WHEN THE HURT IS OVER
MIGHTY SAM MCCLAIN
SONGWRITER: MIGHTY SAM MCCLAIN
COUNTRY: U.S.A.
ALBUM: SLEDGEHAMMER SOUL & DOWN HOME BLUES
LABEL: AUDIO QUEST
GENRE: BLUES
YEAR: 1996

Samuel McClain (April 15, 1943 – June 15, 2015), billed as Mighty Sam McClain, was an American Grammy nominated soul blues singer and Songwriter.
He was born in Monroe, Louisiana. As a five-year-old, he began singing in his mother's Gospel Church. McClain left home when he was thirteen and followed local R&B guitarist, Little Melvin Underwood through the Chitlin' circuit, first as his valet and then as lead vocalist himself at 15.
While singing at the 506 Club in Pensacola, Florida he was introduced to the record producer and DJ, Papa Don Schroeder and in 1966, McClain recorded a cover version of Patsy Cline's "Sweet Dreams". Several recording sessions at Muscle Shoals produced the further singles, "Fannie-May" and "In the Same Old Way". For fifteen years, first in Nashville, Tennessee, then in New Orleans, McClain worked at menial jobs. McClain toured and recorded in Japan in 1989. The end product, Live in Japan, featured Wayne Bennett
By the early 1990s, McClain relocated to New England through his participation in the "Hubert Sumlin Blues Party" project. This led to Joe Harley and AudioQuest Music. The results were the successful releases, Give It Up To Love and Keep On Movin'. After his move to New Hampshire, then followed Sledgehammer Soul and Down Home Blues. In 1998 McClain had two releases, Journey and Joy & Pain on the CrossCut Records label. Soul Survivor: The Best of Mighty Sam McClain was his farewell to AudioQuest in 1999. McClain signed on with the Telarc Blues in 1999, taking his longtime producer Joe Harley with him, and recorded the Blues Music Award nominated Blues for the Soul (2000) and Sweet Dreams (2001).






Baby you hurt me
and i know that i've hurt you

We've both promised
to always be true

We'd let our love
get lost in the rain

Now we are waiting
Oh for love to live again
Holding on
To what was before
Oh lord i see
Why did we have to let it go
Now the only thing
That i know
The only thing
That i think i'd know
When the hurt is over
Lord, maybe love will flow

Trying to do
What we know we must
When you love somebody
You know you got to trust
I think about it
again and again
I say that i will baby
Oh but i don't know if i can
You say you're sorry
Oh i say i am too
then we turn round and round
then again we'd be untrue
that is why, that is why, the only thing
that i know
the only thing baby
that i know
when the hurt is over, baby
maybe love will flow

Guess by chance
We'd work things out
we both will know
what love is all about
don't move so quickly
Oh it don't move too fast
if you got a good love
Oh you ought to try to make it last
 i know i hurt you
lord you broke my heart
and now we are sad baby
because our love is apart
that is why i say to you, the only thing
that i know
the only thing baby, i think i know
Oh baby
When the hurt is over
Lord maybe love will flow

I said when the hurt is over, baby
And all the pain is gone

Maybe i will learn how to love again y'all
When the hurt is over, over

Lord when all the pain is gone
BABY DID A BAD, BAD THING
CHRIS ISAAK
SONGWRITER: CHRIS ISAAK
COUNTRY: U.S.A.
ALBUM: FOREVER BLUE
LABEL: REPRISE RECORDS
GENRE: ROCK
YEAR: 1995

Baby Did Bad, Bad Thing é uma canção de batida animada ao mesmo tempo com tons de erotismo do cantor Chris Isaak que fez parte da trilha sonora do filme de Stanley Kubrick, De Olhos Bem Fechados, (Eyes Wide Shut). O clip sensual é estrelado por Chris Isaak e a top model e atriz francesa Laetitia Casta.
Christopher Joseph Isaak, mais conhecido como Chris Isaak (Stockton, Califórnia, 26 de junho de 1956), é um cantor, compositor e ator norte-americano.
Ele é conhecido por seu estilo inspirado na música da década de 1950, bem como o seu crescente falsete e reverberação. Ele está intimamente associadO com o diretor de cinema David Lynch, que usou suas canções em vários filmes e deu-lhe um grande papel no filme Twin Peaks: Fire Walk with Me. Suas canções geralmente se focam nos temas de amor, perda e desgosto. Com uma carreira de quatro décadas, ele acumulou um total de doze álbuns de estúdio, e acumulou inúmeras indicações a prêmios e passeios. Ele tem sido chamado de Roy Orbison da década de 1990, e muitas vezes também é comparado a Elvis Presley, Ricky Nelson e Duane Eddy.





Baby did a bad bad thing baby did a bad bad thing.
Baby did a bad bad thing baby did a bad bad thing.

You ever love someone so much you thought your little heart was gonna break in two?
I didn't think so.
You ever tried with all your heart and soul to get you lover back to you?
I want to hope so.
You ever pray with all your heart and soul just to watch her walk away?

Baby did a bad bad thing baby did a bad bad thing.
Baby did a bad bad thing, feel like crying, feel like crying.

You ever toss and turn your lying awake and thinking about the one you love?
I don't think so.
You ever close your eyes your making believe your holding the one your dreaming of?
Well if you say so.
I hurts so bad when you finally know just how low, low, low, low, low, she'll go.

Baby did a bad bad thing, baby did a bad bad thing.
Baby did a bad bad thing, feel like crying, feel like crying.

Oh. Feel like crying, feel like crying.
Oh, feel like crying, feel like crying.


Baby did a bad bad thing, baby did a bad bad thing.
NEED HER SO BAD
AYNSLEY LISTER
SONGWRITER: AYNSLEY LISTER
INSTRUMENT: GUITAR
COUNTRY: U.K.
ALBUM: EVERYTHING I NEED
LABEL: RUF RECORDS
GENRE: BLUES
YEAR: 2006

Aynsley Lister (born 14 November 1976 in Leicester, England) is a British blues-rock guitarist/singer and songwriter.




Well did you ever quit a woman
Well then you realized that you need her so bad
Did you ever, quit a woman
Well then you realized that you need her so bad
Now she belongs to someone else
She's someone that you just can't have

Did you ever turn to cry
Well then you realized that it's just too late
Did you ever turn to cry
Then you realized that it's just too late
Because the girl that you had to yourself
She ain't coming back no way

Did you ever feel lonely
And you not know where to turn
Did you ever fell lonely
And you not know where to turn
Well then you realize that you're paying the price

Like you did to here
SULTANS OF SWING
DIRE STRAITS
SONGWRITERS: MARK KNOPFLER & JOHN ILLSLEY
COUNTRY: U.K.
ALBUM: DIRE STRAITS
LABEL: VERTIGO RECORDS
GENRE: SOFT ROCK
YEAR: 1978

Dire Straits é o álbum de estreia da extinta banda de rock inglesa Dire Straits, lançado em 1978. As suas principais músicas compostas por Mark knopfler e John Illsley de sucesso são "Down to the Waterline", "Water of Love" e "Sultans of Swing".
"Sultans of Swing" is a song by the British rock band Dire Straits from their eponymous debut album, which band frontman Mark Knopfler wrote and composed. Although it was first released in 1978, it was its 1979 re-release that caused it to become a hit in both the UK and U.S.

The song was first recorded as a demo at Pathway Studios, North London, in July 1977 and quickly acquired a following after it was put on rotation at Radio London. Its popularity soon reached record executives, and Dire Straits were offered a contract with Phonogram Records. The song was then re-recorded in February 1978 at Basing Street Studios for the band's debut album. The record company wanted a less-polished rock sound for the radio, so an alternative version was recorded at Pathway Studios in April 1978 and released as the single in some countries including the United Kingdom and Germany.





You get a shiver in the dark
It's raining in the park but meantime
South of the river you stop and you hold everything
A band is blowing Dixie double four time
You feel alright when you hear that music ring

You step inside but you don't see too many faces
Coming in out of the rain to hear the jazz go down
Competition in other places
But the horns be blowing that sound
Way on downsouth way on downsouth london town

You check out guitar george he knows all the chords
Mind he's strictly rhythm
He doesn't want to make it cry or sing
And an old guitar is all he can afford
When he gets up under lights to play his thing

And harry doesn't mind if he doesn't make the scene
He's got a daytime job he's doing alright
He can play honky tonk like anything
Saving it up for friday night
With the sultans... with the sultans of swing

And a crowd of young boys
They're fooling around in the corner
Drunk and dressed in their best brown baggies
And their platform soles
They don't give a damn about any trumpet playing band
It ain't what they call rock and roll
And the sultans... yea the sultans played creole ...creole

Then the man he steps right up to the microphone
And says at last just as the time bell rings
'goodnight, now it's time to go home'
And he makes it fast with one more thing

'we are the sultans... we are the sultans of swing'