SWEET LUCY BROWN

THE MILLS BROTHERS
SONGWRITERS: LEON RENE & OTIS RENE
COUNTRY: U.S.A.
ALBUM: SWEET GEORGIA BROWN
LABEL: RECORD CLASSICS
GENRE: JAZZ & SWING
YEAR: 1935

The Mills Brothers were an American a cappella vocal group of the 20th century in the jazz, swing and pop sector, which can look back on more than 50 years on stage.
The quartet originally consisted of four brothers from Piqua, Ohio:
John (born February 1, 1910, † January 24, 1936), (guitar and tuba)
Herbert (born April 2, 1912, † April 12, 1989), (tenor and saxophone)
Harry (born August 19, 1913, † June 28, 1982), (baritone and trumpet)
Donald (born April 29, 1915, † November 13, 1999), (tenor and saxophone)
The brothers came into contact with vocal music early on through their father John Mills sen., Who was the founder and member of a barbershop quartet called "Four Kings of Harmony". In addition, they received musical training in the church choirs of the Methodist and Baptist congregation in the city. The brothers formed their own quartet under the name "Four Boys and a Guitar" when they were young and had their first appearances in smaller theaters in Ohio during the 1920s. With radio appearances on the broadcaster WLW Radio in Cincinnati, Ohio, in 1928, they became nationally known. They were allegedly discovered there by Duke Ellington, who is said to have obtained a record deal with Brunswick Records in New York in 1931.
In 1930 they first appeared in New York under the name "The Mills Brothers". In the first studio appointment on October 12, 1931, her versions of the title" Tiger Rag"/"Nobody's Sweetheart" for the first single emerged, which took first place in the pop hit parade for four weeks and helped the quartet to its first million seller in 1932. The hallmark of the group, which sang a cappella and was only accompanied by a guitar, were deceptively real imitations of bass, trumpet, trombone and saxophone. In 1931 she had her film debut in New York in the number film "The Big Broadcast", which was followed by a number of other film appearances. A tour of Great Britain and appearances at the London Palladium in 1934 made her famous in Europe. After the death of his eldest brother John in 1936, the father, John (born February 11, 1889, † December 8, 1967; he sang the bass), joined the group, which until then still worked as a hairdresser. From then on, the guitarist for the Mills Brothers was Norman Brown.
In 1943 the Mills Brothers had their biggest hit with" Paper Doll", which was sold six million times and took first place on the charts for 12 weeks. Other million sellers were You Always Hurt The One You Love, recorded on February 27, 1944, and "Glow Worm" , created on July 7, 1952, which was also their last number one hit. The group gradually changed their repertoire and recorded records with various bands. In 1957, John Mills withdrew from the group after a leg amputation. The group continued their work as a Terzett and changed their repertoire towards Schlager in the following years.
They had their last hit parade note in November 1968 with "The Ol 'Race Track". After the death of Harry Mills in 1982, the history of the Mills Brothers ended for a few years. Donald wanted to bring his son John into the group and continue as a trio. Herbert couldn't go on stage because of back problems, so Donald and John performed as a duo. In the mid-1990s, they released the CD Still There's You, which contained new songs and old Mills Brothers hits. The two had performances across the United States. Donald wanted to spend the millennium on stage, but died shortly before. John continues the tradition of the Mills Brothers with Elmer Hopper (former member of The Platters). Every year fans of the Mills Brothers from all over the world meet in Piqua.
The Mills Brothers recorded 2.490 recordings in the course of their careers, among others with jazz musicians such as Duke Ellington(1.931), Don Redman(1.931) Ella Fitzgerald(1937) and Louis Armstrong (1.937-1.940). They were the most successful vocal group in the history of popular American music.
If you meet a suntaned lady
Full of life and hidey hadey
Big brown eyes a little bit shady
That's Sweet Lucy Brown

Boys in town are dying to meet her
Millionaires line up to greet her
Ain't no gal in Georga sweeter than Sweet Lucy Brown

When she talks she sure sounds funny
Yowser, Miser
When she kisses it tastes like honey
I don't mean maybe, she's a pretty baby

Listen fellows I'm confession
Take a tip and stop your guessin
If it's love then take a lesson
From Sweet Lucy Brown

Oh Lucy
Oh Lucy Brown

Oh Lucy

Oh Lucy
Oh Lucy Brown

Oh Lucy
Oh Lucy
Oh Lucy Brown

Oh Lucy
Ain't no gal in Georga that's sweeter than Sweet Lucy Brown.
IS THIS LOVE
BOB MARLEY
SONGWRITER: BOB MARLEY
COUNTRY: JAMAICA
ALBUM: KAYA
LABEL: TUFF GONG
GENRE: REGGAE
YEAR: 1978

Kaya is the tenth studio album released by Bob Marley and the Wailers in 1978. The album consists of tracks recorded alongside those present on the Exodus album in 1977.
The album has a very relaxed, laid back sound, lacking much of the militant quality of the Wailers lyrically and musically. They received criticism for 'going soft' as a result of the general sound of the album as well as the theme: songs primarily revolving around love, as well as marijuana.
The album's release coincided with the One Love Peace Concert, heralding Marley's triumphant return to Jamaica from exodus in London. Three of the songs are new versions of tracks from the 1971 album Soul Revolution. Well-known songs from the album include "Is This Love" and "Satisfy My Soul". Kaya reached the top five in the UK album charts.
Robert Nesta Marley, OM (6 February 1945 – 11 May 1981) was a Jamaican singer, songwriter and musician. Considered one of the pioneers of reggae, his musical career was marked by fusing elements of reggae, ska, and rocksteady, as well as his distinctive vocal and songwriting style. Marley's contributions to music increased the visibility of Jamaican music worldwide, and made him a global figure in popular culture for over a decade. Over the course of his career Marley became known as a Rastafari icon, and he infused his music with a sense of spirituality. He is also considered a global symbol of Jamaican culture and identity, and was controversial in his outspoken support for the legalization of marijuana, while he also advocated for Pan-Africanism.
Born in Nine Mile, British Jamaica, Marley began his professional musical career in 1963, after forming Bob Marley and the Wailers. The group released its debut studio álbum The Wailing Wailers in 1965, which contained the single "One Love/People Get Ready"; the song was popular worldwide, and established the group as a rising figure in reggae. The Wailers subsequently released eleven further studio albums; while initially employing louder instrumentation and singing, the group began engaging in rhythmic-based song construction in the late 1960s and early 1970s, which coincided with the singer's conversion to Rastafarianism. During this period Marley relocated to London, and the group typified their musical shift with the release of the album The Best of The Wailers(1971).
The group attained international success after the release of the albums Catch a Fire and Burnin'(both 1973), and forged a reputation as touring artists. Following the disbandment of the Wailers a year later, Marley went on to release his solo material under the band's name. His debut studio album Natty Dread(1974) received positive reception, as did its follow-up Rastaman Vibration (1976). A few months after the album's release Marley survived an assassination attempt at his home in Jamaica, which prompted him to permanently relocate to London. During his time in London he recorded the álbum Exodus(1977); it incorporated elements of blues, soul, and British rock, enjoyed widespread commercial and critical success.
In 1977, Marley was diagnosed with acral lentiginous melanoma; he died as a result of the illness in 1981. His fans around the world expressed their grief, and he received a state funeral in Jamaica. The greatest hits álbum Legend was released in 1984, and became the best-selling reggae album of all time. Marley also ranks as one of the best-selling music artists of all time, with estimated sales of more than 75 million records worldwide. He was posthumously honored by Jamaica soon after his death with a designated Order of Merit by his nation. In 1994, he was inducted into the Rock and Roll Hall of Fame. Rolling Stone ranked him No. 11 on its list of the 100 Greatest Artists of All Time.
Chris Blackwell, Island Records boss, wrote about this song, "It had a very summery, carefree feel. When the album came out, several reviewers said he'd gone soft. But Bob was feeling great at that time and those songs reflected how he was feeling."
This song was dedicated to Bob Marley's wife, Rita.
I wanna love you and treat you right
I wanna love you every day and every night
We'll be together with a roof right over our heads
We'll share the shelter of my single bed
We'll share the same room, yeah! - for Jah provide the bread
Is this love - is this love - is this love
Is this love that I'm feelin'?
Is this love - is this love - is this love
Is this love that I'm feelin'?
I wanna know - wanna know - wanna know now!
I got to know - got to know - got to know now!

I-I-I-I-I-I-I-I-I - I'm willing and able,
So I throw my cards on your table!
I wanna love you - I wanna love and treat - love and treat you right
I wanna love you every day and every night
We'll be together, yeah! - with a roof right over our heads
We'll share the shelter, yeah, oh no! - of my single bed
We'll share the same room, yeah! - for Jah provide the bread

Is this love - is this love - is this love
Is this love that I'm feelin'?
Is this love - is this love - is this love
Is this love that I'm feelin'?
Wo-o-o-oah! Oh yes, I know; yes, I know - yes, I know now!
Oh yes, I know; yes, I know - yes, I know now!

I-I-I-I-I-I-I-I-I - I'm willing and able
So I throw my cards on your table!
See: I wanna love ya, I wanna love and treat ya
love and treat ya right
I wanna love you every day and every night
We'll be together, with a roof right over our heads!
We'll share the shelter of my single bed
We'll share the same room, yeah! Jah provide the Bread
We'll share the shelter of my single bed - [fadeout].
AIN'T NO SUNSHINE
BILL WITHERS
SONGWRITER: BILL WITHERS & SIMMONS EARL; WILLIAM HARRISON & BLACKMAN DAMON J
COUNTRY: U.S.A.
ALBUM: JUST US I AM
LABEL: SUSSEX
GENRE: SOUL
YEAR: 1971

Bill Withers was inspired to write this song by the film Days of Wine and Roses (1962). He said about its characters "They were both alcoholics who were alternately weak and strong. It's like going back for seconds on rat poison. Sometimes you miss things that weren't particularly good for you. It's just something that crossed my mind from watching that movie, and probably something else that happened in my life that I'm not aware of."
Just As I Am is the debut studio album of American soul musician Bill Withers, released in 1971 on Sussex Records. The album features the hit single "Ain't No Sunshine", which was ranked at number 280 on Rolling Stone magazine's list of Booker T. Jones produced, arranged, and played keyboards and guitar on Just As I Am, alongside bassist Donald "Duck" Dunn and drummer Al Jackson Jr. of Booker T. & the M.G.'s, with Stephen Stills on lead guitar. The album was later reissued as a dual disc with a second disc featuring all the tracks in 5.1 Surround Sound.
Ain't no sunshine when she's gone
It's not warm when she's away
Ain't no sunshine when she's gone
And she's always gone too long
Anytime she goes away

Wonder this time where she's gone
Wonder if she's gone to stay
Ain't no sunshine when she's gone
And this house just ain't no home
Anytime she goes away

And I know, I know, I know, I know, I know
I know, I know, I know, I know, I know, I know
I know, I know, I know, I know, I know, I know
I know, I know, I know, I know, I know, I know
I know, I know, I know

Hey, I ought to leave the young thing alone
But ain't no sunshine when she's gone
Ain't no sunshine when she's gone
Only darkness everyday
Ain't no sunshine when she's gone
And this house just ain't no home
Anytime she goes away
Anytime she goes away
Anytime she goes away
Anytime she goes away
Anytime she goes away.
I WANT TO BE EVIL
EARTHA KITT
SONGWRITERS: RAYMOND TAYLOR & LESTER JUDSON
COUNTRY: U.S.A.
ALBUM: THAT BAD EARTHA
LABEL: RCA VICTOR
GENRE: JAZZ
YEAR: 1953

That Bad Eartha is a 1954 studio album by American singer Eartha Kitt, her debut 12" vinyl album issued by RCA Victor. The album was recorded in four sessions between March and October 1953 with Henri Rene and His Orchestra. Long-playing records were introduced in 1948 by Columbia with 10" albums as the popular music format and the 12" album the format for classical music. RCA introduced the 45 RPM format shortly afterwards. In May 1953 RCA Victor released the 10" vinyl álbum RCA Victor Presents Eartha Kitt which reached No. 2 on the pop albums chart and featured 8 songs. By the mid-50s, 10” LPs were phased out, replaced by 12” ones for popular as well as classical music, and RCA Victor expanded and re-issued the album with 12 tracks.
RCA released her second album in the 10” popular format and reissued it a year later in the now established 12” format with additional songs. It was also released in a 45 RPM extended play version with two songs on each side of a disk. That Bad Eartha spent 12 weeks on the pop albums chart, peaking at No. 5.
Several singles were issued from this album, "Under the Bridges of Paris" charted in the UK singles chart in 1955 at #7.
Many of the songs recorded for this album, such as "C'est si bon", "Uska Dara" and "I Want to Be Evil" became closely associated with Eartha Kitt and were performed live by her until one of her last concerts at the Cheltenham Jazz Festival, shortly before her death in December 2008. The complete album was re-issued on CD in 1994 as part of the Bear Family Records five-CD boxset Eartha – Quake; this included "Santa Baby" and several other tracks from the same recording session not included in this album.
I've posed for pictures with Iv'ry Soap
I've petted stray dogs, and shied clear of dope
(I've petted stray dogs, and I never mope)
My smile is brilliant, my glance is tender
But I'm noted most for my unspoiled gender

I've been made Miss Reingold, though I never touch beer
(I've been named Miss Perseverance year after year)
And I'm the person to whom they say: You're sweet, my dear
The only etchings I've seen have been behind glass
And the closest I've been to a bar, is at ballet class

Prim and proper, the girl who's never been cased
I'm tired of being pure and not chased
Like something that seeks it's level
I wanna go to the devil

I wanna be evil, I wanna spit tacks
I wanna be evil, and cheat at jacks
I wanna be wicked, I wanna tell lies
I wanna be mean, and throw mud pies

I want to wake up in the morning
With that dark brown taste
I want to see some dissipation in my face
I wanna be evil, I wanna be mad
But more that that I wanna be bad

I wanna be evil, and trump an ace
Just to see my partner's face
I wanna be nasty, I wanna be cruel
I wanna be daring, I wanna shoot pool

And in the theatre
I want to change my seat
Just so I can step on
Everybody's feet

I wanna be evil, I wanna hurt flies
I wanna sing songs like the guy who cries
I wanna be horrid, I wanna drink booze
(I want to be horrid, I want to make news)
And whatever I've got I'm eager to lose

I wanna be evil, little evil me
Just as mean and evil as I can be.