BORN TO LOSE

RAY CHARLES
SONGWRITERS: MICHAEL SCHENKER; PETE WAY & PHIL MOGG
COUNTRY: U. S. A.
ALBUM: RAY CHARLES MODERN SOUNDS IN COUNTRY AND WESTERN MUSIC
LABEL: UNIVERSE REMASTERING
GENRE: SOUL
YEAR: 1962
 
       Ray Charles Robinson Sr. (September 23, 1930 – June 10, 2004) was an American singer, songwriter and pianist. He is regarded as one of the most iconic and influential singers in history, and was often referred to by contemporaries as "The Genius". Among friends and fellow musicians he preferred being called "Brother Ray". Charles was blinded during childhood, possibly due to glaucoma.
         Charles pioneered the soul music genre during the 1950s by combining blues, jazz, rhythm and blues, and gospel styles into the music he recorded for Atlantic Records. He contributed to the integration of country music, rhythm and blues, and pop music during the 1960s with his crossover success on ABC Records, notably with his two Modern Sounds albums. While he was with ABC, Charles became one of the first black musicians to be granted artistic control by a mainstream record company.
       Charles's 1960 hit "Georgia On My Mind" was the first of his three career Nº 1 hits on the Billboard Hot 100. His 1962 album Modern Sounds In Country And Western Music became his first album to top the Billboard 200. Charles had multiple singles reach the Top 40 on various Billboard charts: 44 on the US R&B singles chart, 11 on the Hot 100 singles chart, 2 on the Hot Country singles charts.
     Charles cited Nat King Cole as a primary influence, but his music was also influenced by Louis Jordan and Charles Brown. He had a lifelong friendship and occasional partnership with Quincy Jones. Frank Sinatra called Ray Charles "the only true genius in show business," although Charles downplayed this notion. Billy Joel said, "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley".
         For his musical contributions, Charles received the Kennedy Center Honors, the National Medal of Arts, and the Polar Music Prize. He was one of the inaugural inductees at the Rock and Roll Hall of Fame in 1986. He has won 18 Grammy Awards (5 posthumously), the Grammy Lifetime Achievement Award in 1987, and 10 of his recordings have been inducted into the Grammy Hall of Fame. Rolling Stone ranked Charles Nº 10 on their list of the 100 Greatest Artists of All Time, and Nº 2 on their list of the 100 Greatest Singers of All Time. In 2022, he was inducted into the Country Music Hall of Fame, as well as the Black Music & Entertainment Walk of Fame
          Modern Sounds in Country and Western Music is a studio album by American singer and pianist Ray Charles. It was recorded in February 1962 at Capitol Studios in New York City and United Western Recorders in Hollywood, and released in April of that year by ABC-Paramount Records.
          The album departed further stylistically from the rhythm and blues music Charles had recorded for Atlantic Records in the 1950s. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz. Charles produced the album with Sid Feller, who helped the singer select songs to record, and performed alongside saxophonist Hank Crawford, a string section conducted by Marty Paich, and a big band arranged by Gil Fuller and Gerald Wilson.
         Modern Sounds in Country and Western Music was an immediate critical and commercial success. The album and its four hit singles brought Charles greater mainstream notice and recognition in the pop market, as well as airplay on both R&B and country radio stations. The album and its lead single, "I Can't Stop Loving You", were both certified gold by the Recording Industry Association of America in 1962, as each record had sold at least 500,000 copies in the United States.
      The album's integration of soul and country challenged racial barriers in popular music at the height of the Civil Rights Movement. In the process of recording the album, Charles became one of the first African-American musicians to exercise complete artistic control over his own recording career. In retrospect, it has been considered by critics as his best studio record and a landmark recording in American music. According to Robert Christgau, the album "transfigured pop, prefigured soul, and defined modern country & western music." It has been called one of the greatest albums of all time by publications such as Rolling Stone and Time.
Born to lose, I've lived my life in vain
Every dream has only brought me pain
All my life I've always been so blue
Born to lose and now I'm losing you
 
Born to lose, it seems so hard to bear
When I wake, and find that you're not there
You've grown tired and now you say we're through
Born to lose and now I'm losing you
 
All my life I've always been so blue
Born to lose and now I'm losing you
Born to lose and now I'm losing you.

CORAZÓN DE MELÓN

TRINI LÓPEZ
SONGWRITER: TRINI LÓPEZ
COUNTRY: U. S. A.
ALBUM: MORE TRINI LÓPEZ AT PJ’S(LIVE)
LABEL: REPRISE RECORDS
GENRE: ROCK
YEAR: 1963

 

       Trinidad López III(May 15, 1937– August 11, 2020) was an American singer, guitarist, and actor. His first album included a cover version of Pete Seeger's "If I Had a Hammer", which earned a Golden Disc for him. His other hits included "Lemon Tree", "I'm Comin' Home, Cindy" and "Sally Was a Good Old Girl". He designed two guitars for the Gibson Guitar Corporation, which are now collectors’ items. A documentary on his life and career, "My Name is Lopez" was released in April 2022.
        Lopez was born in Dallas, Texas, on May 15, 1937. His father, Trinidad Lopez II, worked as a singer, dancer, actor, and musician in Mexico; his mother was Petra Gonzalez. They married in their hometown of Moroleón, Guanajuato, prior to moving to Dallas. Lopez had four sisters (two are deceased) and a brother, Jesse, who is also a singer. He grew up on Ashland Street in the Little Mexico neighborhood of Dallas and attended grammar school and N. R. Crozier Tech High School. He dropped out of high school in his senior year in order to earn money to help support the family.
Corazón de melón
De melo de melón melón
Melón, melón, melón, melón
Corazón
 
Corazón de melón
De melo de melón melón
Melón, melón, melón, melón
Corazón
 
You're heart is a watermelon heart
Just a watermelon heart
You're so sweet, it drills me
You're so cold, it chills me
 
Corazón de melón
De melo de melón melón
Melón, melón, melón, melón
Corazón
 
Corazón de melón
De melo de melón melón
Melón, melón, melón, melón
Corazón
 
You're heart is a watermelon heart
Just a watermelon heart
You're so sweet, it drills me
You're so cold, it chills me
 
Corazón de melón
De melo de melón melón
Melón, melón, melón, melón
Corazón
 
Corazón de melón
De melo de melón melón
Melón, melón, melón, melón
Corazón.

NÃO OLHE PRA TRÁS

CAPITAL INICIAL FEAT LENINE
COMPOSITORES: ARNALDO LIMA & FERNANDO OURO PRETO
PAÍS: BRASIL
ÁLBUM: GIGANTE!
GRAVADORA: SONY MUSIC ENTERTAINMENT
GÊNERO: ROCK
ANO: 2004
 
      Capital Inicial é uma banda de rock brasileira formada em 1982 na cidade de Brasília, por Dinho Ouro Preto (vocal), Fê Lemos(bateria), Flávio Lemos(baixo) e Yves Passarell(guitarra), além de Robledo Silva (teclados) e Fabiano Carelli (guitarra), músicos de apoio.
      Gigante! é o nono álbum de estúdio da banda de pop rock brasileira, Capital Inicial. Foi produzido por Marcelo Sussekind e lançado em 2004.
       O single promocional do disco, "Sem Cansar", é uma versão para "C'est Comme Ça", da banda de rock francesa Les Rita Mitsouko.
Nem tudo é como você quer
Nem tudo pode ser perfeito
Pode ser fácil se você
Ver o mundo de outro jeito
 
Se o que é errado ficou certo
As coisas são como elas são
Se a inteligência ficou cega
De tanta informação
 
Se não faz sentido
Discorde comigo
Não é nada demais
São águas passadas
Escolha outra estrada
E não olhe
Não olhe pra trás
 
Você quer encontrar a solução
Sem ter nenhum problema
Insistir e se preocupar demais
Cada escolha é um dilema
 
Como sempre estou
Mais do seu lado que você
Siga em frente em linha reta
E não procure o que perder
 
Se não faz sentido
Descorde comigo
Não é nada demais
São águas passadas
Escolha outra estrada
E não olhe
Não olhe pra trás
 
Como sempre estou
Mais do seu lado que você
Siga em frente em linha reta
E não procure o que perder
 
Se não faz sentido
Discorde comigo
Não é nada demais
São águas passadas
Escolha uma estrada
E não olhe
Não olhe pra trás
 
Se não faz sentido
Discorde comigo
Não é nada demais
São águas passadas
Escolha outra estrada
E não olhe
Não olhe pra trás.

IF I HAD A HAMMER

PETER YARROW, NOEL PAUL STOOKEY E MARY TRAVERS.
SONGWRITER: LEE HAYS & PETE SEEGER
COUNTRY: U. S. A.
ALBUM: THE MAGIC DRAGON
LABEL: WARNER RECORDS
GENRE: FOLK
YEAR: 1962
 
     Peter, Paul and Mary were an American folk group formed in New York City in 1961, during the American folk music revival phenomenon. The trio consisted of tenor Peter Yarrow, baritone Paul Stookey, and contralto Mary Travers. The group's repertoire included songs written by Yarrow and Stookey, early songs by Bob Dylan, and covers of other folk musicians. They were enormously successful in the early- and mid-1960s, with their debut album topping the charts for weeks, and helped popularize the folk music revival. After the death of Travers in 2009, Yarrow and Stookey continued to perform as a duo under their individual names.
     Mary Travers said she was influenced by Woody Guthrie, Pete Seeger, and the Weavers. In the documentary Peter, Paul & Mary: Carry It On — A Musical Legacy, members of the Weavers discuss how Peter, Paul and Mary took over the torch of the social commentary of folk music in the 1960s.
      The group was inducted into the Vocal Group Hall of Fame in 1999. Peter, Paul and Mary received the Sammy Cahn Lifetime Achievement Award from the Songwriters Hall of Fame in 2006.
       Peter, Paul and Mary is the debut studio album by American folk trio Peter, Paul and Mary, released in May 1962 on Warner Bros. Records. Released in both mono and stereo on catalog nº 1449, it is one of the rare folk albums to reach Nº1 in the US—staying for over a month. The lead-off singles "If I Had a Hammer" and "Lemon Tree" reached numbers 10 and 35 respectively on the Billboard Pop Singles chart.
      The album was reissued as 180 Gram vinyl in 2016 under the Waxtime Label as #772125. The Waxtime issue has three Bonus tracks: which are side 1 #7 - "One Kind of Favor" (Live), side 2 track #7 - "The Times They Are A' Changin'" (Live) and track #8 - "If I Had My Way" (Live).
        At the Grammy Awards of 1963, their recording of "If I Had a Hammer" won the Best Folk Recording and Best Performance by a Vocal Group Grammies.
If I had a hammer
I'd hammer in the morning
I'd hammer in the evening
All over this land
I'd hammer out danger
I'd hammer out a warning
I'd hammer out love between
My brothers and my sisters
All over this land, uh
 
If I had a bell
I'd ring it in the morning
I'd ring it in the evening
All over this land
I'd ring out danger
I'd ring out a warning
I'd ring out love between
My brothers and my sisters
All over this land, oh
 
If I had a song
I'd sing it in the morning
I'd sing it in the evening
All over this land
I'd sing out danger
I'd song of out a warning
I'd sing out love between
My brothers and my sisters
All over this land, oh
 
Well, I've got a hammer
And I've got a bell
And I've got a song to sing
All over this land
It's the hammer of justice
It's the bell of freedom
It's a song about love between
My brothers and my sisters
All over this land
It's a hammer of justice
It's a bell of freedom
It's a song about love between my brothers and my sisters
All over this land.