BUT NOT FOR ME

HELEN FORREST

SONGWRITERS: George & ira gershwin

COUNTRY: u. s. a.

ALBUM: HOTEL ASTOR ROOF

LABEL: columbia

GENRE: pop

YEAR: 1931

 

"But Not for Me" is a popular song, composed by George Gershwin, with lyrics by Ira Gershwin.
It was written for their musical Girl Crazy (1930) and introduced in the original production by Ginger Rogers. It is also in the 1992 musical based on Girl Crazy, Crazy for You.
In 1959 Ella Fitzgerald included a version of the song on her landmark álbum Ella Fitzgerald Sings the George and Ira Gershwin Songbook. The rendition won the 1960 Grammy Award for Best Female Vocal Performance.
Singer Ketty Lester remade "But Not for Me" with a gospel arrangement which reached #10 on the US Adult Contemporary chart, #41 the Billboard Top 40, and #45 in the UK in 1962.
In 2012, it was performed by Kelli O'Hara (Billie Bendix) in Act 2, Scene 1 of Joe Pietro's Broadway musical Nice Work If You Can Get It, which featured the music of George and Ira Gershwin.
Helen Forrest (April 12, 1917 – July 11, 1999) was an American singer of traditional pop and swing music.
She served as the "girl singer" for three of the most popular big bands of the Swing Era (Artie Shaw, Benny Goodman, and Harry James), thereby earning a reputation as "the voice of the name bands."
Old man sunshine listen you
Never tell me dreams come true
Just try it and I'll start a riot
Beatrice Fairfax don't you dare
Ever tell me he will care
I'm certain it's the final curtain
I never want to hear from any cheerful Pollyannas
Who tell you fate supplies a mate
It's all bananas

They're writing songs of love but not for me
A lucky star's above but not for me
With love to lead the way I've found more clouds of gray
Than any Russian play could guarantee

I was a fool to fall and get that way
Hi-ho, alas, and also lack-a-day
Although I can't dismiss the memory of his kiss
I guess he's not for me

I was a fool to fall and get that way
Hi-ho, alas, and also lack-a-day
Although I can't dismiss the memory of his kiss.
BOIADEIRO ERRANTE
INEZITA BARROSO
COMPOSITOR: TEDDY VIEIRA
ONDE: PROGRAMA MINHA VIOLA
PAÍS: BRASIL
ÁLBUM: ÁLBUM COMPLETO: RAÍZES SERTANEJAS VOL. 1
GRAVADORA: COPACABANA
GÊNERO: SERTANEJO
ANO: 1959

Filha de uma família tradicional, começou a cantar aos sete anos de idade. Aos nove, já admirava o poeta modernista Mário de Andrade, que morava ao lado de sua casa à Rua Lopes Chaves na Barra Funda, em São Paulo, a quem esperava passar todo dia enquanto brincava de patins. Aos 11 anos, começou a estudar piano. Fez o curso de Biblioteconomia. Iniciou a carreira nos anos 40, cantando músicas folclóricas recolhidas por Mário de Andrade na Rádio Clube do Recife. Depois de casada, voltou ao canto e ao violão, estreando em 1950 na Rádio Bandeirantes, de São Paulo, a convite de Evaldo Rui. Participou em seguida da transmissão inaugural da TV Tupi, canal 3, e trabalhou como cantora exclusiva da Rádio Nacional, de São Paulo, transferindo-se mais tarde para a Record. Ainda em 1950 participou do filme "Ângela", dirigido por Tom Payne e Abílio Pereira de Almeida, e realizou recitais no T.B.C., no Teatro de Cultura Artística e no Teatro Colombo. Em 1951, passou a atuar na Rádio Record, onde apresentou em 1954, o programa "Vamos falar de Brasil". Ainda em 1951, gravou seu primeiro disco, interpretando "Funeral de um Rei Nagô", de Hekel Tavares e Murilo Araújo e "Curupira", de Waldemar Henrique. Em 1953, gravou "O canto do mar" e "Maria do mar", de Guerra Peixe e José Mauro de Vasconcelos. No mesmo ano, gravou um de seus discos de maior sucesso, a moda "Marvada pinga", de Cunha Jr., que trazia do lado B o samba "Ronda", de Paulo Vanzolini, que só veio a se tornar um sucesso na década de 60, quando foi gravado pela cantora Márcia, mas que no disco de Inezita ficou totalmente eclipsado pelo sucesso da moda de viola do lado A. Outras gravações realizadas na Victor foram "Dança do caboclo" (Heckel Tavares) e os sambas "Os estatutos da gafieira" (Billy Blanco) e "Isso é papel, João?" (Davi Raw e Cícero Galindo Machado). Ainda em 1953, participou dos filmes "Destino em apuros", de Ernesto Remani e "Mulher de verdade", de Alberto Cavalcanti. Com este filme, recebeu o Prêmio Saci, de melhor atriz. Em 1954, gravou "Coco do Mané", de Luiz Vieira e passou ainda a apresentar, semanalmente, programas sobre folclore na TV Record.
Eu venho vindo de uma querência distante
Sou um boiadeiro errante que nasceu naquela serra
O meu cavalo corre mais que o pensamento
Ele tem o passo lento porque ninguém me espera

Tocando a boiada ê, ê, ê, boi
Vou cortando estrada ê, boi!

Tocando a boiada ê, ê, ê, boi
Vou cortando estrada ê, boi!

Toque o berrante com capricho Zé Vicente
Mostre para essa gente o clarim das alterosas
Pegue no laço não se entregue companheiro
Chame o cachorro campeiro que essa rês é perigosa

Olhe na janela ê, ê, ê, boi
Que linda donzela ê, boi!

Olhe na janela ê, ê, ê, boi
Que linda donzela ê, boi!

Sou boiadeiro, minha gente, o que é que há
Deixe o meu gado passar vou cumprir com a minha sina
Lá na baixada quero ouvir a siriema pra lembrar de uma pequena
Que eu deixei lá em Minas

Ela é culpada ê, ê, ê, boi
De eu viver na estrada ê, boi

Ela é culpada ê, ê, ê, boi
De eu viver na estrada ê, boi !

O rio está calmo e a boiada vai passando
Veja aquele boi berrando Chico Bento, corre lá!
Lace o mestiço, salve ele das piranhas
Tire o gado da campanha pra viagem continuar

Com destino a Goiás ê, ê, ê, boi
Deixei Minas Gerais ê, boi!
MOONGLOW
ROD STEWART
SONGWRITERS: IRVING MILLS, EDGAR DELANGE & WILL HUDSON
COUNTRY: U. K.
ALBUM: IT HAD TO BE YOU: THE GREAT AMERICAN SONGBOX
LABEL: J. RECORDS
GENRE: POP
YEAR: 2002

Moonglow is a type of Herb which appears as a bent stalk with a drooping blue-white flower. It grows on Jungle grass (surface Jungle and Underground Jungle) and can be cut with virtually any weapon or tool. It can be planted in Clay Pots and Planter Boxes using Moonglow Seeds.
Moonglow only blooms at night, emitting its small pearls of blue-white light, and while doing so, can be cut to drop 1-3 seeds of the herb. The Staff of Regrowth can be used to increase the amount of seeds dropped when cut.
Sir Roderick David Stewart, CBE (born 10 January 1945) is a British rock singer and songwriter. Born and raised in London, he is of Scottish and English ancestry. Stewart is one of the best-selling music artists of all time, having sold over 100 million records worldwide. He has had six consecutive number one albums in the UK and his tally of 62 UK hit singles includes 31 that reached the top ten, six of which gained the #1 position. Stewart has had 16 top ten singles in the US, with four reaching #1 on the Billboard Hot 100. He was knighted in the 2016 Birthday Honours for services to music and charity.
It must have been Moonglow,
Way up in the blue,
It must have been Moonglow,
That led me straight to you

I still hear you sayin'
Dear one hold me fast,
And I start to prayin'
Oh Lord, please let this last,

We seem to float right through the air,
Heavenly songs seem to come from everywhere,
And now when there's Moonglow,
Way up in the blue,
I always remember,
That Moonglow gave me you
That Moonglow gave me you

We seem to float right through the air,
Heavenly songs seemed to come from everywhere,
And now when there's Moonglow
Way up in the blue,
I always remember,
That Moonglow gave me you,
That Moonglow gave me you,
That Moonglow gave me you.
REST YOUR LOVE ON ME
ANDY GIBB & OLIVIA NEWTON JOHN
SONGWRITER: BARRY GIBB
COUNTRY: U. S. A.
ALBUM: ANDY GIBB & OLIVIA NEWTON JOHN: REST YOUR LOVE ON ME
LABEL: POLYDOR
GENRE: POP
YEAR: 1979

"Rest Your Love on Me" is a country ballad performed by the Bee Gees written and sung by Barry Gibb. It was the B-side of the US No. 1 hit "Too Much Heaven".
Maybe you don't know me anymore than I know you
And I wouldn't blame you if you walked away
I've been watching you all evening
With the teardrops in your eyes
And it touches me much more than I can say

You know I hate to think that someone
Could have hurt someone like you
And at times like this I'd be right by your side

Lay your troubles on my shoulders
Put your worries in my pocket
Rest your love on me awhile
Lay your troubles on my shoulders
Put your worries in my pocket
Rest your love on me awhile

Saw you in the corner on the moment I walked in
Saw your lonely face across the room
No, I won't forget it
And the way it might have been
Oh, why did you have to leave so soon?

You know I hate to think that someone
Could have loved you more than me
And if I was them I'd be right by your side

Lay your troubles on my shoulders
Put your worries in my pocket
Rest your love on me awhile
Lay your troubles on my shoulders
Put your worries in my pocket
Rest your love on me awhile

How long must I wait
For the last train to leave here
And the last chance to go home?
Get to thinking I was born too soon
How long, honey
When the lovin' don't come
It was there when you left me
Just didn't know how to begin

Lay your troubles on my shoulders
Put your worries in my pocket
Rest your love on me awhile
Lay your troubles on my shoulders
Put your worries in my pocket
Rest your love on me awhile.