AUTUMN LEAVES
BEEGIE ADAIR TRIO
SONGWRITERS: JOSEPH KOSMA &JACQUES PRÉVERT
IN ENGLISH: JOHNNY MERCER
STYLE: INSTRUMENTAL
COUNTRY: U. S. A.
ALBUM: DAYS OF WINE AND ROSES SONGS OF JOHNNY MERCER
LABEL: VILLAGE SQUARE
GENRE: JAZZ
YEAR: 2003

Bobbe Gorin "Beegie" Adair, née Long (born December 11, 1937, Barren County, Kentucky, United States) is an American jazz pianist. She studied piano at Western Kentucky University. She moved to Nashville, Tennessee, where she did graduate work at Peabody College. She later went on to form the Beegie Adair Trio.
Adair has recorded and appeared in over 90 recordings (37 of which are recorded with her trio, the Beegie Adair Trio, which consists of bassist Roger Spencer and percussionist Chris Brown), ranging from Cole Porter standards to Frank Sinatra classics to romantic World War II ballads. She has released a six-CD Centennial Composers Collection of tunes by Rodgers, Gershwin, Kern, Ellington, Carmichael and Berlin. Adair cites George Shearing, Bill Evans, Oscar Peterson and Erroll Garner among her influences.
She lives in Franklin, Tennessee. Her late husband, Billy, was an associate professor of jazz studies at the Blair School in Vanderbilt University until his death in February 2014. She is a Board & Faculty member of the Nashville Jazz Workshop and performs regularly in Nashville.
"Autumn Leaves" is a popular song and jazz standard composed by Joseph Kosma with lyrics by Jacques Prévert.

BESAME MUCHO
DAVE BRUBECK
SONGWRITER: CONSUELO VELÁSQUEZ
INSTRUMENT: PIANO
COUNTRY: U. S. A.
ALBUM: ON TIME
LABEL: SMSP
GENRE: JAZZ
YEAR: 1967

David Warren Brubeck(/ˈbruːbɛk/; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer, considered one of the foremost exponents of cool jazz. He wrote a number of jazz standards, including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranged from refined to bombastic, reflecting both his mother's attempts at classical training and his own improvisational skills. His music is known for employing unusual time signatures as well as superimposing contrasting rhythms, meters, and tonalities.
Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, "World's Fair" in 13/4, and "Blue Rondo à la Turk" in 9/8. He was also a composer of orchestral and sacred music and wrote soundtracks for television, such as Mr. Broadway and the animated miniseries This Is America, Charlie Brown.
Often incorrectly attributed to Brubeck, the song "Take Five", which has become a jazz standard, was composed by Brubeck's long-time musical partner, alto saxophonist Paul Desmond. Appearing on one of the top-selling jazz albums, Time Out, and written in 5/4 time, "Take Five" has endured as a jazz classic associated with Brubeck.
Dave Brubeck was born in the San Francisco Bay Area city of Concord, California, and grew up in a city located in the Mother Lode called Ione, California. His father, Peter Howard "Pete" Brubeck, was a cattle rancher, and his mother, Elizabeth (née Ivey), who had studied piano in England under Myra Hess and intended to become a concert pianist, taught piano for extra money.
His father had Swiss ancestry (the family surname was originally Brodbeck) and possibly Native American Modoc lineage, while his maternal grandparents were English and German. Brubeck originally did not intend to become a musician (his two older brothers, Henry and Howard, were already on that track), but took lessons from his mother. He could not read music during these early lessons, attributing this difficulty to poor eyesight, but "faked" his way through well enough that this deficiency went mostly unnoticed.
Intending to work with his father on their ranch, Brubeck entered the College of the Pacific in Stockton, California (now the University of the Pacific), studying veterinary science. He changed to music on the urging of the head of zoology, Dr. Arnold, who told him "Brubeck, your mind's not here. It's across the lawn in the conservatory. Please go there. Stop wasting my time and yours." Later, Brubeck was nearly expelled when one of his professors discovered that he could not read music on sight. Several of his professors came forward, arguing that his ability to write counterpoint and harmony more than compensated, and demonstrated his familiarity with music notation. The college was still afraid that it would cause a scandal, and agreed to let Brubeck graduate only after he had promised never to teach piano.

HOW IT FEELS TO BE FREE
NINA SIMONE
SONGWRITERS: BILLY TAYLOR & DICK DALLAS(RICHARD CARROLL LAMB)
WHERE: AT JAZZ FESTIVAL IN MONTREAUX
COUNTRY: U. S. A.
ALBUM: SILK AND SOUL
LABEL: RCA RECORDS
GENRE: JAZZ
YEAR: 1967

"I Wish I Knew How It Would Feel to Be Free" is a jazz song written by Billy Taylor and Dick Dallas. Taylor's original version (as "I Wish I Knew") was recorded on November 12, 1963, and released on his Right Here, Right Now! album (Capitol ST-2039) the following year. His 1967 instrumental take was later used as the theme music for the Film... review programme series on BBC Television.
Taylor said: "I wrote this song, perhaps my best-known composition, for my daughter Kim. This is one of the best renditions I’ve done because it is very spiritual."
The song served as an anthem for the Civil Rights Movement in America in the 1960s. A widely played version was recorded by Nina Simone in 1967 on her Silk & Soul album.
Lighthouse Family covered it as (I Wish I Knew How It Would Feel to Be) Free/One.
Other artists who have covered the song include Illinois Jacquet(1968), Solomon Burke(1968), Cold Blood (1969), John Denver (1969), Mary Travers(1971), Jools Holland(1997), Levon Helm(2009), Tedeschi Trucks Band, and Emeli Sandé(2012). The song was also covered by Andra Day or the 2017 Film Acrimony.
Nina Simone(/ˈniːnəsɪˈmoʊn/; born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.
Born in North Carolina, the sixth child of a preacher, Waymon initially aspired to be a concert pianist. With the help of a few supporters in her hometown of Tryon, she enrolled in the Juilliard School of Music in New York.
Waymon then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition. Waymon became fully convinced this rejection had been entirely due to racial discrimination. In 2003, just days before her death, the Curtis Institute of Music bestowed on her an honorary degree.
To make a living, Eunice Waymon changed her name to "Nina Simone". The change related to her need to disguise herself from family members, having chosen to play "the devil's music" or "cocktail piano" at a nightclub in Atlantic City. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist.
Simone recorded more than 40 albums between 1958 and 1974. She made her debut with the álbum Little Girl Blue. She had a hit in the United States in 1958 with "I Loves You, Porgy".
Simone's musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice. 
I wish I knew how
It would feel to be free
I wish I could break
All the chains holding me
I wish I could say
All the things that I should say
Say 'em loud say 'em clear
For the whole round world to hear
I wish I could share
All the love that's in my heart
Remove all the bars
That keep us apart
I wish you could know
What it means to be me
Then you'd see and agree
That every man should be free

I wish I could give
All I'm longin' to give
I wish I could live
Like I'm longin' to live
I wish I could do
All the things that I can do
And though I'm'm way over due
I'd'd be starting a new

Well I wish I could be
Like a bird in the sky
How sweet it would be
If I found I could fly
Oh I'd'd soar to the sun
And look down at the sea
Than I'd sing cos I know - yea
Then I'd sing cos I know - yea
Then I'd sing cos I know
I'd'd know how it feels
Oh I'd know how it feels to be free
Yea Yea! Oh, I'd know how it feels
Yes I'd know
Oh, I'd know
How it feels
How it feels
To be free.
PERCHÉ, PERCHÉ
TONY RENIS
PAROLIERE: ALBERTO TESTA
PAESE: ITALIA
ALBUM: MADE IN ITALY
ETICHETTA: EMI MARKETING
GENERE: POP
ANNO: 2004

Tony Renis (nato il 13 maggio 1938), nome d'arte di Elio Cesari, è un cantante, compositore, compositore, produttore musicale e attore cinematografico italiano.
Nato a Milano, ha debuttato a metà degli anni '50, in coppia con Adriano Celentano, esibendo un'impressione di Dean Martin e Jerry Lewis. Nel 1958, ha firmato per l'etichetta "Combo Record" come cantante e ha iniziato a pubblicare cover di canzoni italiane e americane. Nel 1961, Renis debuttò al Festival di Sanremo con la canzone "Pozzanghere". 
Nel 1962, Renis ottenne successi internazionali con la canzone "Quando, quando, quando", scritta con Alberto Testa e rappresentata al Festival di Sanremo. [1] Un anno dopo, vinse lo stesso Festival con la canzone "Una per tutte", e nel 1967 raggiunse il secondo posto con la canzone "Quando dico che ti amo"
Cica cica cica cica cica cica...
Ma perché perché
Penso sempre a te
Ma perché se sogno sogno te
Immaginando immaginando
Che ti sto baciando
Stretta stretta in braccio a me
Ma chissà chissà
Cosa mai sarà
Che cos'hai che un'altra non avrà
Mi son trovato innamorato
All'improvviso accanto a te
Ne conosco centomila ma mi piaci tu
E con te ci sto bene veramente
Tu sei differente
Ma perché perché
Penso sempre a te
Ma perché non vivo senza te
Amore amore ti voglio bene
Sai che son sincero
T'amo per davvero
Ma perché perché. Perché
…...
Ne conosco centomila ma mi piaci tu
E con te ci sto bene veramente
Tu sei differente
Ma perché perché
Penso sempre a te
Ma perché non vivo senza te
Amore amore ti voglio bene
Sai che son sincero
T'amo per davvero
Ma perché perché. Perché
Cica cica cica cica cica...