O MEU AMOR
CHICO BUARQUE DE HOLANDA
COMPOSITOR: CHICO BUARQUE DE HOLANDA
PAÍS: BRASIL
ÁLBUM: ÓPERA DO MALANDRO
GRAVADORA: UNIVERSAL MUSIC
GÊNERO: M.P.B.
ANO: 1978

"O Meu Amor" é uma canção escrita por Chico Buarque para a sua peça "A Ópera do Malandro" de 1978. A canção é um dueto cantado pelas personagens Teresinha (interpretada por Marieta Severo) e Lúcia (interpretada por Elba Ramalho). A interpretação da dupla foi gravada também para o álbum de Chico Buarque daquele ano, lançado no mês de novembro, tornando-a a primeira canção de sucesso de Elba Ramalho, que tornou-se, desde então, também cantora. O compositor também ofereceu a canção para a cantora Maria Bethânia, que a gravou com a cantora Alcione, e no mês seguinte a incluiu no seu álbum Álibi, um dos maiores sucessos de sua carreira discográfica. Em 1999, Chico Buarque adicionou a canção ao seu show, e este foi lançado em DVD.
Teresinha
O meu amor
Tem um jeito manso que é só seu
E que me deixa louca
Quando me beija a boca
A minha pele toda fica arrepiada
E me beija com calma e fundo
Até minh'alma se sentir beijada, ai

Lúcia
O meu amor
Tem um jeito manso que é só seu
Que rouba os meus sentidos
Viola os meus ouvidos
Com tantos segredos lindos e indecentes
Depois brinca comigo
Ri do meu umbigo
E me crava os dentes, ai

As duas
Eu sou sua menina, viu?
E ele é o meu rapaz
Meu corpo é testemunha
Do bem que ele me faz

Lúcia
O meu amor
Tem um jeito manso que é só seu
De me deixar maluca
Quando me roça a nuca
E quase me machuca com a barba malfeita
E de pousar as coxas entre as minhas coxas
Quando ele se deita, ai

Teresinha
O meu amor
Tem um jeito manso que é só seu
De me fazer rodeios
De me beijar os seios
Me beijar o ventre
E me deixar em brasa
Desfruta do meu corpo
Como se o meu corpo fosse a sua casa, ai

A duas
Eu sou sua menina, viu?
E ele é o meu rapaz
Meu corpo é testemunha
Do bem que ele me faz.

Resultado de imagem para AMOR


O Meu Amor

Chico Buarque

Cifra: Principal
Tom: D#
[Intro]  Cm7/9  Eb7/9  Dm7/9  Eb7/9
 

Gm  D/F#  Fm7  Eb6/9  Ab7+                 F/A
O  meu  amor  tem um jeito manso que é só seu
                Ab/Bb  Bb7              Bº
E que me deixa louca quando me beija a boca
                             Ab7+/C
A minha pele toda fica arrepiada
Cm6             Eb/F
E me beija com calma e fundo
         F7/9            Bb7/9   D7
Até minh'alma se sentir beijada, ai
Gm  D/F#  Fm7  Eb6/9  Ab7+                 F/A
O  meu  amor  tem um jeito manso que é só seu
                   Ab/Bb     Bb7               Bº
Que rouba os meus sentidos, viola os meus ouvidos
                                Ab7+/C
Com tantos segredos lindos e indecentes
 Cm6             Eb/F              F7/9
Depois brinca comigo, ri do meu umbigo
               Bb7/9  D7
E me crava os dentes, ai
G           D/F#                   Dm7   G7
Eu sou sua menina, viu? E ele é o meu rapaz
 Cm7    F7        Bb7+            Bbm6  Abm6  Gm
Meu corpo é testemunha do bem que ele  me    faz
   D/F#  Fm7  Eb6/9  Ab7+                 F/A
O meu  amor  tem um jeito manso que é só seu
              Ab/Bb   Bb7             Bº
De me deixar maluca quando me roça a nuca
                                Ab7+/C
E quase me machuca com a barba malfeita
Cm6             Eb/F                  F7/9
E de pousar as coxas entre as minhas coxas
               Bb7/9  D7
Quando ele se deita,  ai
Gm  D/F#  Fm7  Eb6/9  Ab7+                 F/A
O  meu  amor  tem um jeito manso que é só seu
             Ab/Bb    Bb7             Bº
De me fazer rodeios, de me beijar os seios
                               Ab7+/C
Me beijar o ventre e me deixar em brasa
 Cm6             Eb/F                F7/9
Desfruta do meu corpo como se o meu corpo 
             Bb7/9  D7
Fosse a sua casa,   ai
G           D/F#                   Dm7   G7
Eu sou sua menina, viu? E ele é o meu rapaz
 Cm7  F7         Bb7+              Bbm6  Abm6  Gm
Meu  corpo é testemunha do bem que ele  me    faz
Acordes para:
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  • Bb7
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  • Bbm6
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  • Dm7
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  • Eb/F
    12348ª
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  • Eb6/9
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    XX1011
  • Eb7/9
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  • F/A
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  • F7
    34
    131211
  • F7/9
    1234
    XX3243
  • Fm7
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  • G
    123
    320003
  • G7
    34
    353433
  • Gm
    34
MR. LONELY
BOBBY VINTON
SONGWRITERS: BOBBY VINTON & GENE ALLAN
COUNTRY: U.S.A.
ALBUM: ROSES ARE RED
LABEL: EPIC
GENRE: POP
YEAR: 1964

Mr. Lonely is Bobby Vinton's tenth studio album, released in 1964. It was released right after the success of his fourth and final #1 US hit "Mr. Lonely," a 1962 song that was released as a single after its appearance on Bobby Vinton's Greatest Hits. Cover versions on this album include  "Laughing on the Outside (Crying on the Inside)" and "I'll never Smile Again". After the success of the single, Vinton released Bobby Vinton Sings for Lonely Nights, an album of songs devotes to the subject of loneliness.  . 
Lonely, I'm Mr. Lonely,
I have nobody for my own.
I'm so lonely, I'm Mr. Lonely,
wish I had someone to call on the phone.

I'm a soldier, a lonely soldier,
Away from home through no wish of my own.
That's why I'm lonely, I'm Mr. Lonely,
I wish that I could go back home.

Letters, never a letter,
I get no letters in the mail.
I've been forgotten, yeah, forgotten,
Oh how I wonder how is it I failed.

I'm a soldier, a lonely soldier,
Away from home through no wish of my own.
That's why I'm lonely, I'm Mr. Lonely,

I wish that I could go back home.
BRING ME TO LIFE
KATHERINE JENKINS
SONGWRITER: EVANESCENCE
COUNTRY: WELSH
WHERE: ARENA LONDON 2010
ALBUM: BELIEVE
LABEL: REPRISE RECORDS
GENRE: CROSSOVER
YEAR: 2009

Believe é o sétimo álbum da artista de crossover clássico, Katherine Jenkins. Foi lançado em 26 de outubro de 2009 no Reino Unido. Jenkins descreveu o álbum como o seu mais acessível até a data, com várias canções populares como Bring Me To Life de Evanescence.

How can you see into my eyes like open doors
Leading you down into my core
Where I've become so numb
Without a soul
My spirit's sleeping somewhere cold
Until you find it there and lead it back home

Wake me up inside
Wake me up inside
Call my name and save me from the dark
Bid my blood to run
Before I come undone
Save me from the nothing I've become

Now that I know what I'm without
You can't just leave me
Breathe into me and make me real
Bring me to life

Wake me up inside
Wake me up inside
Call my name and save me from the dark
Bid my blood to run
Before I come undone
Save me from the nothing I've become

Bring me to life
Bring me to life

Frozen inside without your touch without your love, darling
Only you are the life among the dead

Wake me up inside
Wake me up inside
Call my name and save me from the dark
Bid my blood to run
Before I come undone
Save me from the nothing I've become


Bring me to life.
US AND THEM
PINK FLOYD
SONGWRITERS: GEORGE ROGER WATERS & RICK WRIGHT
COUNTRY: U.S.
ALBUM: THE DARK SIDE OF THE MOON
LABEL: HARVEST
GENRE: PROGRESSIVE ROCK
YEAR: 1973

George Roger Waters (born 6 September 1943) is an English singer, songwriter, bassist, and composer. In 1965, he co-founded the progressive rock band Pink Floyd with drummer Nick Mason, keyboardist Rick Wright, and guitarist, singer, and songwriter Syd Barrett. Waters initially served as the group's bassist, but following the departure of Barrett in 1968, he also became their lyricist, co-lead vocalist, and conceptual leader.
Pink Floyd achieved international success with the concept albums The Dark Side of the Moon, Wish You Were Here, Animals, and The Wall. By the early 1980s, they had become one of the most critically acclaimed and commercially successful groups in the history of popular music; by 2013, they had sold more than 250 million albums worldwide. Amid creative differences, Waters left in 1985 and began a legal dispute with the remaining members over their use of the band's name and material. They settled out of court in 1987, and nearly eighteen years passed before he performed with them again.
The Dark Side of the Moon is the eighth album by English rock band Pink Floyd, released on 1 March 1973 by Harvest Records. The album built on ideas explored in earlier recordings and live shows, but lacks the extended instrumental excursions following the departure of founding member and principal contributor, Syd Barrett, in 1968, that characterised their earlier work. It thematically explores conflict, greed, the passage of time, and mental illness, the latter partly inspired by Barrett's deteriorating mental state.
Developed during live performances, an early version was premiered several months before recording began; new material was recorded in two sessions in 1972 and 1973 at Abbey Road in London. The group used some advanced recording techniques at the time, including multitrack recording and tape loops. Analogue synthesizers were prominent in several tracks, and snippets from recorded interviews with Pink Floyd's road crew and others provided philosophical quotations throughout. Engineer Alan Parsons was responsible for many distinctively notable sonic aspects and the recruitment of singer Clare Torry. The album's iconic sleeve, designed by Storm Thorgerson, depicts a prism spectrum and represents the band's lighting, the record's thematic material, and keyboardist Richard Wright's "simple and bold" design request.
Us, and them
And after all we're only ordinary men
Me, and you
God only knows it's not what we would choose to do
Forward he cried from the rear
and the front rank died
And the general sat and the lines on the map
moved from side to side
Black and blue
And who knows which is which and who is who
Up and down
And in the end it's only round and round... and round
Haven't you heard it's a battle of words
The poster bearer cried
Listen son, said the man with the gun
There's room for you inside

"I mean, they're not gunna kill ya
so if you give 'em a quick short
sharp, shock, they won't do it again
Dig it? I mean he get off
lightly, 'cos I would've given him a thrashing
I only hit him once!
It was only a difference of opinion
but really... I mean good manners
don't cost nothing do they, eh? "

Down and out
It can't be helped but there's a lot of it about
With, without
And who'll deny it's what the fighting's all about?
Out of the way, it's a busy day
I've got things on my mind
For want of the price of a tea and a slice
The old man died.