STRANGE FRUIT
BILLIE HOLIDAY
SONGWRITER: LEWIS ALLAN
COUNTRY: U. S. A.
ALBUM: STRANGE FRUIT
LABEL: ATLANTIC RECORDS
GENRE: JAZZ
YEAR: 1972

Eleanora Fagan (April 7, 1915 – July 17, 1959), better known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills, which made up for her limited range and lack of formal music education.
After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by the producer John Hammond, who commended her voice. She signed a recording contract with Brunswick Records in 1935. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia Records and Decca Records. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out concert at Carnegie Hall, but her reputation deteriorated because of her drug and alcohol problems.
Strange Fruit" is a song performed most famously by Billie Holiday, who first sang and recorded it in 1939. Written by teacher Abel Meeropol as a poem and published in 1937, it protested American racism, particularly the lynching of African Americans. Such lynchings had reached a peak in the South at the turn of the century, but continued there and in other regions of the United States. According to the Tuskegee Institute, 1,953 Americans were murdered by lynching, about three quarters of them black. The lyrics are an extended metaphor linking a tree’s fruit with lynching victims. Meeropol set it to music and, with his wife and the singer Laura Duncan, performed it as a protest song in New York City venues in the late 1930s, including Madison Square Garden.
The song continues to be covered by numerous artists, including Nina Simone, UB40, Jeff Buckley, Siouxsie and the Banshees and Dee Dee Bridgewater and has inspired novels, other poems, and other creative works. In 1978, Holiday's version of the song was inducted into the Grammy Hall of Fame. It was also included in the list of Songs of the Century, by the Recording Industry of America and the National Endowment for the Arts. Lyricist E. Y. Harburg referred to the song as a "historical document". It was also dubbed, "a declaration of war... the beginning of the civil rights movement" by record producer Ahmet Ertegun.
Southern trees bear strange fruit,
Blood on the leaves and blood at the root,
Black bodies swinging in the southern breeze,
Strange fruit hanging from the poplar trees.

Pastoral scene of the gallant south,
The bulging eyes and the twisted mouth,
Scent of magnolias, sweet and fresh,
Then the sudden smell of burning flesh.

Here is fruit for the crows to pluck,
For the rain to gather, for the wind to suck,
For the sun to rot, for the trees to drop,
Here is a strange and bitter crop.
LONG AGO AND FAR AWAY
DICK HAYMES & HELEN FORREST
SONGWRITERS: JEROME KERN & IRA GERSHWIN
COUNTRY: U. S. A.
ALBUM: LONG AGO AND FAR AWAY
LABEL: MCA RECORDS
GENRE: JAZZ
YEAR: 1983

"Long Ago (and Far Away)" is a popular song from the 1944 Technicolor film musical Cover Girl starring Rita Hayworth and Gene Kelly and released by Columbia Pictures. The music was written by Jerome Kern, and the lyrics were written by Ira Gershwin. The song was nominated for the Academy Award for Best Original Song in 1944 but lost out to “Swinging on a Star”. The song was published in 1944 and sold over 600,000 copies in sheet music in a year. In 2004 it finished #92 in AFI's 100 Years...100 Songs survey of top tunes in American cinema.
In the film it is sung by Rita Hayworth (dubbed by Martha Mears) to Gene Kelly, and later briefly reprised by Jinx Falkenburg. Charting versions were recorded almost simultaneously by Dick Haymes and Helen Forrest, Bing Crosby, Jo Stafford, and Perry Como.
The Dick Haymes-Helen Forrest recording was released by Decca Records as catalog number 23317. The record first reached the Billboard magazine charts on April 27, 1944 and lasted 11 weeks on the chart, peaking at #2.
[Her]
Long ago and far away
I dreamed a dream one day
And now that dream is here beside me
Long the skies were overcast
But now the clouds have passed
You're here at last
Chills run up and down my spine
Aladdin's lamp is mine
The dream I dreamed was not denied me
Just one look and then I knew
That all I longed for long ago was you

[Him]
Long ago and far away
I dreamed a dream one day
And now that dream is here beside me
Long the skies were overcast
But now the clouds have passed
You're here at last
Chills run up and down my spine
Aladdin's lamp is mine
The dream I dreamed was not denied me
Just one look and then I knew
That all I longed for long ago was you

[Her]
Just one look and then I knew
[Him, with her humming along]
That all I longed for long ago

[Both)]
Was you..
CHATTANOOGA CHOO CHOO
GLENN MILLER
SONGWRITERS: Harry Warren & Mack Gordon
MOVIE: SUN VALLEY SERENADE ,1941
COUNTRY: U. S. A.
ALBUM: CHATTANOOGA CHOO CHOO
LABEL: RCAVICTOR
GENRE: JAZZ
YEAR: 1941

"Chattanooga Choo Choois a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally  recorded as a big-band/swing tune by Glenn Miller and His Orchestra and featured in  the 1941 movie Sun Valley Serenade. It is the first ever song to receive a a gold record, presented by RCA Victor in 1942 for sales of 1.2 million copies.
Hi there, Tex, what you say?
Step aside partner, it´s my day
Bend an ear and listen to my version
Of a really solid Tenesse excursion

Pardon me, boy
Is that the Chattanooga choo choo?
Track twenty-nine
Boy, you can gimme a shine
Can you afford
To board a Chattanooga choo choo
I've got my fare
And just a trifle to spare

You leave the Pennsylvania Station 'bout a quarter to four
Read a magazine and then you're in Baltimore
Dinner in the diner
Nothing could be finer
Than to have your ham an' eggs in Carolina

When you hear the whistle blowin' eight to the bar
Then you know that Tennessee is not very far
Shovel all the coal in
Gotta keep it rollin'
Woo, woo, Chattanooga there you are

There's gonna be
A certain party at the station
Satin and lace
I used to call "funny face"
She's gonna cry
Until I tell her that I'll never roam
So Chattanooga choo choo
Won't you choo-choo me home?
Chattanooga choo choo
Won't you choo-choo me home?
CIVILIZATION
(BONGO BONGO BONGO)
ANDREWS SISTERS & DANNY KAYE
SONGWRITERS: BOB HILLIARD & CARL SIGMAN
COUNTRY: U. S. A.
ALBUM: FALLOUT 3
LABEL: BETHESDA SOFTWORKS
GENRE: POP
YEAR: 1948

"Civilization" is an American pre-pop song. It was written by Bob Hilliard and Carl Sigman, published in 1947 later included in the 1947 Broadway musical Angel in the Wings, sung by Elaine Stritch. The song is sometimes also known as "Bongo, Bongo, Bongo (I Don't Want to Leave the Congo)" from its first line of the chorus. The sheet music gives the title as "Civilization (Bongo, Bongo, Bongo)".
Each morning, a missionary
advertises neon sign
He tells the native population
that civilization is fine
And three educated savages holler from a bamboo tree
That civilization is a thing for me to see

So bongo, bongo, bongo,
I don't wanna leave the Congo
Oh no no no no no
Bingle, bangle, bungle,
I'm so happy in the jungle
I refuse to go
Don't want no bright lights,
false teeth, doorbells, landlords,
I make it clear
That no matter how they coax him,
I'll stay right here

I looked through a magazine
the missionary's wife concealed
(Magazine? What happens?)
I see how people who are civilized
bung you with automobile
(You know you can get hurt
that way Daniel?)
At the movies they have got to pay
many coconuts to see
(What do they see, Darling?)
Uncivilized pictures that the newsreel
takes of me

So bongo, bongo, bongo,
he don't wanna leave the Congo
Oh no no no no no
Bingo, bangle, bungle,
he's so happy in the jungle
He refuse to go
Don't want no penthouse,
bathtub, streetcars, taxis, noise in my ear
So, no matter how they coax him,
I'll stay right here

They hurry like savages
to get aboard an iron train
And though it's smokey and it's crowded,
they're too civilized to complain
When they've got two weeks’ vacation,
they hurry to vacation ground
(What do they do, Darling?)
They swim and they fish,
but that's what I do all year round

So bongo, bongo, bongo,
I don't wanna leave the Congo
Oh no no no no no
Bingo, bangle, bungle,
I'm so happy in the jungle
I refuse to go
Don't want no jailhouse,
shotgun, fish-hooks, golf clubs
I got my spears
So, no matter how they coax him,
I'll stay right here

They have things like the atom bomb,
so I think I'll stay where I "ahm"
Civilization, I'll stay right here!