DO YOU FEEL LIKE WE DO
PETER FRAMPTON
SONGWRITERS: FRAMPTON PETER (K); GALLAGHER MICHAEL WILLIAM; SIOMOS JOHN T & WILLS RICHARD WILLIAM
WHERE: MIDNIGHT SPECIAL 1975
COUNTRY: U. K.
ALBUM: FRAMPTON’S CAMEL
LABEL: A & M
GENRE: ROCK
YEAR: 1973

"Do You Feel Like We Do" is a song by Peter Frampton originally appearing on the Frampton's Camel album that he released in 1973. The song became one of the highlights of his live performances in the following years, and it became one of the three hit singles released from his Frampton Comes Alive! album, released in 1976. The live version was recorded at the State University of New York Plattsburgh's Memorial Hall. This live version is featured in Guitar Hero 5 and as downloadable content for Rock Band 3. The studio version of the song is available as downloadable content for Rocksmith 2014.
The song was written and composed in the early 1970s with members of Frampton's band, then called "Frampton's Camel." It was released on the 1973 Frampton's Camel album. This version was shorter than the duration of the live version (approximately 14 minutes), with the studio recording totaling 6 minutes and 44 seconds, and it was not released as a single. The closing notes of the studio version features a guitar riff that has a strong resemblance to The Beatles's "Baby's in Black".
After the lack of success of his "Camel," Frampton performed under his own name and began touring the United States extensively for the next two years, supporting acts such as The J. Geils Band and ZZ Top, as well as performing his own shows at smaller venues. As a result, he developed a strong live following while his albums sold moderately and his singles failed to chart.
"Do You Feel Like We Do" became the closing number of his set and one of the highlights of his show. His concert version was considerably longer, with the version recorded on Frampton Comes Alive! alone exceeding 14 minutes, 4 of which are spent in the rock intro, 4 in the loud rock subito fortissimo outro, and 6 in the long, quiet bridge, featuring several instrumental solos utilizing Bob Mayo's keyboard and Frampton's guitar and talk box skills. Most famously of these were the aforementioned talk box solos, which were performed using na effects pedal that redirects a guitar's sound through a tube coming from the performer's mouth, allowing the guitar to mimic human speech, similarly to a vocoder. Inspiration for the talk box came from Frampton listening to the call letters of Radio Luxembourg. Following the success of the talk box solos, Frampton subsequently marketed such talk boxes under his own "Framptone" brand. To this day, Frampton is considered an exemplary talk box performer, with his solos arguably being the selling point of some of his albums and songs.
Well, woke up this morning with a wine glass in my hand
Whose wine? What wine? Where the hell did I dine?
Must have been a dream I don't believe where I've been
Come on, let's do it again

Do you...you, feel like I do?
How'd ya feel?
Do you...you, feel like I do?

My friend got busted, just the other day
They said,"Don't walk, don't walk, don't walk away"
Drove him to a taxi, bent the boot, hit the bag
Had to play some music, otherwise he'd crack

Do you...you, feel like I do?
How'd ya feel?
Do you...you, feel like I do?

[1st guitar solo]

Do you...you, feel like I do?
Yes ya do
Do you...you, feel like I do?

Champagne for breakfast and a Sherman in my hand
Peach top, Peach tails, never fails
Must have been a dream I don't believe where I've been
Come on, let's do it again

Do you...you, feel like I do?
How'd ya feel?
Do you...you, feel like I...

[keyboard solo]

Do you feel like we do?
Do you feel like we do?
Oh, that's true
Do you feel like we do?
Get back
Do you feel..do you feel like we do?

[2nd guitar solo]

Oh baby do you feel?
Oh baby do you feel, feel like we do?
Do you feel...do you feel...like we do?
I want to thank you
Do you feel like we do?
That's alright, that's alright to feel you'd like
Feel you'd like, a good time
We'll go to bed and good night
Good night, good night, good night, good night, good night.
RIDERS ON THE SRORM
THE DOORS
SONGWRITERS: JIM MORRISON; JOHN DENSMORE; RAY MANZAREK & ROBBY KRIEGER
COUNTRY: U. S. A.
ALBUM: LA WOMAN
LABEL: ELECTRA RECORDS
GENRE: ROCK
YEAR: 1971

L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, on Elektra Records. It is the last to feature the group's lead singer, Jim Morrison, who died three months after the album's release. It saw the band continue to integrate elements of blues back into their music, a direction begun with their previous album, Morrison Hotel. It was also recorded without record producer Paul A. Rothchild after he fell out with the group over the perceived lack of quality of their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
"Love Her Madly" was released as a single in March 1971, preceding the album's release, and it reached the Top 20 in the Billboard Hot 100. Upon release, the album peaked at number nine on the Billboard 200 and reached number 28 on the UK Albums Charts. An additional single in support of the album, "Riders on the Storm", also achieved chart success on Billboard and in the UK. Critics Richie Unterberger and David Quantick have both called L.A. Woman one of the Doors' best albums, citing Morrison's unwavering enthusiasm in his vocal performance, and the band's stripped-down return to their blues rock roots.
Riders on the storm

Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out alone
Riders on the storm

There's a killer on the road
His brain is squirming like a toad
Take a long holiday
Let your children play

If you give this man a ride
Sweet family will die
Killer on the road, yeah

Girl you gotta love your man

Take him by the hand
Make him understand
The world on you depends
Our life will never end
Gotta love your man, yeah

Riders on the storm

Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out alone
Riders on the storm

Riders on the storm.
FROM THE BEGINNING
EMERSON, LAKE & PALMER
SONGWRITER: GREG LAKE
COUNTRY: U. K.
ALBUM: TRILOGY
LABEL: ISLAND RECORDS
GENRE: PROGRESSIVE ROCK
YEAR: 1972

Trilogy is the third studio album by English progressive rock band Emerson, Lake & Palmer, released in July 1972 on Island Records. The cover, designed by Hipgnosis, depicts a combined bust of the three members, while the interior of the original gatefold sleeve features a photomontage of the three in Epping Forest.
Trilogy increased ELP's worldwide popularity, and included "Hoedown", an arrangement of the Aaron Copland composition, which was one of their most popular songs when performing live.
References to a quad version of this album appeared in 1974 Harrison or Schwann record and tape guides, listing Trilogy in the Quadraphonic 8-track tape cartridge format. Collectors report never seeing a Trilogy Q8 at retail, despite its having a catalogue number "Cotillion QT-9903."
Greg Lake said this was his favourite ELP record.
There might have been things I missed
But don't be unkind
It don't mean I'm blind
Perhaps there's a thing or two

I think of lying in bed
I shouldn't have said
But there it is

You see it's all clear
You were meant to be here
From the beginning

Maybe I might have changed
And not been so cruel
Not been such a fool
Whatever was done is done
I just can't recall
It doesn't matter at all

You see it's all clear
You were meant to be here
From the beginning.
SICKO MODE
Travis Scott (feat. Drake, Juicy J & Swae Lee)
SONGWRITERS: ALI SHAHEED JONES-MUHAMMAD; TRAVIS SCOTT; SWAE LEE; DRAKE; BRYAN HIGGINS; BRYTAVIOUS CHAMBERS; CHAUNCEY HOLLIS; CHRISTOPHER MARTIN; CHRISTOPHER WALLACE; CHYLOW PARKER; CYDEL YOUNG; FRED SCRUGGS; HARRY WAYNE CASEY; JAMES JACKSON; JOHN EDWARD HAWKINS; KAMAAL FAREED; KEITH ELAM; KEVIN GOMRINGER; KIRK JONES; LUTHER CAMPBELL; MALIK TAYLOR; MIKE DEAN; MIRSAD DERVIC; OSTEN HARVEY; OZAN YILDIRIM; RICHARD FINCH; ROGÉT CHAHAYED; TIM GOMRINGER; TREVOR SMITH & TYRONE TAYLOR
COUNTRY: U. S. A.
ALBUM: ASTROWORLD
LABEL: EPIC RECORDS
GENRE: HIP HOP
YEAR: 2018

"Sicko Mode" (stylized in all caps) is a song by American rapper Travis Scott. It was released by Epic Records on August 21, 2018, as the second single from Scott's third studio album, Astroworld(2018). The song features guest vocals by Drake, and additional vocals by Swae Lee and Big Hawk posthumously. It is Scott's first number one on the US Billboard Hot 100.
The song contains a sample from "Gimme the Loot", written by Christopher Wallace and Osten Harvey, as performed by The Notorious B.I.G. and an interpolation from "I Wanna Rock", written and performed by Luke.
The music video for "Sicko Mode" was directed by Dave Meyers and Travis Scott. It was released on October 19, 2018. The video starts off with Scott's red head on a building while a camera zooms into it, and cuts to the next scene of people getting back into some multi-colored houses. Following scenes show Drake walking a dog while being burned by an eclipse and Scott riding a horse. The video ends with Drake and Scott walking away. As of December 2018, it has received over 150 million views.
[Drake]
Astro
Yeah

Sun is down, freezin' cold
That's how we already know winter's here
My dawg would prolly do it for a Louis belt
That's just all he know, he don't know nothin' else
I tried to show 'em
Yeah
I tried to show 'em
Yeah, yeah
Yeah, yeah, yeah
Gone on you with the pick and roll
Young LaFlame, he in sicko mode

[Travis Scott]
(Woo!)
Made this here with all the ice on in the booth
At the gate outside, when they pull up, they get me loose
Yeah, Jump Out boys, that's Nike boys, hoppin' out coupes
This shit way too big, when we pull up give me the loot
(Gimme the loot!)
Was off the Remy, had to Papoose
Had to hit my old town to duck the news
Two-four hour lockdown, we made no moves
Now it's 4AM and I'm back up poppin' with the crew
I just landed in, Chase B mixes pop like Jamba Juice
Different colored chains, think my jeweler really sellin' fruits
And they chokin', man, know the crackers wish it was a noose

[Juicy J, Swae Lee & Travis Scott]
Some-some-some-someone said
To win the retreat, we all in too deep
Pla-pla-playin' for keeps, don't play us for weak (someone said)
To win the retreat, we all in too deep
Pla-pla-playin' for keeps, don't play us for weak (yeah)

[Travis Scott & Swae Lee]
This shit way too formal, y'all know I don't follow suit
Stacey Dash, most of these girls ain't got a clue
All of these hoes I made off records I produced
I might take all my exes and put 'em all in a group
Hit my eses, I need the booch
'Bout to turn this function to Bonnaroo
Told her: Hop in, you comin' too
In the 305, bitches treat me like I'm Uncle Luke
(Don't stop, pop that pussy!)
Had to slop the top off, it's just a roof (uh)
She said: Where we goin'?, I said: The moon
We ain't even make it to the room
She thought it was the ocean, it's just the pool
Now I got her open, it's just the Goose
Who put this shit together? I'm the glue (someone said)
Shorty FaceTimed me out the blue

[Juicy J & Swae Lee]
Someone said
Pla-pla-playin' for keeps
Someone said, motherf- what someone said
Don't play us for weak

[Drake, Lil Juice & Travis Scott]
Yeah
Astro
Yeah, yeah
Tay Keith, fuck these niggas up
Ay, ay

[Drake & Travis Scott]
She's in love with who I am
Back in high school, I used to bus it to the dance (yeah)
Now I hit the FBO with duffles in my hands
I did half a Xan, thirteen hours 'til I land
Had me out like a light, ayy, yeah
Like a light, ayy, yeah
Like a light, ayy
Slept through the flight, ayy
Knocked for the night, ayy, 767, man
This shit got double bedroom, man
I still got scores to settle, man
I crept down the block (down the block), made a right (yeah, right)
Cut the lights (yeah, what?), paid the price (yeah)
Niggas think it's sweet (nah, nah), it's on sight (yeah, what?)
Nothin' nice (yeah), baguettes in my ice (aww, man)
Jesus Christ (yeah), checks over stripes (yeah)
That's what I like (yeah), that's what we like (yeah)
Lost my respect
You not a threat
When I shoot my shot, that shit wetty like I'm Sheck (bitch!)
See the shots that I took (ayy), wet like I'm Book (ayy)
Wet like I'm Lindsey, I be spinnin' Valley
Circle blocks 'til I'm dizzy (yeah, what?)
Like: Where is he? (Yeah, what?)
No one seen him (yeah, yeah)
I'm tryna clean 'em (yeah)

She's in love with who I am
Back in high school, I used to bus it to the dance
Now I hit the FBO with duffles in my hand (woo!)
I did half a Xan, thirteen hours 'til I land
Had me out like a light, like a light
Like a light, like a light
Like a light (yeah), like a light
Like a light

[Travis Scott]
Yeah, pass the dawgs a celly
Sendin' texts, ain't sendin' kites, yeah
He said: Keep that on lock
I said: You know this shit, it’s life, yeah
It's absolute (yeah), I'm back, reboot (it's lit!)
LaFerrari to Jamba Juice, yeah (skrrt, skrrt)
We back on the road, they jumpin' off, no parachute, yeah
Shorty in the back, she said she workin' on her glutes, yeah (oh my God)
Ain't by the book, yeah, this how it look, yeah
'Bout a check, yeah, just check the foots, yeah
Pass this to my daughter, I'ma show her what it took (yeah)
Baby mama cover Forbes, got these other bitches shook, yeah
Ye-ah.