GENTE HUMILDE
CHICO BUARQUEDE HOLANDA
COMPOSITORES: CHICO BUARUE DE HOLANDA; GAROTO & VINÍCIUS DE MORAES
PAÍS: BRASIL
ÁLBUM: CHICO BUARQUE – VOL. 4
GRAVADORA: PHILIPS
GÊNERO: MPB
ANO: 1970

Chico Buarque de Hollanda-Nº4 é um álbum do músico brasileiro Chico Buarque. Foi lançado no ano de 1970.
O álbum foi gravado por Chico Buarque inicialmente na Itália, durante seu exílio naquele país, e completado após sua volta ao Brasil, no Rio de Janeiro. Segundo matéria do Jornal da Tarde, de 20 de março de 1970, a voz e o violão de Chico foram registrados em Roma e a base feita no Rio. Além disso, os arranjos desse disco foram feitos por Erlon Chaves, César Camargo Mariano e Magro.
Francisco Buarque de Hollanda OMC, mais conhecido como Chico Buarqu (Rio de Janeiro, 19 de junho de 1944), é um músico, dramaturgo, escritor e ator brasileiro. É conhecido por ser um dos maiores nomes da música popular brasileira (MPB). Sua discografia conta com aproximadamente oitenta discos, entre eles discos-solo, em parceria com outros músicos e compactos.
Escreveu seu primeiro conto aos 18 anos, ganhando destaque como cantor a partir de 1966, quando lançou seu primeiro álbum, Chico Buarque de Hollanda, e venceu o Festival de Música Popular Brasileira com a música A Banda. Autoexilou-se na Itália em 1969, devido à crescente repressão do regime militar do Brasil nos chamados "anos de chumbo", tornando-se, ao retornar, em 1970, um dos artistas mais ativos na crítica política e na luta pela democratização do país. Em 1971, foi lançado Construção, tido pela crítica como um de seus melhores trabalhos, e em 1976, Meus Caros Amigos- ambos os discos figuram, por exemplo, na lista dos 100 maiores discos da música brasileira organizada pela revista Rolling Stone Brasil.
Além da notabilidade como músico, desenvolveu ao longo dos anos uma carreira literária, sendo autor de peças teatrais e romances. Foi vencedor de três Prêmios Jabuti: o de melhor romance em 1992 com Estorvo e o de Livro do Ano, tanto pelo livro Budapeste, lançado em 2004, como por Leite Derramado, em 2010. Em 2019, foi distinguido com o Prémio Camões, o principal troféu literário da língua portuguesa, pelo conjunto da obra.
Neto de Cristóvão Buarque de Hollanda e filho de Sérgio Buarque de Hollanda e Maria Amélia Cesário Alvim, Chico é irmão das cantoras Miúcha, Ana de Hollanda e Cristina. Foi casado por 33 anos (de 1966 a 1999) com a atriz Marieta Severo, com quem teve três filhas, Sílvia Buarque, Helena e Luísa.
Tem certos dias em que eu penso em minha gente
E sinto assim todo o meu peito se apertar
Porque parece que acontece de repente
Como um desejo de eu viver sem me notar

Igual a como quando eu passo no subúrbio
Eu muito bem, vindo de trem de algum lugar
E aí me dá como uma inveja dessa gente
Que vai em frente sem nem ter com quem contar

São casas simples com cadeiras na calçada
E na fachada escrito em cima que é um lar
Pela varanda, flores tristes e baldias
Como a alegria que não tem onde encostar

E aí me dá uma tristeza no meu peito
Feito um despeito de eu não ter como lutar
E eu que não creio, peço a Deus por minha gente
É gente humilde, que vontade de chorar.
SHE CAUGHT THE KATY
TAJ MAHAL
SONGWRITER: TAJ MAHAL & JAMES RACHELL
COUNTRY: U. S. A.
ALBUM: MARTIN SCORSESE PRESENTS THE BLUES – TAJ MAHAL
LABEL: COLUMBIA RECORDS
GENRE: BLUES
YEAR: 2003

"She Caught the Katy (And Left Me a Mule to Ride)" is a blues standard written by Taj Mahal and James Rachell. The song was first recorded for Taj Mahal's 1968 album The Natch'l Blues, and is one of Mahal's most famous tunes. It has since been covered many times, and is included on the soundtrack for the 1980 movie The Blues Brothers (the song plays over the opening credits, as Jake Blues leaves prison). According to John Belushi's widow, it was Belushi's favorite blues song.
The "Katy" refers to the Missouri–Kansas–Texas Railroad.
Henry Saint Clair Fredericks (born May 17, 1942), who uses the stage name Taj Mahal, is an American blues musician, a singer-songwriter and film composer who plays the guitar, piano, banjo, harmonica, and many other instruments. He often incorporates elements of world music into his works and has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional
forms, including sounds from the Caribbean, Africa, and the South Pacific
Mahal leads with his thumb and middle finger when fingerpicking, rather than with his index finger as the majority of guitar players do. "I play with a flatpick," he says, "when I do a lot of blues leads." Early in his musical career Mahal studied the various styles of his favorite blues singers, including musicians like Jimmy Reed, Son House, Sleepy John Estes, Big Mama Thornton, Howlin' Wolf, Mississippi John Hurt, and Sonny Terry. He describes his hanging out at clubs like Club 47 in Massachusetts and Ash Grove in Los Angeles as "basic building blocks in the development of his music." Considered to be a scholar of blues music, his studies of ethnomusicology at the University of Massachusetts Amherst would come to introduce him further to the folk music of the Caribbean and West Africa. Over time he incorporated more and more African roots music into his musical palette, embracing elements of reggae, calypso, jazz, zydeco, R&B, gospel music, and the country blues—each of which having "served as the foundation of his unique sound." According to The Rough Guide to Rock, "It has been said that Taj Mahal was one of the first major artists, if not the very first one, to pursue the possibilities of world music. Even the blues he was playing in the early 70s – Recycling The Blues & Other Related Stuff (1972), Mo' Roots (1974) – showed an aptitude for spicing the mix with flavours that always kept him a yard or so distant from being an out-and-out blues performer." Concerning his voice, author David Evans writes that Mahal has "an extraordinary voice that ranges from gruff and gritty to smooth and sultry.
She caught the Katy1, and left me a mule2 to ride
She caught the Katy, and left me a mule to ride
My baby caught the Katy, left me a mule to ride
The train pulled out, and I swung on behind
I'm crazy 'bout her, that hardheaded woman of mine

Man my baby's long, great god she's mighty, she's tal
You know my baby's long, great god she's mighty, my baby she's tall
Well my baby shes' long, my baby she's tall
She sleeps with her head in the kitchen and her big feet out in the hall
And I'm still crazy 'bout her, that hardheaded woman of mine

Well I love my baby, she's so fine
I wish she'd come and see me some time
If you don't believe I love her, look what a hole I'm in
If you don't believe I'm sinking, look what a shape I'm in.
RIGHT PLACE, WRONG TIME
OTIS RUSH
SONGWRITER: OTIS RUSH
WHERE: LIVE AT MONTREUX AT 1986
COUNTRY: U. S. A.
ALBUM: RIGHT PLACE, WRONG TIME
LABEL: BULLFROG RECORDS
GENRE: BLUES
YEAR: 1976

Right Place, Wrong Time is a 1976 album by blues singer and guitarist Otis Rush. Although regarded as one of his finest recordings, the album was not issued until five years after it was recorded.
Otis Rush Jr.(April 29, 1934 – September 29, 2018) was an American blues guitarist and singer-songwriter. His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of other 1950s artists Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including Michael Bloomfield, Peter Green and Eric Clapton.
Rush was left-handed and played as such; however, his guitars were strung with the low E string at the bottom, upside-down from typical guitarists. He often played with the little finger of his pick hand curled under the low E for positioning. It is widely believed that this contributed to his distinctive sound. He had a wide-ranging, powerful tenor voice.
In 1971, Rush recorded the álbum Right Place, Wrong Time in San Francisco for Capitol Records, but Capitol did not release it. The album was finally issued in 1976, when Rush purchased the master from Capitol and had it released by P-Vine Records in Japan. Bullfrog Records released it in the United States soon after. The album has since gained a reputation as one of his best works. He also released some albums for Delmark Records and for Sonet Records in Europe during the 1970s, but by the end of the decade he had stopped performing and recording.
Rush made a comeback in 1985 with a U.S. tour and the release of a live album, Tops, recorded at the San Francisco Blues Festival.
He released Ain't Enough Comin' in 1994, his first studio album in 16 years. Any Place I'm Goin’ followed in 1998, and he earned his first Grammy Award for Best Traditional Blues Album in 1999. Rush did not record a new studio album after 1998 but he continued to tour and perform until 2003, when he suffered a stroke. In 2002, he was featured on the Bo Diddley tribute album Hey Bo Diddley – A Tribute!, performing the song "I'm a Man", produced by Carla Olson. Rush's 2006 album Live...and in Concert from San Francisco, a live recording from 1999, was released by Blues Express Records. Video footage of the same show was released on the DVD Live Part 1 in 2003.
In June 2016, Rush made a rare appearance at the Chicago Blues Festival in Grant Park. Chicago Mayor Rahm Emanuel honored Rush's appearance by declaring June 12 to be Otis Rush Day in Chicago. Due to his ongoing health problems Rush was unable to play, but celebrated on the sidelines with his family who stood around him. 
Oh I'm always at the right place at the wrong time
Trying to find the one woman I can call mine
Yes, I'm always at the right place at the wrong time
Trying to find the one woman I can call mine
Yes, when I start a conversation
They tell me they don't leave good things laying 'round

They say there's someone for everybody
Oh but where in the world is the one for me?
Yes they say there's someone for everybody
I wonder where in the world is the one for me?
Another day has gone
My heart remains in misery

Well I guess I'll go out and do the town
I drown my sorrow at the nearest neighborhood bar
Oh! I think I'll go out and do the town
I drown my sorrow at the nearest neighborhood bar
I think I'll catch a train and ride
My destiny God knows I'll find.
I GOT A WOMAN
RAY CHARLES
SONGWRITERS: RAY CHARLES & RENALD RICHARD
COUNTRY: U. S. A.
ALBUM: RAY CHARLES
LABEL: ATLANTIC
GENRE: BLUES
YEAR: 1957

"I Got a Woman" (originally titled "I've Got a Woman")is a song co-written and recorded by American R&B and soul musician Ray Charles. Atlantic Records released the song as a single in December 1954, with "Come Back Baby" as the B-side. Both songs later appeared on the 1957 album Ray Charles (subsequently reissued as Hallelujah I Love Her So). The song was notably sampled in Kanye West's 2005 hit song, "Gold Digger".
Ray Charles Robinson (September 23, 1930 – June 10, 2004) was an American singer, songwriter, pianist, and composer. Among friends and fellow musicians he preferred being called "Brother Ray." He was often referred to as "The Genius." Charles was blinded during childhood due to glaucoma.
Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company.
Charles' 1960 hit "Georgia On My Mind" was the first of his three career No. 1 hits on the Billboard Hot 100. His 1962 album, Modern Sounds In Country And Western Music, became his first album to top the Billboard 200. Charles had multiple singles reach the Top 40 on various Billboard charts: 44 on the US R&B singles chart, 11 on the Hot 100 singles chart, 2 on the Hot Country singles charts.
Charles cited Nat King Cole as a primary influence, but his music was also influenced by Louis Jordan and Charles Brown. He had a lifelong friendship and occasional partnership with Quincy Jones. Frank Sinatra called Ray Charles "the only true genius in show business," although Charles downplayed this notion. Billy Joel said, "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley".
Charles is a 17-time Grammy Award winner. He was honored with the Grammy Lifetime Achievement Award in 1987; 10 of his recordings have been inducted into the Grammy Hall of Fame. In 2002, Rolling Stone ranked Charles No. 10 on their list of the "100 Greatest Artists of All Time," and No. 2 on their list of the "100 Greatest Singers of All Time" in 2008.
Well, I got a woman, way over town
That's good to me, oh, yeah
Said I got a woman, way over town
Good to me, oh, yeah

She gives me money when I'm in need
Yeah, she's a kind of friend indeed
I got a woman, way over town
That's good to me, oh, yeah

She saves her loving, early in the morning
Just for me, oh, yeah
She saves her loving, early in the morning
Just for me, oh, yeah

She saves her loving, just for me
She loves me, so tenderly
I got a woman, way over town
That's good to me, oh, yeah

She's there to love me
Both day and night
Never grumbles or fusses
Always treats me right

Never running in the streets
Leaving me alone
She knows a woman's place
Is right there, now, in the home

I got a woman, way over town
That's good to me, oh, yeah
Said I got a woman, way over town
That's good to me, oh, yeah

Well, she's my baby, don't you understand
Yeah, I'm her loving man, now
I got a woman, way over town
She's good to me, oh, yeah

Well, don't you know she's all right
Well, don't you know she's all right
She's all right
She's all right.