipe in order to keep them in good health. The dance on-ship became less common when fiddlers ceased to be included in ships' crew members.
In dramatic stage productions, from around the sixteenth century, a popular feature was a sea dance. But the nineteenth century saw the more familiar form of the "sailors’ hornpipe" introduced. Nautical duties (for example the hauling of ropes, rowing, climbing the rigging and saluting) provided the dance movements.
In the 1941 children's novel The Moffats by Eleanor Estes, Joey Moffat is supposed to do the hornpipe in a dancing school recital. Overcome by stage fright, he can't remember the steps until a tiny lap dog – formerly a sailor's pet – hears the music and jumps into the centre of the floor to take up the dance.
TU FRIALDAD
MEDINA AZAHARA Y TRIANA
COMPOSITOR: JESUS DE LA ROSA
PAÍS: ESPAÑA
ALBUM: UN ENCUENTRO
DIRECTO AUDITORIO ROCIO JURADO DE SEVILLA
DISCOGRÁFICA: FONOMUSIC
GÉNERO: ROCK ANDALUZ
AÑO: 1980

Triana é um grupo musical da Espanha, sendo um dos mais influentes grupos espanhois na década de 70. Formado por Jesús de la Rosa (vocais e teclado), Eduardo Rodrígez (guitarra flamenca) e Juan José Palacius (bateria).
Foram um dos grupos mais destacados no movimento "rock andaluz", que consistia na fusão do rock ao flamenco, típico gênero espanhol de música. O primeiro disco, El Pátio chegou em 1975, e até hoje é lembrado como o melhor da banda. Em seguida lançaram mais cinco discos aclamados pela crítica e que são consideradas obras primas do rock em espanhol.
O fim do grupo aconteceu em 1983, com a morte acidental do vocalista e compositor Jesús de la Rosa.
Cada noche mi vida es para ti
Como un juego cualquiera
Y nada más
Porque a mí me atormenta en el alma
Tu frialdad.

Yo quisiera saber
si mi alma es igual
a la de cualquier mujer
porque a mí me atormenta
en el alma
tu frialdad.

Y sueño con gran pasión
que vives para mí
como yo vivo, niño,
por ti.
FUERA DE MI
JOSE RODRIGUEZ VASQUEZ
COMPOSITOR: JOSÉ EL FRANCÉS
PAÍS: ESPAÑA/FRANCIA
ALBUM: POTRO DE RÁBIA Y MIEL
DISCOGRÁFICA: UNIVERSAL MUSIC
GÉNERO: FLAMENCO
AÑO: 1992

José "El Francés" (1971 - ), cuyo verdadero nombre es José Rodríguez Vázquez. Es un músico de origen francés, nacido em Hérault. José Rodríguez Vázquez nació em Montpellier en 1971, en una familia gitana de emigrantes. En su casa habitaba El flamenco y José tenía diez años cuando su padre puso en el tocadiscos la voz de Camarón de la Isla cantando Rosa María. A esa edad, algunas cosas se quedan dentro. Años más tarde, José aprovechó uno de sus viajes y se quedó a vivir en España, en Madrid, en el barrio de San Blas, en el poblado de Los Focos. Y se convirtió en José el Francés.
Comenzó a componer, a moverse, a buscarse la vida. Su ilusión era conocer a Camarón de la Isla y le compuso unos tanguillos: Una rosa pa tu pelo. El de La Isla los cantó en el álbum Potro de rabia y miel, el último disco que grabó antes de su muerte en 1992. Ese mismo año, José el Francés entró en el estudio para grabar su primer disco. Era el célebre "Las calles de San Blas".
Vienes arrepentida, vienes pidiendo perdón,
diciendo que me quieres he sido tu primer amor.
Ya no quiero tus labios porque otros lo han besado,
y el amor que te tenía con tristeza lo he olvidado.

Fuera de mi, ya no quiero tu querer,
de mi mente te he borrado,
ya no quiero besar tus labios.
Fuera de mi, ya no quiero tu querer,
de mi mente te he borrado,
ya no quiero besar tus labios.

Eres parte de mi vida y te llevaba en mi corazón,
te di toda mi riqueza y me pagaste con dolor.
Por tus venas no corre sangre ni sentimiento en tu corazón,
y ahora vives sufriendo como he sufrido yo.

Fuera de mi, ya no quiero tu querer,
de mi mente te he borrado,
ya no quiero besar tus labios.
Fuera de mi, ya no quiero tu querer,
de mi mente te he borrado,
ya no quiero besar tus labios.

Después de un largo tiempo quiere de nuevo mis caricias,
y vive en el pasado y está fuera de mi vida.
Ya no quiero tus labios porque otros lo han besado,
y el amor que te tenía con tristeza lo he olvidado.

Fue-fue-fuera de mi, ya no quiero tu querer,
de mi mente te he borrado,
ya no quiero besar tus labios.
Fuera de mi, ya no quiero tu querer,
de mi mente (de mi mente) te he borrado, (te he borrado)
ya no quiero, no, besar tus labios.