EVERYBODY'S TALKIN'
HARRY NILSSON
SONGWRITER: FRED NEIL
COUNTRY: U.S.A.
ALBUM: AERIAL BALLET
LABEL: RCA VICTOR
GENRE: POP
YEAR: 1969

"Everybody's Talkin'"is a songwritten and recorded by singer-songwriter Fred Neil Fred Neil in 1966. A version of the song performed by Harry Nilsson became a hit in 1969, reaching No. 6 on the Billboard Hot 100 chart and winning a Grammy Award after it was featured in the film Midnight Cowboy. The song, which describes the singer's desire to retreat from other people to the ocean, is among the most famous works of both artists, and has been covered by many other notable performers. The song later appeared in the 1994 film Forrest Gump and is also on the film's soundtrack album. It also appeared in the comedy film Borat, on The Hangover Part III soundtrack and in the English television show Black Books.Harry Edward Nilsson III (June 15, 1941 – January 15, 1994), usually credited as Nilsson, was an American singer-songwriter who achieved the peak of his commercial success in the early 1970s. His work is characterized by pioneering overdub experiments, returns to the Great American Songbook, and fusions of Caribbean sounds. A tenor with a three-and-a-half octave range, Nilsson was one of the few major pop-rock recording artists of his era to achieve significant commercial success without ever performing major public concerts or undertaking regular tours.
Born in Brooklyn, Nilsson fled to Los Angeles as a teenager and landed a job as a computer programmer at a bank. It was there that he cultivated an interest in musical composition and close-harmony singing, and was successful in having some of his songs recorded by various artists such as the Monkees, and later, Three Dog Night, who had a No. 5 hit with his song "One". In 1967, he debuted on RCA Victor with the LP Pandemonium Shadow Show, followed with a variety of releases that include a collaboration with Randy Newman (Nilsson Sings Newman, 1970) and the original children's story The Point! (1971). After a brief period of widely publicized, alcohol-fueled antics with John Lennon—the two collaborating in 1974 for the album Pussy Cats—Nilsson left RCA, and his record output subsequently diminished. In response to Lennon's 1980 death by shooting, he took a hiatus from the music industry to campaign for gun control. For the rest of his life, he recorded only on sporadic occasions. In 1994, Nilsson died of a heart attack while in the midst of recording new material for a since-unreleased comeback album.
Everybody's talking at me
I don't hear a word they're saying
Only the echoes of my mind

People stopping staring
I can't see their faces
Only the shadows of their eyes

I'm going where the sun keeps shining
Thru' the pouring rain
Going where the weather suits my clothes
Backing off of the North East wind
Sailing on summer breeze
And skipping over the ocean like a stone

Everybody's talking at me
I can't hear a word they're saying
Only the echoes of my mind

I won't let you leave my love behind
No, I won't let you leave
Won't… Ah-haaaa!

I won't let you leave my love behind.
AFTER MIDNIGHT
ERIC CLAPTON
SONGWRITER: JOHN W. CALE
COUNTRY: U.K.
ALBUM: CROSSROADS
LABEL: ATCO RECORDS
GENRE: ROCK AND ROLL
YEAR: 1988

Eric Clapton is the debut solo album from British rock musician Eric Clapton, released in August 1970 under Atco and Polydor Records.
After being successful with bands including The Yardbirds, John Mayal & the Bluesbreakers, Cream and Blind Faith, Clapton recorded an album under his own name in late 1969 and early 1970. The album cover shows Clapton sitting in a room which is going to be decorated and in which a ladder, a chair and some carpets are placed. Clapton holds a cigarette in his right hand and has his Fender Stratocaster Brownie electric guitar with him.
After midnight, we're gonna let it all hang down.
After midnight, we're gonna chug-a-lug and shout.
We're gonna stimulate some action;
We're gonna get some satisfaction.
We're gonna find out what it is all about.
After midnight, we're gonna let it all hang down.

After midnight, we're gonna shake your tambourine.
After midnight, it's all gonna be peaches and cream.
We're gonna cause talk and suspicion;
We're gonna give an exhibition.
We're gonna find out what it is all about.
After midnight, we're gonna let it all hang down.

After midnight, we're gonna let it all hang down.

[Repeat Second Verse]

After midnight, we're gonna let it all hang down.
After midnight, we're gonna let it all hang down.
After midnight, we're gonna let it all hang down.

After midnight, we're gonna let it all hang down.
BE MY LOVE
MARIO LANZA
SONGWRITER: Sammy Cahn & Nicholas Brodzsky
COUNTRY: ITALIA
ALBUM: BE MY LOVE
LABEL: RCA VICTOR
GENRE: INDIE
YEAR: 2001

"Be My Love" is a popular song with lyrics by Sammy Cahn and music by Nicholas Brodzsky. Published in 1950, it was written for Mario Lanza who sang it with Kathryn Grayson in the 1950 movie The Toast of New Orleans. Lanza's 1950 recording of the song (released by RCA Victor Records as catalog number 10-1561) was his first million-seller, eventually selling over two million copies. It was on the Billboard charts for 34 weeks, going all the way to number one. It was the theme song for Lanza's radio program, The Mario Lanza Show (1951–52). It eventually became so firmly linked to him that he wearied of it and resorted to spoofing it in private.
Be my love
For no one else can end this yearning
This need that you and you alone create
Just fill my arms
The way you've filled my dreams
The dreams that you inspire
With every sweet desire

Be my love
And with your kisses set me burning
One kiss is all I need to seal my fate
And hand in hand
We'll find love's promised land
There'll be no one but you for me
Eternally

If you will be my love.
THRILLER
MICHAEL JACKSON
SONGWRITER: ROD TEMPERTON
COUNTRY: U.S.A.
ALBUM: thriller
LABEL: epic records
GENRE: pop
YEAR: 1982

Thriller is the sixth studio album by American singer Michael Jackson, released on November 30, 1982, in the United States by Epic Records and internationally by CBS Records. The follow-up to Jackson's successful previous studio album, Off the Wall, it explores genres similar to those of its predecessor, including pop, post-disco, rock and funk. Recording sessions for the album took place from April to November 1982 at Westlake Recording Studios in Los Angeles, with a production budget of $750,000. Quincy Jones produced the album, and Jackson wrote four of its nine songs.
In just over a year, Thriller became—and currently remains—the world's best-selling album, with estimated sales of 66 million copies. Representatives for Sony and Jackson's estate say that Thriller has sold 105 million copies globally. It is the best-selling album in the United States and the first album to be certified 33× multi-platinum, having shipped 33 million album-equivalent units. The album won a record-breaking eight Grammy Awards in 1984, including Album of the Year. Seven singles were released from the album—"The Girl Is Mine", "Billie Jean", "Beat It", "Wanna Be Startin' Somethin'", "Human Nature", "P.Y.T. (Pretty Young Thing)", and "Thriller"—all of which reached the top 10 on the US Billboard Hot 100 chart. Thriller also enabled Jackson to break down racial barriers in pop music, via his appearances on MTV and meeting with President Ronald Reagan at the White House. The album was one of the first to use music videos as successful promotional tools, and the videos for the songs "Thriller", "Billie Jean", and "Beat It" all received regular rotation on MTV.
[Michael Jackson:]
It's close to midnight and something evil's lurkin' in the dark
Under the moonlight you see a sight that almost stops your heart
You try to scream but terror takes the sound before you make it
You start to freeze as horror looks you right between the eyes,
You're paralyzed

'Cause this is thriller, thriller night
And no one's gonna save you from the beast about to strike
You know it's thriller, thriller night
You're fighting for your life inside a killer, thriller tonight

You hear the door slam and realize there's nowhere left to run
You feel the cold hand and wonder if you'll ever see the sun
You close your eyes and hope that this is just imagination, girl
But all the while you hear a creature creepin' up behind
You're outta time

'Cause this is thriller, thriller night
There ain't no second chance against the thing with the forty eyes, girl
Thriller, thriller night
You're fighting for your life inside a killer, thriller tonight

Night creatures call
And the dead start to walk in their masquerade
There's no escaping the jaws of the alien this time (they're open wide)
This is the end of your life

They're out to get you, there's demons closing in on every side
They will possess you unless you change that number on your dial
Now is the time for you and I to cuddle close together
All through the night I'll save you from the terror on the screen,
I'll make you see

That this is thriller, thriller night
'Cause I can thrill you more than any ghoul could ever dare try
Thriller, thriller night
So let me hold you tight and share a killer, thriller, chiller
Thriller here tonight

'Cause this is thriller, thriller night
Girl, I can thrill you more than any ghoul could ever dare try
Thriller, thriller night
So let me hold you tight and share a killer, thriller

I'm gonna thrill you tonight

[Vincent Price:]
Darkness falls across the land
The midnight hour is close at hand
Creatures crawl in search of blood
To terrorize y'all's neighborhood
And whomsoever shall be found
Without the soul for getting down
Must stand and face the hounds of hell
And rot inside a corpse's shell

[Michael Jackson:]
I'm gonna thrill you tonight...

[Vincent Price:]
The foulest stench is in the air
The funk of forty thousand years
And grisly ghouls from every tomb
Are closing in to seal your doom
And though you fight to stay alive
Your body starts to shiver
For no mere mortal can resist
The evil of the thriller
[Into maniacal laugh, in deep echo].