BABY LET ME TAKE YOU HOME

THE ANIMALS
SONGWRITERS: WES FARRELL & BERT RUSSELL
COUNTRY: U. K.
ALBUM: THE ANIMALS
LABEL: COLUMBIA RECORDS
GENRE: ROCK
YEAR: 1964
 
           The Animals(also billed as Eric Burdon and The Animals) are an English rhythm and blues and rock band, formed in Newcastle upon Tyne in the early 1960s. The band moved to London upon finding fame in 1964. The Animals were known for their gritty, bluesy sound and deep-voiced frontman Eric Burdon, as exemplified by their signature song and transatlantic number-one hit single, "The House of the Rising Sun", as well as by hits such as "We Gotta Get Out of This Place", "It's My Life", "Don't Bring Me Down", "I'm Crying", "See See Rider", and "Don't Let Me Be Misunderstood". The band balanced tough, rock-edged pop singles Against rhythm and blues-oriented album material and were part of the British Invasion of the US.
      The Animals underwent numerous personnel changes in the mid-1960s, and suffered from poor business management, leading the original incarnation to split up in 1966. Burdon assembled a mostly new lineup of musicians under the name Eric Burdon and the Animals; the much-changed act moved to California and achieved commercial success as a psychedelic and hard rock band with hits such as "San Franciscan Nights", "When I Was Young", and "Sky Pilot", before disbanding at the end of the decade. Altogether, the group had 10 top-20 hits in both the UK Singles Chart and the US Billboard Hot 100.
       The original lineup of Burdon, Alan Price, Chas Chandler, Hilton Valentine, and John Steel reunited for a one-off benefit concert in Newcastle in 1968. They later had brief comebacks in 1975 and 1983. Several partial regroupings of the original-era members have occurred since then under various names. The Animals were inducted into the Rock and Roll Hall of Fame in 1994.
        "Baby Let Me Take You Home", a song credited to Bert Russell(a.k.a. Bert Berns) and Wes Farrell, was The Animals' debut single, released in 1964. In the UK, it reached #21 on the pop singles chart. In the U.S. its B-side, "Gonna Send You Back to Walker" (retitled "to Georgia"), was released but was not a significant hit, placing only at #57 on the pop singles chart. American soul singer Hoagy Lands previously recorded the song in 1964 as "Baby Let Me Hold Your Hand", released on Atlantic 2217.
         The song is an arrangement of Eric Von Schmidt's rendering of "Baby, Let Me Follow You Down" as covered by Bob Dylan, on his first, self-titled, album. The Animals' version opens with striking unaccompanied guitar arpeggios, inserts a middle section with spoken words over an organ riff and closes with a frantic double-time coda. The result was a key influence on Dylan's change to electric music and to the folk-rock genre.
          In 2006, Eric Burdon, of The Animals, began to perform the song in a heavier version, on his concerts again, adding a short story how they came to it.

Baby, can I take you home?
Baby, let me take you home
I'll love you all my life, you can bet I'll treat you right
If you'll just let me take you home
 
Baby, can I dance with you?
Baby, can I dance with you?
I'll do anything in this God-Almighty world
If you'll just let me dance with you
 
Baby, let me take you home
Baby, let me take you home
I'll love you all my life, you can bet I'll treat you right
If you'll just let me take you home
 
When I saw you baby, I couldn't ignore you
And I wanted you for my girl
And when you said, "Yeah"
I just couldn't care about anybody else in this world alone
 
You smiled at me baby and I could see my life
Planned out ahead
You took my hand and it felt so good
And this is what you said
 
Baby, won't you be my man?
Baby won't you be my man?
Yes, I'll be your man and I'll do the best I can
I want to be your man, that's all baby
 
Oh, c'mon, c'mon baby
Ohh baby, c'mon baby
Oh, c'mon baby
Baby, feel alright, baby, feel alright
Hey baby, it's alright, so good, it's so good
 
It's all right, it's all right
It's all right, it's all right
It's all right, it's all right.

GROW
GLORIA TELLS
SONGWRITER: gloria tells
COUNTRY: swEden
ALBUM: out of control
LABEL: epidemic sound
GENRE: soul
YEAR: 2018
 
       We are proud to introduce the new album 'Out Of Control' by Gloria Tells. A magic collection of hopeful, dreamy and feelgood Soul with expressive and emotional vocals.
       When it comes to experimenting with the perks of anonymity, soul music has the right prerequisites. This is something that underground band, Gloria Tells, takes advantage of.
        Not much is known about this freshman incognito band — neither the number of members nor faces. Signed to the Swedish production music label, Epidemic Sound, Gloria Tells released their first EP Out Of Control last year. Their latest release, a double A-side single ‘Love! / Tell Me Now‘, is a sweet blend of neo-soul, synthpop, future bass, chill trap and deep house.

I see you watching me
When we’re with our friends
It’s definitely something in the air
So let’s take it from there
 
Cause I know you want it
Afraid to let it show
And I know you need it
Why don’t we let it grow, grow, grow
 
I thinks it’s time we stopped tipping on
Our toes What’s holding you back now, sugar
‘Cause I don’t know
 
I sure know you wan it
Afraid to let it show
And I know you need it
Why don’t we let it grow
Why don’t we let it
Why, why don’t we let it
 
Grow, grow, grow, grow, grow
It grows stronger for everyday
We just can’t keep it away, no, yeah
Grow, grow, grow, grow, grow
It grows stronger for everyday
We just can’t keep it away, oh!
 
Make you move before someone takes your place
I know how you feel but you’re scared to say it to my face
 
I sure know you wan it
Afraid to let it show
And I know you need it
Why don’t we let it grow
Why don’t we let it
Why, why don’t we let it
 
Grow, grow, grow, grow, grow
It grows stronger for everyday
We just can’t keep it away, no, yeah
Grow, grow, grow, grow, grow
It grows stronger for everyday
We just can’t keep it away, yeah!
 
(Make you move before someone takes your place)
Yeah, yeah!
 
I see you watching me
When we’re with our friends
It’s definitely something in the air
So let’s take it from there
So let’s take it from there
Why, why don’t we let it
 
Grow, grow, grow, grow, grow
And I know you need it
Why don’t we let it grow
I know you want it
(Grow, grow, grow, grow, grow)
Afraid to let it show
Mmm, you need it baby
Why don’t we let it
Why, why don’t we let it
 
Grow, grow, grow, grow, grow
Why don’t we let it
Grow, grow, grow, grow, grow
Why, why don’t we let it grow
Why, why don’t we let it, mmm-mmm
Why, why don’t we let it grow, yeah, yeah
Ba-da, ba-da, ba-da, ba-da, eh!

FREE THIS FEELING

SPRING GAME(FEAT. ED MILLS)
SONGWRITER: SPRING GAng
COUNTRY: U. K.
ALBUM: TAKE WHATEVER
LABEL: EPIDEMIC SOUND
GENRE: SOUL
YEAR: 2019
 
       Spring were an English progressive rock band from Leicester.
         They released only one album in their career, a self-titled LP in 1971. Spring's music is notable for the use of the mellotron with three of its five members credited with playing that instrument on the album. Songs for a second album were recorded but not released at the time. They were later released on CD together with some demos as Untitled 2, as a bonus CD on the Esoteric CD release of 2015, and as a bootleg vinyl album Spring 2 (with Roger Dean cover). Three of the tracks were used as bonus on the single CD edition of the first album.

Let me go for one day
Let me loose myself again
Give me something for the pain
Are we trying to pretend that I’m not
Living just a lie, broken heart and shattered lies
Let me go for one day
Let me loose myself
 
Oh! I knew how this would end
Oh! I knew that it would die
That we would come to this
That we would say goodbye.
 
Someone help me see it
Someone help me free this feeling
Someone help me see it
Someone help me free this feeling
 
Don’t want to thing about the past
I’m crying out behind a mask
So give me something for the pain
I want to loose myself again
Please get out of my mind
Just get out of my sight
Let me go for one day
Let me loose myself
 
Oh! I knew how this would end
Oh! I knew that it would die
That we would come to this
That we would say goodbye.
 
Someone help me see it
Someone help me free this feeling
Someone help me see it
Someone help me free this feeling
 
Someone help me see it
Someone help me free this feeling
Someone help me see it
Someone help me free this feeling
 
Some now help me see it
Help me free this feeling. 

24 MILE BACI

DALIDA
COMPOSITORE: ADRIANO CELENTANO
PAESE: ITALIA
ALBUM: “GARDE-MOI LA DERNIÈRE DANSE
ETICHETTA: ARIOLA RECORDS
GENERE: POP
ANNO: 1961
 
       Dalida, pseudonimo di Iolanda Cristina Gigliotti(Il Cairo, 17 gennaio 1933Parigi, 3 maggio 1987), è stata una cantante e attrice italiana naturalizzata francese che ha avuto il suo maggior successo dalla fine degli anni cinquanta fino alla sua morte.
        A causa dela depressione che da lungo tempo l'accompagnava, la cantante si è tolta la vita il 3 maggio 1987 con un'overdose di barbiturici, a distanza di vent'anni da un primo tentativo di suicidio avvenuto dopo la morte del cantante italiano Luigi Tenco col quale, secondo la stampa dell'epoca, aveva avuto un legame sentimentale.
        Dalida ha venduto oltre 170 milioni di dischi in tutto il mondo guadagnando anche il primo disco di diamante della storia, nel 1981, che fu creato appositamente per lei

Con 24 mila baci
Oggi saprei perché l'amore
Vuole ogni istante mille baci
Mille carezze vuole all'ora
 
Con 24 mila baci
Felici corrono le ore
D'un giorno splendido perché
Ogni secondo bacio te
 
Niente bugie meravigliose
Frasi d'amore appassionate
Ma solo baci chiedo a te
Yeah, yeah, yeah, yeah, yeah
 
Con 24 mila baci
Così frenetico è l'amore
In questo giorno di follia
Ogni minuto è tutto mio
 
Niente bugie meravigliose
Frasi d'amore appassionate
Ma solo baci chiedo a te
Yeah, yeah, yeah, yeah, yeah, yeah
 
Dieci, venti, trenta, quaranta, cinquanta
Sessanta, settanta, ottanta, novanta, cento
Mille, duemila, tremila, quattromila, cinquemila
Seimila, settemila, ottomila, novemila, diecimila, undicimila
 
Con 24 mila baci
Felici corrono le ore
D'un giorno splendido perché
Con 24 mila baci
Tu m'hai portato alla follia
Con 24 mila baci
Ogni secondo bacio te
Yeah, yeah, yeah, yeah, yeah, yeah, yeah.