PAINT

ROXETTE

SONGWRITER: PER HAKAN GESSLE

WHERE: RÄTTVIK, DALHALLA, SWEDEN, 2012

COUNTRY: SWEDEN

ALBUM: LOOK SHARP!

LABEL: EMI RECORDS

GENRE: POP

YEAR: 1988

Look Sharp! is the second studio album by Swedish pop duo Roxette. The album was released on 21 October 1988, two years after their debut Pearls of Passion (1986). It was recorded at EMI Studios in Stockholm and at Trident II Studios in London between March and September 1988. The album was an immediate commercial success in Sweden, debuting at number one and eventually being certified 6× platinum there.

Although commercial success elsewhere was initially modest, the album was the duo's international breakthrough. It went on to be certified platinum or multi-platinum in numerous territories, while four of its singles went on to become global hits. "The Look" and "Listen to Your Heart" both topped the Billboard Hot 100, while "Dangerous" and "Dressed for Success" reached numbers 2 and 14 respectively on the same chart.

I've got a hot chilly feeling I don't understand.

I've got to run through this minute like a hurricane.

I've got to tighten my wire from the sense to the soul.

I find my back to the wall when it's time to go.

I've got to know

is that your heartbeat?

Paint...

me right.

Can you feel the heat in me tonight?

Oh I,

I'm the pearl...

Paint your love all over my world.

I get a love shock/electric from the touch of your hand.

I'm getting lost in the riddles of the modern man.

I've got it up down all around tied to the bone.

Hey there's a strange situation on the late nite show.

I've got to know

is that your heartbeat?

Paint...

me right.

Can you feel the heat in me tonight?

Oh I,

I'm the pearl...

Paint your love all over my world.

Do it right,

I can feel the woman in me tonight.

Oh I,

I'm the pearl...

Paint your love all over my world.

MOVE AWAY

BOY GEORGE & CULTURE CLUB

SONGWRITERS: GEORGE ALAN O'DOWD; JERRY HEY; MICHAEL EMILE CRAIG; JONATHAN AUBREY MOSS & PHIL PICKETT

COUNTRY: U. K.

ALBUM: MOVE AWAY

LABEL: VIRGIN

GENRE: ELECTRONIC

YEAR: 1986

"Move Away" is a 1986 song by the British band Culture Club. Taken as the lead single from their fourth album, From Luxury to Heartache, the song became the group's eighth top-ten hit on the UK Singles Chart, peaking at number seven. It reached number twelve on the Billboard Hot 100, the song was popular on US radio and the music video received healthy airplay on MTV during the spring of 1986 and was also their last single to reach the Top 40 in the US. It also reached the top ten in various other countries including Canada (#4), Italy (#10) and Australia (#10).

The song was produced by Lew Hahn and Arif Mardin (the latter a producer for Chaka Khan and Aretha Franklin in the 80s). "Move Away" was the only single from the album to reach the top-ten in the UK and would be the band's last UK top 10 hit until 1998's "I Just Wanna Be Loved".

The video-clip for the song, which cast Boy George and Jon Moss as silent film-stars racing cars across a black/white movie screen, was filmed at the Brixton Academy, London. George's friend Alice Temple can also be seen in the video.

Moving Moving Move away

Spirit changed the conversation

Stepping stones across the land

I never wanted to be a hero

I never wanted to be a man

I hurt you darling

I made you cry

I hurt you darling

Don't ask me why

Move move move away from me darling

I never said I'd hold your hand

Move move move away from me darling

I never said I'd understand

If I could say this was judgement day

You know I'd be a millionaire

I'm prepared to wear my sorrow

Everywhere we go in town

Ain't no need to beg or borrow

While you're there to drag me down

(Justice right)

I need you so

I can't let go

I never said I'd hold your hand

Why don't you move?

THE END OF THE INNOCENCE

BRUCE HORNSBY

SONGWRITER: DON HENLEY

WHERE: LIVE FROM LLBEAN FREEPORT MAINE 2017

COUNTRY: U. S. A.

ALBUM: HERE COME THE NOISE MAKERS

LABEL: RCA VICTOR

GENRE: ROCK

YEAR: 2000

"The End of the Innocence" is the lead single and title track from Don Henley's third solo studio album of the same name, released in 1989. Henley co-wrote and co-produced the song with Bruce Hornsby, who also performed piano; both artists perform the song live in their respective concerts. Henley's version peaked at number eight on the Billboard Hot 100, becoming his fifth solo top ten hit on the chart. "The End of the Innocence" also became his fourth number-one single on the Mainstream Rock Tracks chart and peaked at number two on the Hot Adult Contemporary chart. The song features Wayne Shorter on saxophone.

Here Come the Noise Makers was the first live album by American singer and pianist Bruce Hornsby. It is a double album comprising songs recorded between 1998 and New Year's Eve 1999/2000. It was Hornsby's first album with his touring act the Noisemakers.

The album not only captures the ambience of one of Hornsby’s concerts, but also reflects the vibrant temperament and true stylistic diversity with which he approaches his craft, treating the live performance like a journey in search of the perfect musical moment.

With this album, Hornsby is determined to create a hybrid style that encompasses rock, jazz, and classical music within a jam band mentality. The concert musical experience captured on the album embodied the gestures towards complete improvisatory musical spontaneity and towards recasting old songs as unrecognizably new that so much of Hornsby's solo work had been forecasting, this time in a full band setting. The album covers pieces by many of Hornsby's musical influences, George Gershwin, Samuel Barber, Bill Evans, Bud Powell and Bob Dylan among them. Hornsby directly acknowledges the influence of the Grateful Dead by performing their songs "Lady with a Fan" and "Black Muddy River" and by including a version of "The Valley Road" that seems to have "emerged from the Grateful Dead's "Wharf Rat."

Remember when the days were long

And rolled beneath a deep blue sky

Didn't have a care in the world

With mother and daddy standin' by

But "happily ever after" fails

And we've been poisoned by these fairy tales

The lawyer dwell on small details

Since daddy had to fly

But I know a place where we can go

That's still untouched by men

We could sit and watch the clouds roll by

And the tall grass wave in the wind

You can lay your head back on the ground

And let your hair fall all around me

Offer up your best defense

But this is the end

This is the end of the innocence

O'beautiful, for spacious skies

But now those skies are threatening

They're beating plowshares into swords

For this tired old man that's no longer king

Armchair warriors often fail

And we've been poisoned by these fairy tales

The lawyers dwell on small details

Since daddy had to fly.

But I know a place where we can go

And was a away this sin

We'll sit and watch the clouds roll by

And the tall grass wave in the wind

Just lay your head back on the ground

And let your hair spill all around me

Offer up your best defense

But this is the end

This is the end of the innocence

Who knows how long this will last

Now we've come so far, so fast

But, somewhere back there in the dust

That same small town in each of us

I need to remember this

So baby give me just one kiss

Come and take a long last look

Before we say goodbye

Just lay your head back on the ground

And let your hair fall all around me

Offer up your best defense

But this is the end

This is the end of the innocence.

CRASH INTO ME

THE DAVE MATTHEWS BAND

SONGWRITER: DAVID J. MATTHEWS

WHERE: LIVE AT RADIO CITY

COUNTRY: U. S. A.

ALBUM: CRASH

LABEL: RCA RECORDS

GENRE: ROCK AND ROLL

YEAR: 1996

Crash is the second studio album by American rock group Dave Matthews Band, released on April 30, 1996.

By March 16, 2000, the album had sold seven million copies, and was certified 7× platinum by the RIAA. This is currently Dave Matthews Band's best-selling album.

You've got your ball

You've got your chain

Tied to me tight, tie me up again

Who's got their claws in you my friend?

Into your heart I'll beat again

Sweet like candy to my soul

Sweet you rock, and sweet you roll

Lost for you, I'm so lost for you

Oh, and you come crash into me

And I come into you, I come into you

In a boy´s dream

In a boy´s dream

Touch your lips just so I know

In your eyes, love, it glows so

I'm bare-boned and crazy... for you

Oh, and you come crash into me, baby

And I come into you

In a boy´s dream

In a boy´s dream

If I've gone overboard

Then I'm begging you to forgive me

In my haste

When I'm holding you so girl, close to me

Oh, and you come crash into me, yeah

Baby, and I come into you

Hike up your skirt a little more

And show the world to me

Hike up your skirt a little more

And show your world to me

In a boy´s dream...in a boy´s dream

Oh, I watch you there through the window

And I stare at you

You wear nothing, but you wear it so well

Tied up and twisted, the way I'd like to be

For you, for me, come crash into me, baby

Come crash into me, yeah

Crash into me...

Crash into me...

Crash into me...

You know, I'm the king of the castle

You're the dirty rascal, crash into me

Please crash into me, babe

Oh, no no no...

Yes, I see the wave comin' crash into me

I see the wave comin' crash into me

Crash into me...