LIVING DOLL
CLIFF RICHARD
SONGWRITER: LIONEL BART
WHERE: LIVE IN LONDON 1980
COUNTRY: U.K.
ALBUM: CLIFF SINGS
LABEL: COLUMBIA RECORDS
GENRE: ROCK AND ROLL
YEAR: 1959

"Living Doll" is a song written by Lionel Bart made popular by Cliff Richard and the Shadows (then still 'the Drifters') in 1959. It has topped the UK charts twice; in its original version in 1959 (their first number 1 single) and a new version recorded in 1986 in aid of Comic Relief.
"Living Doll" was written for the film Serious Charge. Lionel Bart had been approached by film producer Mickey Delamar to write songs for the film. The idea for the song came on a Sunday morning in October 1958 while reading a newspaper and seeing an advert for a child's doll. The doll was said to "kneel, walk, sit and sing". Bart recounted, "I was looking at the back pages and there was a small advert for a doll which could apparently do everything. I wrote the song in ten minutes." The song was written as an up-tempo light rock and roll song (rather than a ballad), and this is how Cliff Richard performs the song in the film.
Got myself a crying, talking, sleeping, walking, living doll
Got to do my best to please her, just 'cause she's a living doll
Got a roving eye and that is why she satisfies my soul
Got the one and only walking talking, living doll

Take a look at her hair, it's real
And if you don't believe what I say, just feel
I'm gonna lock her up in a trunk
So no big hunk can steal her away from me

Got myself a crying, talking, sleeping, walking, living doll
Got to do my best to please her, just 'cause she's a living doll
Got a roving eye and that is why she satisfies my soul
Got the one and only walking talking, living doll

Well, take a look at her hair, it's real
And if you don't believe what I say, just feel
Gonna lock her up in a trunk
So no big hunk can steal her away from me

Got myself a crying, talking, sleeping, walking, living doll
Got to do my best to please her, just 'cause she's a living doll
Got a roving eye and that is why she satisfies my soul
Got the one and only walking talking, living doll.
NEW RULES
DUA LIPA
SONGWRITERS: CAROLINE AILIN; DUA LIPA; EMILY WARREN & IAN KIRKPATRICK
WHERE: LIVE X FACTOR ITALIA 2017
COUNTRY: U. K.
ALBUM: DUA LIPA
LABEL: WARNER BROS RECORDS
GENRE: POP
YEAR: 2017

Dua Lipa is the debut studio album by English singer Dua Lipa. It was released on 2 June 2017 by Warner Bros. Records. The lyrical themes revolve around her personal views of love, rising above, sex, and self-empowerment.
The album has spawned six singles, including the UK top 40 singles "Be the One", "Hotter than Hell", "Blow Your Mind (Mwah)" and "New Rules", with the latter becoming Lipa's first number-one single. The record received positive reviews from music critics.
(One, one, one)

Talkin' in my sleep at night
Makin' myself crazy
(Out of my mind, out of my mind)
Wrote it down and read it out
Hopin' it would save me
(Too many times, too many times)
My love, he makes me feel like nobody else
Nobody else
But my love, he doesn't love me so I tell myself
I tell myself

One, don't pick up the phone
You know he's only calling
'Cause he's drunk and alone
Two, don't let him in
You have to kick him out again
Three, don't be his friend
You know you're gonna wake up in his bed in the mornin'
And if you're under him
You ain't getting over him

I got new rules, I count 'em
I got new rules, I count 'em
I gotta tell them to myself
I got new rules, I count 'em
I gotta tell them to myself

I keep pushin' forwards, but he keeps pullin' me backwards
(Nowhere to turn) no way
(Nowhere to turn) no
Now I'm standing back from it, I finally see the pattern
(I never learn, I never learn)
But my love, he doesn't love me so I tell myself
I tell myself
I do, I do, I do

One, don't pick up the phone
You know he's only calling
'Cause he's drunk and alone
Two, don't let him in
You have to kick him out again
Three, don't be his friend
You know you're gonna wake up in his bed in the mornin'
And if you're under him
You ain't getting over him

I got new rules, I count 'em
I got new rules, I count 'em
I gotta tell them to myself
I got new rules, I count 'em
I gotta tell them to myself

Practice makes perfect
I'm still tryna' learn it by heart
(I got new rules, I count 'em)
Eat, sleep, and breathe it
Rehearse and repeat it, 'cause I
(I got new, I got new, I got new)

One, don't pick up the phone
You know he's only calling
'Cause he's drunk and alone
Two, don't let him in
You have to kick him out again
Three, don't be his friend
You know you're gonna wake up in his bed in the mornin'
And if you're under him
You ain't getting over him

I got new rules, I count 'em
I got new rules, I count 'em
I gotta tell them to myself
I got new rules, I count 'em
(Baby, you know I count 'em)
I gotta tell them to myself

Don't let him in, don't let him in
Don't, don't, don't, don't
Don't be his friend, don't be his friend
Don't, don't, don't, don't
Don't let him in, don't let him in
Don't, don't, don't, don't
Don't be his friend, don't be his friend
Don't, don't, don't
You gettin' over him.
SYMPHONY
ZARA LARSSON
SONGWRITERS: Zara Larsson, Luke Patterson, Grace Chatto, Ammar Malik, Ina Wroldsen, Jack Patterson & Steve Mac
COUNTRY: SWEDEN
ALBUM: SO GOOD
LABEL: EPIC RECORDS
GENRE: DANCE MUSIC
YEAR: 2017

"Symphony" is a song by British classical crossover band Clean Bandit featuring Swedish singer Zara Larsson. It is taken as the third single from their upcoming second album. The song was also released as the sixth single from Larsson's second studio album, So Good (2017). The song is the final track on the album. The song peaked at number one on the Swedish singles chart, becoming Larsson's fifth number one in her home country. It also reached number one in Norway and the United Kingdom, becoming Larsson's first number one single in the latter country, as well as Clean Bandit's third number one in the UK.
I’ve been hearing symphonies
Before all I heard was silence
A rhapsody for you and me
And every melody is timeless

Life was stringing me along
Then you came and you cut me loose
Was solo singing on my own
Now I can’t find a key without you

And now your song is on repeat
And I’m dancing on to your heartbeat
And when you’re gone
I feel incomplete
So if you want the truth
I just wanna be part of your Symphony
Will you hold me tight and not let go?
Symphony
Like a love song on the radio
Will you hold me tight and not let go?

I’m sorry if it’s all too much
Every day you’re here I’m healing
And I was running out of luck
I never thought I’d find this feeling

Cause I’ve been hearing symphonies
Before all I heard was silence
A rhapsody for you and me (rhapsody for you and me)
And every melody is timeless

And now your song is on repeat
And I’m dancing on to your heartbeat
And when you’re gone
I feel incomplete
So if you want the truth
I just wanna be part of your Symphony
Will you hold me tight and not let go?
Symphony
Like a love song on the radio
Will you hold me tight and not let go?

Ah, ah, ah, ah, ah ah, ah
Ah, ah, ah, ah, ah ah, ah

And now your song is on repeat
And I’m dancing on to your heartbeat
And when you’re gone
I feel incomplete
So if you want the truth
I just wanna be part of your Symphony
Will you hold me tight and not let go?
Symphony
Like a love song on the radio
Symphony
Will you hold me tight and not let go?
Symphony
Like a love song on the radio


Will you hold me tight and not let go?
HAVANA
CAMILA CABELLO FT. YOUNG THUG
SONGWRITERS: BRIAN LEE; ALI TAMPOSI; CAMILA CABELLO; FRANK DUKES; LOUIS BELL; PHARRELL; STARRAH & YOUNG THUG
COUNTRY: CUBA
ALBUM: CAMILA
LABEL: EPIC
GENRE: LATIN POP
YEAR: 2017

"Havana" is a song recorded by Cuban-American Singer Camila Cabello featuring guest vocals from American rapper Young Thug. It was released on August 3, 2017 as a promotional single of her upcoming debut studio album Camila (2018), along with "OMG". On August 30, via social media, Cabello confirmed the song as the album's second single. It was serviced to radio on September 8. On November 12, a remix version of the song with Daddy Yankee was uploaded to Cabello's YouTube page. The first verse of the song is sung in Spanish while Daddy Yankee replaces Young Thug's verse.
Due to the spontaneous success of the song, "Havana" became its proper lead single. The song has performed well internationally, reaching number one in Australia, Canada, Ireland, Mexico, Scotland and the United Kingdom as a whole, as well as the top ten in a number of countries including Denmark, Germany, the Netherlands, New Zealand, Switzerland, while peaking at number two on the US Billboard Hot 100, where it became Cabello's highest ranking.
Hey

Havana, ooh na na (ayy)
Half of my heart is in Havana, ooh na na (ayy, ayy)
He took me back to East Atlanta, oh na na na
Oh, but my heart is in Havana (ayy)
There's somethin' 'bout his manners (uh huh)
Havana, ooh na na

He didn't walk up with that: How you doin'?
(When he came in the room)
He said there’s a lot of girls I can do with
(But I can't without you)
I knew him forever in a minute
(That summer night in June)
And papa says he got malo in him
He got me feelin' like
Ooh, ooh, ooh oh oh
I knew it when I met him
I loved him when I left him
Got me feelin' like
Ooh, ooh, ooh oh oh
And then I had to tell him
I had to go, oh na na na na na

Havana, ooh na na (ayy)
Half of my heart is in Havana, ooh na na (ayy, ayy)
He took me back to East Atlanta, oh na na na
Oh, but my heart is in Havana
My heart is in Havana (ayy)
Havana, ooh na na
Jeffery
Just graduated, fresh on campus, mmm
Fresh out East Atlanta with no manners, damn
(Fresh out East Atlanta)
Bump on her bumper like a traffic jam (jam)
Hey, I was quick to pay that girl like Uncle Sam (here you go, ayy)
Back it on me, shawty cravin' on me
Get to diggin' on me (on me)
She waited on me (then what?)
Shawty cakin' on me, got the bacon on me (wait up)
This is history in the makin' on me (on me)
Point blank, close range, that be
If it cost a million, that's me (that's me)
I was gettin' mula, man, they feel me

Havana, ooh na na (ayy)
Half of my heart is in Havana, ooh na na (oh, ooh)
He took me back to East Atlanta, oh na na na (oh, no)
Oh, but my heart is in Havana (huh?)
My heart is in Havana (ayy)
Havana, ooh na na
Ooh na na, oh na na na
Take me back, back, back like
Ooh na na, oh na na na
Take me back, back, back like
Ooh na na, oh na na na
Take me back, back, back like
Ooh na na, oh na na na
Take me back, back, back
Yeah, ayy
Ooh, ooh, ooh oh oh
Ooh, ooh, ooh oh oh
Take me back to my Havana

Havana, ooh na na
Half of my heart is in Havana, ooh na na (yeah)
He took me back to East Atlanta, oh na na na (ayy, ayy)
Oh, but my heart is in Havana
My heart is in Havana (ayy)
Havana, ooh na na (uh huh)

Oh na na na (na na, yay)
Oh na na na
Oh na na na
(No, no, no, take me back)
Oh na na na

Havana, ooh na na.