HAWAIIAN WAR CHANT
TOMMY DORSEY
SONGWRITER: PRINCE LELEIOHOKU/1860(CO-SONGWRITERS: RALPH FREED & JOHNNY NOBLE/1930)
COUNTRY: U. S. A.
ALBUM: HAWAIIAN WAR CHANT
LABEL: VICTOR RECORDS
GENRE: JAZZ

YEAR: 1956

"Hawaiian War Chant" was an American popular song whose original melody and lyrics were written in the 1860s by Prince Leleiohoku. The original title of the song was Kāua I Ka Huahuaʻi or "We Two in the Spray." It was not written as a chant, and the Hawaiian lyrics describe a clandestine meeting between two lovers, not a battle. The English title therefore has nothing to do with the song as it was originally written and performed in Hawaii.
Under the original title, the song was recorded around June 1911 by the Crowel Glee Club, and released by Columbia Records.
English lyrics by Ralph Freed were written in 1936 and the melody changed somewhat at that time by Johnny Noble. Tommy Dorsey recorded it on November 29, 1938, and it was released on Victor Records in the United States and Canada. In a 1942 performance, Dorsey's band featured drummer Buddy Rich and trumpeter Ziggy Elman for this song. The song was featured in the 1942 film Ship Ahoy starring Eleanor Powell, Red Skelton and the Tommy Dorsey Band. The song features prominently in Walt Disney's Enchanted Tiki Room, a Disney theme park attraction that first opened at Disneyland in 1963.
Spike Jones recorded the song for Victor Records in February 1946 with Carl Grayson on vocal. It reached number eight on the charts, according to Joel Whitburn.
William Pitt Leleiohoku II, Born Kalahoʻolewa (January 10, 1855 – April 9, 1877), was a prince of the Kingdom of Hawaiʻi and member of the reigning House of Kalākaua. At birth, he was hānai (informally adopted) by Ruth Keʻelikōlani and later legally adopted by her in 1862 as the heir to her vast land holdings. He was educated at St. Alban's College, a precursor of the present ʻIolani School. After finishing his education, he worked in the governmental Foreign Office and served as an officer on the personal military staff of King Lunalilo. On February 14, 1874, his brother Kalākaua was elected king after the death of Lunalilo. Declared heir apparent to his childless brother, Leleiohoku was expected to inherit the throne of Hawaii. He would also serve as a Privy Councilor and member of the House of Nobles in the Legislature of the Kingdom of Hawaii. During Kalākaua's trip to the United States to negotiate the Reciprocity Treaty of 1875, he ruled as regent in the monarch's absence from November 17, 1874, to February 15, 1875. Leleiohoku died at the age of 22 from rheumatic fever resulting in the proclamation of his sister Liliʻuokalani as the next heir to the throne. An accomplished musical composer, Leleiohoku is remembered for composing many folk songs including "Kāua I Ka Huahuaʻi", which was adapted into the American popular song "Hawaiian War Chant".
There's a sunny little funny little melody
That was started by a native down in Waikiki
He would gather a crowd down beside the sea
And they'd play his gay Hawaiian chant
Soon the other little natives started singin' it
And the hula hula maidens started swingin' it
Like a tropical storm that's the way it hit
Funny little gay Hawaiian Chant
Ow way tah tualan Me big bad fightin' man
Tho it started on an island down Hawaii way
It's as popular in Tennessee or Ioway
If you wander into any cabaret
You will hear this gay Hawaiian Chant.
IF EVERYONE WAS LISTENING
SUPERTRAMP
SONGWRITERS: ROGER HOGDSON & RICK DAVIES
WHERE: PLACE DES ARTS, MONTREAL, CANADA - 2013
COUNTRY: U. K.
ALBUM: CRIME OF CENTURY
LABEL: A & M RECORDS
GENRE:ROCK PROGRESSIVE
YEAR: 1974

Crime of the Century is the third studio album by the English rock band Supertramp, released in September 1974 on A&M Records. Crime of the Century was Supertramp's commercial breakthrough in both the US and UK, aided by the UK hit "Dreamer" and the US hit "Bloody Well Right". It was a UK Top 10 album and a US Top 40 album, eventually being certified Gold in the US in 1977 after the release of Even in the Quietest Moments.... The album was Supertramp's first to feature drummer Bob Siebenberg(at the time credited as Bob C. Benberg), woodwinds player John Anthony Helliwell, bassist Dougie Thomson, and co-producer Ken Scott. The album has received critical acclaim, including its inclusion in Rolling Stone's "50 Greatest Prog Rock Albums of All Time".
The album's dedication reads "To Sam", which is a nickname for Stanley August Miesegaes, the Dutch millionaire who supported the band financially from 1969–72
Supertramp (known as Daddy in 1969–1970) are an English rock band formed in London in 1969. Though their music was initially categorised as progressive rock, they later incorporated a combination of traditional rock, pop and art rock into their music.
The band's work is marked by the individual songwriting of founders Roger Hodgson and Rick Davies and the prominent use of Wurlitzer electric piano and saxophone. Though their early style was progressive, they enjoyed greater commercial success when they incorporated more radio-friendly pop elements into their work in the mid-1970s, going on to sell more than 60 million albums. The band reached their commercial peak with 1979's Breakfast in America, which sold more than 20 million copies.
Supertramp attained significant popularity in the US, Canada, Europe, South Africa, and Australasia. Since co-founder Hodgson's departure in 1983, Davies has led the band by himself.
The actors and jesters are here
The stage is in darkness and clear
For raising the curtain
And no-one's quite certain whose play it is
How long ago, how long
If only we had listened then
If we'd known just how right we were going to be
For we dreamed a lot
And we schemed a lot
And we tried to sing of love before the stage fell apart

If everyone was listening you know
There'd be a chance that we could save the show
Who'll be the last clown
To bring the house down?
Oh no, please no, don't let the curtain fall

Well, what is your costume today?
Who are the props in your play?
You're acting a part which you thought from the start
was an honest one
Well how do you plead?
An actor indeed!
Go re-learn your lines
You don't know what you've done
The finale's begun

If everyone was listening you know
There'd be a chance that we could save the show
Who'll be the last clown
To bring the house down?
Oh no, please no, don't let the curtain fall.
GET DOWN ON IT

KOOL & THE GANG
SONGWRITERS: ROBERT MICKENS; ROBERT BELL; JAMES TAYLOR; GEORGE BROWN; EUMIR DEODATO & CLAYDES SMITH
WHERE: LIVE IN CHICAGO 2000
COUNTRY: U. S. A.
ALBUM: KOOL & GANG
LABEL: DE LITE
GENRE: SOUL JAZZ
YEAR: 1981

"Get Down on It" is a 1981 song by American band Kool & the Gang. It was originally released on their Something Special album in 1981. The single was certified Gold by the RIAA.
The song hit the top 10 of the US Pop and R&B charts in Billboard in early 1982. It entered the UK charts in December 1981 and reached number three, their highest-charting hit in the UK at that time. It spent a total of 12 weeks on the British play list. Ten years later, it was re-released in the UK charts – on the Mercury label – but only charted for a week (at number 69).
Kool & the Gang are an American band formed in Jersey City, New Jersey in 1964 by brothers Robert "Kool" Bell and Ronald Bell, with Dennis "D.T." Thomas, Robert Mickens, Charles Smith, George Brown, and Ricky West. They have undergone numerous changes in personnel and have explored many musical styles throughout their history, including jazz, soul, funk, rock, and pop music. After settling on their name following several changes, the group signed to De-Lite Records and released their debut album, Kool and the Gang (1970).
Oh, what you gonna do?
Do you wanna get down?

Get down on it, get down on it
Get down on it, get down on it
Come on and
Get down on it, get down on it
Get down on it, get down on it

How are you gonna do it if you really don't wanna dance
By standing on the wall - get your back up off the wall! Tell me
How are you gonna do it if you really don't wanna dance
By standing on the wall - get your back up off the wall!
'Cause I heard all the people sayin'

Get down on it, get down on it, get down on it, get down on it
Come on and - if you really want it - you gotta feel it - get down on it
Get down on it, get down on it, get down on it, get down on it
Come on and - baby baby - get on it

I said people, what? What you gonna do?
You gotta get on the groove
If you want your body to move - tell me baby

How are you gonna do it if you really don't wanna dance
By standing on the wall - get your back up off the wall! Tell me
How are you gonna do it if you really won't take a chance
By standing on the wall - get your back up off the wall!
'Cause I heard all the people sayin'

Get down on it, get down on it, get down on it, get down on it
When you're dancin'
Get down on it, get down on it, get down on it, get down on it
Shadabadabadabadu

Oh, what you gonna do? Do you wanna get down? What you gonna do?
Get your back up off the wall! Dance! Come on!
Get your back up off the wall! Dance! Come on!

Get down on it, get down on it, get down on it, get down on it
Come on and - if you really want it - you gotta feel it - get down on it
Get down on it, (get down on it), get down on it
Come on and - baby baby
Get down on it (get down on it) get down on it
Get on it

How are you gonna do if you really don't wanna dance
By standing on the wall - get your back up off the wall! Tell me, baby
How are you gonna do if you really don't wanna take a chance
By standing on the wall - get your back up off the wall!
Listen baby

You know it, when you're dancin' yeah!
You show it, oh when you move move move
You know it, oh when you're dancin' yeah!
You show it, as you move across the floor

Get down on it, get down on it, get down on it, get down on it
Come on and - if you really want it - you gotta feel it - get down on it
Get down on it, get down on it, get down on it, get down on it
Come on and - baby baby - get on it
Shadabadabadabadu

Oh, what you gonna do? Do you wanna get down? What you gonna do?
Get your back up off the wall! Dance! Come on!
Get your back up off the wall! Dance! Come on!

Get down on it, get down on it, get down on it, get down on it
Come on and - if you really want it - you gotta feel it - get down on it
Get down on it, get down on it, get down on it, get down on it
Come on and - get down on it - while you're dancin'- get down on it

Get down on it, (get down on it) get down on it
Oh wow hoh yeah
Get down on it,(get down on it) get down on it
You move me baby when you move
You move me baby when you move
Get your back up off the wall!
I CAN'T QUIT YOU BABY
OTIS RUSH
SONGWRITER: WILLIE DIXON
COUNTRY: U. S. A.
ALBUM: I CAN’T QUIT YOU BABY
LABEL: COBRA RECORDS
GENRE: BLUES
YEAR: 1956

"I Can't Quit You Baby" is a blues standard written by Willie Dixon and first recorded by Chicago blues artist Otis Rush in 1956. It was Rush's first recording and became a record chart hit. The song, a slow twelve-bar blues, has been recorded by various artists, including Led Zeppelin, who included it on their debut album.
"I Can't Quit You Baby" was a vehicle for arranger/producer Dixon to launch Rush and Cobra Records, as it was the first single for both. In this regard, it was a success, reaching number six on Billboard's Rhythm & Blues Records chart in 1956. In his autobiography, Willie Dixon explained that "I Can't Quit You Baby" was written about a preoccupied relationship Rush was having at the time. Dixon used this statement to draw out an impassioned performance by Rush.
“I can't quit you, baby
“But I've got to put you down for awhile
“You know I can't quit you, baby
“But I've got to put you down for awhile
“Well, you messed up my happy home, babe
“Made me mistreat my only child.”
The song is notated in the key of A major in 12/8 time with a "slow blues" tempo. Rush's original version consists of four twelve-bar vocal sections with lead guitar fills. It was Rush's first recording and took place in Chicago around July 1956. Accompanying Rush on lead guitar and vocal are Big Walter Horton on harmonica, Red Holloway on tenor sax, Lafayette Leake on piano, Wayne Bennett on second guitar, Dixon on bass, and Al Duncan on drums.
Well, I can't quit you baby, but I got to put you down for awhile
Well, you know, I can't quit you baby, but I got to put you down for awhile
Well, you know, you messed up my happy home baby, made me mistreat my only child
Yes, you know I love you, baby, my love for you I'll never hide
Oh, you know I love you, baby, my love for you I'll never hide
Yes, you know I love you, baby, well you just my ordered
Size
Well, I'm so tired I could cry, I could just lay down and die
Oh, I'm so tired I could cry, I could just lay down and die
Yes, you know you my only darling, you know you my desire
When you hear me moaning and groaning, you know it hurts me deep down inside
Oh, when you hear me moaning and groaning, you know it hurts me deep down inside
When you hear me holler, baby, oh, you know your my desire.