PALOMA NEGRA

LOLA BELTRÁN
COMPOSITOR: TOMAS MENDEZ
PAIS: MÉXICO
ÁLBUM: PALOMA NEGRA
DISCOGRÁFICA: PEERLESS RECORDS
GÉNERO: RANCHERA
AÑO: 1976
 
         María Lucila Beltrán Ruiz(7 de marzo de 1932 - 24 de marzo de 1996), más conocida como Lola Beltrán, fue una cantante, actriz y presentadora de televisión mexicana.
          Beltrán es y fue uno de los cantantes de música ranchera y huapango más aclamados de México. Hizo la famosa canción "Priscila el que se fue" en colaboraciones con otras aclamadas estrellas de la música mexicana como Amalia Mendoza, Juan Gabriel y Lucha Villa. Fue reconocida internacionalmente por su interpretación de las canciones "Cucurrucucú paloma" y "Paloma Negra", además de cantar ante muchos líderes mundiales. La apodaron Lola la Grande ("Lola la Grande"). Su canción Soy infeliz ("I'm infeliz") fue la música de apertura de Pedro Almodóvar'.
           En el cine, debutó en el cine con El cantor del circo(1940), película argentina. También compartió créditos con famosas e importantes estrellas del cine mexicano como Emilio Fernández, Ignacio López Tarso, Katy Jurado, María Félix y Pedro Armendáriz en La Bandida(1963). Su última aparición cinematográfica fue en Una gallina muy ponedora(1982) compartiendo créditos con Columba Domínguez y Emilio Fernández.
          Como presentadora de televisión, condujo los programas Noches tapatias(1976) y su propio programa de televisión titulado El estudio de Lola Beltrán(1984), programas en los que recibió estrellas como Cornelio Reyna, Juan Gabriel, Lucha Villa, La Prieta Linda y Luis Miguel.
Ya me canso de llorar y no amanhece
Ya no sé si maldecirte o por ti rezar
Tengo miedo de buscarte y de encontrarte
Dónde me aseguran mis amigos que te vas
 
Hay momentos en que quisiera mejor rajarme
Pa’ arrancarme ya los clavos de mi penar
Pero mis ojos se mueren sin mirar tus ojos
Y mi cariño con la aurora te vuelve a esperar
 
Ya agarraste por tu cuenta las parrandas
Paloma negra, paloma negra, dónde, dónde andarás
Ya no juegues con mi honra parrandera
Si tus caricias deben ser mías de nadie más
 
Y aunque te amo con locura, ya, ya no vuelvas
Paloma negra eres la reja de un penar
Quiero ser libre, vivir mi vida con quién me quiera
Dios dame fuerzas, que estoy muriendo por irla a buscar
Ya agarraste por tu cuenta las parrandas.

AZURE

ELLA FITZEGERALD
SONGWRITERS: IRVING MILLS & DUKE ELLINGTON
COUNTRY: U. S. A.
ALBUM: THE COMPLETE ELLA FITZGERALD SONG BOOKS
LABEL: VERVE RECORDS
GENRE: JAZZ
YEAR: 1957
 
           Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer, sometimes referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing, timing, intonation, and a "horn-like" improvisational ability, particularly in her scat singing.
        After a tumultuous adolescence, Fitzgerald found stability in musical success with the Chick Webb Orchestra, performing across the country but most often associated with the Savoy Ballroom in Harlem. Her rendition of the nursery rhyme "A-Tisket, A-Tasket" helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career.
         Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to Norman Granz, who founded Verve Records to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly her interpretations of the Great American Songbook.
         While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with Louis Armstrong, Duke Ellington, and The Ink Spots were some of her most notable acts outside of her solo career. These partnerships produced some of her best-known songs such as "Dream a Little Dream of Me", "Cheek to Cheek", "Into Each Life Some Rain Must Fall", and "It Don't Mean a Thing (If It Ain't Got That Swing)".
          In 1993, after a career of nearly 60 years, she gave her last public performance. Three years later, she died at the age of 79 after years of declining health. Her accolades included fourteen Grammy Awards, the National Medal of Arts, and the Presidential Medal of Freedom.
         Ella Fitzgerald Sings the Duke Ellington Song Book is a 1957 studio album by the American jazz singer Ella Fitzgerald, accompanied by Duke Ellington and his orchestra, focusing on Ellington's songs.
            Part of Fitzgerald's "Song Book" series, it is the only one where the composer is also featured as a performer and the first occasion Fitzgerald recorded with Ellington. It is also the entry in the Song Book series that provided her with the most opportunities to exhibit her skill at scat singing.
          The greater part of disc three is devoted to two original compositions by Billy Strayhorn, inspired by Fitzgerald's life, character, and artistry. Fitzgerald's performance on this album won her the Grammy Award for Best Jazz Performance, Individual, at the 1st Annual Grammy Awards.
        The album was released in two volumes: The first volume comprised Fitzgerald with the Ellington orchestra, the second of Fitzgerald with a small group setting.
     This album marked the start of a fruitful artistic relationship for Fitzgerald and Ellington. The 1960s would see them perform on the Côte d'Azur for the album Ella and Duke at the Cote D'Azur(1966), and in Sweden for The Stockholm Concert, 1966. Their only other studio album is Ella at Duke's Place (1965).
         "Azure" is a 1937 song composed by Duke Ellington with lyrics by Irving Mills. The composition is an example of Ellington's early use of bi- and polytonality, and some parts of it are almost atonal in nature.
Drifting, dreaming
In an azure mood
Stardust gleaming
Through my solitude
 
Here in my seclusion
You're a blue illusion
While I'm in this azure interlude
I'm not wanted
I'm so all alone
 
Always haunted
By the dreams I own
But though I'm tormented
I must be contented
 
Drifting, dreaming
In an azure mood
 
Drifting, dreaming
In an azure mood
 
Drifting, dreaming
In an azure mood.

 SUMMERTIME BLUES

EDDIE COCHRAN
SONGWRITER: EDDIE COCHRAN & JERRY CAPEHART
COUNTRY: U. S. A.
ALBUM: SUMMERTIME BLUES
LABEL: LIBERTY
GENRE: ROCKABILLY
YEAR: 1958
 
           Ray Edward Cochran (/ˈkɒkrən/; October 3, 1938 – April 17, 1960) was an American rock and roll musician. Cochran's songs, such as "Twenty Flight Rock", "Summertime Blues", "C'mon Everybody", and "Somethin' Else", captured teenage frustration and desire in the mid-1950s and early 1960s. He experimented with multitrack recording, distortion techniques, and overdubbing even on his earliest singles. He played the guitar, piano, bass, and drums. His image as a sharply dressed and attractive young man with a rebellious attitude epitomized the stance of the 1950s rocker, and in death he achieved iconic status.
            Cochran was involved with music from an early age, playing in the school band and teaching himself to play blues guitar. In 1954, he formed a duet with the guitarist Hank Cochran (no relation). When they split the following year, Eddie began a songwriting career with Jerry Capehart. His first success came when he performed the song "Twenty Flight Rock" in the film The Girl Can't Help It, starring Jayne Mansfield. Soon afterward, he signed a recording contract with Liberty Records and his first record for the label, Sittin' in the Balcony, rose to number 18 on the Billboard charts.
             Cochran died at age 21 in St Martin's Hospital, Bath, Somerset, after a road accident in Chippenham, Wiltshire, at the end of his British tour in April 1960. He had just performed at the Bristol Hippodrome. Though his best-known songs were released during his lifetime, more of his songs were released posthumously. In 1987, Cochran was inducted into the Rock and Roll Hall of Fame. His songs have been recorded by a wide variety of recording artists.
         "Summertime Blues" is a song co-written and recorded by American rock and rockabilly artist Eddie Cochran. It was written by Cochran and his manager Jerry Capehart. Originally a single B-side, it was released in August 1958 and peaked at number 8 on the Billboard Hot 100 on September 29, 1958 and number 18 on the UK Singles Chart. It has been covered by many artists, including being a number-one hit for country music artist Alan Jackson, and scoring notable hits in versions by Blue Cheer, The Who, and Brian Setzer, the last of whom recorded his version for the 1987 film La Bamba, in which he portrayed Cochran. Jimi Hendrix performed it in concert.
I'm gonna raise a fuss
I'm gonna raise a holler
A-but-a workin' all summer
Just-a trying to earn a dollar
Every time I call my baby
And ask her to date
My boss says: Uh duh son
You gotta work late
Sometimes I wonder
What I'm-a gonna do
But there ain't no cure
For the summertime blues
 
Well my mama papa told me
Son, you gotta make some money
If you wanna use the car
To go ridin' next Sunday
Well, I didn't go to work
So my pa said I was sick
You can't use the car
'Cuz you didn't work a lick
Sometimes I wonder what I'm-a gonna do
But there ain't no cure
For the summertime blues
 
Gonna take two weeks
Gonna have a fine vacation
I'm gonna take my problem
Through the United Nations
I called up my congressman
And he said
I'd like to help you Sonny
But you're too young to vote
Sometimes I wonder what I'm-a gonna do
But there ain't no cure
For the summertimes blues.

ROAD HOG

JOHN D. LOUDERMILK
SONGWRITER: JOHN D. LOUDERMILK
COUNTRY: U. S. A.
ALBUM: ROAD HOG
LABEL: RCA VICTOR
GENRE: FOLK
YEAR: 1962
 
          John D. Loudermilk Jr. (March 31, 1934 – September 21, 2016) was an American singer and songwriter. Although he had his own recording career during the 1950s and 1960s, he was primarily known as a songwriter. His best-known songs include "Indian Reservation", a 1968 UK cover by Don Fardon and a 1971 U.S. No. 1 hit for Paul Revere & the Raiders; "Ebony Eyes", a 1961 U.K. No. 1 and U.S. No. 8 for the Everly Brothers; "Tobacco Road", a 1964 Top 20 hit in both the U.S. and the U.K. for the Nashville Teens; "This Little Bird", a U.K. No. 6 for Marianne Faithfull in 1965, and "Then You Can Tell Me Goodbye", a U.S. Top Ten hit in 1967 for the Casinos and also a U.S. No. 1 country hit for Eddy Arnold the following year.
       John D. Loudermilk was born in Durham, North Carolina, to Pauline and John D. Loudermilk Sr., an illiterate carpenter. John D. Jr. grew up in a family who were members of the Salvation Army, and was influenced by the church singing of the Christian Church. His cousins Ira and Charlie Loudermilk were known professionally as the Louvin Brothers. Loudermilk was a graduate of Campbell College (now Campbell University), a private North Carolina Baptist Convention-owned college in Buies Creek, North Carolina.
        As a young boy he learned to play the guitar, and while still in his teens, wrote a poem that he set to music, "A Rose and a Baby Ruth". The owners of the local television station, where he worked as a graphic artist, allowed him to play the song on-air, resulting in country musician George Hamilton IV putting it on record in 1956. After Eddie Cochran had his first hit record with Loudermilk's song "Sittin' in the Balcony", Loudermilk's career path was firmly set.
         Loudermilk recorded some of his songs, including "Sittin' in the Balcony", under the stage name "Johnny Dee" (reaching Nº. 38 on the pop charts in 1957). His "Johnny Dee" records were recorded for the North Carolina-based Colonial Records label.

Have you ever been driving down the road
And come up on a fella who was just poking along
Straddlin' the white line?
And when you'd try to pass him he'd speed up?
Ha ha well, around here we call this fella a Road Hog
This is a story about him and his eventual end
 
Well me and my buddy went a ridin' last night
Me and my buddy went a ridin' last night
We topped a hill and we saw his lights
Road Hog beep beep do do do do Road Hog beep beep do do do do
 
When we saw him we almost died
When we saw him we almost died
He was a comin' at us on our side
Road Hog beep beep do do do do Road Hog beep beep do do do do
 
My buddy said that fella sure came mighty near
Probably some learner who don't know how to steer
And then I saw his lights a comin' up in my mirror
Road Hog beep beep do do do do Road Hog beep beep do do do do
 
He passed us a goin' about a hundred I guess
He passed us a goin' about a hundred I guess
And then he slowed down to twenty or less
Road Hog beep beep do do do do Road Hog beep beep do do do do
 
I tooted my horn and I started to pass
I blinked my lights and I started to pass
And then that Road Hog stepped on the gas
Road Hog beep beep do do do do Road Hog beep beep do do do do
 
He'd better get him up some money for bail
He'd better get him up some money for bail
'Cause tomorrow morning he will be in jail
Road Hog beep beep do do do do Road Hog beep beep do do do do
 
The boys will have him in the morning behind bars
The boys will have him in the morning behind bars
'Cause I'm the County Sheriff in my unmarked car ha ha ha
Road Hog beep beep do do do do Road Hog beep beep do do do do
 
Blow your horn, Hoss
Let's get him, Norris.