PLUS JE PENSE À TOI

PATRICK FIORI
COMPOSITEURES: FIORI PATRICK &
 BERNARD JEAN DOMENICO
PAYS:FRANCE
ÁLBUM: CHRYSALIDE
RECORD: EPIC RECORDS
GENRE: CLASSICAL
ANNÉE: 2000
 
    Patrick Chouchayan, dit Patrick Fiori, né le 23 septembre 1969 à Marseille, est un auteur-compositeur-interprète français.
      En 1993, à l'âge de 23 ans, Patrick Fiori représente la France au Concours Eurovision de la chanson avec la chanson Mama Corsica écrite par François Valéry. Il se classe quatrième sur les vingt-cinq pays participants.
  En 1998, son rôle de Phœbus dans la comédie musicale Notre-Dame de Paris de Luc Plamondon et Richard Cocciante le révèle au grand public. La chanson Belle qu'il interprète avec Garou et Daniel Lavoie se vend à 2,5 millions d'exemplaires et devient la chanson de l'année aux Victoires de la musique 1999.
     Depuis 1994, il a sorti onze albums studio, (disques de platine), contenant de nombreux duos notamment avec Jean-Jacques Goldman, Johnny Hallyday et Florent Pagny. Depuis 2002, Jean-Jacques Goldman est l'un de ses collaborateurs, Patrick Fiori devient ainsi le deuxième artiste après Céline Dion à interpréter ses chansons.
    Il est membre de la troupe des Enfoirés depuis 1999. Depuis 2015, il est coach dans l'émission The Voice Kids.
    Issu d'une famille de cinq enfants de père arménien, Jacques Chouchayan, et de mère corse, Marie Antoinette Fiori, Patrick Fiori passe une partie de son enfance à Marseille et l’autre à Ajaccio. La famille de son père est victime du génocide arménien et se réfugie en France. Son amour pour le chant est né à l'âge de 5 ans. Il fait ses premiers pas dans la musique à 12 ans (1981) grâce à Franck Fernandel qui lui présente René Baldaccini, le producteur de la comédie musicale La Légende des santonniers. Ce dernier lui offre le rôle du fils du rémouleur sur la scène de l'Opéra de Marseille. À 14 ans, Patrick Chouchayan devient Patrick Fiori. «A l’école personne ne savait prononcer mon nom de famille: Chouchayan. Alors à 14 ans j’ai demandé à mon père si ça le dérangeait que je prenne le nom de jeune fille de ma mère. Ça veut dire Fleur en corse. Patrick Fleur». En 1985, à 16 ans, il enregistre avec l’aide de sa famille un premier titre Stéphanie, suivi de Dans ton regard et Le Cœur à fleur d’amour.
Pour les jours silencieux, où j'écoute tomber la pluie,
Et les matins frileux qui me font regretter nos nuits.
Pour toutes ces différences qui créent l'indifférence, depuis,
Pour les heures passées à regarder tourner l'ennui.
Et les trésors cachés qu'on enterre à jamais sans vie,
Pour tous les souvenirs qui 's'ennuient à mourir, et puis,
Plus je pense à toi et plus encore je m'aperçois
Que le temps qui passe ne me guérira pas.
Rien ne te remplace, je manque de toi, je meurs de toi,
Et je m'aperçois que tu manques à l'espace.
 
Pour cacher mes erreurs que je commets par coeur, et si,
Au profit du bonheur, j'échangeais la douleur sans bruit.
Pour ces sommeils qui dansent, comme des récompenses enfuies,
Quand le bleu des nuances devient gris de souffrance, aussi.
 
Pour les soleils violets que tu dissimulais meurtrie,
Et les rires empruntés qui te raccrochaient à la vie.
Plus je pense à toi et plus encore je m'aperçois
Que le temps qui passe ne me guérira pas.
 
Rien ne te remplace, je manque de toi, je meurs de toi,
Et je m'aperçois que tu manques à l'espace.
Laisse-moi respirer, juste une heure encore,
Cette fleur fanée, puisque la mort ennemie a pris l'amour d'une vie.
 
Plus je pense à toi et plus encore je m'aperçois
Que le temps qui passe ne me guérira pas.
Rien ne te remplace, je manque de toi, je meurs de toi,
Et je m'aperçois, que tu manques à l'espace.
 
Laisse-moi respirer, puisque la mort a pris tout l'amour d'une vie,
Cette fleur fanée, même si la mort ennemie a pris l'amour d'une vie.
Pour les jours silencieux, où j'écoute tomber la pluie,
Et les matins de dieu je te regrette chaque nuit.

ANY DAY NOW

RONNIE MILSAP
SONGWRITHER: BOB HILLIARD & BURT BACHARACH
COUNTRY: U. S. A.
ALBUM: INSIDE RONNIE MILSAP
LABEL: RCA RECORDS
GENRE: COUNTRY
YEAR: 1982
 
   Ronnie Lee Milsap(born Ronald Lee Millsaps; January 16, 1943) is an American country music singer and pianist.
     He was one of country music's most popular and influential performers of the 1970s and 1980s. Nearly completely blind from birth, he became one of the most successful and versatile country "crossover" singers of his time, appealing to both country and pop music markets with hit songs that incorporated pop, R&B, and rock and roll elements. His biggest crossover hits include "It Was Almost Like a Song", "Smoky Mountain Rain", "(There's) No Gettin' Over Me", "I Wouldn't Have Missed It for the World", "Any Day Now", and "Stranger in My House". He is credited with six Grammy Awards and 35 number-one country hits, third to George Strait and Conway Twitty. He was selected for induction into the Country Music Hall of Fame in 2014.
      Inside is the fourteenth studio album by American country music artist Ronnie Milsap, released in 1982 by RCA Records. It contains the hits "Any Day Now", "Inside", and "He Got You".
Any day now
I will hear you say "Goodbye, my love"
And you'll be on your way
Then my wild beautiful bird, you will have flown, oh
Any day now
I'll be all alone, whoa
 
Any day now
When your restless eyes meet someone new
Oh, to my sad surprise
Then the blue shadows will fall all over town, oh
Any day now (any day now)
Love will let me down (any day now), whoa
 
I know I shouldn't want to keep you
If you don't want to stay-ay
Until you gone forever
I'll keep holding on for dear life
Holding you this way
Begging you to stay
 
Any day now
When the clock strikes, "Go"
You'll call it off
And then my tears will flow
Then my wild beautiful bird, you will have flown, oh
Any day now (any day now)
Love will let me down (any day now)
'Cause you won't be around
 
Ohh, then the blue shadows will fall all over town, oh
Any day now (any day now)
Love will let me down (any day now)
'Cause you won't be around
 
Any day now
You won't be around, ooh
(Any day now)
No, no, no, no, no, no
You won't be around
(Any day now).

THE DAY THE BLUES CAME TO CALL

TERESA JAMES & THE RHYTHM TRAMPS
SONGWRITERS: TERESA JAMES & THE RHYTHM TRAMPS
COUNTRY: U. S. A.
ALBUM: HERE IN BABYLON
LABEL: JESI-LU RECORDS
GENRE: BLUES
YEAR: 2018
 
            TERESA JAMES & THE RHYTHM TRAMPS
          We have been wanting to capture our live show for a long time and it's exciting to finally have recordings that really reflect what we sound like live. These tracks were recorded at 4 different shows at Bogie's in Westlake Village (thank you, Ken) and because of everybody's tour schedules, we have 4 different versions of the Rhythm Tramps - all players that have brought a lot to this band over the years.  I am so incredibly lucky to be able to make music with every one of these guys and to be able to have all of these players together on this record is just amazing!
You know there are certain songs that remind you
Of people we have known
That take you back to places - you and I both have gone
 
And there are voices when you hear them
That make you laugh, make you cry
Memories that linger come and go by n by
 
Through the good times and bad – they touch us one and all
When the blues come knockin’ - when the blues come to call
 
Tied to the Whipping Post’ it was - the first time I heard him sing
That voice that reached me deep down
Man, he could sing anything
 
I didn't know yet who I was hearing
Didn't know the brothers or the band
Just knew that what they were bringing
The heart and the soul I understand
And now I hear that he joined his brother…
Yeah he gave the world his all
The day the blues came knocking
The day the blues came to call
 
Yeah, I just knew that what he was bringing
The heart and soul I understand
 
Maybe he heard Duane say – Brother, today is your day
And that voice that reached deep down
Went on to higher ground
The day the blues came to one and all
The day the blues came to call

The Dream

BLUES COUSINS
SONGWRITER: BLUES COUSINS
COUNTRY: RUSSIA
ALBUM: BLUES COUSINS
LABEL: RED GREY MATTER
GENRE: BLUES
YEAR: 2020
 
           'Enjoy Your Day'' Buy Album https://t.ly/5XNNP by Blues Cousins. About, The Blues Cousins are said to be the "Best Blues Band in Moscow, Russia." Interesting! Obviously then, there must be several other blues bands in the city. This could virtually make Moscow a city with a better blues community than many in America. I for one am happy to see the REDS turning to the Blues. The band, which has been together for 15 years, consists of LEVAN LOMIDZE on guitar and lead vocals, SLAVA IGNATOV on drums and background vocals, and SERGEY PATRUSHIEV on bass. "ALIVE IN THE U. S. A." was recorded live at the Sunbanks Blues Festival, in Grand Coulee, WA, during the bands second trip to America. As is the case with many foreign blues bands, playing and being recorded in the country where the blues was born was a dream come true for the BLUES COUSINS. Although "ALIVE IN THE U. S. A." consists mostly of the 'usual' blues covers, there is nothing 'usual' at all about this band. These three young men have this interpretation thing under control. Their musical talents are masterful, and their stage presence and crowd handling are of veteran caliber. On top of that, I don't know what kind of dues they've paid, but they got the blues down pat. The CD opens with a nicely done version of "MESSIN' WITH THE KID". Right off the bat the cousins start kickin' some blues ass and never let up. The high energy, tight groove that they started off in already had me impressed. This relentless version of this track would probably have impressed Junior and Buddy as well. The next track, "NO MORE DOGGING", had me wondering just how long these guys could keep the frantic pace on this 75 minute performance. Here it was, only halfway through the second track, and their high energy level had me getting exhausted. This was one serious effort by all three players. "TALK TO ME" slowed it down to a pace where this dynamic rhythm section had a chance to take a short breather - real short. This one was all about the guitar and LEVAN handled it as well as any I've heard. This is one of the best tracks on the disc. The next track, "SWEET HOME SIBERIA"
         ...excuse me, I mean "SWEET HOME CHICAGO", was performed - in my opinion - as well as any blues band has ever performed it. They had the crowd 'hootin', howlin' and singin' along as if they were a veteran Chicago Blues Band performing to a hometown crowd at Legends. Midway through this live recording, THE BLUES COUSINS literally had the crowd in their hands. Now it was time to rock the joint and that's just what they did with a blistering version of "JOHNNY B. GOODE". "MY BABY IS COMING HOME", a slow soft ballad, featured LEVAN at his peak. Once again, this was blues guitar at some of it's finest. He was also quite impressive with his vocals. Although there is no question that this band is geared for the louder, faster, harder and higher energy style of blues, I found myself impressed at their ability to equally play a slower, sensitive style of play as well There is no question in my mind as to why THE BLUES COUSINS are the best blues band in Moscow. Hopefully, on their next visit to the States, Florida will be one of their stops. You can visit the Blues Cousins on the Web at: www.blues-cousins.ru/ Lyrics: The Dream
Last night I had a dream
My baby alrigth with me
Last night I had a dream
My baby alrigth with me, yeah
 
All alone since you left me
Ain't no man I used to be
Many days, many nights
I see the same dream, baby
 
Many days, many nights
I see the same dream
Alone since she left me
Ain't no man I used to be
 
Why don't you leave me baby?
Why don't you leave my dream alone?
Why don't you leave me baby?
Why don't you leave my dream alone?
 
Alone, please let me now
Why don't she stay?
Why don't she go