CHANGES
THE ASSOCIATION
SONGWRITERS: Romani, Malavasi, Paolo Gianolio (lead guitarist), Tanyayette Willoughby, Paul Slade & Wayne Garfield
COUNTRY: ITALY/u.s.a.
ALBUM: "AND THEN... ALONG COMES THE ASSOCIATION"
LABEL: ATLANTIC RECORDS
GENRE: BOOGIE
YEAR: 1966

Change was an Italian-American post-disco group formed in Bologna, Italy in 1979 by businessman and executive producer Jacques Fred Petrus (1949–1986) and Mauro Malavasi (1957). They were heavily influenced by legendary disco band Chic.
Change was initially formed in 1979 as a studio-band with a revolving cast of musicians, led by businessman and executive producer Jacques Fred Petrus, with the majority of song-writing and production carried out by Mauro Malavasi and Davide Romani. The band’s dual Italian and American identity was a result of a production system in which the music, excepting the vocals, were written and recorded by Italian collaborators in studios such as Fontoprint Studios, Bologna, Italy. The backing tracks were then taken to the USA where vocals were added by American performers, before being mixed into finalised versions in major studios such as the Power Station in New York City.





Words don't come so easily to me
Sometimes I'm right, sometimes I'm wrong
Somehow I get along

Sometimes I'm mistaken
And believe me I am achin' from the times
I'm wrong within my song

But every time you're near
The words come out so neat and clear, and
You'll make some changes in me, let me tell you what I see
Changes in me

I know that you're not perfect
And I don't expect that kind of scene
You know just what I mean
I know sometimes you're walkin' and you're talkin'
You seem to get off the track
You most always get right back
It's only when you doubt yourself
That you get misplaced on your shelf

Just make your changes and see
You'll make some changes in me
You got the power and the reason for the rhyme
So lay it down I'll pick it up
And I'll put it in my mi-hi-hi-hind

Sometimes words don't make it so I'll play

So now I've sung my song
To you, I hope you enter but it's true
Sometimes I fall along the way
But then night always turns to day

You sing your song, I'll sing mine
And if they intertwine it's mighty good
If they don't it's understood, it's understood

You'll make some changes in me, let me tell you what I see
Changes in me
You got the power and the reason for the rhyme
So lay it down I'll pick it up
And I'll put it in my mi-hi-hi

Hi-hi-hind, hi-hi-hind
WHEN THE HURT IS OVER
MIGHTY SAM MCCLAIN
SONGWRITER: MIGHTY SAM MCCLAIN
COUNTRY: U.S.A.
ALBUM: SLEDGEHAMMER SOUL & DOWN HOME BLUES
LABEL: AUDIO QUEST
GENRE: BLUES
YEAR: 1996

Samuel McClain (April 15, 1943 – June 15, 2015), billed as Mighty Sam McClain, was an American Grammy nominated soul blues singer and Songwriter.
He was born in Monroe, Louisiana. As a five-year-old, he began singing in his mother's Gospel Church. McClain left home when he was thirteen and followed local R&B guitarist, Little Melvin Underwood through the Chitlin' circuit, first as his valet and then as lead vocalist himself at 15.
While singing at the 506 Club in Pensacola, Florida he was introduced to the record producer and DJ, Papa Don Schroeder and in 1966, McClain recorded a cover version of Patsy Cline's "Sweet Dreams". Several recording sessions at Muscle Shoals produced the further singles, "Fannie-May" and "In the Same Old Way". For fifteen years, first in Nashville, Tennessee, then in New Orleans, McClain worked at menial jobs. McClain toured and recorded in Japan in 1989. The end product, Live in Japan, featured Wayne Bennett
By the early 1990s, McClain relocated to New England through his participation in the "Hubert Sumlin Blues Party" project. This led to Joe Harley and AudioQuest Music. The results were the successful releases, Give It Up To Love and Keep On Movin'. After his move to New Hampshire, then followed Sledgehammer Soul and Down Home Blues. In 1998 McClain had two releases, Journey and Joy & Pain on the CrossCut Records label. Soul Survivor: The Best of Mighty Sam McClain was his farewell to AudioQuest in 1999. McClain signed on with the Telarc Blues in 1999, taking his longtime producer Joe Harley with him, and recorded the Blues Music Award nominated Blues for the Soul (2000) and Sweet Dreams (2001).






Baby you hurt me
and i know that i've hurt you

We've both promised
to always be true

We'd let our love
get lost in the rain

Now we are waiting
Oh for love to live again
Holding on
To what was before
Oh lord i see
Why did we have to let it go
Now the only thing
That i know
The only thing
That i think i'd know
When the hurt is over
Lord, maybe love will flow

Trying to do
What we know we must
When you love somebody
You know you got to trust
I think about it
again and again
I say that i will baby
Oh but i don't know if i can
You say you're sorry
Oh i say i am too
then we turn round and round
then again we'd be untrue
that is why, that is why, the only thing
that i know
the only thing baby
that i know
when the hurt is over, baby
maybe love will flow

Guess by chance
We'd work things out
we both will know
what love is all about
don't move so quickly
Oh it don't move too fast
if you got a good love
Oh you ought to try to make it last
 i know i hurt you
lord you broke my heart
and now we are sad baby
because our love is apart
that is why i say to you, the only thing
that i know
the only thing baby, i think i know
Oh baby
When the hurt is over
Lord maybe love will flow

I said when the hurt is over, baby
And all the pain is gone

Maybe i will learn how to love again y'all
When the hurt is over, over

Lord when all the pain is gone
BABY DID A BAD, BAD THING
CHRIS ISAAK
SONGWRITER: CHRIS ISAAK
COUNTRY: U.S.A.
ALBUM: FOREVER BLUE
LABEL: REPRISE RECORDS
GENRE: ROCK
YEAR: 1995

Baby Did Bad, Bad Thing é uma canção de batida animada ao mesmo tempo com tons de erotismo do cantor Chris Isaak que fez parte da trilha sonora do filme de Stanley Kubrick, De Olhos Bem Fechados, (Eyes Wide Shut). O clip sensual é estrelado por Chris Isaak e a top model e atriz francesa Laetitia Casta.
Christopher Joseph Isaak, mais conhecido como Chris Isaak (Stockton, Califórnia, 26 de junho de 1956), é um cantor, compositor e ator norte-americano.
Ele é conhecido por seu estilo inspirado na música da década de 1950, bem como o seu crescente falsete e reverberação. Ele está intimamente associadO com o diretor de cinema David Lynch, que usou suas canções em vários filmes e deu-lhe um grande papel no filme Twin Peaks: Fire Walk with Me. Suas canções geralmente se focam nos temas de amor, perda e desgosto. Com uma carreira de quatro décadas, ele acumulou um total de doze álbuns de estúdio, e acumulou inúmeras indicações a prêmios e passeios. Ele tem sido chamado de Roy Orbison da década de 1990, e muitas vezes também é comparado a Elvis Presley, Ricky Nelson e Duane Eddy.





Baby did a bad bad thing baby did a bad bad thing.
Baby did a bad bad thing baby did a bad bad thing.

You ever love someone so much you thought your little heart was gonna break in two?
I didn't think so.
You ever tried with all your heart and soul to get you lover back to you?
I want to hope so.
You ever pray with all your heart and soul just to watch her walk away?

Baby did a bad bad thing baby did a bad bad thing.
Baby did a bad bad thing, feel like crying, feel like crying.

You ever toss and turn your lying awake and thinking about the one you love?
I don't think so.
You ever close your eyes your making believe your holding the one your dreaming of?
Well if you say so.
I hurts so bad when you finally know just how low, low, low, low, low, she'll go.

Baby did a bad bad thing, baby did a bad bad thing.
Baby did a bad bad thing, feel like crying, feel like crying.

Oh. Feel like crying, feel like crying.
Oh, feel like crying, feel like crying.


Baby did a bad bad thing, baby did a bad bad thing.
NEED HER SO BAD
AYNSLEY LISTER
SONGWRITER: AYNSLEY LISTER
INSTRUMENT: GUITAR
COUNTRY: U.K.
ALBUM: EVERYTHING I NEED
LABEL: RUF RECORDS
GENRE: BLUES
YEAR: 2006

Aynsley Lister (born 14 November 1976 in Leicester, England) is a British blues-rock guitarist/singer and songwriter.




Well did you ever quit a woman
Well then you realized that you need her so bad
Did you ever, quit a woman
Well then you realized that you need her so bad
Now she belongs to someone else
She's someone that you just can't have

Did you ever turn to cry
Well then you realized that it's just too late
Did you ever turn to cry
Then you realized that it's just too late
Because the girl that you had to yourself
She ain't coming back no way

Did you ever feel lonely
And you not know where to turn
Did you ever fell lonely
And you not know where to turn
Well then you realize that you're paying the price

Like you did to here