WILBURY TWIST

THE TRAVELING WILBURYS
SONGWRITERS: BOB DYLON; TOM PETTY & GEORGE HARRISON
COUNTRY: U. K. X U. S. A.
ALBUM: THE TRAVELING WILBURYS, VOL. 3
LABEL: WILBURY RECORDS
GENRE: TWIST
YEAR: 1990
 
         Traveling Wilburys Vol. 3 is the second and final studio album by the Traveling Wilburys, a group consisting of George Harrison, Jeff Lynne, Bob Dylan and Tom Petty. It was released on October 29, 1990 as the follow-up to their 1988 debut, Traveling Wilburys Vol. 1. The band members again adopted pseudonyms for their contributions, using new names from the fictitious Wilbury brothers.
         Though it was their second release, the album was mischievously titled Vol. 3 by George Harrison. According to Jeff Lynne, "That was George's idea. He said, 'Let's confuse the buggers.'"
         As the dynamics within the band had shifted with Roy Orbison's death, the four remaining members all adopted new Wilbury pseudonyms: Spike (George Harrison), Clayton (Jeff Lynne), Muddy (Tom Petty) and Boo (Bob Dylan). With Harrison and Lynne producing again, the sessions were undertaken in the spring of 1990. An additional track, a cover of "Nobody's Child", was recorded and released in June 1990 as a charity single in aid of Olivia Harrison's Romanian Angel Appeal. The song was also the title track of a multi-artist fundraising album compiled by the Harrisons, Nobody's Child: Romanian Angel Appeal. Traveling Wilburys Vol. 3 was dedicated to the memory of "Lefty Wilbury" (Roy Orbison).
      Released in October 1990, the album was less positively received than Vol. 1, yet still saw a fair measure of success. In the United States, "She's My Baby" (with guest guitarist Gary Moore) and "Inside Out" became radio hits, charting at number 2 album rock and number 16 album rock, respectively. The album peaked at number 14 in the UK and number 11 in the US, where it was certified platinum by the RIAA.
           Comparing the two Wilburys albums, a reviewer in The New York Times wrote in November 1990: "The superstar pop group stays close to 50's and 60's rock roots, drawing on blues, doo-wop, rockabilly and Buddy Holly. But their second album is faster, jokier, lighter and meaner than the first." Rolling Stone described the blending of the four participants' musical styles as "seemingly effortless", and said that the album showed they continued to enjoy their collaboration. In the years following Vol. 3, there was speculation about further Wilbury releases. Since Harrison was viewed as the de facto leader of the group, his death in November 2001 ended the possibility of any future projects. 
You put your hand on your head (hand on your head)
Put your foot in the air (foot in the air)
Then you hop around the room (hop around the room)
In your underwear (in your underwear)
There ain't never been nothin' quite like this
Come on, baby, it's the Wilbury Twist
 
Lift your other foot up (other foot up)
Fall on your ass (fall on your ass)
Get back up (get back up)
Put your teeth in a glass (teeth in a glass)
There ain't never been nothin' quite like this
It's a magical thing called the Wilbury Twist
Everybody's trying to do the Wilbury Twist
 
China, Belgium, France, Japan
Thailand, Poland, Pakistan
Everybody's trying to do the Wilbury Twist
 
Roll up your rug (roll up your rug)
Dust your broom (dust your broom)
Ball the jack (ball the jack)
Howl at the moon (at the moon)
Ain't never been nothing quite like this
Everybody's talking about the Wilbury Twist
Everybody's trying to do the Wilbury Twist
 
Puerto Rico, U.S.A
England, Cameroon, Norway
Everybody's trying to do the Wilbury Twist
 
Turn your lights down low (your lights down low)
Put your blindfold on (your blindfold on)
You'll never know (you'll never know)
When your friends have gone (when your friends have gone)
It could be years before you're missed
Everybody's trying to do the Wilbury Twist
 
It's a different dance (different dance)
For you all to do (for you all to do)
Spin your body (very versatile)
Like a screw (spin your body like a screw)
 
Better not forget it on your shopping list
You can stop and buy one
It's the Wilbury Twist
 
Ain't never been nothing quite like this
Better come and get it, it's the Wilbury twist
I guess by now you've got the gist
Everybody's crazy about the Wilbury twist
Oh!

ODE TO MY FAMILY

THE CRANBERRIES
SONGWRITERS: NOEL ANTHONY HOGAN & DOLORES MARY O’RIORDAN
COUNTRY: IRELAND
ALBUM: EVERYBODY ELSE IS DOING IT, SO WHY
LABEL: ISLAND RECORDS
GENRE: ROCK
YEAR: 1994
 
          The Cranberries were an Irish rock band formed in Limerick, Ireland. Originally named the Cranberry Saw Us, the band were formed in 1989 by lead singer Niall Quinn, guitarist Noel Hogan, bassist Mike Hogan, and drummer Fergal Lawler. Quinn was replaced as lead singer by Dolores O'Riordan in 1990, and they changed their name to the Cranberries. The band classified themselves as an alternative rock group, but incorporated aspects of indie rock, jangle pop, folk rock, post-punk, and pop rock into their sound.
       The Cranberries rose to international fame in the 1990s with their debut album, Everybody Else Is Doing It, So Why Can't We?, which became a commercial success. Some of the band's hit singles include "Dreams"(1992), "Linger"(1993), "Zombie" (1994), and "Salvation" (1996). Five of the band's albums reached the Top 20 on the Billboard 200 chart, and eight of their singles reached the Top 20 on the Modern Rock Tracks chart.
    In early 2009, after a six-year hiatus, the Cranberries reunited and began a North American tour followed by shows in Latin America and Europe. The band's sixth studio album, Roses, was released in February 2012, and its seventh, Something Else, followed in April 2017. On 15 January 2018, O'Riordan was found dead of drowning in a London hotel room. The Cranberries confirmed in September 2018 that they would not continue as a band; their final album, In the End, was released in April 2019 and they disbanded afterward.
          The Cranberries rank as one of the best-selling alternative acts of the 1990s, having sold nearly 50 million albums worldwide as of 2019. They have received an MTV Europe Music Award, a World Music Award, an International Group nomination at the Brit Awards, a Juno nomination, a Juno Award win, an Ivor Novello Award for International Achievement, and a BMI Award with a Special Citation of Achievement. In the End earned them a Grammy nomination for Best Rock Album. With the video for their song "Zombie", the Cranberries became the first Irish band to reach one billion views on YouTube.
          "Ode to My Family" is a song recorded by the Irish band the Cranberries. It was released on 21 November 1994 as the second single from their second studio album No Need to Argue. The song was a hit in Oceania and several European countries, peaking at number one in Iceland, and number four in France, and number five in Australia. In 2017, the song was released as an acoustic, stripped down version on the band's Something Else album. 

Doo doo doo do, doo doo doo do
Doo doo doo do, doo doo doo do
Doo doo doo do, doo doo doo do
Doo doo doo do, doo doo doo do
 
Understand the things I say
Don't turn away from me
'Cause I've spent half my life out there
You wouldn't disagree
 
Do you see me, do you see?
Do you like me
Do you like me standing there?
Do you notice, do you know
Do you see me, do you see me?
Does anyone care?
 
Unhappiness where's when I was young
And we didn't give a damn
'Cause we were raised
To see life as fun and take it if we can
My mother, my mother
She'd hold me
She'd hold me when I was out there
My father, my father
He liked me, well he liked me
Does anyone care?
 
Understand what I've become
It wasn't my design
And people everywhere think
Something better than I am
 
But I miss you, I miss
'Cause I liked it
'Cause I liked it
When I was out there
Do you know this, do you know
You did not find me
You did not find
Does anyone care?
 
Unhappiness where's when I was young
And we didn't give a damn
'Cause we were raised
To see life as fun and take it if we can
My mother, my mother
She'd hold me
She'd hold me when I was out there
My father, my father
He liked me, well he liked me
Does anyone care?
 
Does anyone care?
Does anyone care?
Does anyone care?
Does anyone care?
Does anyone care?
Does anyone care?
Does anyone care?
 
Doo doo doo do, doo doo doo do
Doo doo doo do, doo doo doo do
Doo doo doo do, doo doo doo do
Doo doo doo do, doo doo doo do
Doo doo doo do, doo doo doo do
Doo doo doo do, doo doo doo do.

THE PIANO HAS BEEN DRINKING

TOM WAITS
SONGWRITER: TOM WAITS
COUNTRY: U. S. A.
ALBUM: SMALL CHANGE
LABEL: ADYLUM RECORDS
GENRE: ROCK
YEAR: 1976
 
             Thomas Alan Waits(born December 7, 1949) is an American musician, composer, songwriter and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during the 1970s, but his music since the 1980s has reflected greater influence from blues, rock, vaudeville, and experimental genres.
         Waits was born and raised in a middle-class family in Pomona, California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk music circuit as a teenager. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented Closing Time(1973) and The Heart of Saturday Night(1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He repeatedly toured the United States, Europe, and Japan, and attracted greater critical recognition and commercial success with Small Change (1976), Blue Valentine(1978), and Heartattack and Vine(1980). He produced the soundtrack for Francis Ford Coppola's film One from the Heart(1981), and subsequently made cameo appearances in several Coppola films.
             In 1980, Waits married Kathleen Brennan, split from his manager and record label, and moved to New York City. With Brennan's encouragement and frequent collaboration, he pursued a more experimental and eclectic musical aesthetic influenced by the work of Harry Partch and Captain Beefheart. This was reflected in a series of albums released by Island Records, including Swordfishtrombones(1983), Rain Dogs(1985), and Franks Wild Years(1987). He continued appearing in films, notably starring in Jim Jarmusch's Down by Law(1986), and also made theatrical appearances. With theatre diretor Robert Wilson, he produced the musicals The Black Rider(1990) and Alice (1992), first performed in Hamburg. Having returned to California in the 1990s, his albums Bone Machine(1992), The Black Rider(1993), and Mule Variations(1999) earned him increasing critical acclaim and multiple Grammy Awards. In the late 1990s, he switched to the record label ANTI-, which released Blood Money(2002), Alice(2002), Real Gone(2004), and Bad as Me(2011).
      Despite a lack of mainstream commercial success, Waits has influenced many musicians and gained an international cult following, and several biographies have been written about him. In 2015, he was ranked at Nº 55 on Rolling Stone's "100 Greatest Songwriters of All Time". He was inducted into the Rock and Roll Hall of Fame in 2011.
          Small Change is the fourth studio album by singer and songwriter Tom Waits, released on September 21, 1976 on Asylum Records. It was recorded in July at the Wally Heider Recording Studio, in Hollywood. It was successful commercially and outsold his previous albums. This resulted in Waits putting together a touring band - The Nocturnal Emissions, which consisted of Frank Vicari on tenor saxophone, FitzGerald Jenkins on bass guitar and Chip White on drums and vibraphone. The Nocturnal Emissions toured Europe and the United States extensively from October 1976 till May 1977.
The piano has been drinking, my necktie is asleep
And the combo went back to new york, the jukebox has to take a leak
And the carpet needs a haircut, and the spotlight looks like a prison break
And the telephone's out of cigarettes, and the balcony is on the make
And the piano has been drinking, the piano has been drinking
 
And the menus are all freezing, and the light man's blind in one eye
And he can't see out of the other
And the piano-tuner's got a hearing aid, and he showed up with his mother
And the piano has been drinking, the piano has been drinking
As the bouncer is a sumo wrestler cream-puff Casper milktoast
And the owner is a mental midget with the i.q. of a fence post
Cause the piano has been drinking, the piano has been drinking
 
And you can't find your waitress with a Geiger conter
And she hates you and your friends and you just can't get served without her
And the box-office is drooling, and the bar stools are on fire
And the newspapers were fooling, and the ash-trays have retired
Cause the piano has been drinking, the piano has been drinking
The piano has been drinking, not me, not me, not me, not me, not me.

LITTLE SAINT NICK

THE BEACH BOYS
SONGWRITERS: BRIAN WILSON & MIKE LOVE
COUNTRY: U. S. A.
ALBUM: LITTLE SAINT NICK
LABEL: CAPITOL RECORDS
GENRE: CHRISTMAS
YEAR: 1963
 
           The Beach Boys are an American rock band that formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian, Dennis, and Carl Wilson, their cousin Mike Love, and friend Al Jardine. Distinguished by their vocal harmonies, adolescent-oriented themes, and musical ingenuity, they became one of the most influential acts of the rock era. They drew on the music of older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound, and under Brian's direction, often incorporated classical or jazz elements and unconventional recording techniques in innovative ways.
           One of the first self-contained rock groups, the Beach Boys began as a garage band, managed by the Wilsons' father Murry, and with Brian as composer, arranger, producer, and de facto leader. In 1963, they had their first national hit with "Surfin' U.S.A.", beginning a string of top-ten singles that reflected a southern California youth culture of surfing, cars, and romance, dubbed the "California sound". They were one of the few American rock bands to sustain their commercial standing during the British Invasion. Starting with 1965's The Beach Boys Today!, they abandoned beachgoing themes for more personal lyrics and ambitious orchestrations. In 1966, the Pet Sounds album and "Good Vibrations" single raised the group's prestige as rock innovators. After scrapping the Smile album in 1967, Brian gradually ceded control of the group to his bandmates.
       In the late 1960s, the group's commercial momentum faltered in the US, and despite efforts to maintain na experimental sound, they were widely dismissed by the early rock music press. Carl took over as the band's musical leader; records from this period later enjoyed a cult following among fans. In the mid-1970s, as their concerts drew larger audiences, the band transitioned into na oldies act. Dennis drowned in 1983 and Brian soon became estranged from the group. Following Carl's death from lung cancer in 1998, the band granted Love legal rights to tour under the group's name. In the early 2010s, the original members briefly reunited for the band's 50th anniversary. As of 2021, Wilson and Jardine do not perform with Love's edition of the Beach Boys, but remain official members of the band.
              The Beach Boys are one of the most critically acclaimed and commercially successful bands of all time, selling over 100 million records worldwide. They helped legitimize popular music as a recognized art form and influenced the development of music genres and movements such as psychedelia, power pop, progressive rock, punk, alternative, and lo-fi. Between the 1960s and 2010s, the group had 36 songs reach the US Top 40(the most by an American band), with four topping the Billboard Hot 100. In 2004, they were ranked number 12 on Rolling Stone's list of the greatest artists of all time. The founding members were inducted into the Rock and Roll Hall of Fame in 1988.
           "Little Saint Nick" is a song by American rock band the Beach Boys first released as a single on December 9, 1963. Written by Brian Wilson and Mike Love, the Christmas song applies hot-rod themes to Santa Claus and his sleigh.
         The single peaked at number 3 on Billboard magazine's special seasonal weekly Christmas Singles chart. Its B-side was an a cappella version of "The Lord's Prayer". In November 1964, an alternate mix of "Little Saint Nick" appeared as the opening track on The Beach Boys' Christmas Album.
Oo oo oo
Merry Christmas Saint Nick
Christmas comes this time each year
Oo-oo
 
Well a way up north where the air gets cold
There's a tale about Christmas that you've all been told
There's a real famous cat all dressed up in red
And he spends the whole year working out on his sled
 
It's the little Saint Nick (little Saint Nick)
It's the little Saint Nick (little Saint Nick)
 
Just a little bob sleighed we call it old Saint Nick
But she'll walk a toboggan with a four speed stick
She's candy apple red with a ski for a wheel
And when Santa hits the gas man just watch her peel
 
It's the little Saint Nick (little Saint Nick)
It's the little Saint Nick (little Saint Nick)
Run run reindeer
Run run reindeer (oh-oh-oh-oh)
Run run reindeer
Run run reindeer
He don't miss no-one
 
And haulin' through the snow at a frightenin' speed
With a half a dozen deer with the a-rudy to lead
He's gotta wear his goggles 'cause the snow really flies
And he's cruisin' every pad with a little surprise
 
It's the little Saint Nick (little Saint Nick)
It's the little Saint Nick (little Saint Nick)
Oo oo oo
Merry Christmas Saint Nick
Christmas comes this time each year, oo
Merry Christmas Saint Nick
Christmas comes this time each year, oo.