DRIVING TOWARDS THE DAYLIGHT
JOE BONAMASSA
SONGWRITER: DANIEL KORTCHMAR & JOSEPH BONAMASSA
COUNTRY: U.S.A.
ALBUM: DRIVING TOWARDS THE DAYLIGHT
LABEL: PROVOGUE RECORDS
GENRE: BLUE-ROCK
YEAR: 2012

Driving Towards the Daylight é o décimo-primeiro álbum de estúdio do guitarrista de blues-rock estadunidense Joe Bonamassa.
Joe Bonamassa (Utica-NY, 8 de Maio de 1977) é um guitarrista de blues-rock estadunidense.
O primeiro disco-solo (A New Day Yesterday), lançado em 2000, é um testemunho de amor ao rock dos anos 60 e 70. Joe começa com o blues-rock Cradle Rock, um clássico do guitarrista irlandês Rory Gallagher e Walk in My Shadows dos britânicos do Free. A faixa título é uma porrada tirada do segundo álbum do Jethro Tull (Stand Up, 1969). Em If Heartaches Were Nickels, Bonamassa convida o tecladista Gregg Allman (The Allman Brothers Band) e o ícone da guitarra Leslie West, fundador do mitológico grupo Mountain. A sonoridade meio anos 70 deve-se ao produtor Tom Doud, que trabalhou com Derek & The Dominos e The Allman Brothers. Don t Burn Down That Bridge é uma reverência aos ingleses do Cream (leia-se Eric Clapton) o timbre da guitarra é idêntica a clássica Sunshine Of Your Love. O guitarrista mostra que também é um compositor competente no rock Nuthin´ I Wouldn´t Do e no blues Trouble Waiting. O disco ainda conta com a participação do guitarrista Rick Derringer, outra referência importante em sua formação.




Look upon a mountain
Waitin' on a train
Baby I know what's wrong
And it still happened again
Waiting on my destiny
Learning from my abilities
Who was wrong and
Who was right and
Do we even know why we are fighting?
So take your eyes off of me
And look upon the churning sea

Driving towards the daylight
Running from the midnight
Trying to get my way home
Running from the spotlight
Trying to find the daylight
Trying to get back home

Rusty strings on my old guitar
Speaks volumes of who you are
So never did I think it was you
It was me, one of the chosen few
Who will it be, oh the next time?
Hopefully one with more sense of mind
So where did you go?
Always will see
It's a story of you and me

Driving towards the daylight
Running from the midnight
Trying to get my way home
Running from the spotlight
Trying to find the daylight
Trying to get back home

Driving towards the daylight
Running from the midnight
Trying to get my way home
Running from the spotlight
Trying to find the daylight
Trying to get my way home

Driving towards the daylight
Running from that midnight
Trying to get my way home
Running from the spotlight
Trying to find the daylight

Trying to get my way home.
USE SOMEBODY
PARAMORE
SONGWRITERS: CALEB FOLLOWILL; NATHAN FOLLOWILL; JARED FOLLOWILL & MATTHEW FOLLOWILL
COUNTRY: U.S.A
ALBUM: ONLY BY THE NIGHT
LABEL: SONY MUSIC
GENRE: ALTERNATIVE ROCK
YEAR: 2008

"Use Somebody" é o segundo single do álbum Only by the Night da banda americana de rock Kings of Leon, lançado em 8 de dezembro de 2008. A canção foi tocada com exclusividade pela primeira vez no MySpace da banda em 4 de novembro de 2008. A canção foi a que melhor se posicionou nas paradas mundias. O single ja vendeu mais de 700 mil cópias somente na Inglaterra.
Nos EUA, "Use Somebody" chegou a primeira posição na Billboard Hot Modern Rock Tracks. O single também alcançou a primeira posição na Adult Top 40 Chart e ficou na posição n° 4 na Hot 100. "Use Somebody" ja foi baixado 2,009,823 da internet nos Estados Unidos e chegou a posição n° 2 no iTunes Top 100 Chart, com 132,458 downloads na primeira semana.
O single ficou muito tempo nas radios na escandinávia, principalmenta na Finlândia e na Suécia, assim como na República da Irlanda, no Reino Unido e na Austrália, onde foi a mais tocada por mais de seis semanas.






I've been roaming around
Always looking down at all I see
Painted faces, fill the places I can't reach

You know that I could use somebody
You know that I could use somebody

Someone like you, and all you know
And how you speak
Countless lovers under cover of the street

You know that I could use somebody
You know that I could use somebody
Someone like you

Off in the night
While you live it up, I'm off to sleep
Waging wars to shake the poet and the beat
I hope it's gonna make you notice
I hope it's gonna make you notice

Someone like me
Someone like me
Someone like me, somebody

I'm ready, I'm ready
I'm ready, I'm ready

Someone like you, somebody
Someone like you, somebody
Someone like you, somebody

I've been roaming around,

Always looking down at all I see
RUNNING WITH THE NIGHT
LIONEL RICHIE
SONGWRITERS: LIONEL RICHIE & CYNTHIA WEIL
COUNTRY: U.S.A.
ALBUM: CAN’T SLOW DOWN
LABEL: MOTOW RECORDS
GENRE: R & B
YEAR: 1983

Can't Slow Down é um álbum de estúdio de Lionel Richie, lançado em outubro de 1983. Este álbum está na lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.
"Running with the Night" was the second single released from Lionel Richie's multi-platinum and Grammy Award-winning 1983 album, Can't Slow Down. Richie co-wrote the song with songwriter Cynthia Weil and co-produced it with James Anthony Carmichael.





The heart of the city street was beating
Light from the neons turned the dark to day
We were too hot to think of sleeping
We had to get out before the magic got away
We were running with the night
Playing in the shadows
Just you and I, till the morning light
(We were running, running with the night) oh

You were looking so good girl, heads were turning
You and me on the town, ooh, we let it all hang out
The fire was in us, we were burning
We were gonna go all the way and we never had a doubt

We were running with the night
Playing in the shadows
Just you and I, till the morning light
(We were running, running with the night) oh

We were so in love, you and me
On the boulevard wild and free
Giving all we got, we laid it down
Taking every shot, we took the town

We were running with the night
Playing in the shadows
Just you and I and it was so right

Girl, it was so right
MONDAY MONDAY
THE MAMAS & THE PAPAS
SONGWRITER: JOHN PHILIPS
COUNTRY:
ALBUM: IF YOU CAN BELIEVE YOUR EYES AND EARS
LABEL: DUNHIL RECORDS
GENRE: FOLK ROCK
YEAR: 1966

"Monday, Monday" is a 1966 song written by John Phillips and recorded by the Mamas & the Papas using background instruments played by members of The Wrecking Crew for their 1966 album If You Can Believe Your Eyes and Ears. It was the group's only number-one hit on the U.S. Billboard Hot 100.
Phillips said that he wrote the song quickly, in about 20 minutes. The song includes a false ending, when there is a pause before the coda of the song, and goes up a half note for the bridges and refrains of the song. It was the second consecutive number-one hit song in the U.S. to contain a false ending, succeeding "Good Lovin'" by the Young Rascals, and the first time this novelty had occurred between consecutive number one hits.
On March 2, 1967, The Mamas & the Papas won a Grammy Award for Best Pop Performance by a Duo or Group with Vocal for this song.
Arguably the best live or studio version of the song was performed at the Monterey Rock Festival (California) in 1967. The performance was recorded for film at the time but not in a solo album.
The song appears on the soundtrack of Michael Apted's film Stardust.





Bah-da bah-da-da-da
Bah-da bah-da-da-da
Bah-da bah-da-da-da

Monday, Monday, so good to me
Monday mornin', it was all I hoped it would be
Oh Monday mornin', Monday mornin' couldn't guarantee
That Monday evenin' you would still be here with me

Monday, Monday, can't trust that day
Monday, Monday, sometimes it just turns out that way
Oh Monday mornin' you gave me no warnin' of what was to be
Oh Monday, Monday, how could you leave and not take me

Every other day, every other day
Every other day of the week is fine, yeah
But whenever Monday comes, but whenever Monday comes
A-you can find me cryin' all of the time

Monday, Monday, so good to me
Monday mornin', it was all I hoped it would be
But Monday mornin', Monday mornin' couldn't guarantee
That Monday evenin' you would still be here with me

Every other day, every other day
Every other day of the week is fine, yeah
But whenever Monday comes, but whenever Monday comes
A-you can find me cryin' all of the time

Monday, Monday, can't trust that day
Monday, Monday, it just turns out that way
Oh Monday, Monday, won't go away
Monday, Monday, it's here to stay
Oh Monday, Monday

Oh Monday, Monday