VOU FESTEJAR
BETH CARVALHO E BATERIA DA MANGUEIRA
COMPOSITORES: DIDA & JORGE ARAGÃO
PAÍS: BRASIL
ÁLBUM: DE PÉ NO CHÃO
GRAVADORA: RCA VICTOR
GÊNERO: SAMBA
ANO: 1978

Elizabeth Santos Leal de Carvalho, mais conhecida como Beth Carvalho (Rio de Janeiro, 5 de maio de 1946), é uma cantora e compositora brasileira de samba. Desde que começou a fazer sucesso, na década de 1970, Beth se tornou uma das maiores intérpretes do gênero, ajudando a revelar nomes como Luiz Carlos da Vila, Jorge Aragão, Zeca Pagodinho, Almir Guineto, o grupo Fundo de Quintal e Arlindo Cruz, e Bezerra da Silva.
Chora!
Não vou ligar
Não vou ligar
Chegou a hora
Vais me pagar
Pode chorar
Pode chorar
Mas chora!

Chora!
Não vou ligar
Não vou ligar
Chegou a hora
Vais me pagar
Pode chorar
Pode chorar

É, o teu castigo
Brigou comigo
Sem ter porquê
Eu vou festejar
Vou festejar
O teu sofrer
O teu penar

Você pagou com traição
A quem sempre
Lhe deu a mão

Você pagou com traição
A quem sempre
Lhe deu a mão

Mas chora!

Chora!
Não vou ligar
Chegou a hora
Vais me pagar
Pode chorar
Pode chorar

Mas chora!

Chora!
Não vou ligar
Chegou a hora
Vais me pagar
Pode chorar
Pode chorar

É, o teu castigo
Brigou comigo
Sem ter porquê
Eu vou festejar
Vou festejar
O teu sofrer
O teu penar

Você pagou com traição
A quem sempre
Lhe deu a mão

Você pagou com traição
A quem sempre
Lhe deu a mão

Laraiá Laraiá
Lá Laiá Laiá
Laiá Laiá
Laiá Laiá

Eu vou festejar
Vou festejar
O teu sofrer
O teu penar

Você pagou com traição
A quem sempre
Lhe deu a mão

Você pagou com traição
A quem sempre
Lhe deu a mão.
BAD ROMANCE
LADY GAGA
SONGWRITERS: REDONE & LADY GAGA
WHERE: SUPER BOWL 2017
COUNTRY: U. S. A.
ALBUM: THE FAME MONSTER
LABEL: STREAMLINE
GENRE: DANCE-POP
YEAR: 2009

"Bad Romance" is a song by American Singer Lady Gaga from her third extended play, The Fame Monster(2009). It was written and produced by Gaga and RedOne. Lyrically, "Bad Romance" explores Gaga's attraction to individuals with whom romance never works, her preference for lonely relationships and the paranoia she experienced while on tour. Following an illegal demo leak, Gaga showcased the final product at Alexander McQueen's show at the Paris Fashion Week in October 2009, followed by the release of the single's cover art. Musically, "Bad Romance" features a spoken bridge, a full-throated chorus and sung lyrics about being in love with one's best friend. The song, which is imbued with elements of Germanesque house and techno, as well as music from 1980s and the 1990s, was touted by Gaga as an experimental pop record. The song contains a few lines in French.
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance

I want your ugly
I want your disease
I want your everything
As long as it's free
I want your love
(Love-love-love I want your love)

I want your drama
The touch of your hand
I want your leather-studded kiss in the sand
I want your love
Love-love-love
I want your love
(Love-love-love I want your love)

You know that I want you
And you know that I need you
I want it bad, your bad romance

I want your love and
I want your revenge
You and me could write a bad romance
(Oh-oh-oh--oh-oh!)
I want your love and
All your lover's revenge
You and me could write a bad romance

Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance

I want your horror
I want your design
‘Cause you're a criminal
As long as you're mine
I want your love
(Love-love-love I want your love-uuhh)

I want your psycho
Your vertigo shtick
Want you in my rear window
Baby you're sick
I want your love
Love-love-love
I want your love
(Love-love-love I want your love)

You know that I want you
('Cause I'm a free bitch baby!)
And you know that I need you
I want it bad, bad romance

I want your love and
I want your revenge
You and me could write a bad romance
(Oh-oh-oh-oh-oh!)
I want your love and
All your lover's revenge
You and me could write a bad romance

Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance
Oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh-oh!
Caught in a bad romance

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance

Walk, walk fashion baby
Work it
Move that bitch crazy

Walk, walk fashion baby
Work it
Move that bitch crazy

Walk, walk fashion baby
Work it
Move that bitch crazy

Walk, walk passion baby
Work it
I'm a free bitch, baby

I want your love and
I want your revenge
I want your love
I don't wanna be friends

Je veux ton amour
Et je veux ta revenge
Je veux ton amour
I don't wanna be friends
Oh-oh-oh-oh-oooh!
I don't wanna be friends
(Caught in a bad romance)
I don't wanna be friends
Oh-oh-oh-oh-oooh!
Want your bad romance
(Caught in a bad romance)
Want your bad romance!

I want your love and
I want your revenge
You and me could write a bad romance
Oh-oh-oh-oh-oooh!
I want your love and
All your lover's revenge
You and me could write a bad romance

Oh-oh-oh-oh-oooh-oh-oh-oooh-oh-oh-oh-oh!
Want your bad romance
(Caught in a bad romance)
Want your bad romance

Oh-oh-oh-oh-oooh-oh-oh-oooh-oh-oh-oh-oh!
Want your bad romance
(Caught in a bad romance)

Rah-rah-ah-ah-ah-ah!
Roma-roma-mamaa!
Ga-ga-ooh-la-la!
Want your bad romance.
PUSH
MATCHBOX TWENTY
SONGWRITERS: MATT SERLETIC & ROB THOMAS
WHERE: ITUNES FESTIVAL 2012
COUNTRY: U. S. A.
ALBUM: YOURSELF OR SOMEONE LIKE YOU
LABEL: ATLANTIC RECORDS
GENRE: ALTERNATIVE ROCK
YEAR: 1996

"Push" is a song by American rock band Matchbox Twenty. It was released in July 1997 as the second single from their debut album, Yourself or Someone Like You. After landing "Long Day" on several rock radio stations paving the way, "Push" hit the top of the Modern Rock Tracks and became one of the band's most successful singles.
She said I don't know if I've ever been good enough.
I'm a little bit rusty, and I think my head is caving in,
And I don't know if I've ever been really loved,
By a hand that's touched me,
And I feel like something's gonna give,
And I'm a little bit angry.
Well, this ain't over, no, not here,
Not while I still need you around.
You don't owe me, we might change,
Yeah, we just might feel good.

(chorus)
I wanna push you around,
Well, I will,
Well, I will,
I wanna push you down,
Well, I will,
Well, I will,
I wanna take you for granted,
I wanna take you for granted,
Yeah, yeah, well, I will.

She said I don't know why you ever would lie to me,
Like I'm a little untrusting,
When I think that the truth is gonna hurt ya,
And I don't know why you couldn't just stay with me.
You couldn't stand to be near me,
When my face don't seem to want to shine,
'Cause it's a little bit dirty.
Well, don't just stand there, say nice things to me,
'Cause I've been cheated, I've been wronged,
And you, you don't know me,
Yeah, well, I can't change.
I won't do anything at all.

(chorus)

Oh, but don't bowl me over.
Just wait a minute, well, it kinda fell apart,
Things get so crazy, crazy.
Don't rush this baby, don't rush this baby, baby.

(chorus).
HOTEL CALIFORNIA
THE EAGLES
SONGWRITERS: DON FELDER; DON HENLEY & GLENN FREY
COUNTRY: SWITZWELAND
ALBUM: HOTEL CALIFORNIA
LABEL: ASYLUM
GENRE: ROCK CLÁSSICO
YEAR: 1976

"Hotel California" is the title track from the Eagles' album of the same name and was released as a single in February 1977. Writing credits for the song are shared by Don Felder (music), Don Henley, and Glenn Frey (lyrics). The Eagles' original recording of the song features Henley singing the lead vocals and concludes with an extended section of electric guitar interplay between Felder and Joe Walsh.
The song is considered the most famous recording by the band, and its long guitar coda has been voted the best guitar solo of all time by readers of Guitarist in 1998. The song was awarded the Grammy Award for Record of the Year in 1978. The lyrics of the song have been given various interpretations by fans and critics alike, the Eagles themselves described the song as their "interpretation of the high life in Los Angeles". In the 2013 documentary History of the Eagles, Henley said that the song was about "a journey from innocence to experience... that's all...
The Eagles are an American rock band formed in Los Angeles in 1971. The founding members were Glenn Frey(guitars, vocals), Don Henley(drums, vocals), Bernie Leadon (guitars, vocals) and Randy Meisner(bass guitar, vocals). With five number-one singles, six Grammy Awards, five American Music Awards, and six number-one albums, the Eagles were one of the most successful musical acts of the 1970s. At the end of the 20th century, two of their albums, Their Greatest Hits (1971–1975) and Hotel California, were ranked among the 20 best-selling albums in the United States according to the Recording Industry Association of America. Hotel California is ranked 37th in Rolling Stone's list of "The 500 Greatest Albums of All Time" and the band was ranked number 75 on the magazine's 2004 list of the 100 Greatest Artists of All Time.
On a dark desert highway
Cool wind in my hair
Warm smell of colitas
Rising up through the air
Up ahead in the distance
I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night

There she stood in the doorway
I heard the Mission bell
And I was thinking to myself
This could be heaven or this could be hell
Then she lit up a candle and she showed me the way
There were voices down the corridor
I thought I heard them say

Welcome to the Hotel California
Such a lovely place
(Such a lovely place)
Such a lovely face
Plenty of room at the Hotel California
Any time of year
(Any time of year)
You can find it here

Her mind is Tiffany-twisted
She got the Mercedes bends
She got a lot of pretty, pretty boys
That she calls friends
How they dance in the courtyard
Sweet summer sweat
Some dance to remember
Some dance to forget

So I called up the captain
Please, bring me my wine
He said
We haven't had that spirit here since
Nineteen sixty-nine
And still those voices are calling from far away
Wake you up in the middle of the night
Just to hear them say

Welcome to the Hotel Califórnia
Such a lovely place
(Such a lovely place)
Such a lovely face
They're livin' it up at the Hotel Califórnia
What a nice surprise
(What a nice surprise)
Bring your alibis

Mirrors on the ceiling
The pink champagne on ice
And she said
We are all just prisoners here
Of our own device
And in the master's chambers
They gathered for the feast
They stab it with their steely knives
But they just can't kill the beast

Last thing I remember
I was running for the door
I had to find the passage back
To the place I was before
Relax, said the night man
We are programmed to receive
You can check out any time you like
But you can never leave!