BLUES IN THE NIGHT

ARTIE SHAW
SONGWRITER: HAROLD ARLEN & JOHNNY MERCER
COUNTRY: U. S. A.
ALBUM: BLUES IN THE NIGHT
LABEL: JAZZ HERITAGE
GENRE: BLUES
YEAR: 1941
 
             Artie Shaw (born Arthur Jacob Arshawsky; May 23, 1910 – December 30, 2004) was an American clarinetist, composer, bandleader, actor and author of both fiction and non-fiction.
        Widely regarded as "one of jazz's finest clarinetists", Shaw led one of the United States' most popular big bands in the late 1930s through the early 1940s. Though he had numerous hit records, he was perhaps best known for his 1938 recording of Cole Porter's "Begin the Beguine." Before the release of "Beguine," Shaw and his fledgling band had languished in relative obscurity for over two years and, after its release, he became a major pop artist within short order. The record eventually became one of the era's defining recordings. Musically restless, Shaw was also an early proponent of what became known much later as Third Stream music, which blended elements of classical and jazz forms and traditions. His music influenced other musicians, such as Monty Norman in England, with the vamp of the James Bond Theme, possibly influenced by 1938's "Nightmare".
         Shaw also recorded with small jazz groups drawn from within the ranks of the big bands he led. He served in the US Navy from 1942 to 1944, during which time he led a morale-building band that toured the South Pacific. Following his discharge in 1944, he returned to lead a band through 1945. Following the breakup of that band, he began to focus on other interests and gradually withdrew from the world of being a professional musician and major celebrity, although he remained a force in popular music and jazz before retiring from music completely in 1954
          "Blues in the Night" is a popular blues song which has become a pop standard and is generally considered to be part of the Great American Songbook. The music was written by Harold Arlen, the lyrics by Johnny Mercer, for a 1941 film begun with the working title Hot Nocturne, but finally released as Blues in the Night. The song is sung in the film by William Gillespie.

DON’T BE THAT WAY

BENNY GOODMAN
SONGWRITERS: BENNY GOODMAN; EDGARD SAMPSON & MITCHELL PARISH
COUNTRY: U. S. A.
ALBUM: DON1T BE THAT WAY
LABEL: JAZZROOTS
GENRE: JAZZ
YEAR: 1991
 
          Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American jazz clarinetist and bandleader known as the "King of Swing".
        In the mid-1930s, Goodman led one of the most popular musical groups in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music."
         Goodman's bands started the careers of many jazz musicians. During an era of racial segregation, he led one of the first integrated jazz groups. He performed nearly to the end of his life while exploring an interest in classical music.
          Goodman was the ninth of twelve children born to poor Jewish emigrants from the Russian Empire. His father, David Goodman (1873–1926), came to the United States in 1892 from Warsaw in partitioned Poland and became a tailor. His mother, Dora Grisinsky, (1873–1964), came from Kovno. They met in Baltimore, Maryland, and moved to Chicago before Goodman's birth. With little income and a large family, they moved to the Maxwell Street neighborhood, an overcrowded slum near railroad yards and factories that was populated by German, Irish, Italian, Polish, Scandinavian, and Jewish immigrants.
         Money was a constant problem. On Sundays, his father took the children to free band concerts in Douglass Park, which was the first time Goodman experienced live professional performances. To give his children some skills and an appreciation for music, his father enrolled ten-year-old Goodman and two of his brothers in music lessons, from 1919, at the Kehelah Jacob Synagogue and Benny received two years of instruction from the classically trained clarinetist and Chicago Symphony member, Franz Schoepp. During the next year Goodman joined the boys club band at Hull House, where he received lessons from director James Sylvester. By joining the band, he was entitled to spend two weeks at a summer camp near Chicago. It was the only time he could get away from his bleak neighborhood. At 13, he got his first union card. He performed on Lake Michigan excursion boats, and in 1923 played at Guyon's Paradise, a local dance hall.
       In summer 1923, he met Bix Beiderbecke. He attended the Lewis Institute (Illinois Institute of Technology) in 1924 as a high-school sophomore and played clarinet in a dance hall band.
          When he was 17, his father was killed by a passing car after stepping off a streetcar. His father's death was "the saddest thing that ever happened in our family", Goodman said

MY LIFE

JOE COLE
SONGWRITERS: JERMAINE COLE & SHÉYAA ABRAHAM-JOSEPH
COUNTRY: GERMANY
ALBUM: THE OFF-SEASONS
LABEL: DREAMVILLE RECORDS
GENRE: HIP HOP
YEAR: 2021
 
           Jermaine Lamarr Cole (born January 28, 1985) known professionally as J. Cole, is an American rapper, singer, songwriter, and record producer. Cole is regarded as one of the most influential rappers of his generation. Born on a military base in Germany and raised in Fayetteville, North Carolina, Cole initially gained recognition as a rapper following the release of his debut mixtape, The Come Up, in early 2007. Intent on further pursuing a musical career, he went on to release two additional mixtapes, The Warm Up(2009) and Friday Night Lights(2010) both to critical acclaim, after signing to Jay-Z's Roc Nation imprint in 2009.
         Cole released his debut studio album, Cole World: The Sideline Story, in 2011. It debuted at number one on the US Billboard 200. His next album, Born Sinner(2013), also topped the Billboard 200. Moving into more conscious themes, 2014 Forest Hills Drive(2014) topped the Billboard 200 and earned Cole a Best Rap Album nomination at the 2015 Grammy Awards. His jazz influenced fourth album, 4 Your Eyez Only(2016), debuted at number one on the Billboard 200. Cole's fifth album, KOD(2018), became his fifth number-one album on the Billboard 200 and featured a then-record six simultaneous top 20 hits on the Billboard Hot 100, tying The Beatles. His sixth studio album, The Off-Season, was released on May 14, 2021.
       Self-taught on piano, Cole also acts as a producer alongside his rap career, producing singles for artists such as Kendrick Lamar and Janet Jackson, as well as handling the majority of the production in his own projects. He has also developed other ventures, including Dreamville Records, as well as a non-profit organization called the Dreamville Foundation. Dreamville's compilation album Revenge of the Dreamers III(2019) debuted at number one on the Billboard 200 and was nominated for Best Rap Album at the 2020 Grammy Awards. In January 2015, Cole decided to house single mothers rent-free at his childhood home in Fayetteville, North Carolina.
         Cole has won a Grammy Award for Best Rap Song, a Billboard Music Award for Top Rap Album, three Soul Train Music Awards, and 8 BET Hip Hop Awards. All five of his albums have been certified platinum by the Recording Industry Association of America (RIAA), as well as Revenge of the Dreamers III.
                "My Life" (stylized as "m y. l i f e") is a song by American rappers J. Cole, 21 Savage and Morray. It is the third track from Cole's sixth studio album, The Off-Season, released on May 14, 2021. The song features the hook of "The Life" (2002) by American rapper Styles P, as interpolated by Morray. The song is set to release to rhythmic contemporary radio in the United States on May 25, 2021, as the album's third single.
           The song marks the second time Cole and Savage collaborated on a song, first time being "A Lot" (2019). Savage also appears in Cole's documentar Applying Pressure: The Off-Season. Cole and Morray were first linked in 2020, when Cole praised Morray's song "Quicksand", which led to speculations about a possible remix of the song.
Oh, you came there, God
Yeah, yeah, yeah, yeah
Oh, Lord
No matter how, no matter how long it take, yeah
No matter how long it take, nigga
Oh, God, yeah
You better be
 
Spiralin' up, just like a rich nigga staircase (Spiral up)
No fly zone, please stay the fuck out my airspace (Out my face)
Niggas say things behind backs that they wouldn't dare say (Dare say)
Know it's on sight when I see you, I'm workin' at Squarespace
Yeah, top of the mornin', I know that you thought I was dormant
Woke up early from shots that were swarmin'
A block full of opps, now the cops in an orbit
Guess somebody got popped, now they knockin' on doors
Tryna find an informant but I ain't see nathin'
I'm mindin' my business as God is my witness
No weapon gon' prosper that’s formin' against me
Nigga, I'm starvin', immensely
Know when I'm done with these songs, you gon' miss me
Ja Morant, I'm on my Grizzly
You niggas just cubs but no, not the ones in the big leagues
After The Fall Off, I promise I'm comin' to sellin' out Wrigley's
Nigga, I'm just a product of poverty, full of narcotics to profit off quickly
My family tree got a history of users that struggle with demons
Not really the hustler instincts
Therefore, often, my pockets was empty
So while some of my partners was servin' up rocks on the corners
The project assemblies
Me, I was startin' to envy, wanna be on the top where it's plenty
Wanna be in the spot like
Where every bitch want me like Rihanna droppin' new Fenty
What I see in the sky, the 'Ville is the ceilin', can't reach up too high, evidently
Nah, shit, I can't reach up too high, evidently
Never seen no one drivin' a Bentley
I can't be out here moppin' up Wendys
 
My life is all I have
My rhymes, my pen, my pad
And I done made it out the struggle, don't judge me
What you sayin' now won't budge me
'Cause where I come from (Come from), so often (So often)
People you grow up with layin' in a coffin
But I done made it through the pain and strife
It's my time now, my world, my life, my life
 
Say what? The stuff that I've seen got me traumatized
I let the K go when Johnny died
Swangin' that muhfucka' side to side
We don't participate, ain't with that squashin' shit, all we believe in is homicide
I got a good heart, so I send teddy bears every time we make they mommas cry
I pray that my past ain't ahead of me (21)
When I'm in love, I love heavily (On God)
If you betray me, you dead to me (21)
I disrespect you respectfully (Straight up)
I got some partners who left this Earth
Maybe the pain made a better me (On God)
Just know that they secrets is kept with them (On God)
I feel like the streets is in debt with me (Straight up)
I gave my heart away to all the dawg hoes
'Cause that's who accepted me (21)
I blame my pops for that shit 'cause if he didn't fail
He could've corrected me (21)
Give all the props to my momma 'cause no matter what
She always protected me (On God)
I promise you, it ain't no checkin' me (On God)
Jump in the water, get wet with me (Straight up, 21, 21)
You want my money or wanna have sex with me?
Can't let the opps or the law get the best of me
I get to answerin', you get to textin' me
I see chicken, you niggas is breast to me
Planted a seed but it ain't a sesame
Can't let you niggas or bitches grow next to me
 
My life is all I have
My rhymes, my pen, my pad
And I done made it out the struggle, don't judge me
What you sayin' now won't budge me
'Cause where I come from (Come from), so often (So often)
People you grow up with layin' in a coffin
But I done made it through the pain and strife
It's my time now, my world, my life, my life.

LA NOCHE DE LOS MAYAS

ALONDRA DE LA PARRA, ORCHESTRE DE PARIS
COMPOSITOR: SILVESTRE REVUELTAS
PAIS: MÉXICO
ÁLBUM: ALONDRA DE LA PARRA CONDUCTS L'ORCHESTRE DE PARIS IN A CONCERT THAT WEAVES MUSICAL BRIDGES BETWEEN MEXICO AND FRANCE
DISCOGRÁFICA: SONY MUSIC
GÉNERO: SUÍTE - INSTRUMENTAL
AÑO: 2015
 
             Silvestre Revueltas Sánchez (31 de diciembre de 1899-5 de octubre de 1940) fue un compositor mexicano de música clásica, violinista y director de orquesta.
           Revueltas nació em Santiago Papasquiaro en Durango, y estudió en el Conservatorio Nacional en la Ciudad de México, la Universidad St. Edward en Austin, Texas, y el Colegio de Música de Chicago. Dio recitales de violín y en 1929 fue invitado por Carlos Chávez para convertirse en director asistente de la Orquesta Sinfónica Nacional de México, cargo que ocupó hasta 1935. Él y Chávez hicieron mucho para promover la música mexicana contemporánea. Fue por esta época cuando Revueltas comenzó a componer en serio. Comenzó su primera banda sonora cinematográfica, Redes, en 1934, una comisión que resultó en la pelea de Revueltas y Chávez. Chávez originalmente esperaba escribir la partitura, pero los cambios políticos lo llevaron a perder su trabajo en el Ministerio de Educación, que estaba detrás del proyecto cinematográfico. Revueltas dejó la orquesta de Chávez en 1935 para ser el director principal de una orquesta rival recién creada y de corta duración, la Orquesta Sinfónica Nacional.
            Pertenecía a uma familia de artistas, algunos de los cuales también eran famosos y reconocidos en México: su hermano Fermín (1901-1935) y su hermana Consuelo (nacida antes de 1908, fallecida antes de 1999) eran pintores, hermana Rosaura (ca. 1909) –1996) fue actriz y bailarina, y su hermano menor José Revueltas(1914–1976) fue un destacado escritor. Su hija de su primer matrimonio con Jules Klarecy (de soltera Hlavacek), Romano Carmen (más tarde Montoya y Peers), disfrutó de una exitosa carrera como bailarina, enseñó ballet y flamenco en Nueva York, y murió el 13 de noviembre de 1995, a los 73 años, en Atenas, Grecia. Le sobreviven tres hijos y dos herederas creativas afines en Oceanside, California. Su hija de su segundo matrimonio, Eugenia (nacida el 15 de noviembre de 1934), es ensayista. Su sobrino Román Revueltas Retes, hijo de José, es violinista, periodista Y pintor.
            Tumba de Silvestre Revueltas en el cementerio Panteón Civil de Dolores en la Ciudad de México
En 1937 Revueltas viajó a España durante la Guerra Civil Española, como parte de una gira organizada por la organización de Liga de Escritores y Artistas Revolucionarios (LEAR); tras la victoria de Francisco Franco, regresó a México. Ganó poco y cayó en la pobreza y el alcoholismo. Murió en la Ciudad de México de neumonía(complicada por el alcoholismo), a los 40 años el 5 de octubre de 1940, día en que se estrenaba su ballet El renacuajo paseador, escrito cuatro años antes. Sus restos se conservan en la Rotonda de los Hombres Ilustres de la Ciudad de México.
        Alondra de la Parra ha ganado una gran atención por sus fascinantes y vibrantes interpretaciones y su compromiso con los compositores latinoamericanos. Ha dirigido más de 100 de las orquestas más prestigiosas del mundo, incluidas la Orquesta de París, la Orquesta Filarmónica de Londres, la Tonhalle-Orchestre de Zúrich, la Sinfónica de Bamberg, la Orquesta Sinfónica de la Radio Sueca, la Orquesta Sinfónica de São Paulo, la Orquesta Sinfónica de la Radio de Berlín y la Orquesta dell'Accademia Nazionale di Santa. Cecilia.
Desde enero de 2017 hasta noviembre de 2019, fue directora musical de la Orquesta Sinfónica de Queensland, lo que la convirtió en la primera directora musical de una orquesta australiana. Es Embajadora Cultural oficial de México, donde vio ventas de nivel platino de su primer álbum “Mi Alma Mexicana” y, en marzo de 2017, fue nombrada embajadora internacional de la marca Mercedes-Benz. Desde julio de 2017, Deutsche Welle emite 'Musica Maestra', un nuevo formato clásico que presenta a Alondra de la Parra como protagonista y reportera en una serie de varios videos web y programas de televisión.
              En la temporada 2019/20 celebra su debut con la Vienna Radio Symphony Orchestra en Musikverein, Orchestre Philharmonique du Luxembourg con Rolando Villazón, Frankfurt Radio Symphony y Staatskapelle Dresden para el Concierto de Navidad 2019 en Frauenkirche, transmitido por el canal de televisión alemán ZDF.
        Dirige Romeo y Julieta de Tchaikovsky con Queensland Ballet en Brisbane, un concierto en la Komische Oper Berlin con el violonchelista Jan Vogler y regresa a la Deutsche Kammerphilharmonie Bremen, con la que ha estado trabajando en estrecha colaboración durante varios años.
       Alondra de la Parra también regresa a Tonhalle-Orchestre Zürich, a Staatsoper Berlin para la reanudación de la producción de Yuval Sharon de Zauberflöte de Mozart y a la Royal Opera House en junio de 2020.
            La noche de los mayas es una banda sonora del compositor mexicano Silvestre Revueltas para la película de 1939 del mismo nombre, que se relaciona con la herencia precolombina de México. La partitura de Revueltas consta de 36 secuencias sin relación orgánica entre sí, compuestas para adaptarse fácilmente a una película ya editada. Muchos de estos pasajes consisten en estereotipos de música de películas convencionales diseñados para subrayar la historia de manera discreta, en lugar de ofrecer ninguna novedad. Se encuentra una excepción en algunas escenas de la cultura yucateca.folklore, donde la música adquiere aspectos del nacionalismo más característicos del estilo personal de Revueltas. (Estos pasajes fueron reunidos por Limantour en el segundo movimiento de su suite, titulado "Noche de jaranas".)
           Una suite de la partitura fue grabada por la Orquesta Sinfónica de Jalapa , dirigida por Luis Herrera de la Fuente, y publicada por Catalyst Records en 1994.
        La versión de Hindemith fue grabada por la Tempus Fugit Orquesta dirigida por Christian Gohmer y publicada por Quindecim Records en 2014.
            La versión de José Limantour fue grabada por la Orquesta Sinfónica Simón Bolívar, dirigida por Gustavo Dudamel y publicada en Deutsche Grammophon en 2010. Anteriormente, en 1959, Limantour había grabado él mismo su arreglo, dirigiendo la Orquesta Sinfónica de Guadalajara. Esto se hizo en la época en que se realizó por primera vez el arreglo de Limantour.