STEP IN TIME
DICK VAN DYKE
SONGWRITER: GEORGE STILES
MOVIE: MARY POPPINS
COUNTRY: U.S.A.
ALBUM: MARY POPPINS
LABEL: WALT DISNEY PROCUCTION
GENRE: MUSICAL FANTASY
YEAR: 1964

Mary Poppins is a 1964 American musical-fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. The screenplay is by Bill Walsh and Don DaGradi, loosely based on P. L. Travers' book series Mary Poppins. The film, which combines live-action and animation, stars Julie Andrews in the role of Mary Poppins who visits a dysfunctional family in London and employs her unique brand of lifestyle to improve the family's dynamic. Dick Van Dyke, David Tomlinson, and Glynis Johns are featured in supporting roles. The film was shot entirely at the Walt Disney Studios in Burbank, California using painted London background scenes.
Mary Poppins was released on August 27, 1964, to universal acclaim, receiving a total of thirteen Academy Award nominations, including Best Picture – an unsurpassed record for any other film released by Walt Disney Studios – and won five; Best Actress for Andrews, Best Film Editing, Best Original Music Score, Best Visual Effects, and Best Original Song for "Chim Chim Cher-ee". In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Mary Poppins is widely considered to be Walt Disney's "crowning achievement", being his only film to garner a Best Picture nomination at the Oscars in his lifetime.
Brush away the dirt and soot
Brush away your tears
Cobwebs that aren't swept away
Hang around for years
In all weathers, up all hours
We can see for miles
Our idea of heaven is
A night out on the tiles
We may look a motley crew (we may look a motley crew)
Smudged with tar and grime (Smudged with tar and grime)
But when you need a helping hand (but when you need a helping hand)
We try to step in
Try to step in
Try to step in
Just in time
We will step in
Step in time
We will step in
Step in time
Never need a reason, never need a rhyme
We will step in, step in time
Over the rooftops step in time
Over the rooftops step in time
Never need a reason, never need a rhyme
Over the rooftops step in time
Watch where you step but step in time
Watch where you step but step in time
Never need a reason, never need a rhyme
Watch where you step but step in time
Kick your knees up step in time
Kick your knees up step in time
Never need a reason, never need a rhyme
Kick your knees up step in time
Childhood is a step in time
Parenthood's the same
Never miss a chance to get it right
Don't it seem a perfect crime
Don't it seem a shame
When the steps aren't going as smoothly as they might
That's when we step in time, step in time
That's when we step step in time
Never need a reason, never need a rhyme
That's when we step in, step in time
Spin spin spin spin spin
Link your elbows, step in time
Link your elbows, step in time
Never need a reason, never need a rhyme
Link your elbows, step in time
Link your elbows, step in time
Step in time, step step in time
Just remember when you're low
Feeling in the wars
Someones up your chimney
And it isn't Santa Claus
If you need us, if you don't (if you need us, if you don't)
Doesn't make much odds (doesn't make much odds)
We'll be watching over you (we'll be watching over you)
Brushes, brooms and
Brushes, brooms and
Brushes, brushes, brooms and
And rods
Over the rooftops
Over the rooftops
Over the rooftops
Over the rooftops
Over the rooftops, step in time
Over the rooftops, step in time
Never need a reason, never need a rhyme
Over the rooftops step in time
Link your elbows, step in time
Link your elbows, step in time
Never need a reason, never need a rhyme
Link your elbows, step in time
Kick your knees up step in time
Kick your knees up step in time
Never need a reason, never need a rhyme
Kick your knees up step in time
Oh step in time, step in time
Step step step
Step in time, step in time
Step step step
Never need a reason, never need a rhyme
Never need a reason, never need a rhyme
If you kick your knees up
Kick your knees up
Kick your knees up
Kick your knees up
Step step step step step step step step step
Step step step step step step step step step

Never need a reason if you step in time.
OLÉLÉ MOBILA MAKASI
ÉMILE BAIAYENDI
COMPOSITEUR: CHANSON POPULAIRE
PAYS: RÉPUBLIQUE DÉMOCRATIQUE DE CONGO
ALBUM: OLÉLÉ LA PIROGUE DANSE
RECORD: ARB MUSIC
GENRE: BERCEUSE
ANNÉE: 2015

Cette chanson est dans une langue appelée Lingala. Il est chanté comme une berceuse, ou par les pagayeurs de canoë pour rythmer les coups de pagaie
Uélé moliba makasi est une chanson en langue lingala. Elle est originaire Du Congo-Kinshasa où elle est chantée comme berceuse, ou par les rameurs en pirogue pour rythmer les coups de pagaie. Elle a depuis longtemps dépassé les frontières du Congo grâce au livre-CD Comptines et berceuses du Baobab ou à Tintin au Congo d'Hergé.
Une association humanitaire porte ce nom: Moliba Makas.
Olélé, olélé moliba makasi
Olélé Mboka na ye, mboka, mboka kasai-ï
Mboka na ye, mboka na ye, mboka, mboka, kasai-ï
Olélé, olélé moliba makasi
Eeo, eeeeo,
Benguela aya
Oya oya, oya oya…
Olélé, olélé moliba makasi.



ZANGOULA
LES TAMBOURS DE BRAZZA
COMPOSITEUR:
OÚ: SPECTACLE À WASHINGTON 2005
PAYS: REPUBLIC DEMOCRATIC DE CONGO
ALBUM: ZANGOULA
RECORD: CONTRE-JOUR
GENRE: MUSIQUE CONGOLAISE
ANNÉE: 2000

Sous la direction d’Emile Biayenda
Créés en 1991 par Emile Biayenda, batteur, auteur et compositeur, «Les Tambours de Brazza» allient tradition et modernité faisant se côtoyer tambours «Ngoma», batterie, basse, guitare et autres instruments modernes avec un naturel remarquable.
Dans «Les Tambours de Brazza» résonnent les rythmes des ethnies du Congo et les influences des batteurs résolument modernes. Il y a les joies, les déchirements des peuples. Il y a les rites de l’Afrique. Ces tambours-là nous parlent, ils nous chantent, nous renvoyant au temps où le grand tambour, ancêtre des percussions, était le compagnon de tout un continent. Magiciens du rythme et du corps «Les Tambours de Brazza» renouent certes avec la gestuelle et les rites ancestraux africains, mais on aurait tort de penser qu’il s’agit d’artistes traditionnels. Les musiques actuelles sont très présentes dans leur travail, avec ici et là un clin d’œil au rap ou reggae, ils offrent un spectacle total et contemporain et consacrent le tambour comme un instrument à part entier et défiant le temps.
Les sons jaillissent, les rythmes s’installent telles des pulsations vitales, les danses inventent de nouveaux langages à partir de pas traditionnels, les costumes allument la scène de mille couleurs et ces griots des temps modernes transmettent par leur chant et leur irrésistible gaieté un message universel de paix, de liberté et de fraternité.
Je n’ai pas obtenu la lettre de la musique .

Merci! qui peut m’envoyer.
A SPOONFUL OF SUGAR
JULIE ANDREWS
SONGWRITERS: ROBERT BERNARD SHERMAN & RICHARD MORTON SHERMAN
MOVIE: MARY POPPINS
COUNTRY: U.S.A.
ALBUM: A SPOONFUL OF SUGAR
LABEL: WALT DISNEY RECORDS
GENRE: SOUNDTRACK
YEAR: 1964

"A Spoonful Of Sugar" is a song from Walt Disney's 1964 film and the musical versions of Mary Poppins, composed by Robert B. Sherman and Richard M. Sherman.
It is an uptempo song sung by Mary Poppins (Julie Andrews), instructing the two children, Jane (Karen Dotrice) and Michael (Matthew Garber) to clean their room. But even though the task is daunting, with a good attitude, it can still be fun. The melody is heard throughout the film as Mary's leitmotif. As part of the interlude, she sees that Michael couldn't get out of the closet doors that open and close rapidly.
In the musical, Robertson Ay and Mrs. Brill are helping Mrs. Banks for a tea party she's planning. Mrs. Brill tells Robertson Ay to make the frosting, which the kids try to do instead, despite Robertson Ay giving them warnings. After Jane sends him to get hot water, it comes out with the force of a cannon and causes Robertson Ay to run into the furniture, destroying the kitchen in the process. Mrs. Banks is shocked to see the kitchen in this shape, when she came down with Mary Poppins. Mary sends her upstairs to get dressed, while she gives Jane and Michael some medicine, which comes out in different colors and flavors, much like in the film. Cleaning the kitchen up is similar to cleaning up the nursery in the film with Mary magically putting it back together.
Mary Poppins:
[Spoken]
In ev'ry job that must be done
There is an element of fun
You find the fun and snap!
The job's a game

[Sung]
And ev'ry task you undertake
Becomes a piece of cake
A lark! A spree! It's very clear to see that

A Spoonful of sugar helps the medicine go down
The medicine go down-wown
The medicine go down
Just a spoonful of sugar helps the medicine go down
In a most delightful way

A robin feathering his nest
Has very little time to rest
While gathering his bits of twine and twig
Though quite intent in his pursuit
He has a merry tune to toot
He knows a song will move the job along – for

A Spoonful of sugar helps the medicine go down
The medicine go down-wown
The medicine go down
Just a spoonful of sugar helps the medicine go down
In a most delightful way

[Interlude]

The honey bee that fetch the nectar
From the flowers to the comb
Never tire of ever buzzing to and fro
Because they take a little nip
From ev'ry flower that they sip
And hence (And hence),
They find (They find)
Their task is not a grind.

Ah-h-h-h-h-h-h-h-h-h-h ah!

A Spoonful of sugar helps the medicine go down
The medicine go down-wown
The medicine go down
Just a spoonful of sugar helps the medicine go down

In a most delightful way.