TORETE

MOONSTAR 88

SONGWRITER: ACEL BISA

COUNTRY: PHILIPPINES

ALBUM: POPCORN

LABEL: OUTHERE

GENRE: ALTERNATIVE ROCK

YEAR: 2000

Maria Cecilia Beronilla Bisa, also known as Acel Bisa (her maiden name), is a singer and songwriter from the Philippines.

Moonstar88 is a Filipino rock band formed in Manila, Philippines.

Moonstar88 was formed in 1999. They were signed to Sony BMG by 2007, and later to Ivory Records in 2012. Previously under Backbeat Management, they are now with Soupstar Management under Darwin Hernandez which also handles other bands including Sandwich, Callalily, 6cyclemind, Pedicab.

As of April 2008, they have released four albums, Popcorn, Press to Play and Todo Combo, “This Year” and collaborated on one track, "Pag-Ibig Ko Sa Iyo", found on RoK On! Music Inspired By Ragnarok Online. They also performed a rendition of the APO song "Panalangin", which they recorded and was added to the tribute album for the band Apo Hiking Society on the album, Kami nAPO Muna. The band has also recorded a cover of Yano's famous song, "Senti"

Sandali na Lang

Maaari bang pagbigyan

Aalis na nga

Maaari bang hawakan nang

Iyong mga kamay

Sana ay maabot ng langit

Ang iyong mga ngiti

Sana ay masilip

[Chorus:]

'Wag kang mag-alala

Di ko ipipilit sa'yo

Kahit na lilipad ang isip

Ko'y torete sa'yo

Ilang gabi pa nga Lang

Nang tayo'y pinagtagpo

Na parang may tumulak

Nanlalamig nanginginig na ako

Akala ko nung uma

May bukas ang ganito

Mabuti pang umiwas

Pero salamat na rin at nagtagpo

Torete, torete, torete ako

Torete, torete, torete, sa iyo

[Chorus]

Torete, torete, torete ako

Torete, torete, torete, sa iyo.

EVERYBODY'S TALKIN'

HARRY NILSSON

SONGWRITER: FRED NEIL

COUNTRY: U.S.A.

ALBUM: AERIAL BALLET

LABEL: RCA VICTOR

GENRE: POP

YEAR: 1969

"Everybody's Talkin'"is a songwritten and recorded by singer-songwriter Fred Neil Fred Neil in 1966. A version of the song performed by Harry Nilsson became a hit in 1969, reaching No. 6 on the Billboard Hot 100 chart and winning a Grammy Award after it was featured in the film Midnight Cowboy. The song, which describes the singer's desire to retreat from other people to the ocean, is among the most famous works of both artists, and has been covered by many other notable performers. The song later appeared in the 1994 film Forrest Gump and is also on the film's soundtrack album. It also appeared in the comedy film Borat, on The Hangover Part III soundtrack and in the English television show Black Books.Harry Edward Nilsson III (June 15, 1941 – January 15, 1994), usually credited as Nilsson, was an American singer-songwriter who achieved the peak of his commercial success in the early 1970s. His work is characterized by pioneering overdub experiments, returns to the Great American Songbook, and fusions of Caribbean sounds. A tenor with a three-and-a-half octave range, Nilsson was one of the few major pop-rock recording artists of his era to achieve significant commercial success without ever performing major public concerts or undertaking regular tours.

Born in Brooklyn, Nilsson fled to Los Angeles as a teenager and landed a job as a computer programmer at a bank. It was there that he cultivated an interest in musical composition and close-harmony singing, and was successful in having some of his songs recorded by various artists such as the Monkees, and later, Three Dog Night, who had a No. 5 hit with his song "One". In 1967, he debuted on RCA Victor with the LP Pandemonium Shadow Show, followed with a variety of releases that include a collaboration with Randy Newman (Nilsson Sings Newman, 1970) and the original children's story The Point! (1971). After a brief period of widely publicized, alcohol-fueled antics with John Lennon—the two collaborating in 1974 for the album Pussy Cats—Nilsson left RCA, and his record output subsequently diminished. In response to Lennon's 1980 death by shooting, he took a hiatus from the music industry to campaign for gun control. For the rest of his life, he recorded only on sporadic occasions. In 1994, Nilsson died of a heart attack while in the midst of recording new material for a since-unreleased comeback album.

Everybody's talking at me

I don't hear a word they're saying

Only the echoes of my mind

People stopping staring

I can't see their faces

Only the shadows of their eyes

I'm going where the sun keeps shining

Thru' the pouring rain

Going where the weather suits my clothes

Backing off of the North East wind

Sailing on summer breeze

And skipping over the ocean like a stone

Everybody's talking at me

I can't hear a word they're saying

Only the echoes of my mind

I won't let you leave my love behind

No, I won't let you leave

Won't… Ah-haaaa!

I won't let you leave my love behind.

AFTER MIDNIGHT

ERIC CLAPTON

SONGWRITER: JOHN W. CALE

COUNTRY: U.K.

ALBUM: CROSSROADS

LABEL: ATCO RECORDS

GENRE: ROCK AND ROLL

YEAR: 1988

Eric Clapton is the debut solo album from British rock musician Eric Clapton, released in August 1970 under Atco and Polydor Records.

After being successful with bands including The Yardbirds, John Mayal & the Bluesbreakers, Cream and Blind Faith, Clapton recorded an album under his own name in late 1969 and early 1970. The album cover shows Clapton sitting in a room which is going to be decorated and in which a ladder, a chair and some carpets are placed. Clapton holds a cigarette in his right hand and has his Fender Stratocaster Brownie electric guitar with him.

After midnight, we're gonna let it all hang down.

After midnight, we're gonna chug-a-lug and shout.

We're gonna stimulate some action;

We're gonna get some satisfaction.

We're gonna find out what it is all about.

After midnight, we're gonna let it all hang down.

After midnight, we're gonna shake your tambourine.

After midnight, it's all gonna be peaches and cream.

We're gonna cause talk and suspicion;

We're gonna give an exhibition.

We're gonna find out what it is all about.

After midnight, we're gonna let it all hang down.

After midnight, we're gonna let it all hang down.

[Repeat Second Verse]

After midnight, we're gonna let it all hang down.

After midnight, we're gonna let it all hang down.

After midnight, we're gonna let it all hang down.

After midnight, we're gonna let it all hang down.

BE MY LOVE

MARIO LANZA

SONGWRITER: Sammy Cahn & Nicholas Brodzsky

COUNTRY: ITALIA

ALBUM: BE MY LOVE

LABEL: RCA VICTOR

GENRE: INDIE

YEAR: 2001

"Be My Love" is a popular song with lyrics by Sammy Cahn and music by Nicholas Brodzsky. Published in 1950, it was written for Mario Lanza who sang it with Kathryn Grayson in the 1950 movie The Toast of New Orleans. Lanza's 1950 recording of the song (released by RCA Victor Records as catalog number 10-1561) was his first million-seller, eventually selling over two million copies. It was on the Billboard charts for 34 weeks, going all the way to number one. It was the theme song for Lanza's radio program, The Mario Lanza Show (1951–52). It eventually became so firmly linked to him that he wearied of it and resorted to spoofing it in private.

Be my love

For no one else can end this yearning

This need that you and you alone create

Just fill my arms

The way you've filled my dreams

The dreams that you inspire

With every sweet desire

Be my love

And with your kisses set me burning

One kiss is all I need to seal my fate

And hand in hand

We'll find love's promised land

There'll be no one but you for me

Eternally

If you will be my love.