THE LOCO-MOTION
LITTLE EVA
SONGWRITER: GERRY GOFFIN & CAROLE KING
COUNTRY: U.S.A.
ALBUM: LLLLLOCO-MOTION
LABEL: DIMENSION 1000
GENRE: POP
YEAR: 1962

"The Loco-Motion" is a 1962 pop song written by American songwriters Gerry Goffin and Carole King. "The Loco-Motion" was originally written for Dee Dee Sharp but Sharp turned the song down. The song is notable for appearing in the American Top 5 three times – each time in a different decade, performed by artists from three different cultures: originally African American pop singer Little Eva in 1962 (U.S. No.1); then American band Grand Funk Railroad in 1974 (U.S. No.1); and finally Australian singer Kylie Minogue in 1988 (U.S. No.3).
The song is a popular and enduring example of the dance-song genre: much of the lyrics are devoted to a description of the dance itself, usually done as a type of line dance. However, the song came before the dance.
"The Loco-Motion" was also the second song to reach No.1 by two different musical acts. The earlier song to do this was "Go Away Little Girl", also written by Goffin and King. It is one of only nine songs to achieve this feat.




Everybody's doin' a brand new dance, now
(Come on baby, do the Loco-motion)
I know you'll get to like it if you give it a chance now
(Come on baby, do the Loco-motion)

My little baby sister can do it with me
It's easier than learning your A-B-C's
So come on, come on, do the Loco-motion with me
You gotta swing your hips, now, come on, baby
Jump up, jump back, well, now, I think you've got the knack

Now that you can do it, let's make a chain, now
(Come on baby, do the Loco-motion)
A chug-a chug-a motion like a railroad train, now
(Come on baby, do the Loco-motion)

Do it nice and easy, now, don't lose control
A little bit of rhythm and a lot of soul
So come on, come on, do the Loco-motion with me

Move around the floor in a Loco-motion
(Come on baby, do the Loco-motion)
Do it holding hands if you get the notion
(Come on baby, do the Loco-motion)

There's never been a dance that's so easy to do
It even makes you happy when you're feeling blue

So come on, come on, do the Loco-motion with me
DON'T SPEAK
NO DOUBT
SONGWRITER: Gwen Stefani
COUNTRY: U.S.A.
ALBUM: TRAGIC KINGDOM
LABEL: INTERSCOPE RECORDS
GENRE: SKA
YEAR: 1995

Tragic Kingdom é o terceiro álbum de estúdio da banda No Doubt, lançado em 10 de Outubro de 1995. Foi um dos responsáveis pelo revival do Ska nos anos 1990 e é considerado um dos melhores álbuns da década. Em 2003 o álbum ficou em #441 na lista dos 500 Melhores Álbuns de Todos os Tempos da revista Rolling Stone, obtendo uma vendagem de 16.000.000 cópias pelo mundo.
Sucesso, o álbum destaca as faixas "Don't Speak","Just A Girl" e "Spiderwebs" entre outras.
Tragic Kingdom foi disco de diamante nos EUA e 16 vezes platina pelo mundo.
As músicas foram compostas por Gwen Stefani que se baseou no termino de seu relacionamento com Tony Kanal.
Tragic Kingdom foi o responsável pelo reconhecimento internacional da banda No Doubt.




You and me
We used to be together
Every day together always

I really feel
that I’m losing my best friend
I can’t believe
This could be the end

It looks as though you’re letting go
And if it’s real,
Well I don’t want to know

*CHORUS*
Don’t speak
I know just what you’re saying
So please stop explaining
Don’t tell me ’cause it hurts
Don’t speak
I know what you’re thinking
I don’t need your reasons
Don’t tell me ’cause it hurts

Our memories
They can be inviting
But some are altogether
Mighty frightening

As we die, both you and I
With my head in my hands
I sit and cry

*CHORUS*
It’s all ending
I gotta stop pretending who we are...

You and me
I can see us dying ... are we?

*CHORUS*
I know you’re good
I know you’re good
I know you’re real good oh
La da da da da da
La da da da da da
Don’t, don’t
Ohh Ohh

Hush me hush me darling
Hush me hush me darling

Hush me hush me, don’t tell me ’cause it hurts (2x)
ANOTHER DAY IN PARADISE
PHIL COLLINS
SONGWRITERS: PHIL COLLINS
COUNTRY: U.K.
ALBUM: BUT SERIOUSLY
LABEL: ATLANTIC RECORDS
GENRE: SOFT ROCK
YEAR: 1989

...But Seriously é o quarto álbum de estúdio do cantor Phil Collins, lançado em 1989. Em 1990, a canção "Another Day in Paradise" ganhou o Grammy na categoria Gravação do Ano.
Another Day in Paradise é uma canção escrita e originalmente gravada pelo músico britânico Phil Collins. Foi a primeira canção lançada como compacto simples de ...But Seriously (1989), o quarto álbum de estúdio de Collins.
Em "Another Day in Paradise", assim como no álbum do qual faz parte, Collins abandona substancialmente o estilo dance-pop das canções de No Jacket Required (1985), seu último álbum lançado até então.




She calls out to the man on the street
Sir, can you help me?
It's cold and I've nowhere to sleep
Is there somewhere you can tell me?

He walks on, doesn't look back
He pretends he can't hear her
Starts to whistle as he crosses the street
Seems embarrased to be there

Oh, think twice
Cuz it's another day for you and me in paradise
Oh, think twice
Cuz it's another day for you
You and me in paradise

Think about it

She calls out to the man on the street
He can see she's been crying
She's got blisters on the soles of her feet
She can't walk but she's trying

Oh, think twice
Cuz it's another day for you and me in paradise
Oh, think twice
Cuz it's another day for you
You and me in paradise

Oh, Lord, is there nothing more anybody can do?
Oh, Lord, there must be something you can say

You can tell from the lines on her face
You can see that she´s been there
Probably been moved on from every place
'Cause she didn't fit in there

Oh, think twice
Cuz it's another day for you and me in paradise
Oh, think twice
Cuz it's another day for you
You and me in paradise

It's just another day
For you and me in paradise
EVERY LITTLE THING SHE DOES IS MAGIC
THE POLICE
SONGWRITER: STING
COUNTRY: U.K.
ALBUM: GHOST IN THE MACHINE
LABEL: A & M RECORDS
GENRE: ROCK AND ROLL
YEAR: 1981

Ghost in the Machine é o quarto álbum de estúdio, lançado em 1981, da banda britânica The Police.
Nesse lançamento, a banda deixa de lado as influências do reggae para adotar um som mais voltado para o pop rock, com adição de metais em várias faixas do disco. Também são evidenciadas as primeiras tensões internas na banda durante as gravações.




Though I've tried before to tell her
Of the feelings I have for her in my heart
Every time that I come near her
I just lose my nerve
As I've done from the start

Every little thing she does is magic
Everything she does just turns me on
Even though my life before was tragic
Now I know my love for her goes on

Do I have to tell the story
Of a thousand rainy days since we first met
It's a big enough umbrella
But it's always me that ends up getting wet

Every little thing she does is magic
Everything she does just turns me on
Even though my life before was tragic
Now I know my love for her goes on

I resolve to call her up a thousand times a day
And ask her if she'll marry me in some old fashioned way
But my silent fears have gripped me
Long before I reach the phone
Long before my tongue has tripped me
Must I always be alone?
Every little thing she does is magic
Everything she does just turns me on
Even though my life before was tragic

Now I know my love for her goes on