BOOGIE WOOGIE BUGLE BOY

THE ANDREWS SISTERS
SONGWRITERS: DON RAYE & HUGHIE PRINCE
COUNTRY: U. S. A.
ALBUM: SELECTION FROM MAFIA 2 ORIGINAL SOUNDTRACK RECORDING
LABEL: ALTEREDEGO
GENRE: SWING
YEAR: 1900
 
           The Andrews Sisters were an American close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia(July 6, 1911 – May 8, 1967), soprano Maxene Anglyn(January 3, 1916 – October 21, 1995), and mezzo-soprano Patricia Marie "Patty"(February 16, 1918 – January 30, 2013). The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, "Bei Mir Bist Du Schön (Means That You're Grand)" (1937), "Beer Barrel Polka(Roll Out the Barrel)" (1939), "Beat Me Daddy, Eight to the Bar" (1940), "Don't Sit Under the Apple Tree (With Anyone Else but Me)" (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso.
          The Andrews Sisters' harmonies and songs are still influential today, and have been copied and recorded by entertainers such as Patti Page, Bette Midler, Christina Aguilera, Pentatonix, and others. The group was among the inaugural inductees to the Vocal Group Hall of Fame upon its opening in 1998. Writing for Bloomberg, Mark Schoifet said the sisters became the most popular female vocal group of the first half of the 20th century. They are still widely acclaimed today for their famous close harmonies. They were inducted into the Minnesota Rock/Country Hall of Fame in May 2006.
He was a famous trumpet man
From out Chicago way
He had a boogie style
That no one else could play
He was the top man at his craft
But then his number came up
And he was gone with the draft
He's in the army now
He's blowin' reveille
He's the boogie-woogie bugle boy of Company B
 
They made him blow a bugle
For his Uncle Sam
It really brought him down
Because he could not jam
The Captain seemed to understand
Because the next day the Cap'
Went out and drafted a band
And now the company jumps
When he plays reveille
He's the boogie-woogie bugle boy of Company B
 
A-toot a-toot
A-toot diddle-ee-ada-toot
He blows it eight to the bar
In boogie rhythm
He can't blow a note
Unless the bass and guitar
Is playin' with 'im
 
He makes the company jumps
When he plays reveille
He's the boogie-woogie bugle boy of Company B
 
He was a boogie-woogie bugle boy of Company B
And when he plays boogie-woogie bugle
He's was busy as a bzzy bee
And when he plays he makes the company jump
Eight to the bar
He's the boogie-woogie bugle boy of Company B
 
Toot-toot-toot-toot a-diddle-ee-ada-toot-diddle-ee-ada
Toot toot he blows it eight to the bar
 
He can't blow a note
If the bass and guitar
Isn't with 'im
 
A-and the company jumps
When he plays reveille
He's the boogie-woogie bugle boy of Company B
 
He puts the boys to sleep
With boogie every night
And wakes them up the same way
In the early bright
They clap their hands and stamp their feet
Because they know how he plays
When someone gives him a beat
He really breaks it up
When he plays reveille
He's the boogie-woogie bugle boy of Company B
 
dadada-adarada-dada, dadada-adarada-dada
dadada-adarada-dada, dadada-adarada-dada
 
A-and the company jumps
When he plays reveille
He's the boogie-woogie bugle boy of Company B.

SMALL CIRCLES

THE RAINMAKERS-(FEAT. JO NESBØ)
SONGWRITER: BOB WALKENHORST
COUNTRY: U. S. A. X NORWAY
ALBUM: TORNADO
LABEL: MERCURY
GENRE: POP ROCK
YEAR: 1987
 
         The Rainmakers are a Kansas City, Missouri-based original rock band, fronted by Bob Walkenhorst, which had a small string of hits in the late 1980s and early 1990s in the United States and Europe, especially Norway
          The Rainmakers were formed in 1983 as a three-piece bar band called "Steve, Bob and Rich", which "quickly became popular throughout the Midwest," according to one Amazon review. They released one album, Balls, under this name. The addition of drummer Pat Tomek allowed Walkenhorst to switch to guitar and assume the role of frontman. The band changed their name to The Rainmakers when they were signed to PolyGram by A&R man Peter Lubin.
          The band's self-titled 1986 debut album received good reviews in the U.S. entertainment media (Newsweek magazine dubbed it "the most auspicious debut album of the year") and reached No. 87 on the U.S. Billboard album chart. The band made a fan of horror author Stephen King, who quoted the band's lyrics in his novels The Tommyknockers and Gerald's Game. The album, however, achieved its greatest commercial success overseas. In the United Kingdom, the single "Let My People Go–Go", (a song based on the American Negro spiritual anthem "Go Down Moses"), broke into the Top 20 in the UK Singles Chart.
Their follow-up album, 1987's Tornado, peaked at #116 on the U.S. chart. The Rainmakers released one more studio album, 1989's The Good News and The Bad News, and one live album, 1990's Oslo-Wichita Live, which were successful in Europe, but did not chart in the U.S. The band broke up after the release of the live album, which was only issued in Europe.
         Scandinavian interest in their music remained high, and they reformed and released a new album, Flirting with the Universe, in 1994. The album achieved the equivalent of gold record status in Norway in one month. Ruth left the band and was replaced by new bassist Michael Bliss, and one more album, Skin, followed in 1996. The band issued one further track in 1998, a collaboration with Brewer & Shipley in a new version of "One Toke Over the Line", before they broke up again.
       In 2011, the Rainmakers reformed, with bassist Rich Ruth returning to the group in place of Bliss, while longtime guitarist Steve Phillips was replaced by Jeff Porter. On March 5, the band was inducted into the Kansas Music Hall of Fame, with a ceremony and concert at Liberty Hall in Lawrence, Kansas. The following week, the band's album, 25 on, was released on March 14. At the end of March, the band returned to Norway for a two-week tour. The band played two shows (May 14–15) at Knuckleheads Saloon in Kansas City.
   In 2014, the Rainmakers released the álbum Monster Movie. In June the same year, they performed at the Sweden Rock Festival.
          In 2015 they released the álbum Cover Band.
     Steve Phillips died in 2020 after contracting Covid-19
  Tornado is the second studio album by The Rainmakers, produced by Terry Manning and released in 1987. It reached #116 on the Billboard 200.
       A remastered version of the album was released in 2012 with 8 additional bonus tracks.
She reached out and touched my hand
And made me dance to some local band
But the beat was slow so there we stand
As we move in small circles
 
We cut out before the night was through
Start my car and we drove the Loop
Talked about the things we were going through
As we move in small circles
We move in small circles
 
She said she didn't know the ways of love
I said neither do I, I thought you'd show me some
We dilly-dallied like that for six or eight months
As we move in small circles
 
A couple of times she stayed with me
And we worked it out on a single sheet
I can hear every painful squeak
As we move in small circles
We move in small circles
 
Then she grew up and I grew up
And she got tough and I got tough
So much for love, so much for love
As we move in small circles
 
Now we make money and we're all right
And we drive cars and wield our might
We make love to people that we don't even like
As we move in small circles
 
And I don't even think about her now
I just said all this to be working my mouth
I wish I cared but I don't know how
As we move in small circles
We move in small circles. 

CATEDRAL

ZÉLIA DUNCAN
COMPOSITORES: CHRISTIAAN OYENS; TANIAT TIKARAM & ZÉLIA DUNCAN
PAÍS: BRASIL
ÁLBUM: ZÉLIA DUNCAN
GRAVADORA: WARNER MUSIC
GÊNERO: POP
ANO: 1994
 
         Zélia Cristina Duncan Gonçalves Moreira (Niterói, 28 de outubro de 1964), conhecida pelo nome artístico Zélia Duncan, é uma atriz, cantora e compositora brasileira.
           Zélia Duncan é o segundo álbum da cantora Zélia Duncan, lançado em 1994 pela gravadora Warner Music. Este álbum foi incluído na lista dos Melhores Álbuns Latinos pela revista americana Billboard. "Nos Lençóis Desse Reggae" fez parte da trilha sonora da série Confissões de Adolescente, da TV Cultura, e foi dedicada a Tavinho Fialho, que toca baixo nela e morreu entre a gravação e o lançamento do álbum. A obra como um todo é dedicada a Loise Duncan. "Catedral (Cathedral Song)" fez parte da trilha sonora da novela A Próxima Vítima, da Rede Globo.
           Foi certificado disco de Platina pela Pro-Música Brasil em 1998.
O deserto que atravessei
Ninguém me viu passar
Estranha e só
Nem pude ver que o céu é maior
 
Tentei dizer
Mas vi você
Tão longe de chegar
Mais perto de algum lugar
 
É deserto onde eu te encontrei
Você me viu passar
Correndo só
Nem pude ver que o tempo é maior
 
Olhei pra mim
Me vi assim
Tão perto de chegar
Onde você não está
 
No silêncio, uma catedral
Um templo em mim
Onde eu possa ser imortal
Mas vai existir
Eu sei, vai ter que existir
Vai resistir nosso lugar
 
Solidão, quem pode evitar?
Te encontro enfim
Meu coração é secular
Sonha e deságua dentro de mim
Amanhã, devagar
Me diz como voltar
 
É deserto onde eu te encontrei
Você me viu passar
Correndo só
Nem pude ver que o tempo é maior
 
Olhei pra mim
Me vi assim
Tão perto de chegar
Onde você não está
 
No silêncio, uma Catedral
Um templo em mim
Onde eu possa ser imortal
Mas vai existir
Eu sei, vai ter que existir
Vai resistir nosso lugar
 
Solidão, quem pode evitar?
Te encontro enfim
Meu coração é secular
Sonha e deságua dentro de mim
Amanhã, devagar
Me diz como voltar
 
Se eu disser que foi por amor
Não vou mentir pra mim
Se eu disser deixa pra depois
Não foi sempre assim
 
Tentei dizer
Mas vi você
Tão longe de chegar
Mais perto de algum lugar.

QUANDO, QUANDO, QUANDO

CONNIE FRANCIS
COMPOSIORI: TONY RENIS & ALBERTO TESTA
PAESE: U. S. A.
ALBUM: CONNIE FRANCIS SINGS MODERN ITALIAN FAVORITES
ETICHETTA: MGM
GENERE: POP
ANNO: 1959
 
       Concetta Rosa Maria Franconero (nata il 12 dicembre 1937), conosciuta professionalmente come Connie Francis, è una cantante pop americana, ex attrice e cantante femminile di punta della fine degli anni '50 e dei primi anni '60. Sebbene il suo successo in classifica sia scemato nella seconda metà degli anni '60, Francis è rimasta una delle migliori attrazioni per i concerti.
            Francis è nato da uma famiglia italo-americana nel quartiere Ironbound di Newark, New Jersey, primo figlio di George e Ida (nata Ferrari-di Vito) Franconero, trascorrendo i suoi primi anni a Crown Heights, nell'area di Brooklyn (Utica Avenue/ St. Marks Avenue) prima che la famiglia si trasferisse nel New Jersey.
      Cresciuta in un quartiere ebraico-italiano, Francis divenne fluente in yiddish, il che la portò in seguito a registrare canzoni in yiddish ed ebraico.
  Nella sua autobiografia Who's Sorry Now? pubblicato nel 1984, Francis ricorda di essere stata incoraggiata da suo padre ad apparire regolarmente a concorsi di talento, concorsi e altre feste di quartiere dall'età di quattro anni come cantante e suonatrice di fisarmonica.
            Francis frequentò la Newark Arts High School nel 1951 e nel 1952. Lei e la sua famiglia si trasferirono a Belleville, nel New Jersey, dove Francis si diplomò come salutatore alla Belleville High School Class del 1955.
             Durante questo periodo, Francis ha continuato a esibirsi in feste di quartiere e talent show (alcuni dei quali sono stati trasmessi in televisione), apparendo alternativamente come Concetta Franconero e Connie Franconero. Sotto quest'ultimo nome, è apparsa anche nello spettacolo di varietà della NBC Startime Kids tra il 1953 e il 1955.
         Durante le prove per la sua apparizione in Arthur Godfrey's Talent Scouts, Godfrey ha consigliato a Francis di cambiare il suo nome d'arte in Connie Francis per motivi di pronuncia più facile. Godfrey le disse anche di lasciar cadere la fisarmonica, consiglio che lei seguì volentieri, poiché aveva iniziato a odiare lo strumento grande e pesante. Nello stesso periodo, Francis assunse un lavoro come cantante su dischi dimostrativi, che portavano canzoni inedite all'attenzione di cantanti affermati e/o dei loro dirigenti che successivamente avrebbero scelto o rifiutato di registrarli per un disco commerciale professionale.
Dimmi quando tu verrai,
Dimmi quando... quando... quando...
L'anno, il giorno e l'ora in cui
Forse tu mi bacerai...
 
Ogni istante attenderò,
Fino a quando... quando... quando...
D'improvviso ti vedrò
Sorridente accanto a me!
 
Se vuoi dirmi di sì
Devi dirlo perché
Non ha senso per me
La mia vita senza te...
 
Dimmi quando tu verrai,
Dimmi quando... quando... quando...
E baciandomi dirai,
"non ci lasceremo mai!"
 
Every moment's a day,
every day seems a lifetime
Let me show you the way
to a dream beyond compare
 
Dimmi quando tu verrai,
Dimmi quando... quando... quando...
E baciandomi dirai,
"non ci lasceremo mai!"