THE RAIN IN SPAIN

PERCY FAITH’S ORCHESTRA
SONGWRITERS: ALAN JAY LERNER & FREDERICK LOEWE
COUNTRY: CANADA
ALBUM: PERCY FAITH’S GRATEST HITS
LABEL: COLUMBIA
GENRE: INSTRUMENTAL
YEAR: 1987
 
            Percy Faith (April 7, 1908 – February 9, 1976) was a Canadian bandleader, orchestrator, composer and conductor, known for his lush arrangements of pop and Christmas standards. He is often credited with popularizing the "easy listening" or "mood music" format. Faith became a staple of American popular music in the 1950s and continued well into the 1960s. Though his professional orchestra-leading career began at the height of the swing era, Faith refined and rethought orchestration techniques, including use of large string sections, to soften and fill out the brass-dominated popular music of the 1940s.
           Faith was born and raised in Toronto, Ontario, Canada. He was the oldest of eight children. His parents, Abraham Faith and Minnie, née Rottenberg, were Jewish. He played violin and piano as a child, and played in theatres and at Massey Hall. After his hands were badly burned in a fire, he turned to conducting, and his live orchestras used the new medium of radio broadcasting. Percy moved from Canada to Great Neck, New York and became a U.S. citizen.
          Beginning with stations CKNC and CKCL, Faith was a staple of the Canadian Broadcasting Corporation's live-music broadcasting from 1933 to 1940, when he resettled in Chicago, Illinois. In the early 1940s, Faith was orchestra leader for the Carnation Contented program on NBC. From 1948-1949 he also served as the orchestra leader on the CBS radio network program The Coca-Cola Hour (also called The Pause That Refreshes). The orchestral accordionist John Serry Sr. collaborated with Faith in these broadcasts.
           In 1945, he became a naturalized citizen of the United States. He made many recordings for Voice of America. After working briefly for Decca Records, he worked for Mitch Miller at Columbia Records, where he turned out dozens of albums and provided arrangements for many of the pop singers of the 1950s, including Tony Bennett, Doris Day, Johnny Mathis for Mathis's 1958 Christmas album titled Merry Christmas, and Guy Mitchell for whom Faith co-wrote with Carl Sigman Mitchell's number-one single, "My Heart Cries for You".
           His most famous and remembered recordings are "Delicado" (1952), "The Song from Moulin Rouge" (1953) and "Theme from A Summer Place" (1959), which won the Grammy Award for Record of the Year in 1961. Faith remains the only artist to have the best selling single of the year during both the pop singer era ("Song from Moulin Rouge") and the rock era ("Theme from A Summer Place"); and he is one of only three artists, along with Elvis Presley and The Beatles, to have the best selling single of the year twice. The B-side of "Song from the Moulin Rouge" was "Swedish Rhapsody" by Hugo Alfvén. In 1961 his fame in Sweden rose exponentially as his work Mucho Gusto became the theme music for the sports broadcasts of Sveriges Radio.
        Though Faith initially mined the worlds of Broadway, Hollywood and Latin music for many of his top-selling 1950s recordings, he enjoyed popularity starting in 1962 with his orchestral versions of popular rock and pop hits of the day. His Themes for Young Lovers album was a top seller during this era and introduced the Faith sound to a younger generation of listeners. With the success of Columbia record-mate Ray Conniff's chorus and orchestra during this same time, Faith began using a chorus (usually all female in most of his recordings, but used a mixed chorus on his albums Leaving on a Jet Plane and I Think I Love You, which were released in 1970 and 1971 respectively) in several popular albums from the mid-1960s on. Faith's first single with a female chorus, "Yellow Days," was a substantial hit in the MOR (Middle of the Road) easy listening radio format of the mid-1960s. Faith continued to enjoy airplay and consistent album sales throughout the early 1970s, and received a second Grammy award in 1969 for his album Love Theme from 'Romeo and Juliet'.
         Though best known for his recording career, Faith also occasionally scored motion pictures, and received an Academy Award nomination for his adaptation of the song score for the Doris Day musical feature, Love Me or Leave Me. His other film scores included romantic comedies and dramatic features such as Tammy Tell Me True (1961), I'd Rather Be Rich (1964), The Third Day (1965) and The Oscar (1966). Faith also composed the theme for the NBC series The Virginian.
          With the advent of harder rock sounds in the 1970s, Faith's elegant arrangements fell out of favour with the listening and record-buying public, although he continued to release albums as diverse and contemporary as Jesus Christ Superstar and Black Magic Woman. He released one album of country music and two albums of disco-oriented arrangements toward the end of his forty-year career, his last recording being a disco-style reworking of "Theme from a Summer Place", titled "Summer Place '76", which was a minor and posthumous hit. Faith died of cancer in Encino, California, and was interred in the Hillside Memorial Park Cemetery in Culver City, California.
 

HEAR MY SONG, VIOLETTA

MANTOVANI & HIS ORCHESTRA
COMPOSITORE: GIUSEPPE VERDI
PAESE: ITALIA
ALBUM: MY FAVOURITE LOVE SONGS
ETICHETTA: P4Y
GENERE: INSTRUMENTAL
ANNO: 2017
 
            Annunzio Paolo Mantovani (italiano: [annuntsjo Paolo Mantovani]; 15 novembre 1905 - 29 Marzo 1980), conosciuto mononymously come Mantovani, era un anglo-italiano conduttore, compositore e light orchestra intrattenitore -styled con stringhe a cascata firma musicale.
          Il libro British Hit Singles & Albums afferma che è stato "l'atto di album di maggior successo della Gran Bretagna prima dei Beatles... il primo atto a vendere oltre un milione di album stereo e [avere] sei album contemporaneamente nella Top 30 degli Stati Uniti nel 1959".
          Mantovani è nato a Venezia, in Italia, in una famiglia di musicisti. Suo padre, Bismarck, è servita come primo violino della Scala dell'orchestra di teatro a Milano, sotto la direzione di Arturo Toscanini. La famiglia si trasferì in Inghilterra nel 1912, dove il giovane Annunzio studiò al Trinity College of Music di Londra. Dopo la laurea, ha formato la sua orchestra, che ha suonato a Birmingham e dintorni. Ha sposato Winifred Moss nel 1934, avendo due figli: Kenneth (nato il 12 luglio 1935) e Paula Irene (nata l'11 aprile 1939). Quando scoppiò la seconda guerra mondiale, la sua orchestra era una delle band da ballo britanniche più popolari, entrambe attiveTrasmissioni radiofoniche della BBC e spettacoli dal vivo.
               E 'stato anche direttore musicale per un gran numero di musical e altri giochi, tra cui Noel Coward's Pacific 1860 (1946) e Vivian Ellis' s impostazione musicale di JB Fagan s' And So to Bed (1951). Dopo la guerra, si concentrò sulla registrazione e alla fine abbandonò del tutto le esibizioni dal vivo. Ha lavorato con l'arrangiatore e compositore Ronald "Ronnie" Binge, che ha sviluppato l'effetto "corde a cascata" (noto anche come "suono Mantovani"). suoi dischi venivano regolarmente usati a scopo dimostrativo nei negozi che vendevano stereo hi-fi come sono stati prodotti e predisposti per la riproduzione stereo. È diventato la prima persona a vendere un milione di dischi stereofonici. Nel 1952 Binge smise di arrangiare per Mantovani ma il suono distintivo dell'orchestra rimase.
         Mantovani ha registrato in esclusiva per la Decca, e anche per la London Records, il ramo statunitense della Decca Record Company. Ha registrato più di 50 album con quell'etichetta, molti dei quali sono stati i primi 40 successi. I suoi singoli brani includevano "The Song from Moulin Rouge", che raggiunse il numero uno nella UK Singles Chart nel 1953; "Cara Mia" (con lui e la sua orchestra con il sostegno di David Whitfield) nel 1954; "In tutto il mondo" nel 1957 e" Main Theme from Exodus (Ari's Theme) "nel 1960. Negli Stati Uniti, tra il 1955 e il 1972, pubblicò più di 40 album di cui 27 raggiunsero la" Top 40 "e 11 nella" Top Ten" "Il suo più grande successo è arrivato con l'album Film Encores, che ha raggiunto il numero uno nel 1957.
          Allo stesso modo, Mantovani suona musica da "Exodus" e altri grandi temi è arrivato nella Top Ten nel 1961, con oltre un milione di album venduti.
        Mantovani ha recitato nella sua serie televisiva sindacata, Mantovani, che è stata prodotta in Inghilterra e andata in onda negli Stati Uniti nel 1959. Sono stati girati trentanove episodi. Mantovani fece le sue ultime registrazioni a metà degli anni '70.
          Morì in una casa di cura a Royal Tunbridge Wells Kent. Il suo funerale si tenne al crematorio e cimitero del Kent e Sussex l'8 aprile 1980.

ADAGIO POUR UN VÉNITIEN ANONYME

FRANCK PURCEL ET SON GRAND ORCHESTRE
COMPOSITEUR: ALESSANDRO MARCELLO
PAYS: FRANCE
ALBUM: MOURIR D’AIMER
RECORD: EMI GROUP
GENRE: INSTRUMENTAL
ANNÉE: 1971
 
           Franck Pourcel, né Franck Marius Louis Pourcel le 14 août 1913 à Marseille et mort le 12 novembre 2000 à Neuilly-sur-Seine, est un chef d'orchestre et compositeur français principalement connu pour ses adaptations orchestrales de musiques célèbres dans le style easy listening (littéralement: "écoute facile" en anglais, soit variétés).
           Son père le prénomme ainsi en hommage au compositeur César Franck. Il a une fille, Françoise Pourcel, qui s'occupe de la réédition de l'œuvre paternelle en CD.
          Il est violoniste au départ dans un petit sextuor de danse et de salon, pour lequel il enregistre déjà quelques disques entre 1952 et 1954.
         Son rêve de diriger un grand orchestre se réalise dès 1952 en s'inspirant des formations existantes aux États-Unis, avec ses premiers succès comme Limelight, Blue Tango et Mon cœur est un violon. Il enregistre un album avec le saxophoniste Guy Lafitte: Guy Lafitte avec Franck Pourcel et son orchestre (1953). Em 1959, Franck Pourcel sort aux États-Unis sa version d'Only You (And You Alone) dont il vend 3 millions d'exemplaires et est le premier chef d'orchestre français hors musique classique à être célèbre aux États-Unis.
              Paul Mauriat lui-même sera promu en tant que chef d'orchestre par Franck Pourcel, en lui montrant au départ ses talents de pianiste.
          Pendant plus de quarante ans, il adapte les grands succès de la chanson ou du cinéma pour les cordes et cuivres de son orchestre.

ADIEU À LA NUIT

PAUL MAURIAT AND HIS ORCHESTRA
COMPOSITEUR: MICHEL JARRE
FILM: THE NIGHT OF THE GENERALS
PAYS: FRANCE
ALBUM: Nº 5 BEAUTIFUL
RECORD: PHILIPS
GENRE: INSTRUMENTAL
ANNÉE: 1967
 
            Paul Julien André Mauriat (français: [pɔl mɔʁja] ou [moʁja]; 4 mars 1925 - 3 novembre 2006) était un chef d'orchestre français, chef d'orchestre du Grand Orchestre de Paul Mauriat, spécialisé dans legenre d'écoute facile. Il est surtout connu aux États-Unis pour son remake à un million de ventes de" Love is Blue "d'André Popp, qui était n° 1 pendant 5 semaines en 1968. D'autres enregistrements pour lesquels il est connu incluent "El Bimbo", "Toccata", "Love in Every Room/Même si tu revenais" et "Penelope"
          Sous le pseudonyme de Del Roma , Mauriat va avoir son premier tube international avec Chariot, qu'il écrit en collaboration avec des amis Franck Pourcel(co-compositeur), Jacques Plante (paroles en français) et Raymond Lefèvre (orchestrateur). Aux États-Unis, la chanson a été enregistrée comme "I Will Follow Him" par Little Peggy March et a passé trois semaines au n 1 du Billboard Hot 100 en 1963. En 1992, la chanson a été mise en évidence dans le film Sister Act avec Whoopi Goldberg. Plus récemment, Eminem l'a échantillonné dans sa chanson "Guilty Conscience".
       Entre 1967 et 1972, il écrit de nombreuses chansons avec André Pascal pour Mireille Mathieu; Mon Crédo(1.335.000 exemplaires vendus), Viens dans ma rue, La première étoile, Géant, etc. - pour n'en citer que quelques-uns - et ont contribué à 130 arrangements de chansons pour Charles Aznavour.
           En 1968, sa reprise fin 1967 de la chanson d'André Popp / Pierre Cour «L'amour est bleu» («Love Is Blue») devient un hit numéro 1 aux États-Unis. La chanson a passé cinq semaines au sommet des charts. Deux autres singles de Mauriat ont également fait les charts aux États-Unis - "Love in Every Room"/"Même si tu revenais" (enregistré en 1965; cartographié en 1968) et le thème du titre du film "Chitty, Chitty, Bang, Bang". "Love Is Blue" a été le premier instrumental à atteindre le numéro 1 du Billboard depuis que les Tornados ont frappé avec "Telstar" en 1962 et le seul numéro un américain enregistré en France. Le succès de la chanson et de l'album sur lequel elle est apparue, Blooming Hits, fait de Mauriat une star internationale du disque.
        En 1969, Mauriat entame sa première tournée mondiale avec son Grand Orchestre, visitant des pays comme les États-Unis, le Canada, le Japon, la Corée du Sud, le Brésil et d'autres pays d'Amérique latine.
              Dans les années 1970 et 1980, Mauriat sort tous les albums qui rendent hommage à ses racines musicales. "Paul Mauriat joue Chopin", "Classics in the Air" (volumes 1, 2, 3) présente de la musique classique, comme "Grande valse brillante" de Chopin, "Toccata et fugue en ré mineur" de Bach et "Canon" de Pachelbel. le spin «Mauriat». El Condor Pasa a culminé au numéro 34 en Australie en 1971.
       Le phénomène de Paul Mauriat au Japon a commencé au début des années 1970. Il est le seul artiste international à avoir joué deux spectacles à guichets fermés en une journée dans la célèbre arène Nippon Budokan de Tokyo. Du début au milieu des années 1980, Paul Mauriat est apparu dans plusieurs publicités télévisées japonaises de café et de vin, qui présentaient de la musique de son orchestre.
        Pendant plusieurs décennies, certaines des compositions de Mauriat ont servi de pistes musicales à des programmes télévisés et à des courts métrages soviétiques, comme le Polygon (film) d' animation de 1977, "Dans le monde des animaux" (V mire zhivotnykh) et "Kinopanorama", entre autres.