BAD GIRLS
DONNA SUMMER
SONGWRITERS: Donna Summer, Bruce Sudano Joe "Bean" Esposito &Edward "Eddie" Hokenson
WHERE: FROM VHI PRESENTS LIVE & MORE ENCORE 1999
COUNTRY: U. S. A.
ALBUM: BAD GIRLS
LABEL: CASABLANCA
GENRE: DISCO
YEAR: 1979

"Bad Girls" is a song by American Singer Donna Summer from her 1979 seventh studio album of the same name, released as the second single from the Bad Girls album on June 23, 1979, through Casablanca Records. The song was produced by Summer's regular collaborators Giorgio Moroder and Pete Bellotte, and co-written by Summer and the Brooklyn Dreams.
"Bad Girls" became a worldwide success, peaking within the top-ten in seven countries, including Spain and New Zealand. In the United States, it spent five weeks at number-one on the Billboard Hot 100, from the weeks of July 14, 1979 to August 11, 1979; and sold over two million copies, simultaneously becoming, alongside "Hot Stuff", her most successful single. The single, which was the second-biggest song of 1979, also helped the Bad Girls album to reach the multi-platinum status in the US. Summer placed three songs in the Top 12 of the Billboard 1979 year-end charts.
Bad girls
Talking about the sad girls
Sad girls
Talking about bad girls, yeah

See them out on the street at night, walkin'
Picking up on all kinds of strangers
If the price is right
You can't score if you're pocket's tight
But you want a good time
You ask yourself who they are
Like everybody else
They come from near and far
Bad girls, yeah

Bad girls
Talking about the sad girls, yeah
Sad girls
Talking about bad girls, yeah

Friday night and the strip is hot
Sun's gone down and they're out to trot
Spirit's high and legs look hot
Do you wanna get down
Now don't you ask yourself who they are
Like everybody else, they wanna be a star

Bad girl
Sad girl, you're such a naughty bad girl
Beep-Beep, uh-uh
You bad girl you sad girl
Your such a dirty bad girl
Beep-Beep, uh-uh

Now you and me we're both the same
But you call yourself by different names
Now your mama won't like it when she finds out
That her girl is out at night

Hey, Mister, have you got a dime
Mister, do you want to spent some time
Oh, yeah
I got what you want, you got what I need
I'll be your baby, come and spend it on me
Hey, Mister
I'll spend some time with you.
BAD GIRLS
ANASTACIA & JAMIROQUAI
SONGWRITER:
COUNTRY: U. K.
ALBUM: LIVE IN VERONA
LABEL: EAGLE VISION
GENRE: ACID JAZZ
YEAR: 2002

Jamiroquai - Live in Verona is a DVD of a concert performed by the British band Jamiroquai in Verona in 2002, when the band toured in support of their album A Funk Odyssey.
Jamiroquai (/dʒəˈmɪroʊkwaɪ/) are a British jazz-funk band from London, formed in 1992. Fronted by singer-songwriter Jay Kay, the band rose to international fame in the 1990s as one of the most prominent components in the London-based funk/acid jazz movement, and are also best known for their music video of the 1996 single "Virtual Insanity".
They débuted as na acid-jazz band and have since explored other musical directions such as pop, rock, disco and electronica. With Kay primarily in charge of the band's creative direction, Jamiroquai initially favoured live instrumentation along with their preference to perform on stage. Their lyrics, as well as their visual concepts, occasionally reference Kay's views towards environmentalism and social idealism. Although Kay had maintained these values, journalists have questioned his lyrical motives on the group's more accessible material.
Bad Girls" is a song by American Singer Donna Summer from her 1979 seventh studio album of the same name, released as the second single from the Bad Girls album on June 23, 1979, through Casablanca Records. The song was produced by Summer's regular collaborators Giorgio Moroder and Pete Bellotte, and co-written by Summer and the Brooklyn Dreams.
Bad Girls
Bad girls
Talking about the sad girls
Sad girls
Talking About bad girls, yeah

See them out on the street at night, walkin'
Picking up on all kinds of strangers
If the price is right
You can't score if you're pocket's tight
But you want a good time

You ask yourself who they are
Like everybody else, they come from near and far

Bad girls
Talking about the sad girls
Sad girls
Talking About bad girls, yeah

Friday night and the strip is hot
Sun's gone down and they're out to trot
Spirit's high and legs look hot
Do you wanna get down?

Now don't you ask yourself who they are?
Like everybody else, they wanna be a star

Now you and me we're both the same
But you call yourself by different names
Now your mama won't like it when she finds out
That her girl is out at night
Street talkin', street walkin'

Hey, mister, have you got a dime?
Mister, do you want to spent some time? Oh, yeah
I got what you want, you got what I need
I'll be your baby, come and spend it on me

Sad Girls, you such a dirty bad girl
Beep-Beep uh uh
You bad girl you sad girl
you such a dirty bad girl
Beep-Beep uh uh.
TROUBLEMAKER
Olly Murs
SONGWRITERS: TRAMAR DILLARD, CLAUDE KELLY, STEVE ROBSON & OLIVER STANLEY MURS
WHERE: LIVE WEEK 7/THE X FACTOR U. K. 2012
COUNTRY: U. K.
ALBUM: RIGHT PLACE, RIGHT TIME
LABEL: EPIC
GENRE: POP
YEAR: 2012

"Troublemaker" is a song by English recording artist Olly Murs, released as the lead single from his third studio album, Right Place Right Time (2012). It features American rapper Flo Rida. "Troublemaker" was co-written by Murs, Steve Robson, Claude Kelly and Flo Rida, and was produced by Robson. The song premiered on 8 October 2012, in the United Kingdom on the Capital FM radio station and was made available to download on 12 October in certain international territories.
"Troublemaker" was a major commercial success. In the United Kingdom, the song debuted atop the UK Singles Chart, making it Murs' fourth solo single to reach number one and his first to spend more than a week at the top spot. It also served as the closing song at Murs's 2013 arena tour. As of November 2016, it is Murs' biggest-selling single to date.
You're a troublemaker
You're a troublemaker
You ain't nothing but a troublemaker, girl

You had me hooked again from the minute you sat down
The way you bite your lip got my head spinnin' around
After a drink or two I was putty in your hands
I don't know if I have the strength to stand

Trouble troublemaker, yeah
That's your middle name
I know you're no good but you're stuck in my brain
And I wanna know

Why does it feel so good but hurt so bad?
My mind keeps saying,
"Run as fast as you can."
I say, "I'm done," but then you pull me back
I swear you're giving me a heart attack
Troublemaker!

It's like you're always there in the corners of my mind
I see your silhouette every time I close my eyes
There must be poison in those finger tips of yours
'Cause I keep comin' back again for more

Trouble troublemaker, yeah
That's your middle name
I know you're no good but you're stuck in my brain
And I wanna know

Why does it feel so good but hurt so bad?
My mind keeps saying,
"Run as fast as you can."
I say, "I'm done," but then you pull me back
I swear you're giving me a heart attack
Troublemaker

Why does it feel so good but hurt so bad
My mind keeps saying,
"Run as fast as you can."
Troublemaker
I say, "I'm done," but then you pull me back
I swear you're giving me a heart attack
Troublemaker

Maybe I'm insane
'Cause I keep doing the same damn thing
Thinking one day we gon' change
But you know just how to work that back
And make me forget my name
What the hell you do I won't remember
I'll be gone until November
And you show up again next summer, yeah!
Typical middle name is Prada
Fit you like a glove, girl
I'm sick of the drama
You're a troublemaker
But damn girl it's like I love the trouble
And I can't even explain why
(Yeah!)

Why does it feel so good but hurt so bad?
My mind keeps saying,
"Run as fast as you can."
Troublemaker
I say, "I'm done," but then you pull me back
I swear you're giving me a heart attack
Troublemaker

Why does it feel so good but hurt so bad?
(And I can't even explain why)
My mind keeps saying,
"Run as fast as you can."
Troublemaker
I say, "I'm done," but then you pull me back
I swear you're giving me a heart attack
Troublemaker.
WHEN THE GIRL IN YOUR ARMS
CLIFF RICHARD
SONGWRITERS: ROY C. BENNETT & SID TEPPER
WHERE: ROYAL ALBER HALL 2015
COUNTRY: U. K.
ALBUM: WHEN THE GIRL IN YOUR ARMS
LABEL: COLUMBIA
GENRE: ROCK
YEAR: 1961

"When the Girl in Your Arms Is the Girl in Your Heart" is a 1961 hit by Cliff Richard written by the songwriting team of Sid Tepper and Roy Bennett who would contribute fifteen songs to the Cliff Richard canon including his career record "The Young Ones". Produced by Richard's regular producer Norrie Paramor, "When the Girl in Your Arms..." featured backing by the Norrie Paramor Orchestra with vocal support from the Mike Sammes Singers. Richard's own group the Shadows backed him on the B-side "Got a Funny Feeling"
Recorded in January 1961, "When the Girl in Your Arms..." was not released until that October as the first advance single for the Cliff Richard movie vehicle The Young Ones. The track reached a chart peak of #3 in the UK and gave Richard a #1 hit in the Netherlands, Norway (for eight weeks) and South Africa. A #2 hit in Australia and Ireland, Richard's "When the Girl in Your Arms..." was also a hit in Belgium/Flemish Region (#4), Belgium/Wallonia (#10) and New Zealand (#7).
Sir Cliff Richard, OBE (born Harry Rodger Webb, 14 October 1940) is a British pop singer, musician, performer, actor and philanthropist. Richard has sold more than 250 million records worldwide. He has total sales of over 21 million singles in the United Kingdom and is the third-top-selling artist in UK Singles Chart history, behind the Beatles and Elvis Presley.
Richard was originally marketed as a rebellious rock and roll singer in the style of Elvis and Little Richard. With his backing group, the Shadows, Richard dominated the British popular music scene in the pre-Beatles period of the late 1950s to early 1960s. His 1958 hit single "Move It" is often described as Britain's first authentic rock and roll song; in the opinion of John Lennon of the Beatles, "before Cliff and the Shadows, there had been nothing worth listening to in British music". Increased focus on his Christianity and subsequent softening of his music led to a more middle-of-the-road image and he sometimes ventured into contemporary Christian music.
When the girl in your arms
Is the girl in your heart
Then you have got everything
When you are holding the dream
You have been dreaming you would hold
You're as rich as a king
So hold her tight
And never let her go
Day and night
Let her know
You love her so
With the love of your life
Spend the lifetime of love
Make her yours for evermore

So hold her tight
And never let her go
Day and night
Let her know
You love her so
With the love of your life
Spend the lifetime of love
Make her yours for evermore
Make her yours for evermore.