WHAT A LITTLE MOONLIGHT CAN DO
NANCY WILSON
SONGWRITER: HARRY MAC GREGOR WOODS
COUNTRY: U.S.A.
ALBUM: SOMETHING WONDERFUL
LABEL: CAPITOL
GENRE: JAZZ
YEAR: 1960

Nancy Sue Wilson(February 20, 1937 – December 13, 2018) was an American singer whose career spanned over five decades, from the mid-1950s until her retirement in the early 2010s. She was especially notable for her single "(You Don't Know) How Glad I Am" and her version of the standard "Guess Who I Saw Today". Wilson recorded more than 70 albums and won three Grammy Awards for her work. During her performing career, Wilson was labeled a singer of blues, jazz, R&B, pop, and soul; a "consummate actress"; and "the complete entertainer". The title she preferred, however, was "song stylist". She received many nicknames including "Sweet Nancy", "The Baby", "Fancy Miss Nancy" and "The Girl With the Honey-Coated Voice".
"What a Little Moonlight Can Do" is a popular song written by Harry M. Woods in 1934. In 1934, Woods moved to London for three years where he worked for the British film studio Gaumont British, contributing material to several films, one of which was Road House(1934). The song was sung in the film by Violet Lorraine and included an introductory verse, not heard in the version later recorded by Billie Holiday in 1935.
Something Wonderful was the second album by the American vocalist Nancy Wilson, it was released in October 1960 by Capitol Records, and arranged by Billy May.
As with her debut album on the label, Like in Love, she was teamed up with Billy May, one of its star arrangers, who had come to prominence through his outstanding work with such singers as Nat King Cole and Frank Sinatra.
The album spawned one of Wilson's all-time signature songs, "Guess Who I Saw Today". Another highlight was "What a Little Moonlight Can Do", which was, as critic Pete Welding wrote in his liner notes to the 1996 three-CD set Ballads, Blues & Big Bands: The Best of Nancy Wilson, "a song so closely associated with the sublime Billie Holiday(that) few would even have attempted it, let alone brought it off so well, with just the right blend of lightheartedness and sincerity."
In 2003, the UK label EMI Gold re-issued Something Wonderful on a 2-for-1 CD, coupled with its natural companion, Like in Love.
Composer and lyricist Harry MacGregor Woods was born in North Chelmsford, Massachusetts on November 4, 1896. His mother, a concert singer, encouraged him to play the piano, regardless of the deformed left hand he had been born with. His musical training would help when he attended Harvard University and supported himself there by singing in church choirs and giving piano recitals. After graduation, Woods settled on Cape Cod and began life as a farmer. He began cultivating his talent for songwriting while in the Army during World War II. After his discharge, Woods settled in New York and began his successful career as a songwriter.
His first songwriting success came in 1923 with the song “I’m Going South”, written with Abner Silver, and a #2 hit song in 1924 for Al Jolson. In the same year, “Paddlin’ Madeleine Home” was published with words & music by Woods (a recording by Cliff Edwards in 1925 would reach #3 on Billboard).
By 1926, Woods had become an established songwriter on Tin Pan Alley and he would become legendary with his new song “When the Red, Red, Robin Comes Bob, Bob, Bobbin’ Along”. One of the great standards ever written, the song was an instant hit for singers like Paul Whiteman, “Whispering” Jack Smith, Cliff Edwards and the Ipana Troubadors. Al Jolson, however, had the most success with his recording, which reached #1 on the billboard charts. The song was recreated in 1953 by Doris Day and again reached considerable success on the charts.
In 1929, Woods began contributing songs to Hollywood musicals such as The Vagabond Lover, A Lady’s Morals, Artistic Temper, Aunt Sally, Twentieth Century, Road House, Limelight, It’s Love Again, Merry Go Round of 1938 and She’s For Me. In 1934, he moved to London where he lived for three years and worked for the British film studio Gaumont-British Films, contributing to the films Jack Ahoy and Evergreen.
While Woods primarily created both the words & music for his songs, he also collaborated with Mort Dixon, Howard Johnson, Arthur Freed, Rube Bloom and Gus Kahn. Alone, and with his collaborators, he wrote “I’m Looking Over a Four Leaf Clover”, “I’m Goin’ South”, “Just a Butterfly that’s Caught in the Rain”, “Side by Side”, “My Old Man”, “A Little Kiss Each Morning”, “Heigh-Ho, Everybody, Heigh-Ho”, “Man From the South”, “River Stay “Way from My Door”, “When the Moon Comes Over the Mountain”, “We Just Couldn’t Say Goodbye”, “Just and Echo in the Valley”, “A Little Street Where Old Friends Meet”, “You Ought to See Sally on Sunday”, “Hustlin’ and Bustlin’ for Baby”, “What a Little Moonlight Can Do”, “Try a Little Tenderness”, “I’ll Never Say “Never Again” Again”, “Over My Shoulder”, “Tinkle Tinkle Tinkle”, “When You’ve Got a Little Springtime in Your Heart” and “I Nearly Let Love Go Slipping Through My Fingers”.
Around 1945, Woods retired and moved to Glendale, Arizona where he passed away in 1970.
Ooh, ooh, ooh
What a little moonlight can do
Ooh, ooh, ooh
What a little moonlight can do to you

You're in love
Your heart's a flutter and all day long
You only shutter
Cut your poor tongue
Just won't utter the words
I love you

Ooh, ooh, ooh
What a little moonlight can do
Wait a while
Till a little moonbeam comes peepin' through

You'll get bold
You can't resist him
And all you'll say
When you have kissed him is

Ooh, ooh, ooh
What a little moonlight can do.
SOMEONE TO WATCH OVER ME
SARAH WAUGHAN
SONGWRITER: GERSHWIN, GEORGE IRA
COUNTRY: U.SA.
ALBUM: SARAH VAUGHAN SINGS GEORGE IRA GERSHWIN
LABEL: EMARCY
GENRE: JAZZ
YEAR: 1958

Sarah Vaughan Sings George Gershwin is a 1958 studio album by Sarah Vaughan, of the music of George Gershwin.
Vaughan would release another all-Gershwin album, Gershwin Live!, in 1982.
Sarah Lois Vaughan(March 27, 1924 – April 3, 1990) was an American jazz singer.
Nicknamed "Sassy" and "The Divine One", she won four Grammy Awards, including the Lifetime Achievement Award. She was given an NEA Jazz Masters Award in 1989. Critic Scott Yanow wrote that she had "one of the most wondrous voices of the 20th century".
In the summer of 1980 she received a plaque on 52nd Street outside the CBS Building (Black Rock) commemorating the jazz clubs she had once frequented on "Swing Street" and which had long since been replaced with office buildings. A performance of her symphonic Gershwin program with the New Jersey Symphony in 1980 was broadcast on PBS and won her an Emmy Award the next year for Individual Achievement, Special Class. She was reunited in 1982 with Tilson Thomas for a modified version of the Gershwin program, played again by the Los Angeles Philharmonic but this time in its home hall, the Dorothy Chandler Pavilion; the CBS recording of the concert Gershwin Live! won a Grammy for Best Jazz Vocal Performance, Female.
After the end of her contract with Pablo in 1982, she committed to a limited number of studio recordings. She made a guest appearance in 1984 on Barry Manilow's 2:00 AM Paradise Cafe, an album of pastiche compositions with established jazz musicians. In 1984, she participated in The Planet is Alive, Let It Live a symphonic piece composed by Tito Fontana and Sante Palumbo on Italian translations of Polish poems by Karol Wojtyla, better known as Pope John Paul II. The recording was made in Germany with an English translation by writer Gene Lees and was released by Lees on his private label after the recording was rejected by the major labels.
In 1985 Vaughan reconnected with her longstanding, continually growing European audience during a celebratory concert at the Chatelet Theater in Paris. Released posthumously on the Justin Time label, In the City of Lights is a two-disc recording of the concert, which covers the highlights of Vaughan's career while capturing a beloved singer at the height of her powers. Thanks in part to the hard-swinging telepathic support of pianist Frank Collett (who answers each of her challenges then coaxes the same from her), Sarah reprises Tad Dameron's "If You Could See Me Now" with uncommon power, her breathstream effecting a seamless connection between chorus and bridge. For the Gershwin Medley, drummer Harold Jones swaps his brushes for sticks to match energy and forcefulness that does not let up until the last of many encores.
In 1986, Vaughan sang "Happy Talk" and "Bali Ha'i" in the role of Bloody Mary on a studio recording by Kiri Te Kanawa and José Carreras of the score of the Broadway musical South Pacific, while sitting on the studio floor. Vaughan's final album was Brazilian Romance, produced by Sérgio Mendes with songs by Milton Nascimento and Dori Caymmi. It was recorded primarily in the early part of 1987 in New York and Detroit. In 1988, she contributed vocals to an album of Christmas carols recorded by the Mormon Tabernacle Choir with the Utah Symphony Orchestra and sold in Hallmark Cards stores. In 1989, Quincy Jones' álbum Back on the Block included Vaughan in a brief scatting duet with Ella Fitzgerald. This was her final studio recording. It was her only studio recording with Fitzgerald in a career that had begun 46 years earlier opening for Fitzgerald at the Apollo.
The video Sarah Vaughan Live from Monterey was taped in 1983 or 1984 with her trio and guest soloists. Sass and Brass was taped in 1986 in New Orleans with guests Dizzy Gillespie and Maynard Ferguson. Sarah Vaughan: The Divine One was part of the American Masters series on PBS. Also in 1986, on Independence Day in a program nationally televised on PBS she performed with the National Symphony Orchestra conducted by Mstislav Rostropovich, in a medley of songs composed by George Gershwin.
There's a saying old
Says that love is blind
Still we're often told
"Seek and ye shall find"
So I'm going to seek
A certain lad
I've had in mind

Looking everywhere
Haven't found him yet
He's the big affair
I cannot forget
Only man I ever think
Of with regret

I'd like
To add his initial
To my monogram
Tell me
Where is the shepherd
For this lost lamb?

There's a somebody
I'm longin' to see
I hope that he turns
Out to be
Someone to watch over me

I'm a little lamb
Who's lost in the wood
I know I could
Always be good
To one
Who'll watch over me

Although he may
Not be the man some
Girls think
Of as handsome
To my heart
He carries the key

Won't you tell him please
To put on some speed
Follow my lead
Oh, how I need
Someone to watch over me

Won't you tell him please
To put on some speed
Follow my lead
Oh, how I need
Someone to watch over me
Someone to watch over me.
I'LL BE SEEING YOU
BILLIE HOLLIDAY
SONGWRITERS: FAIN SAMMY & IRVING KAHAL
COUNTRY: U.S.A.
ALBUM: I1LL BE SEEING YOU
LABEL: BLUEBIRD/RCA VICTOR
GENRE: JAZZ
YEAR: 1938

"I'll Be Seeing You" is a popular song about nostalgia, with music by Sammy Fain and lyrics by Irving Kahal. Published in 1938, it was inserted into the Broadway musical Right This Way, which closed after fifteen performances. The title of the 1944 film I'll Be Seeing You was taken from this song at the suggestion of the film's producer, Dore Schary. The song is included in the film's soundtrack. The earliest recording of the song was by Dick Todd in 1940 on the Bluebird label.
The resemblance between the main tune's first four lines and a passage within the theme of the last movement of Gustav Mahler's Third Symphony(1896) was pointed out by Deryck Cooke in 1970. Mahler may have derived this passage from the overture to Daniel Auber's comic opera (Marco Spada (1852).
Billie Holiday's 1944 recording of the song was the final transmission sent by NASA to the Opportunity rover on Mars when its mission ended on 13 February 2019
I'll Be Seeing You is a 1944 American drama film made by Selznick International Pictures, Dore Schary Productions, and Vanguard Pictures, and distributed by United Artists. It stars Joseph Cotten, Ginger Rogers, and Shirley Temple, with Spring Byington, Tom Tully, and John Derek. George Cukor was the original director, but was replaced by William Dieterle. It was produced by Dore Schary, with David O. Selznick as executive producer. The screenplay was by Marion Parsonnet, based on a radio play by Charles Martin.
The soundtrack includes the song "I'll Be Seeing You", which had become a hit that year, although it dated back to 1938. The film's title was taken from the song, at the suggestion of Schary.
Eleanora Fagan(April 7, 1915 – July 17, 1959), professionally known as Billie Holiday, was an American jazz singer with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills.
After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by the producer John Hammond, who commended her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out concert at Carnegie Hall, but her reputation deteriorated because of her drug and alcohol problems.
She was a successful concert performer throughout the 1950s with two further sold-out shows at Carnegie Hall. Due to personal struggles and an altered voice, her final recordings were met with mixed reaction, but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of cirrhosis on July 17, 1959.
She won four Grammy Awards, all of them posthumously, for Best Historical Album. She was inducted into the Grammy Hall of Fame in 1973. Lady Sings the Blues, a film about her life, starring Diana Ross, was released in 1972. She is the primary character in the play (later made into a film) Lady Day at Emerson's Bar and Grill; the role was originated by Reenie Upchurch in 1986, and was played by Audra McDonald on Broadway and in the film. In 2017 Holiday was inducted into the National Rhythm & Blues Hall of Fame.
I'll be seeing you
In all the old familiar places
That this heart of mine embraces
All day and through

In that small cafe
The park across the way
The children's carousel
The chestnut trees, the wishing well

I'll be seeing you
In every lovely summer's day
In everything that's light and gay
I'll always think of you that way

I'll find you in the morning sun
And when the night is new
I'll be looking at the moon
But I'll be seeing you

I'll be seeing you
In every lovely summer's day
In everything that's light and gay
I'll always think of you that way

I'll find you in the morning sun
And when the night is new
I'll be looking at the moon
But I'll be seeing you.
MY OH MY
SLADE
SONGWRITERS: NODDY HOLDER & JIM LEA
COUNTRY: U.K.
ALBUM: the amazing kamikaze syndrome / keep your hands off my power supply
GENRE: ROCK AND ROLL
LABEL: BMG RECORDS
YEAR: 1983

The Amazing Kamikaze Syndrome is the eleventh studio album by the British rock group Slade. It was released on 3 December 1983 and reached No. 49 in the UK charts. The album was produced largely by bassist Jim Lea. The two UK Top 10 singles released from the album, "My Oh My" and "Run Runaway", were produced by John Punter.
In 1984, the album was re-packaged and released as Keep Your Hands Off My Power Supply in the United States and Canada. Both "Run Runaway" and "My Oh My" were US Top 40 hits that year, giving the band their long-awaited breakthrough there.
Slade are an English rock band formed in Wolverhampton in 1966. They rose to prominence during the glam rock era in the early 1970s, achieving 17 consecutive top 20 hits and six number ones on the UK Singles Chart. The British Hit Singles & Albums names them the most successful British group of the 1970s based on sales of singles. They were the first act to have three singles enter the charts at number one; all six of the band's chart-toppers were penned by Noddy Holder and Jim Lea. As of 2006, total UK sales stand at 6,520,171, and their best-selling single, "Merry Xmas Everybody", has sold in excess of one million copies. According to the 1999 BBC documentary It's Slade, the band have sold over 50 million records worldwide.
Following an unsuccessful move to the U.S. in 1975, Slade's popularity in the UK waned, but was unexpectedly revived in 1980 when they were last-minute replacements for Ozzy Osbourne at the Reading Rock Festival. The band later acknowledged this to have been one of the highlights of their career. The original line-up split in 1992, but reformed later in the year as Slade II. The band have continued, with a number of line-up changes, to the present day. They have also shortened the group name back to Slade.
A number of artists from diverse genres have cited Slade as an influence, including Nirvana, Smashing Pumpkins, Ramones, Sex Pistols, The Undertones, The Runaways, The Clash, Kiss, Mötley Crüe, Poison, Def Leppard, Twisted Sister, Quiet Riot, The Replacements, Cheap Trick, and Oasis. The Illustrated Encyclopaedia of Music tells of Holder's powerful vocals, guitarist Dave Hill's equally arresting dress sense, and the deliberate misspelling of their song titles (such as "Cum On Feel the Noize" and "Mama Weer All Crazee Now") for which they became well known. 
I believe in woman, my oh my
I believe in lovin', my oh my
Don't a women need a man, try and catch one if you can
I believe in woman, my oh my

We all need someone to talk to my oh my
We all need someone to talk to my oh my
Ya need a shoulder to cry on, call me I'll be standing by
We all need someone to talk to my oh my

We all need a lot of lovin' my oh my
Yeah, a whole lot of lovin' my oh my
I can lend a helpin' hand if you ain't got nothing planned
We all need some lovin' my oh oh my

So let's all swing together my oh my
We can all swing together my oh my
You've got troubles on your own, no need to face them all alone
We can all swing together my oh my
So let's all pull together my oh myyyyyy....