BREAK IT TO ME GENTLY

BRENDA LEE
SONGWRITERS: DIANE LAMPERT & JOE SENECA
COUNTRY: U. S. A.
ALBUM: ...”LET ME SING”.
LABEL: DECCA RECORDS
GENRE: ROCKABILLY
YEAR: 1963
 
       Brenda Mae Tarpley (born December 11, 1944), known professionally as Brenda Lee, is an American singer. Performing rockabilly, pop and country music, she had 47 US chart hits during the 1960s and is ranked fourth in that decade, surpassed only by Elvis Presley, the Beatles and Ray Charles. She is known for her 1960 hit "I'm Sorry", and 1958's "Rockin' Around the Christmas Tree", which has become a Christmas standard.
            At 4 ft 9 inches tall (approximately 145cm), she received the nickname "Little Miss Dynamite" in 1957, after recording the song "Dynamite" when she was 12, and was one of the earliest pop stars to have a major contemporary international following.
        In 1969, Lee returned to the charts with her recording "Johnny One Time" penned by A.L. "Doodle" Owens and Dallas Frazier. The song reached #3 on Billboard's Adult Contemporary Chart and #41 on the Billboard Hot 100. The song also earned Lee her second Grammy nomination for Best Pop Female Vocal. Later success came with a return to her roots as a country singer, with a string of hits through the 1970s and 1980s. She is a member of the Rock and Roll, Country Music and Rockabilly Halls of Fame. She is also a Grammy Lifetime Achievement Award recipient. Lee is the only woman to be inducted into both the Rock and Roll and Country Music Halls of Fame. She lives in Nashville, Tennessee.
          "Break It to Me Gently" is a pop song written by blues musician Joe Seneca with lyrics by Diane Lampert. Both Brenda Lee and Juice Newton met with considerable success with their versions of the song.
           Brenda Lee recorded "Break It to Me Gently" on August 31, 1961 with Owen Bradley producing the session at his Bradley Film and Recording Studio in Nashville: after another track from the same session, "Fool #1", had become a Top Ten hit. "Break It To Me Gently" was released as a single at the end of 1961 and reached number four on the US Billboard Hot 100 in January 1962. In 2008, the Brenda Lee version of the song was featured at the closing of season 2, episode 7 of the AMC series Mad Men. Lee's "Break It to Me Gently" is on the track list of the CD Pan Am: Music From and Inspired By the Original Series set for release January 17, 2012.
Break it to me gently, let me down that easy way
Make me feel you still love me if it's just, just for one more day
Break it to me gently so my tears, my tears won't fall too fast
If you must go, then go slowly, let me love you 'till then
 
The love we've shared oh so long, it's a tender part of me
If you must take your love away, take it gradually
And break it to me gently, give me time, oh give me a little time to ease the pain
If you must go, then go slowly, 'cause I'll never love again
 
If you must take your love away, take it gradually
And break it to me gently
Give me time, oh give me a little time to ease the pain
Love me just a little longer, 'cause I'll never, never love again
'Cause I'll never, no never love again.

JOANNA

SCOTT WALKER
SONGWRITERS: TONY HATCH & JACKIE TRENT
COUNTRY: U. S. A.
ALBUM: IT’S RAINING TODAY: THE SCOTT WALKER STORY(1967-1970)
LABEL: PHILIPS RECORDS
GENRE: POP
YEAR: 1968
 
          Noel Scott Engel(January 9, 1943 – March 22, 2019) better known by the stage name Scott Walker, was an American singer-songwriter, composer and record producer who resided in England. Walker was known for his baritone voice and an unorthodox career path which took him from 1960s teen pop icon to 21st-century avant-garde musician. Walker's success was largely in the United Kingdom, where his first four solo albums reached the top ten. He lived in the UK from 1965 and became a UK citizen in 1970.
          Rising to fame in the mid-1960s as frontman of the pop music trio the Walker Brothers, he began a solo career with 1967's Scott, moving toward an increasingly challenging style on late-1960s baroque pop albums such as Scott 3 and Scott 4(both 1969). After sales of his solo work started to decrease, he reunited with the Walker Brothers in the mid-1970s. From the mid-1980s onward, Walker revived his solo career while moving in an increasingly avant-garde direction; of this period in his career, The Guardian said "imagine Andy Williams reinventing himself as Stockhausen". Walker's 1960s recordings were highly regarded by the 1980s UK underground music scene, and gained a cult following.
        Walker continued to record until 2018. He was described by the BBC upon his death as "one of the most enigmatic and influential figures in rock history"
       "Joanna" is a song written by the English husband and wife song-writing team Tony Hatch and Jackie Trent which was first a song for the American singer-songwriter Scott Walker in 1968. The song was Walker's second solo single in the UK. The accompaniment was directed by Peter Knight.
         While credited to Hatch and Trent journalist Joe Jackson writes in his article "The Fugitive Kind" that Walker wrote a significant proportion of the lyric. Jackson quotes Walker as follows: 'that whole verse about "lived in your eyes completely" is mine and I wrote the last line in the song, "you may remember me and change your mind"'.
             "Joanna" was a major hit and is one of Walker's most popular recordings spending eleven weeks on the UK Singles Chart and peaking at number 7 in June 1968. An instrumental arrangement on the song was used as the theme for Walker's BBC TV series, Scott in 1969.
         The single was backed with the 1967 Scott album track "Always Coming Back to You". The accompaniment of the b-side was directed by Reg Guest. Japanese editions are backed with "The Plague", which was previously released as the b-side to "Jackie" in 1967.
Joanna
I can't forget the one they call Joanna
We owned the summer, hand in hand Joanna
And now she's always just a tear away
Goodbye you, you long lost summer
Leaving me behind you
Revealing things for lovers that may find you
I still hang on to every word that day, you passed my way
Joanna
You made the man a child again, so sweetly
He breathed your smile
Lived in your eyes completely
And on his heart there's still a trace of you
I love you but nothing in this world could make you mine
Yet still in time
Joanna
Joanna, you may remember me and change your mind
 
I love you but nothing in this world could make you mine
Yet still in time
Joanna
Joanna, you may remember me and change your mind.

A KIND OF LOVE

MARC ALMOND
SONGWRITERS: MARC ALMOND & CHRISTOPHER BRAIDE
COUNTRY: U. K.
ALBUM: A KIND OF LOVE
LABEL: SOME BIZZARE RECORDS
GENRE: ROCK
YEAR: 2017
 
          Mark Peter Sinclair "Marc" Almond, OBE(born 9 July 1957) is an English singer-songwriter and musician. Almond first began performing and recording in the synthpop/new wave duo Soft Cell. He has also had a diverse career as a solo artist. His collaborations include a duet with Gene Pitney on the 1989 UK number one single "Something's Gotten Hold of My Heart". Almond's career spanning over four decades has enjoyed critical and commercial acclaim, and he has sold over 30 million records worldwide. He spent a month in a coma after a near-fatal motorcycle accident in 2004 and later became a patron of the brain trauma charity Headway.
          He was appointed Officer of the Order of the British Empire (OBE) in the 2018 New Year Honours for services to arts and culture.
If I had another life
And not the one i'm in
I'd reach down into my soul
And find a little love within
I'd emerge as someone new
Dressed in another skin
Be someone who wants something more
And not the fool I've been
I look into your eyes to see what i can see
But i only see a paper face staring back at me
Only you can understand what love is meant to be
And it's a strange thing, undoughtedly
I'ts a kind of love, this strange thing that we have
It's a kind of love, a kind of going mad
It's sometimes good, but never truly bad
It's a kind of love, this strange that we have
 
And in the night
When sleep won't come for free
A laughing dancing clown
In dreams that torment me
And there you are again
Find more lyrics at
That photo in my pocket
It's a madness in my mind
But i don't know how to stop it
We meet in shadows after dark we run down endless streets
Black serpents at my back i never get to sleep
Red roses falling from the sky landing at my feet
But they turn to thorns and only make me bleed
It's a kind of love, this strange thing that we have
It's a kind of love, a kind of going mad
It's sometimes good, but never truly bad
It's a kind of love, this strange that we have
I keep a little memory of how it used to be
A bit your life in my hands from days when you loved me
Only you can understand what love is meant to be
 
And it's a strange thing, undoughtedly
I'ts a kind of love, this strange thing that we have
It's a kind of love, a kind of going mad
It's sometimes good, but never truly bad
It's a kind of love, this strange that we have.

DELILAH

THE SENSATIONAL ALEX HARVEY BAND
SONGWRITERS: BARRY MASON & LESS REED
COUNTRY: SCOTLAND
ALBUM: THE COLLECTION
LABEL: VERTIGO RECORDS
GENRE: ROCK
YEAR: 1994
 
     Alexander James Harvey (5 February 1935–4 February 1982) was a Scottish rock and blues musician. Although his career spanned almost three decades, he is best remembered as the frontman of The Sensational Alex Harvey Band, with whom he built a reputation as an exciting live performer during the era of glam rock in the 1970s.
          The Sensational Alex Harvey Band were a rock band formed in Glasgow in 1972. Fronted by Alex Harvey accompanied by Zal Cleminson on guitar, bassist Chris Glen, keyboard player Hugh McKenna and drummer Ted McKenna, their music veered from glam rock to experimental jazz, around a core of experimental and avant-garde rock, dealing with themes from environmentalism to Chinese take away food. They achieved a critically acclaimed status in the UK, were very popular in continental Europe, and were also highly influential in Australia, most notably on the young Nick Cave and his first band The Boys Next Door.
I saw the light on the night that I passed by her window
I saw the flickering shadows of love on the blinds
She was my woman
And as she betrayed me I watched and went out of my mind
 
My, my, my Delilah
Why, why, why, Delilah
I could see that girl was no good to me
And just like a slave I was lost and no man could free
 
At break of day when this man drove away, I was waiting
I crossed the street to her house, she opened the door
She stood there, laughing
And I felt the knife in my hand and she laughed no more
 
My, my, my Delilah
Why, why, why, Delilah
So before they come to break down the door
Forgive me, Delilah, I just couldn't take anymore
 
She stood there, laughing
And I felt the knife in my hand and she laughed no more
 
My, my, my Delilah
Why, why, why, Delilah
So before they come to break down the door
Forgive me, Delilah, I just couldn't take anymore
 
Oh, my, my, my Delilah
Oh, why, why, why, Delilah
So before they come to break down the door
Forgive me, Delilah, I just couldn't take anymore
Forgive me, Delilah, I just couldn't take anymore.