Marcos Kostenbader Valle (Rio de Janeiro,
14 de setembro de 1943) é um compositor, cantor, instrumentista e arranjadorbrasileiro.
Começou a estudar piano
clássico aos seis anos de idade e formou-se em piano e teoria musical em 1956. O primeiro sucesso da dupla Marcos e Paulo Sérgio foi Sonho
de Maria, gravada pelo Tamba Trio em 1963.
Marcos começou tocando no trio formado por
ele, Edu Lobo e Dori Caymmi. Em 1964,
sua canção Samba de Verão atingiu o segundo lugar nas paradas de
sucesso estadunidenses, e teve pelo menos 80
versões gravadas nos EUA.
Escreveu muitos temas para telenovelas, dentre elas Pigmalião 70 e Os Ossos do Barão. Nos anos 70, a TV Globo solicitou aos irmãos Valle e Nelson Motta que fizessem uma canção de natal
para o fim do ano, com os atores das telenovelas e artistas da Rede Globo
cantando. A canção "Um novo tempo" (a dos versos "Hoje é um novo
dia / de um novo tempo / que começou...") tornou-se um sucesso tão grande
que nunca mais saiu do ar, sendo presença obrigatória no Natal da Rede Globo
até hoje.
Jet-Samba foi o primeiro disco lançado por um
selo brasileiro após dezenove anos, e o primeiro totalmente instrumental em 38
anos, com Valle comandando toda a produção e também assinando os arranjos. Seu
último trabalho é o CD e DVD Estática, lançado em 2010.
Numa ilha
Eu quero navegar
Rumo certo pra nenhum
lugar
Nem cais
Nem bandeira
No meu corpo
Nada além do sol
É um jeito muito
sensual
Sem roupa
Sem medo
Deixar os pelos
E os cabelos
Dourando
Pra melhor seduzir
Meu amor
E sobre a pele
Um bronzeado moreno
Pra guardar o feitiço
do sol
Na cor
Água clara
Pra gente se banhar
E no corpo o balançar
do mar
Mexendo
Tentando
Gente ou bicho
Não pode resistir
E a vida é tudo isso
aí
Um beijo
Um desejo
Fogo do sol
Água do mar
Luz do luar
Eu sou assim
Deixar os pelos
E os cabelos
Dourando
Pra melhor seduzir
Meu amor
E sobre a pele
Um bronzeado moreno
Pra guardar
O feitiço do sol
Água clara
Pra gente se banhar
O balançar do mar
Mexendo
Tentando
Gente ou bicho
Não pode resistir
E a vida
É tudo isso aí
Um beijo
Um desejo
Fogo do sol
Água do mar
Luz do luar
Eu sou assim.
DANCING IN THE STREET
THE MAMAS & THE PAPAS
SONGWRITERS: WILLIAM STEVENSON & MARVIN GAYE
COUNTRY: U. S. A.
ALBUM: DANCING IN THE STREET
LABEL: RCA VICTOR
GENRE: FOLK ROCK
YEAR: 1966
The Mamas & the Papas were an American folk rockvocal groupformed in Los Angeles,
Californiawhich recorded and performed from
1965 to 1968. The group was a defining force in the music scene of the counterculture of the 1960s.
The group was composed of Americans John Phillips,
Cass Elliot, and Michelle Phillipsand Canadian Denny Doherty.
Their sound was based on vocal harmonies arranged by John Phillips, the
songwriter, musician, and leader of the group, who adapted folk to the new beatstyle of the
early 1960s.
The Mamas & the Papas released five
studio albums and 17 singles over four years, six of which made the Billboardtop 10,
and have sold close to 40 million records worldwide. The band was inducted into
the Rock and Roll
Hall of Famein 1998 for its contributions to the
music industry. The band reunited briefly to record the album People Like Us in
1971 but had ceased touring and performing by that time. Some of their most popular
singles include "California Dreamin'", "Monday,
Monday", and "Creeque Alley".
“Dancing In The Street” is a song co-written
by Marvin Gaye and William Stevenson. Marvin Pentz Gay Jr. was born in
Washington D.C. in 1939. He
was part of an R&B group that backed Bo Diddley in the mid-50s. He also
sang as a session musician on a couple of recordings by Chuck Berry late in the
decade. He changed his surname by adding an “e” in 1961. Gaye
penned “Beachwood 4-5678” for the Marvelettes, a Top 20 hit on the Billboard Hot
100 in 1962. He
became a solo artist with hits that included “How Sweet It Is (To Be Loved By
You)”, “Ain’t That Peculiar”, “I Heard It Though The Grapevine”, “What’s Going
On”, “Mercy Mercy Me (The Ecology)”, “Let’s Get It On”, “Trouble Man”, “Got To
Give It Up” and “Sexual Healing” among his string of Top Ten hits between 1963
and 1982. He died at the age of 44 in 1984, after his father fatally shot him
with two bullets.
William
“Mickey” Stevenson was born in Detroit in 1937. In addition to cowriting
“Dancing In The Street”, he also wrote “It Takes Two” for Marvin Gaye and Kim
Weston, “What Becomes Of The Brokenhearted” for Jimmy Ruffin, “Uptight
(Everything’s Alright)” for Stevie Wonder and “Devil With A Blue Dress On”, a
hit for Mitch Ryder and the Detroit Wheels. He has spent many decades in
management positions in the recording industry. “Dancing In The Street” was a
#2 hit for Martha & The Vandellas in 1964 on the Billboard Hot
100. It became a civil rights anthem with the opening line “calling out around
the world, are you ready for a brand new beat.”
“Dancing
In The Street” is a song inviting people all around to dance in the streets
because “summer’s here and the time is right…” The song also lets people know
“it doesn’t matter what you wear.” Societal norms for dress codes are cast
aside in this song. This was a matter of counter-culture urgency, where young
Americans were now wearing blue jeans, tie-dye t-shirts and rejecting the
conservative styles of their parents generation. In the Mamas & the Papas
version of “Dancing In The Street” the following cities are listed by name:
Chicago, New Orleans, Detroit (“the Motor City”), New York City, Philadelphia,
Baltimore, Washington D.C., Los Angeles (“way down in LA”), Amherst (the name
of a town in twelve states and Nova Scotia, Canada, where Denny Doherty was
born), Boyle Heights (California), Alexandria and Falls Church (Virginia).
Callin' out around
the world
Are you ready for a brand new beat?
Summer's here and the time is right
For dancin' in the streets
They're dancin' in Chicago
Down in New Orleans
Up in New York City
All we need is music,
sweet music
There'll be music everywhere
There'll be swingin', swayin' and records playin'
And dancin' in the streets
Oh, it doesn't matter
what you wear
Just as long as you are there
So come on, every guy grab a girl
Everywhere around the world
There'll be dancin'
They're dancin' in the street
This is an invitation
Across the nation
A chance for the folks to meet
There'll be laughin' and singin' and music swingin'
And dancin' in the streets
Philadelphia, P.A.
(Philadelphia, P.A.)
Baltimore and DC now (Baltimore and DC now)
Yeah don't forget the Motor City (can't forget the Motor City)
All we need is music,
sweet music
There'll be music everywhere
There'll be swingin', swayin' and records playin'
And dancin' in the street, yeah
------ electric piano
------
Oh, it doesn't matter
what you wear
Just as long as you are there
So come on, every guy grasp a girl
Everywhere around the world
There'll be dancin'
They're dancin' in the streets
Philadelphia, P.A.
(Philadelphia, P.A.)
Baltimore and DC now (Baltimore and DC now)
Yeah don't forget the Motor City (can't forget the Motor City)
All the way down in L.A. California
Not to mention Halifax Nova Scotia
??? ... ???
Manchester
Alexandria, Virginia,
Virginia
??? ... ???
CHAIN’S
OF FOOLS
LÁÁZ
ROCKIT
SONGWRITER: LÁÁZ ROCKIT
COUNTRY: U. S. A.
ALBUM: ANNIHILATION PRINCIPLE
LABEL: ENIGMA RECORDS
GENRE: TRASH METAL
YEAR: 1989
Lȧȧz Rockit was an American thrash metalband,
formed in San Francisco, Californiain 1981. They
are most notable for their association with the Bay Area
thrash metalscene of the 1980s, and they are
considered to be of the scene's so called "big six", along with Exodus,
Testament, Death Angel, Forbiddenand Vio-lence.
Annihilation Principle is the fourth studio
album by American thrash metalband Lȧȧz Rockit. It was
released in 1989 on Roadrunner Records/Enigma
Records and follows 1987's Know Your Enemy. It was itself followed by Nothing's Sacred, released in
1991. This is the final album featuring the classic line-up.
Hello again my
fuckin' fair weather friend
I'm right here in your face man
My sweet revenge
I see it in your eyes each day
I think it's time you face the shame
I finally broke my ball and chain
I know you've always
tried to drag me down
I know that shit you talk
When I'm not around
All your lies only make me see
You're just a slut, my little queen
I want to see you on your knees
Don't want to hear
your accusation
I've got to change the situation
Now I see the writing
on the wall
Once and for all
The chain of fools has got to take a fall
Once and for all
How does it feel now?
How does it taste?
All your good medicine
Can't heal this disgrace
Fair weather friend, I know your kind
You see no better than the blind
Don't talk to me, don't waste my time
Don't want to hear
your accusation
Now I've changed
situation
Now I see the writing
on the wall
Once and for all
This chain of fools will take its final fall.
IT'S A MAN'S MAN'S MAN'S WORLD
JAMES BROWN
SONGWRITERS: NICK
JONES; BETTY JEAN NEWSOME & JAMES BROWN
COUNTRY: U. S. A.
ALBUM: IT’S A MAN’S MAN’S WORLD
LABEL: KING RECORDS
GENRE: SOUL
YEAR: 1966
James Joseph Brown (May 3, 1933 – December
25, 2006) was an American singer, songwriter, dancer, musician, record
producer, and bandleader. The central progenitor of funk musicand a
major figure of 20th-century music,
he is often referred to by the honorific nicknames"Godfather of Soul", "Mr. Dynamite", and
"Soul Brother No. 1". In a career that lasted over 50 years, he
influenced the development of several music genres. Brown was one of the first
ten inductees into the Rock and Roll
Hall of Fameat its inaugural induction in New
York on January 23, 1986.
Brown began his career as a gospelsinger in Toccoa, Georgia. He came
to national public attention in the mid-1950s as the lead singer of the Famous Flames, a rhythm and bluesvocal group founded by Bobby Byrd.
With the hit ballads "Please,
Please, Please" and "Try Me",
Brown built a reputation as a tireless live performer with the Famous Flames
and his backing band, sometimes known as the James Brown Band or the James
Brown Orchestra. His success peaked in the 1960s with the live álbum Live at the
Apolloand hit singles such as "Papa's Got a
Brand New Bag", "I Got You (I
Feel Good)" and "It's a Man's
Man's Man's World".
During the late 1960s, Brown moved from a
continuum of bluesand gospel-based
forms and styles to a profoundly "Africanized"
approach to music-making, emphasizing stripped-down interlocking rhythms that
influenced the development of funk music. By the early 1970s, Brown had fully
established the funk sound after the formation of the J.B.swith
records such as "Get Up (I Feel Like Being a) Sex Machine"
and "The Payback".
He also became noted
for songs of social commentary, including the 1968 hit "Say It Loud – I'm Black and I'm Proud".
Brown continued to perform and record until his death from pneumonia in 2006.
Brown recorded 17 singles that reached No. 1
on the Billboard R&B
charts. He also holds the record for the most
singles listed on the Billboard Hot 100chart that did not reach Nº. 1. Brown was inducted into the first
class of the Rhythm
& Blues Music Hall of Famein 2013 as an
artist and then in 2017 as a songwriter. He also received honors from several
other institutions, including inductions into the Black Music & Entertainment Walk of Fame,
and the Songwriters Hall of Fame.
In Joel Whitburn's
analysis of the Billboard R&B charts from 1942 to 2010, Brown is
ranked No. 1 in The Top 500 Artists. He is ranked seventh on Rolling Stone's list
of the 100 Greatest Artists of All Time.
It's a Man's Man's Man's World is a
compilation album by American musician James Brown.
It consists of tracks from his period with the King label, as well as the
tracks "The Scratch" (previously released in 1961), as well as "It's a Man's
Man's Man's World", "Is It Yes or Is It
No?", and Ain't That a
Groove(Parts 1 and 2), all released on
singles in 1966. The album was released in August 1966, by King.
This is
a man's world, this is a man's world
But it wouldn't be nothing, nothing without a woman or
a girl
You
see, man made the cars to take us over the road
Man made the trains to carry heavy loads
Man made electric light to take us out of the dark
Man made the boat for the water, like Noah made the
ark
This is
a man's, a man's, a man's world
But it wouldn't be nothing, nothing without a woman or
a girl
Man
thinks about a little baby girls and a baby boys
Man makes then happy 'cause man makes them toys
And after man has made everything, everything he can
You know that man makes money to buy from other man
This is
a man's world
But it wouldn't be nothing, nothing without a woman or
a girl
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