THE WIND

CAT STEVENS
SONGWRITER: CAT STEVENS
COUNTRY: U. K.
ALBUM: TEASER AND THE FIRECAT
LABEL: ISLAND RECORDS
GENRE: FOLK ROCK
YEAR: 1971
 
        Yusuf Islam (born Steven Demetre Georgiou; 21 July 1948), commonly known by his stage names Cat Stevens, Yusuf, and Yusuf/Cat Stevens, is a British singer-songwriter and multi-instrumentalist. His musical style consists of folk, pop, rock, and, in his later career, Islamic music, before returning to secular music in 2006. He was inducted into the Rock and Roll Hall of Fame in 2014.
          His 1967 debut album and its title song "Matthew and Son" both reached top ten in the UK charts. Stevens' albums Tea for the Tillerman (1970) and Teaser and the Firecat (1971) were certified triple platinum in the US. His 1972 album Catch Bull at Four spent weeks at the top of several major charts. He earned ASCAP songwriting awards in 2005 and 2006 for "The First Cut Is the Deepest", and the song has been a hit for four artists. His other hit songs include "Father and Son", "Wild World", "Moonshadow", "Peace Train", and "Morning Has Broken".
           In December 1977, Stevens converted to Islam and adopted the name Yusuf Islam the following year. In 1979, he auctioned all of his guitars for charity. He has since bought back at least one of these guitars as a result of the efforts of his son Yoriyos, and left his musical career to devote himself to educational and philanthropic causes in the Muslim community. He was embroiled in a long-running controversy regarding comments he made in 1989 about the death fatwa on author Salman Rushdie. His current stance is that he never supported the fatwa: “I was cleverly framed by certain questions. I never supported the fatwa." He has received two honorary doctorates and awards for promoting peace as well as other humanitarian awards.
            In 2006, he returned to pop music – releasing his first new studio album of new pop songs in 28 years, entitled An Other Cup. With that release and subsequent ones, he dropped the surname "Islam" from the album cover art – using the stage name Yusuf as a mononym. In 2009, he released the album Roadsinger and, in 2014, he released the album Tell 'Em I'm Gone and began his first US tour since 1978. His second North American tour since his resurgence, featuring 12 shows in intimate venues, ran from 12 September to 7 October 2016. In 2017, he released the album The Laughing Apple, now using the stage name Yusuf/Cat Stevens, using the Cat Stevens name for the first time in 39 years. In September 2020, he released Tea for the Tillerman 2, a reimagining of his classic album Tea for the Tillerman to celebrate its 50th anniversary.
         Teaser and the Firecat is the fifth studio album by Cat Stevens, released in October 1971.
         At the Australian 1972 King of Pop Awards the album won Biggest Selling L.P.
I listen to the wind
to the wind of my soul
Where I'll end up well I think,
only God really knows
I've sat upon the setting sun
But never, never never never
I never wanted water once
No, never, never, never
 
I listen to my words but
they fall far below
I let my music take me where
my heart wants to go
I swam upon the devil's lake
But never, never never never
I'll never make the same mistake
No, never, never, never.

I WON’T BACK DOWN

JOHNNY CASH
SONGWRITERS: JEFF LYNNE & TOM PETTY
COUNTRY: U. S. A.
ALBUM: AMERICAN III: SOLITARY MAN
LABEL: AMERICAN
GENRE: COUNTRY
YEAR: 2000
 
         John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American singer, songwriter, musician, and actor. Much of Cash's music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. He was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark all-black stage wardrobe which earned him the nickname "The Man in Black".
       Born to poor cotton farmers in Kingsland, Arkansas, Cash rose to fame in the burgeoning rockabilly scene in Memphis, Tennessee, after four years in the Air Force. He traditionally began his concerts by simply introducing himself, "Hello, I'm Johnny Cash", followed by "Folsom Prison Blues", one of his signature songs. Alongside "Folsom Prison Blues", his other signature songs include "I Walk the Line", "Ring of Fire", "Get Rhythm", and "Man in Black". He also recorded humorous numbers like "One Piece at a Time" and "A Boy Named Sue", a duet with his future wife June called "Jackson" (followed by many further duets after their wedding), and railroad songs such as "Hey, Porter", "Orange Blossom Special", and "Rock Island Line". During the last stage of his career, he covered songs by contemporary rock artists of the time; his most notable covers were "Hurt" by Nine Inch Nails, "Rusty Cage" by Soundgarden, and "Personal Jesus" by Depeche Mode.
           Cash is one of the best-selling music artists of all time, having sold more than 90 million records worldwide. His genre-spanning music embraced country, rock and roll, rockabilly, blues, folk, and gospel sounds. This crossover appeal earned him the rare honor of being inducted into the Country Music, Rock and Roll, and Gospel Music Halls of Fame.
         American III: Solitary Man is a studio album by Johnny Cash. It was released on October 17, 2000, by American Recordings. It is the third album in Cash's American series.
        "I Won't Back Down" is a song by American rock musician Tom Petty. It was released in April 1989 as the lead single from his first solo album, Full Moon Fever. The song was co-written by Petty and Jeff Lynne, also his writing partner for the album. It reached number 12 on the Billboard Hot 100 and topped the Album Rock Tracks chart for five weeks, starting the album's road to multi-platinum status.

Well, I won't back down, no, I won't back down
You can stand me up at the gates of hell
But I won't back down
 
Gonna stand my ground, won't be turned around
And I'll keep this world from draggin' me down
Gonna stand my ground and I won't back down
 
Hey baby, there ain't no easy way out
Hey, I will stand my ground and I won't back down
 
Well, I know what's right, I got just one life
In a world that keeps on pushin' me around
But I stand my ground and I won't back down
 
Hey baby, there ain't no easy way out
Hey I will stand my ground and I won't back down
No, I won't back down. 

OJOS MALIGNOS

SILVIO RODRIGUEZ
COMPOSITOR: JUAN PICHARDO CAMBIER
PAIS: CUBA
ÁLBUM: OJOS MALIGNOS
DISCOGRÁFICA: OJALÁ
GÉNERO: BOLERO
AÑO: 1975
 
         Silvio Rodríguez Domínguez (San Antonio de los Baños, 29 de noviembre de 1946) es un cantautor, guitarrista y poeta cubano, exponente característico de la música de su país surgida con la Revolución cubana, conocida como la Nueva Trova, que comparte con otros reconocidos cantautores tales como Pablo Milanés, Noel Nicola y Vicente Feliú.
          Su infancia la vivió en la época de la transición del gobierno de Fulgencio Batista y el inicio de la Revolución cubana. Colaboró para esta última desde sus inicios, como educador, dibujante, escritor, compositor, militar y político. Su carrera musical la inició ejerciendo como conductor de televisión, para luego integrarse al Grupo de Experimentación Sonora, entidad dirigida por Leo Brouwer, y finalmente consolidándose como solista.
            Con más de cuatro décadas de carrera musical, ha escrito al menos quinientas sesenta canciones y publicado una veintena de álbumes, siendo uno de los cantautores de mayor trascendencia internacional de habla hispana. Acabando el siglo XX, fue elegido en su país junto a Ernesto Lecuona como el mejor compositor cubano del siglo, mientras que a nivel internacional fue galardonado, junto a Joan Manuel Serrat, como el mejor cantautor hispanoamericano de la segunda mitad de siglo y en 1997 como Artista Unesco por la Paz. En el siglo XXI, por su parte, recibió el premio ALBA de 2010, además de recibir el grado de doctor Honoris Causa en la Universidad Nacional Mayor de San Marcos del Perú, la Universidad Veracruzana de México y la Universidad Nacional de Córdoba de Argentina.
     De acuerdo con diversas clasificaciones musicales, entre los discos más relevantes del cantautor pueden mencionarse algunos de los primeros, tales como Días y flores (1975), Al final de este viaje (1978), Mujeres (1978), Rabo de nube (1980) y Unicornio (1982).
 
Las miradas de tus ojos son tan sutiles
que penetran en el alma de quien los mire.
Y como soles irresistibles son tus desdeños
que no puede uno mirarse, mirarse en ellos.
Que no puede uno mirarse, mirarse en ellos.
 
Las miradas de tus ojos son tan sutiles
que penetran en el alma de quien los mire
y como soles irresistibles son tus desdeños
que no puede uno mirarse, mirarse en ellos.
que no puede uno mirarse, mirarse en ellos.
 
Y como sabes que tu mirada tiene le hechizo
mira com imprudencia y maleficio.
No me mires a los ojos porque no quiero
que tu mirar penetrante me deje ciega.
Que tu mirar penetrante me deje ciega.
 
Las miradas de tus ojos son tan sutiles
que penetran en el alma de quien los mire.
Y como soles irresistibles son tus desdeños
que no puede uno mirarse, mirarse en ellos.
Que no puede uno mirarse, mirarse en ellos.
 
Y como sabes que tu mirada tiene le hechizo
mira com imprudencia y maleficio.
No me mires a los ojos porque no quiero
que tu mirar penetrante me deje ciega.
Que tu mirar penetrante me deje ciega.
Que tu mirar penetrante me deje ciega.
Que tu mirar penetrante me deje ciega.

SE VOCÊ JURAR
FRANCISCO ALVES & MÁRIO REIS
COMPOSITORES: FRANCISCO ALVES, ISMAEL SILVA & NILTON BASTOS
PAÍS: BRASIL
ÁLBUM: FRANCISCO ALVES BE MÁRIO REIS – 10’
GRAVADORA: EMI MUSIC BRASIL LTDA.
GÊNERO: JAZZ
ANO: 1930
 
            Francisco de Morais Alves, mais conhecido por Francisco Alves, Chico Alves ou Chico Viola (Rio de Janeiro, 19 de agosto de 1898 — Pindamonhangaba, 27 de setembro de 1952), foi um dos mais populares cantores do Brasil na primeira metade do Século XX, e considerado por muitos o maior do país. A qualidade de seu trabalho lhe rendeu em 1933, pelo radialista César Ladeira, a alcunha de "Rei da Voz". Foi, ainda, peça decisiva para a construção de vários gêneros populares da música.
        Alves era uma figura alta e magra; andava sempre elegante e bem penteado; muito sorridente e avesso às bebidas. Como seu ídolo Vicente Celestino, tinha uma voz de tenor mas, com o tempo, consolidou-se em barítono. De origem humilde, deixou uma vasta produção de mais de quinhentos discos; sua morte trágica causou imensa comoção no país, num sentimento que um de seus biógrafos, David Nasser (que também era amigo e compositor de algumas músicas por ele interpretadas), escreveu: "Tu, só tu, madeira fria, sentirás toda agonia do silêncio do cantor". A despeito disso, muitos no meio artístico o consideravam bruto, de poucos amigos e vários desafetos.
          Foi dele a primeira gravação de disco elétrico feita no Brasil. Graças a ele compositores como Cartola, Heitor dos Prazeres ou Ismael Silva vieram a ser consagrados, o mesmo ocorrendo com várias canções que interpretou, como Ai! que saudade da Amélia, ou a primeira gravação do samba Aquarela do Brasil do parceiro Ary Barroso. Representava para o país, quando de sua morte, o que o cantor Maurice Chevalier era para a França: um "caso raro" — como então registrou o Jornal do Brasil.
          Mário da Silveira Meireles Reis, mais conhecido apenas como Mário Reis (Rio de Janeiro, 31 de dezembro de 19075 de outubro de 1981), o Bacharel do Samba, foi um popular cantor brasileiro da era do rádio.

Se você jurar que me tem amor
Eu posso me regenerar
Mas se é para fingir, mulher
A orgia assim não vou deixar
Muito tenho sofrido
Por minha lealdade
Agora estou sabido
Não vou atrás de amizade
A minha vida é boa
Não tenho em que pensar
Por uma coisa à-toa
Não vou me regenerar
A mulher é um jogo
Difícil de acertar
E o home como um bobo
Não se cansa de jogar
O que eu posso fazer
É se você jurar
Arriscar a perder
Ou desta vez então ganhar.