RUNNING WITH THE NIGHT
LIONEL RICHIE
SONGWRITERS: LIONEL RICHIE & CYNTHIA WEIL
COUNTRY: U.S.A.
ALBUM: CAN’T SLOW DOWN
LABEL: MOTOW RECORDS
GENRE: R & B
YEAR: 1983

Can't Slow Down é um álbum de estúdio de Lionel Richie, lançado em outubro de 1983. Este álbum está na lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.
"Running with the Night" was the second single released from Lionel Richie's multi-platinum and Grammy Award-winning 1983 album, Can't Slow Down. Richie co-wrote the song with songwriter Cynthia Weil and co-produced it with James Anthony Carmichael.





The heart of the city street was beating
Light from the neons turned the dark to day
We were too hot to think of sleeping
We had to get out before the magic got away
We were running with the night
Playing in the shadows
Just you and I, till the morning light
(We were running, running with the night) oh

You were looking so good girl, heads were turning
You and me on the town, ooh, we let it all hang out
The fire was in us, we were burning
We were gonna go all the way and we never had a doubt

We were running with the night
Playing in the shadows
Just you and I, till the morning light
(We were running, running with the night) oh

We were so in love, you and me
On the boulevard wild and free
Giving all we got, we laid it down
Taking every shot, we took the town

We were running with the night
Playing in the shadows
Just you and I and it was so right

Girl, it was so right
MONDAY MONDAY
THE MAMAS & THE PAPAS
SONGWRITER: JOHN PHILIPS
COUNTRY:
ALBUM: IF YOU CAN BELIEVE YOUR EYES AND EARS
LABEL: DUNHIL RECORDS
GENRE: FOLK ROCK
YEAR: 1966

"Monday, Monday" is a 1966 song written by John Phillips and recorded by the Mamas & the Papas using background instruments played by members of The Wrecking Crew for their 1966 album If You Can Believe Your Eyes and Ears. It was the group's only number-one hit on the U.S. Billboard Hot 100.
Phillips said that he wrote the song quickly, in about 20 minutes. The song includes a false ending, when there is a pause before the coda of the song, and goes up a half note for the bridges and refrains of the song. It was the second consecutive number-one hit song in the U.S. to contain a false ending, succeeding "Good Lovin'" by the Young Rascals, and the first time this novelty had occurred between consecutive number one hits.
On March 2, 1967, The Mamas & the Papas won a Grammy Award for Best Pop Performance by a Duo or Group with Vocal for this song.
Arguably the best live or studio version of the song was performed at the Monterey Rock Festival (California) in 1967. The performance was recorded for film at the time but not in a solo album.
The song appears on the soundtrack of Michael Apted's film Stardust.





Bah-da bah-da-da-da
Bah-da bah-da-da-da
Bah-da bah-da-da-da

Monday, Monday, so good to me
Monday mornin', it was all I hoped it would be
Oh Monday mornin', Monday mornin' couldn't guarantee
That Monday evenin' you would still be here with me

Monday, Monday, can't trust that day
Monday, Monday, sometimes it just turns out that way
Oh Monday mornin' you gave me no warnin' of what was to be
Oh Monday, Monday, how could you leave and not take me

Every other day, every other day
Every other day of the week is fine, yeah
But whenever Monday comes, but whenever Monday comes
A-you can find me cryin' all of the time

Monday, Monday, so good to me
Monday mornin', it was all I hoped it would be
But Monday mornin', Monday mornin' couldn't guarantee
That Monday evenin' you would still be here with me

Every other day, every other day
Every other day of the week is fine, yeah
But whenever Monday comes, but whenever Monday comes
A-you can find me cryin' all of the time

Monday, Monday, can't trust that day
Monday, Monday, it just turns out that way
Oh Monday, Monday, won't go away
Monday, Monday, it's here to stay
Oh Monday, Monday

Oh Monday, Monday
KEEP YOUR HANDS OFF HER
JUNIOR KIMBROUGH
SONGWRITER: Big Bill Broonzy
COUNTRY:  U.S.A.
ALBUM: DO THE RUMP
LABEL: FAT POSSUM
GENRE: BLUES
YEAR: 1988

David "Junior" Kimbrough (July 28, 1930 – January 17, 1998) was na American blues musician. His best-known works are "Keep Your Hands off Her" and "All Night Long".
Chulahoma: The Songs of Junior Kimbrough is an EP by American rock duo The Black Keys. Essentially a tribute album, it is a collection of the band's cover versions of songs by Fat Possum Records bluesman Junior Kimbrough, who died in 1998. The title is a Choctaw word for red fox and is a reference to Chulahoma, Mississippi, location of "Junior's Place", a juke joint bought by Kimbrough around 1992 and operated after his death by his sons until it burned down on April 6, 2000
The Black Keys have covered Kimbrough in their 2002 debut album, with "Do the Rump", and with "Everywhere I Go" on their second record Thickfreakness. In 2005, they contributed a "My Mind is Ramblin'" cover to the Sunday Nights: The Songs of Junior Kimbrough tribute compilation, which also features Iggy Pop & The Stooges and Spiritualized. Chulahoma was recorded in the basement of 54 Metlin Rd. in Akron, Ohio, and was the band's last record with Fat Possum Records, as they subsequently signed to Nonesuch Records.
You see a man,
She met a man, oh man,
I love the way she walks,
Yeah, she walk good,
I love the way she talks, aww yeah,
She talk good,

Keep your hands off of my girl,
She don't belong to you,

Love her, I love her,
I love her,
I love her, I love her, I love her,
Keep your hands off of my girl,
She don't belong to you.
LIFE WITHOUT YOU
STEVIE RAY VAUGHAN
SONGWRITER: Stevie Ray Vaughan
COUNTRY: U.S.A.
ALBUM: THE FIRE MEETS THE FURY (LIVE)
LABEL: SMOKIN
GENRE: ROCK
YEAR: 2012

The Fire Meets the Fury Tour is a 1989 concert tour by Stevie Ray Vaughan and Jeff Beck. Epic Records paired the two guitarists together for a 29-day concert tour starting in Bloomington, Minnesota. They rehearsed at Prince's Paisley Park Studios before beginning the tour at Northrup Auditorium. The two artists switched headline spots at different points during the tour. During the final December 3 show, in which Jeff Beck opened, Carlos Santana joined the stage playing a few songs on a borrowed Stratocaster.
Jon Fox Jul 08 2008 @ rateyourmusic.com wrote: Issued as a promotional compact disc by CBS Records, for the Jeff Beck and Stevie Ray Vaughan 1989 tour. The Fire Meets The Fury lays out a total of sixteen cuts from the dynamic six string bending duo. Each legendary guitarist is showcased via eight songs, which alternate between the pair. Touring as a three piece, along with drummer Terry Bozzio and keyboardist Tony Hymas, Beck was out on the road in support of his Jeff Beck's Guitar Shop recording. The souped-up title track from the '89 release is included on the promo CD, along with "Stand On It" and "Savoy". In addition, retro Beck tracks, dating back to his days fronting The Jeff Beck Group ("Going Down"), fill out the collection, with "Beck's Bolero", "Freeway Jam", and "Blue Wind", adding depth to the release. Stevie Ray and his tight Double Trouble backing band counter Beck's fretboard prowess with "Tightrope", "Pride and Joy", the raucous "The House is Rockin'", the bluesy "Couldn't Stand the Weather" and "Crossfire", standing out. Like Beck, Vaughan's cover of "Superstition" is included on the limited edition tour sampler.




Oo oo now baby....tell me how have you been
We all have missed you....and the way you grin
The day is necessary....every now and then
For souls to move on....givin' life back again, and again
Fly on fly on....fly on my friend
Go on....live again....love again

Day after day....night after night
Sittin' here singin' every minute....as the years go passing by....by, by, by
Long look in the mirror....we've come face to face
Wishin' all the love we took for granted....love we have today

Life without you....all the love you passed my way
The angels have waited for so long....now they have their way

Take your place....