I DON'T TRUST MYSELF

JOHN MAYER
SONGWRITER: JOHN MAYER
COUNTRY: U. S. A.
ALBUM: CONTINUUM
LABEL: COLUMBIA RECORDS
GENRE: POP ROCK
YEAR: 2006
 
           John Clayton Mayer (/ˈmeɪ.ər/MAY-ər; born October 16, 1977) is an American singer-songwriter, guitarist, and record producer. Born in Bridgeport, Connecticut, Mayer attended Berklee College of Music in Boston, but disenrolled and moved to Atlanta in 1997 with Clay Cook. Together, they formed a short-lived two-man band called Lo-Fi Masters. After their split, Mayer continued to play local clubs, refining his skills and gaining a following. After his appearance at the 2001 South by Southwest Festival, he was signed to Aware Records, and then Columbia Records, which released his first EP Inside Wants Out. His following two full-length albums—Room for Squares (2001) and Heavier Things (2003)—did well commercially, achieving multi-platinum status. In 2003, he won the Grammy Award for Best Male Pop Vocal Performance for his single "Your Body Is a Wonderland".
            By 2005, Mayer had moved away from the acoustic music that characterized his early records, and begun performing the blues and rock music that had originally influenced him as a musician. He collaborated with blues artists such as B. B. King, Buddy Guy, and Eric Clapton. Forming the John Mayer Trio, he released a live album, Try!, in 2005 and his third studio album Continuum in 2006. Both albums received positive reviews, and Continuum earned Mayer a 2007 Grammy Award for Best Pop Vocal Album. He also won Best Male Pop Vocal Performance for "Waiting on the World to Change". That album was followed by Battle Studies in 2009, a return to pop, with a Battle Studies World Tour.
              After having several controversial incidents with the media, Mayer withdrew from public life in 2010 and began work on his fifth studio album, Born and Raised, which drew inspiration from the 1970s pop music of Laurel Canyon. However, the discovery of a granuloma on his vocal cords delayed the release of the album until May 2012, and forced him to cancel the planned tour. The album received a generally favorable reception, though was less commercially successful than his previous work. Mayer began performing as a singer again in January 2013, and that year released his sixth studio album, Paradise Valley, which incorporates country music influences. By 2014, he had sold a total of over 20 million albums worldwide. His latest album, The Search for Everything, was released in 2017.
              In 2015, three former members of the Grateful Dead joined with Mayer and two other musicians to form the band Dead & Company. It is the latest of several reunions of the band's surviving members since Jerry Garcia's death in 1995. The band remains active and its tours have been well received.
                 Mayer's secondary career pursuits extend to television hosting, comedy, and writing; he has authored columns for magazines such as Esquire. He supports various causes and has performed at charity benefits. He is a watch aficionado (with a collection he values in the "tens of millions" of dollars), contributing to the watch site Hodinkee, and has been on the jury at the Grand Prix d'Horlogerie de Genève.
           Continuum is the third studio album by American singer-songwriter John Mayer, released on September 12, 2006, by Aware and Columbia Records. Recording sessions took place from November 2005 to September 2006 at The Village Recorder in Los Angeles, Avatar Studios and Right Track/Sound on Sound in New York City, and Royal Studios in Memphis, Tennessee. Produced by singer and drummer Steve Jordan, it marked a change in Mayer's musical style, incorporating elements of blues and soul more heavily than in his previous work with pop rock.
         The album debuted at number 2 on the US Billboard 200, selling more than 300,186 copies in its first week of sales. It also reached the top-10 of several other countries and sold over 5 million copies worldwide. Upon its release, Continuum received generally positive reviews from critics, and earned Mayer several accolades, including a Grammy Award for Best Pop Vocal Album at the 49th Grammy Awards. Rolling Stone named it the 11th best album of 2006 and in 2020, they ranked it number 486 on its 2020 updated list of the 500 Greatest Albums of All Time.

No I'm not the man I used to be lately
See you met me at an interesting time
And if my past is any sign of your future
You should be warned before I let you inside
 
Hold on to whatever you find baby
Hold on to whatever will get you through
Hold on to whatever you find baby
I don't trust myself with lovin' you
 
I will beg my way into your Garden
Then I'll break my way out when it rains
Just to get back to the place where I started
So I can want you back all over again
(I don't really understand)
 
Hold on to whatever you find baby
Hold on to whatever will get you through
Hold on to whatever you find baby
I don't trust myself with lovin' you
 
Who do you love?
Girl I see through, through your love
Who do you love?
Me or the thought of me?
Me or the thought of me?
 
Hold on to whatever you find baby
Hold on to whatever will get you through
Hold on to whatever you find baby
I don't trust myself with lovin' you
 
Hold on to whatever you find baby
Hold on to whatever will get you through
Hold on to whatever you find baby
I don't trust myself with lovin' you
I don't trust myself with lovin' you
I don't trust myself with lovin' you
I don't trust myself with lovin' you.

BANG, BANG, BANG

TRACY CHAPMAN
SONGWRITER: TRACY CHAPMAN
COUNTRY: U. S. A.
ALBUM: MATTERS OF THE HEART
LABEL: ELEKTRA RECORDS
GENRE: BLUES
YEAR: 1992
 
          Tracy Chapman (born March 30, 1964) is an American singer-songwriter, known for her hits "Fast Car" and "Give Me One Reason", along with other singles "Talkin' 'bout a Revolution", "Baby Can I Hold You", "Crossroads", "New Beginning", and "Telling Stories". She is a multi-platinum and four-time Grammy Award–winning artist.
             Chapman was signed to Elektra Records by Bob Krasnow in 1987. The following year she released her critically acclaimed debut álbum Tracy Chapman, which became a multi-platinum worldwide hit. The album earned Chapman six Grammy Award nominations, including Album of the Year, three of which she won, including Best Female Pop Vocal Performance for her single "Fast Car", and Best New Artist. Chapman released her second álbum Crossroads the following year, which garnered her an additional Grammy nomination. Since then, Chapman has experienced further success with six more studio albums, which include her multi-platinum fourth álbum New Beginning, for which she won a fourth Grammy Award, for Best Rock Song, for its lead single "Give Me One Reason". Chapman's most recent album is Our Bright Future, released in 2008.
          Chapman was born in Cleveland, Ohio. Her parents divorced when she was four years of age. She was raised by her mother, who bought her music-loving three-year-old daughter a ukulele despite having little money. Chapman began playing the guitar and writing songs at age eight. She says that she may have been first inspired to play the guitar by the television show Hee Haw. Chapman's family received welfare. In her native Cleveland, school desegregation efforts led to racial unrest and riots; Chapman experienced frequent bullying and racially motivated assaults as a child.
            Raised as a Baptist, Chapman attended an Episcopal high school and was accepted into the program A Better Chance, which sponsors students at college preparatory high schools away from their home community. She graduated from Wooster School in Connecticut, then attended Tufts University, graduating with a B.A. degree in Anthropology and African studies.
             Matters of the Heart is the third studio album by American singer-songwriter Tracy Chapman, released in 1992 (see 1992 in music). It was her first not to be produced or co-produced by David Kershenbaum.

What do you go and do
You go and give the boy a gun
Now there ain't no place to run to
Ain't no place to run
 
When the hold in his hand
He feel mighty he feel strong
Now there ain't no place to run to
Ain't no place to run
 
One day he may come back
Repay for what we done
Then where you gonna run to
Where you gonna run
 
But one fine day
All our problems will be solved
Bang bang bang
We'll shoot him down
 
Give him drugs and give him candy
Anything to make him think he's happy
And he won't ever come for us
He won't ever come
 
But if he does
And if there's no one else around
Bang bang bang
We'll shoot him down
 
If he preys only on his neighbors
Brothers sisters and friends
We'll consider it a favor
We'll consider justice done
 
But if he comes for you or me
And we can place a gun in his hand
Bang bang bang
We'll shoot him dead
 
What you go and do
You go and give the boy a gun
Now there ain't no place to run to
Ain't no place to run
 
Now we'll all be at his mercy
If he decides to hunt us down
Cause there ain't no place to run to
Ain't no place to run
 
If he wants the chances that you took from him
And nothing that you own
Then there'll be no place to run to
There'll be no place to run
 
And if he finds himself to be
A reflection of us all
Bang bang bang
He'll shoot us down
 
Before you can raise your eyes to read
The writing on the wall
Bang bang bang
He'll shoot you down
 
Before you can bridge the gulf between
And embrace him in your arms
Bang bang bang
He'll shoot you down.

O PATO

JOÃO GILBERTO
COMPOSITORES: JAYME SILVA & NEUZA TEIXEIRA
PAÍS: BRASIL
ÁLBUM: O AMOR, O SORRISO E A FLOR
GRAVADORA: ODEON RECORDS
GÊNERO: BOSSA NOVA
ANO: 1960
 
       João Gilberto Prado Pereira de Oliveira (JuaZeiro, 10 de junho de 1931Rio de Janeiro, 6 de julho de 2019) foi um cantor, violonista e compositor brasileiro. Considerado um artista genial por musicólogos e jornalistas especializados, revolucionou a música brasileira ao criar uma nova batida de violão para tocar samba: a "bossa nova". O seu jeito suave de cantar também influenciou muitos dos cantores da MPB. Para a revista Rolling Stone Brasil, foi um dos 30 maiores ícones brasileiros da guitarra e do violão e também o segundo maior artista brasileiro de todos os tempos, seguindo Tom Jobim (também músico e o compositor e arranjador dos maiores sucessos da carreira de João Gilberto). 
              Desde o lançamento do compacto que continha Chega de Saudade e Bim Bom, munido apenas da voz e do violão, começou uma revolução na música mundial. Dono de uma sonoridade original e moderna, João Gilberto levou a música popular brasileira ao mundo, principalmente para os Estados Unidos, Europa e Japão. Tido como um dos músicos mais influentes no jazz americano do século XX, ganhou prêmios importantes nos Estados Unidos e na Europa, como o Grammy, em meio à beatlemania.
    O escritor e pesquisador Ruy Castro, no livro Chega de Saudade, conta mais detalhes: “O pato era uma relíquia do repertório dos Garotos da Lua desde 1948. Tinha sido levado na Rádio Tupi a Milton, o chefe do conjunto, por um dos autores, um mulato alto, elegante e simpático chamado Jaime Silva (...) Jaime disse que o samba era seu e de sua parceira, Neuza Teixeira, que não estava com ele. Milton ouviu a música e gostou no ato. “O pato” foi incorporado ao repertório dos Garotos da Lua, que a cantaram incontáveis vezes na Tupi e nos seus shows, ainda com Jonas Silva como crooner. Mas nunca a gravaram, nem mesmo em acetato. Quando Jonas teve de sair para a entrada de João Gilberto, a música continuou por algum tempo no book do conjunto e João cantou-a com eles à exaustão, até que a abandonaram"
           Apresentado à composição lá no Sitio do Poço Fundo, o mestre Jobim gostou e achou inclusive que seria interessante inclui-la para equilibrar a elegância e sobriedade das outras canções do disco.
             Com o repertório definido e os ensaios prontos, as gravações se iniciaram ainda em dezembro daquele ano e avançaram pelo primeiro mês do ano seguinte.
O disco saiu no começo de 1960 e o desconhecido e despretensioso sambinha O Pato tornou-se um sucesso mundial.
           Porém, abrindo um parêntesis na nossa história, "despretensioso", em termos. À primeira vista, essa canção pode parecer inferior ou banal, descartável. No entanto, João Gilberto sabia por que a estava escolhendo.
           Para entender melhor, vejamos a explicação de Luiz Tatit, professor titular do Departamento de Linguística da FFLCH da USP: "João Gilberto se caracterizava por priorizar a sonoridade do texto, em detrimento da sua semântica. A ausência de tensões semânticas é percebida na sua escolha de repertório, com canções lírico-amorosas sem tensão passional, como Chega de Saudade, canções quase infantis, como O Pato e Lobo Bobo, e suas próprias composições, como Bim Bom. João se preocupava de tal forma com os detalhes do texto das canções que cantava, valorizando excessivamente as unidades musicais da canção, que ele mexia, alterava, traduzia idiossincraticamente os detalhes de duração, frequência, intensidade e texto, quando omitia, acrescentava ou mudava trechos ou palavras das canções, mudando o efeito, mas não a essência e a identidade da canção" (Luiz Tatit, "O Cancionista", EDUSP, 2002)

O pato
Vinha cantando alegremente
Quém! Quém!
Quando um marreco sorridente pediu
Para entrar também no samba
No samba, no samba
 
O ganso, gostou da dupla
E fez também
Quém! Quém! Quém!
Olhou pro cisne
E disse assim: Vem! Vem!
Que o quarteto ficará bem
Muito bom, muito bem
 
Na beira da lagoa
Foram ensaiar
Para começar
O tico-tico no fubá
 
A voz do pato
Era mesmo um desacato
Jogo de cena com o ganso era mato
Mas eu gostei do final
Quando caíram n'água
E ensaiando o vocal
 
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!
 
O pato
Vinha cantando alegremente
Quém! Quém!
Quando um marreco sorridente pediu
Para entrar também no samba
No samba, no samba
 
O ganso, gostou da dupla
E fez também
Quém! Quém! Quém!
Olhou pro cisne
E disse assim: Vem! Vem!
Que o quarteto ficará bem
Muito bom, muito bem
 
Na beira da lagoa
Foram ensaiar
Para começar
O tico-tico no fubá
 
A voz do pato
Era mesmo um desacato
Jogo de cena com o ganso era mato
Mas eu gostei do final
Quando caíram n'água
E ensaiando o vocal
 
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!
 
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!
Quém! Quém! Quém! Quém!

FELICIDADE É SÓ QUERER

CÉSAR LACERDA E TIAGO NACARATO
COMPOSITOR: CÉSAR LACERDA & TIAGO NACARATO
PAÍS: BRASIL & PORTUGALÇ
ÁLBUM: FELICIDADE É SÓ QUERER
GRAVADORA: YB MUSIC
GÊNERO: POP
ANO: 2019
 
         Desde que ganhou projeção há dois anos ao participar da edição lusitana do programa The voice em 2017, o cantor e compositor português Tiago Nacarato vem fazendo conexões além-mar com artistas brasileiros.
             Algumas já geraram discos. Em maio, Nacarato lançou single em que gravou canção de lavra própria, Sol de inverno, em dueto com Paulinho Moska. Em 4 de outubro, outro single apresenta dueto de Nacarato com artista do Brasil.
        Desta vez, o encontro é com César Lacerda, mineiro que se radicou na cidade de São Paulo (SP) após período no Rio de Janeiro (RJ). O single Felicidade é só querer apresenta a primeira parceria dos artistas.
        Nacarato é o autor da melodia. A letra foi escrita por Lacerda, que tentou há dois anos ascender ao mainstream do universo pop com o álbum Tudo tudo tudo tudo (2017).

Queria dizer pra você
No mundo há sempre um bom caminho
Gostoso é percorrer
Sem tantos motivos
Felicidade é só querer
 
Eu quero dizer pra você
Viver a vida distraído
Sem planos, sem porquê
Correndo perigo
Felicidade é só querer
 
Não é difícil crer
Te digo, amigo
Felicidade é só querer
 
E sempre haverá
Um jeito de curar
As dores que insistam machucar
 
Parece até clichê
Mas não vá esquecer
Só no presente é bom viver
 
Preciso dizer pra você
Melhor sonhar o impossível
E a vida, enfim, dirá
Que sonho bonito
Felicidade é só querer
 
Não é difícil crer
Te digo, amigo
Felicidade é só querer.