COMPOSITORES: PEDRO AYRES MAGALHÃES & RODRIGO
LEÃO
PAÍS: PORTUGAL
ÁLBUM: AINDA
GRAVADORA: METRO BLUE
GÊNERO: FADO
ANO: 1995
Ainda é o quarto álbum de estúdio da banda Madredeus,
lançado em 1995.
Este disco serviu igualmente de banda sonora para o filme realizado pelo
realizador alemão Wim Wenders, intitulado de Lisbon Story
de 1994.
O realizador decidiu não só que os Madredeus escrevessem a música para o filme,
bem como participassem no elenco do filme.
As músicas deste álbum são de uma tranquilidade e beleza única; uma dela
narra a busca da essência da vida pelas ruas da capital portuguesa.
Agora,
que lembro
As
horas ao longo do tempo
Desejo
voltar, voltar a ti
Desejo
te encontrar
Esquecida
Em
cada dia que passa
Nunca
mais revi a graça
Dos
teus olhos que amei
Má
sorte
Foi
amor que não retive
E
se calhar distraí-me
Qualquer
coisa que encontrei.
MOONLIGHT SHADOW
MIKE OLDFIELD FT. MAGGIE REILLY
SONGWRITER:
MIKE OLDFIELD
COUNTRY: U.K.
ALBUM: CRISES
LABEL: VIRGIN
RECORDS
GENRE: NEW
AGE
YEAR: 1983
Michael Gordon Oldfield (Reading, Berkshire, 15 de Maio de
1953), é um músico e compositor inglês, cuja música abrange um vasto leque de
influências desde rock progressivo, folk, música étnica, clássica e electrónica,
new age e dance. A sua música caracteriza-se pela sua complexidade na
composição. Um dos seus trabalhos mais conhecidos é o álbum Tubular Bells, de 1973.
The last that ever she saw him
Carried away by a moonlight shadow
He passed on worried and warning
Carried away by a moonlight shadow
Lost in a riddle that Saturday night
Far away on the other side
He was caught in the middle of a desperate fight
And she couldn't find how to push through
The trees that whisper in the evening
Carried away by a moonlight shadow
Sing a song of sorrow and grieving
Carried away by a moonlight shadow
All she saw was a silhouette of a gun
Far away on the other side
He was shot six times by a man on the run
And she couldn't find how to push through
I stay, I pray
I see you in heaven far away
I stay, I pray
I see you in heaven one day
Four am in the morning
Carried away by a moonlight shadow
I watched your vision forming
Carried away by a moonlight shadow
Stars move slowly in a silvery night
Far away on the other side
Will you come to talk to me this night
But she couldn't find how to push through
I stay, I pray
I see you in heaven far away
I stay, I pray
I see you in heaven one day
Far away on the other side
Caught in the middle of a hundred and five
The night was heavy and the air was alive
But she couldn't find how to push through
Carried away by a moonlight shadow
Carried away by a moonlight shadow
Far away on the other side.
CALLING
TO YOU
ROBERT
PLANT
SONGWRITER:
ROBERT PLANT
COUNTRY: U.K.
WHERE: LIVE IN BBC 1993
ALBUM:
FATE OF NATIONS
LABEL:
MERCURY RECORDS
GENRE:
ROCK AND ROLL
YEAR:
1993
Fate of Nations is Led
Zeppelin singer Robert Plant's sixth solo album. It was released in 1993 and
re-released in a remastered edition on 20 March 2007. It features former
Cutting Crew guitarist Kevin Scott MacMichael. The lead singer of Clannad, Máire
Brennan is featured on the track "Come Into My Life". The song "I Believe" is
a tribute to Robert Plant's late son, Karac.
Plant explained his album in the following terms:
“
From
the very beginning of this project, around January 1991, right after the Manic
Nirvana tour, I knew what I was going to do: go back into my past, listening
to [Moby] Grape, the [Jefferson] Airplane, Tim Hardin, Quicksilver, Traffic,
and other turning-point artists in rock. These people were trying to tell the listener
something, joining various traditions, with the sense of a quest being
insinuated and bandied in their acoustic and electronic themes. I'm also proud of what I've attempted to do lyrically [on the album],
trying to tell vivid tales that come from a hearty tradition of prose.
”
The album was Plant's last
completely solo album until his comeback with his seventh studio álbum Dreamland
in 2002. The album
was mixed at Westside Studios by Tim Palmer.
Beyond the river - over the sea
Somewhere's last last farewell that ever will be
It's calling to you, calling to you, calling to you
It's calling to you, calling to you, calling to you
Out in the blue now, just waiting to be
A little breath of selflessness, adrift in all the greed
It's calling to you, calling to you, calling to you
It's calling to you, calling to you, calling to you
Look for the match - cover Adam and Eve
All the world when new was fire - it still was the scene
It's calling to you, calling to you, calling to you
It's calling to you, calling to you, calling to you
So you're gonna - it's for your honour - it's gonna be done
Where you gonna go? when you gonna stop?
Who stole the keys to the gates of the castle of love?
It's calling to you, calling to you, calling to you
It's calling to you, calling to you, calling to you
Who you gonna call? what you gonna say?
Standin' in the shadows as the world's just fadin' away
It's calling to you, calling to you, calling to you
It's calling to you, calling to you, calling to you
Who you gonna call? when you gonna stop?
Who stole the keys to the gates of the castle of love?
It's calling to you, calling to you, calling to you
It's calling to you, calling to you, calling to you
Who you gonna call? what you gonna say?
Standin' in the shadows as the world's just fadin' away
Just fadin' away, just fadin' away –
I WANT TO
BREAK FREE
QUEEN
SONGWRITER:
JOHN DEACON
COUNTRY: U.K.
ALBUM: THE
WORKS
LABEL: EMI
RECORDS
GENRE: ROCK
AND ROLL
YEAR: 1984
"I Want to Break
Free" is a song by the British rockband Queen, originally from their eleventh album The Works(1984).
Written by bass guitarist John Deacon, it was distributed as a single on 7-inch and
12-inch vinyl recordsand
3-inch and 5-inch CDs. The song has three versions: album, single and extended.
It came to be included in most live concerts by the group, in several videos
and in The Freddie Mercury Tribute Concert where it was sung by Lisa Stansfield.
The song is largely known for its music video
for which all the band members dressed in women's clothes, a concept proposed
by Roger Taylor, which parodied the long-running ITVsoap opera Coronation Street. The second part of the video included a
composition rehearsed and performed with the Royal Balletand choreographed by Wayne Eagling. Whereas the parody was acclaimed in the United
Kingdom, it was considered controversial in the United States and banned by MTVand other stations. After its release in 1984
the single of the song was well received all over Europe and South America,
where it was listed within top ten and regarded as an anthem of fight against
oppression. The single reached only the 45th position in the US charts, but reached number 3 in the UK and was
certified silver with 200,000+ copies sold.
I want to break free
I want to break free
I want to break free from your lies
You're so self satisfied I don't need you
I've got to break free
God knows, God knows I want to break free
I've fallen in love
I've fallen in love for the first time
And this time I know it's for real
I've fallen in love, yeah
God knows, God knows, I've fallen in love.
It's strange but it's true
I can't get over the way you love me like you do
But I have to be sure
When I walk out that door
Oh, how I want to be free, baby
Oh, how I want to be free
Oh, how I want to break free
But life still goes on
I can't get used to, living without, living without
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