COMPOSITEURES:
JEAN ALBERTINI; DIDIER BARBELIVIEN; PAUL DE SENNEVILLE & JEAN BAUDLOT
OÙ: MONACO
PAYS: BELGIQUE
ALBUM: NOTRE
VIE C’EST LA MUSIC
RECORD:DISC’AZ
GENRE: POP
ANNÉE:1979
Laurent Depoitre (born 7
December 1988) is a Belgian professional footballer who plays as a forward for Premier
League club Huddersfield Town and the Belgium national team.
J’aime les guitares de rock ‘n’ roll
Toutes les chansons un peu folles
D’Angleterre et d’Amérique
J’aime tous les vieux Blues de
Harlem
Les discos qui nous entraînent
Au delà de l’Atlantique
J’aime le samedi soir à Paris
Sur les boulevards de la nuit
Quand on voit passer les filles
J’aime les motos dans la folie
On se retrouve entre amis
Pour jouer la fureur de vivre
Vivre
Hé, notre vie c’est la musique
Délirante ou romantique
Et depuis toujours on l’aime
Hé, notre vie c’est la musique
Fantastique ou nostalgique
Elle est toujours la plus belle
J’aime les pianos désaccordés
Tous les violons trafiqués
Dans un studio sur la Seine
J’aime quand une fille aime bien
La vie folle des musiciens
Quand elle vient me dire: “Je t’aime”
Oh, je t’aime
Hé, notre vie c’est la musique
Délirante ou romantique
Et depuis toujours on l’aime
Hé, notre vie c’est la musique
Fantastique ou nostalgique
Elle est toujours la plus belle
Hé, notre vie c’est la musique
Délirante ou romantique
Et depuis toujours on l’aime
Hé, notre vie c’est la musique
Fantastique ou nostalgique
Elle est toujours la plus belle.
PAINT
ROXETTE
SONGWRITER:
PER HAKAN GESSLE
WHERE: RÄTTVIK, DALHALLA, SWEDEN, 2012
COUNTRY: SWEDEN
ALBUM: LOOK SHARP!
LABEL: EMI RECORDS
GENRE: POP
YEAR: 1988
Look Sharp! is the second
studio album by Swedish pop duo Roxette. The album was released on 21 October
1988, two years after their debut Pearls of Passion (1986). It was recorded at EMI
Studios in Stockholm and at Trident II Studios in London between March and
September 1988. The
album was an immediate commercial success in Sweden, debuting at number one and
eventually being certified 6× platinum there.
Although commercial success elsewhere was initially
modest, the album was the duo's international breakthrough. It went on to be
certified platinum or multi-platinum in numerous territories, while four of its
singles went on to become global hits. "The
Look" and "Listen to Your Heart" both topped the Billboard Hot
100, while "Dangerous" and "Dressed for Success" reached
numbers 2 and 14 respectively on the same chart.
I've got a hot chilly feeling I
don't understand.
I've got to run through this minute like a hurricane.
I've got to tighten my wire from the sense to the soul.
I find my back to the wall when it's time to go.
I've got to know
is that your heartbeat?
Paint...
me right.
Can you feel the heat in me tonight?
Oh I,
I'm the pearl...
Paint your love all over my world.
I get a love shock/electric from the touch of your hand.
I'm getting lost in the riddles of the modern man.
I've got it up down all around tied to the bone.
Hey there's a strange situation on the late nite show.
I've got to know
is that your heartbeat?
Paint...
me right.
Can you feel the heat in me tonight?
Oh I,
I'm the pearl...
Paint your love all over my world.
Do it right,
I can feel the woman in me tonight.
Oh I,
I'm the pearl...
Paint your love all over my world.
MOVE
AWAY
BOY
GEORGE & CULTURE CLUB
SONGWRITERS:
GEORGE ALAN
O'DOWD; JERRY HEY; MICHAEL EMILE CRAIG; JONATHAN AUBREY MOSS & PHIL PICKETT
COUNTRY:
U. K.
ALBUM:
MOVE AWAY
LABEL:
VIRGIN
GENRE:
ELECTRONIC
YEAR:
1986
"Move Away" is a
1986 song by the British band Culture Club. Taken as the lead single from their
fourth album, From Luxury to Heartache, the song became the group's eighth
top-ten hit on the UK Singles Chart, peaking at number seven. It reached number
twelve on the Billboard Hot 100, the song was popular on US radio and the music
video received healthy airplay on MTV during the spring of 1986 and was also
their last single to reach the Top 40 in the US. It also reached the top ten in
various other countries including Canada (#4), Italy (#10) and Australia (#10).
The song was produced by
Lew Hahn and Arif Mardin (the latter a producer for Chaka Khan and Aretha
Franklin in the 80s). "Move Away" was the only single from the album
to reach the top-ten in the UK and would be the band's last UK top 10 hit until
1998's "I Just Wanna Be Loved".
The video-clip for the
song, which cast Boy George and Jon Moss as silent film-stars racing cars
across a black/white movie screen, was filmed at the Brixton Academy, London.
George's friend Alice Temple can also be seen in the video.
Moving Moving Move away
Spirit changed the conversation
Stepping stones across the land
I never wanted to be a hero
I never wanted to be a man
I hurt you darling
I made you cry
I hurt you darling
Don't ask me why
Move move move away from me darling
I never said I'd hold your hand
Move move move away from me darling
I never said I'd understand
If I could say this was judgement day
You know I'd be a millionaire
I'm prepared to wear my sorrow
Everywhere we go in town
Ain't no need to beg or borrow
While you're there to drag me down
(Justice right)
I need you so
I can't let go
I never said I'd hold your hand
Why don't you move?
THE END
OF THE INNOCENCE
BRUCE
HORNSBY
SONGWRITER:
DON HENLEY
WHERE: LIVE FROM LLBEAN FREEPORT MAINE 2017
COUNTRY: U.
S. A.
ALBUM: HERE
COME THE NOISE MAKERS
LABEL: RCA
VICTOR
GENRE: ROCK
YEAR: 2000
"The End of the
Innocence" is the lead single and title track from Don Henley's third solo
studio album of the same name, released in 1989. Henley co-wrote and
co-produced the song with Bruce Hornsby, who also performed piano; both artists
perform the song live in their respective concerts. Henley's version peaked at
number eight on the Billboard Hot 100, becoming his fifth solo top ten hit on
the chart. "The End of the Innocence" also became his fourth
number-one single on the Mainstream Rock Tracks chart and peaked at number two
on the Hot Adult Contemporary chart. The song features Wayne Shorter on saxophone.
Here Come the Noise Makers
was the first live album by American singer and pianist Bruce Hornsby. It is a double album comprising
songs recorded between 1998 and New Year's Eve 1999/2000. It was Hornsby's
first album with his touring act the Noisemakers.
The album not only
captures the ambience of one of Hornsby’s concerts, but also reflects the
vibrant temperament and true stylistic diversity with which he approaches his
craft, treating the live performance like a journey in search of the perfect
musical moment.
With this album, Hornsby
is determined to create a hybrid style that encompasses rock, jazz, and classical
music within a jam band mentality. The concert musical experience captured on
the album embodied the gestures towards complete improvisatory musical
spontaneity and towards recasting old songs as unrecognizably new that so much
of Hornsby's solo work had been forecasting, this time in a full band setting. The
album covers pieces by many of Hornsby's musical influences, George Gershwin, Samuel
Barber, Bill Evans, Bud Powell and Bob Dylan among them. Hornsby directly
acknowledges the influence of the Grateful Dead by performing their songs
"Lady with a Fan" and "Black Muddy River" and by including
a version of "The Valley Road" that seems to have "emerged from
the Grateful Dead's "Wharf Rat."
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