HOW MANY TIMES CAN WE SAY GOODBYE

DIONNE WARWICK & LUTHER VANDROSS
SONGWRITER: STEVE GOLDMAN
COUNTRY: U. S. A.
ALBUM: HOW MANY TIME CAN WE SAY GOODBYE
LABEL: ARISTA RECORDS
GENRE: POP
YEAR: 1983
 
            Marie Dionne Warwick (/ˈdiːɒn/DEE-on; née Warrick; born December 12, 1940) is an American singer, actress, television host, and former Goodwill Ambassador for the Food and Agriculture Organization.
            Warwick ranks among the 40 biggest hit makers between 1955 and 1999, based on the Billboard Hot 100 Pop Singles Charts. She is one of the most-charted female vocalists of all time, with 56 of her singles making the Billboard Hot 100 between 1962 and 1998, and 80 singles making all Billboard charts combined.
             How Many Times Can We Say Goodbye is an album recorded by Dionne Warwick, her sixth for the Arista label (retitled So Amazing in the UK). It was recorded during the spring of 1983 and was released that fall. The LP was originally issued as number AL 8-8104 in the Arista Catalog.
                 Despite strong reviews, it was a commercial disappointment, stalling at number 57 on Billboard's album chart. Two singles came from the album, "How Many Times Can We Say Goodbye" (a duet with album producer Luther Vandross) which hit #4 Adult Contemporary and #27 on Billboard's Hot 100 and the upbeat "Got A Date" which hit #45 on Billboard's R&B chart.
Here we are so close to the end now
Still holdin' on, we try and pretend now
Clinging to love we both know is dying (It's dying)
We've tried and tried to find us a way out
But darling, our dreams have now all been played out
Still we go on hopelessly trying
 
But how many times can we say goodbye
And how many times can we see love die
And how many times can we give it one more try
Before we really say goodbye
Mmm, goodbye (Goodbye)
 
We're so in love, but wrong for each other
Each hurt that heals brings on another
Both of us used and both of us using (Hey, hey)
Darling, it's time that we stop pretending (Stop)
There's just no way to rewrite our ending (No way)
We're caught in this game and we both know we're losing
 
Oh, but how many times can we say goodbye
Hey, how many times can we feel love die
Tell me how many times can we give it one more try (One more)
Before we really say goodbye
Yeah...oh...ho... (Whoa...oh...oh...)
 
How many times can we break up and make up
Both of our hearts refusing to wake up
Just can't go on (No) and on living a lie
Though I'll always love you
 
How many times (Ooh) can we say goodbye
Oh...and how many times can we live this lie
Hey, how many times can we give it one more try (One more try)
How any times before we really (Really, really) say goodbye
Bye-bye (Goodbye) Bye-bye
(Goodbye) Bye-b-b-bye-bye-bye
(Goodbye) Ey, hey, goodbye.

ADEUS, CINCO LETRAS QUE CHORAM

FRANCISCO ALVES
COMPOSITOR: SILVINO NETO
PAÍS: BRASIL
ÁLBUM: DA SAUDADE
GRAVADORA: BRAZILIAN CLASSICS
GÊNERO: SAMBA-CANÇÃO
ANO: 2014
 
              Francisco de Morais Alves, mais conhecido por Francisco Alves, Chico Alves ou Chico Viola (Rio de janeiro, 19 de agosto de 1898 — Pindamonhangaba, 27 de setembro de 1952), foi um dos mais populares  cantores do Brasil na primeira metade do Século XX, e considerado por muitos o maior do país. A qualidade de seu trabalho lhe rendeu em 1933, pelo radialista César Ladeira, a alcunha de "Rei da Voz". Foi, ainda, peça decisiva para a construção de vários gêneros populares da música.
                Alves era uma figura alta e magra; andava sempre elegante e bem penteado; muito sorridente e avesso às bebidas. Como seu ídolo Vicente Celestino, tinha uma voz de tenor mas, com o tempo, consolidou-se em barítono. De origem humilde, deixou uma vasta produção de mais de quinhentos discos; sua morte trágica causou imensa comoção no país, num sentimento que um de seus biógrafos, David Nasser (que também era amigo e compositor de algumas músicas por ele interpretadas), escreveu: "Tu, só tu, madeira fria, sentirás toda agonia do silêncio do cantor". A despeito disso, muitos no meio artístico o consideravam bruto, de poucos amigos e vários desafetos.
           Foi dele a primeira gravação de disco elétrico feita no Brasil. Graças a ele compositores como Cartola, Heitor dos Prazeres ou Ismael Silva vieram a ser consagrados, o mesmo ocorrendo com várias canções que interpretou, como Ai! que saudade da Amélia, ou a primeira gravação do samba Aquarela do Brasil do parceiro Ary Barroso. Representava para o país, quando de sua morte, o que o cantor Maurice Chevalier era para a França: um "caso raro" — como então registrou o Jornal do Brasil.

Adeus, adeus, adeus
Adeus
Adeus, adeus, adeus
Cinco letras que choram
Num soluço de dor
Adeus, adeus, adeus
É como o fim de uma estrada
Cortando a encruzilhada
Ponto final de um romance de amor
 
Quem parte tem os olhos rasos d'água
Ao sentir a grande mágoa
Por se despedir de alguém
Quem fica, também fica chorando
Com o coração penando
Querendo partir também
Adeus, adeus, adeus
Adeus, adeus, adeus.

SO LONELY

STING
SONGWRITER: STING
COUNTRY: U. K.
ALBUM: STING MY SONGS
LABEL: MUSIC WORLD
GENRE: ROCK AND ROLL
YEAR: 2019
 
            Gordon Matthew Thomas Sumner CBE (born 2 October 1951), known as Sting, is an English musician, singer, songwriter, and actor. He was the principal songwriter, lead singer, and bassist for new wave rock band the Police from 1977 to 1984, and launched a solo career in 1985. He has included elements of rock, jazz, reggae, classical, new-age and worldbeat in his music.
             As a solo musician and a member of the Police, Sting has received 17 Grammy Awards: he won Song of the Year for "Every Breath You Take", three Brit Awards, including Best British Male Artist in 1994 and Outstanding Contribution in 2002, a Golden Globe, an Emmy and four nominations for the Academy Award for Best Original Song. In 2019, he received a BMI Award for "Every Breath You Take" becoming the most played song in radio history. In 2002, Sting received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors and was also inducted into the Songwriters Hall of Fame. He was inducted into the Rock and Roll Hall of Fame as a member of the Police in 2003. In 2000, he received a star on the Hollywood Walk of Fame for recording. In 2003, Sting received a CBE from Elizabeth II at Buckingham Palace for services to music. He was made a Kennedy Center Honoree at the White House in 2014, and was awarded the Polar Music Prize in 2017.
            With the Police, Sting became one of the world's best-selling music artists. Solo and with the Police combined, he has sold over 100 million records. In 2006, Paste ranked him 62nd of the 100 best living songwriters. He was 63rd of VH1's 100 greatest artists of rock, and 80th of Q magazine's 100 greatest musical stars of the 20th century. He has collaborated with other musicians on songs such as "Money for Nothing" with Dire Straits, "Rise & Fall" with Craig David, "All for Love" with Bryan Adams and Rod Stewart, "You Will Be My Ain True Love" with Alison Krauss, and introduced the North African music genre raï to Western audiences through the hit song "Desert Rose" with Cheb Mami. In 2018, he released the álbum 44/876, a collaboration with Jamaican musician Shaggy, which won the Grammy Award for Best Reggae Album in 2019.
             The songs are still great and presumably the assumption is that many people who have invested in a CD player since the time of the last retrospective will welcome a fresh chance to buy in to this superb legacy. As a straight-down-the-line exercise in milking the market, 'Greatest Hits' thus takes some beating.
               "So Lonely" is a song by English rock band The Police, released as the third and final single in November 1978 from their debut studio album Outlandos d'Amour (1978), and again in February 1980 as a re-release. The song uses a reggae style, and featured Sting on lead vocals.
"So Lonely" has since been covered by a variety of artists, such as Limbeck and The Militia Group.
            The song is known for a famous mondegreen where the title is often misheard as "Sue Lawley", a broadcaster famous for presenting Desert Island Discs on BBC Radio 4 from 1988 to 2006.

Well someone told me yesterday
That when you throw your love away
You act as if you just don't care
You look as if you're going somewhere
 
But I just can't convince myself
I couldn't live with no one else
And I can only play that part
And sit and nurse my broken heart
 
So lonely, so lonely, so lonely, so lonely
So lonely, so lonely, so lonely
So lonely, so lonely, so lonely
So lonely, so lonely
 
Now no one's knocked upon my door
For a thousand years or more
All made up and nowhere to go
Welcome to this one man show
 
Just take a seat they're always free
No surprise no mystery
In this theatre that I call my soul
I always play the starring role
 
So lonely, so lonely, so lonely, so lonely
So lonely, so lonely, so lonely
So lonely, so lonely, so lonely
So lonely, so lonely
 
So lonely, so lonely, so lonely, so lonely
So lonely, so lonely, so lonely
 
Lonely, I'm so lonely
I feel so alone
I feel low
I feel so
Feel so low
I feel low, low
I feel low, low, low
I feel low, low, low
I feel low, low, low
I feel low, low, low
I feel low, low, low
Low, I feel low
I feel low
I feel low
I feel so lonely
I feel so lonely
I feel so lonely, lonely, lonely, lone
Lonely, lone
I feel so alone, yeah
 
So lonely, so lonely, so lonely, so lonely
So lonely, so lonely, so lonely
(I feel so alone, I feel so alone, I feel so lonely)
So lonely, so lonely, so lonely
(I feel so alone, I feel so alone, I feel so lonely)
So lonely, so lonely, so lonely
(I feel so alone, I feel so alone, I feel so lonely)
So lonely, so lonely, so lonely
(I feel so alone, I feel so alone, I feel so lonely)
So lonely, so lonely, so lonely
(I feel so alone, I feel so alone, I feel so lonely)
So lonely, so lonely, so lonely.

THE GOOD, THE BAD AND THE UGLY

ENNIO MORRICONE
SONGWRITER: ENNIO MORRICONE
COUNTRY: ITALIA
ALBUM: THE GOOD, THE BAD AND THE UGLY
LABEL: SOUNDTRACK
GENRE: SOUNDTRACK
YEAR: 1966
 
              The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, lit. '"The good, the ugly, the bad"') is a 1966 Italian epic Spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati), based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score including its main theme. It is an Italian-led production with co-producers in Spain, West Germany and the United States.
              The film is known for Leone's use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and stylistic gunfights. The plot revolves around three gunslingers competing to find fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the New Mexico Campaign in 1862), while participating in many battles and duels along the way. The film was the third collaboration between Leone and Clint Eastwood, and the second with Lee Van Cleef.
              The Good, the Bad and the Ugly was marketed as the third and final installment in the Dollars Trilogy, following A Fistful of Dollars and For a Few Dollars More. The film was a financial success, grossing over $25 million at the box office, and is credited with having catapulted Eastwood into stardom. Due to general disapproval of the Spaghetti Western genre at the time, critical reception of the film following its release was mixed, but it gained critical acclaim in later years.

Go go go migo
Go go go migo
Go go migo
Go go go
 
Aaaaa
Go go go go go...
Aaaaa
Go migo
Aaaaa
Go migo
Aaaaa
 
Aaaaa
Aaaaa
Migo go go...