LADY WRITER
DIRE STRAITS
SONGWRITER: MARK KNOPFLER
COUNTRY: U. K.
ALBUM: COMMUNIQUÉ
LABEL: VERTIGO
GENRE: ROCK
YEAR: 1979

"Lady Writer" is a 1979 song by Dire Straits, which appears on the band's second album Communiqué.
When asked what the song was about, lead Singer Mark Knopfler said that he was watching TV one day, and there was a lady writer on the TV, and that's basically where the idea for the song came from. Because the song says the writer is "talking about the Virgin Mary", some have speculated that the writer in question is Marina Warner, a view shared by Warner herself.
Dire Straits were a British rock band formed in London in 1977 by Mark Knopfler (lead vocals and lead guitar), David Knopfler (rhythm guitar and backing vocals), John Illsley (bass guitar and backing vocals), and Pick Withers (drums and percussion). They were active from 1977 to 1988 and again from 1991 to 1995. The band became one of the world's best-selling music artists, with album sales of over 100 million.
Their first hit single "Sultans of Swing", from their self-titled debut album released in 1978, reached the top ten in the US chart and became a top ten hit in the UK the following year. The band released several hit singles in the 1980s, such as "Romeo and Juliet" (1981), "Private Investigations" (1982), "Twisting by the Pool" (1983), "Money for Nothing" (1985), and "Walk of Life" (1986). Their most commercially successful album was Brothers in Arms (1985), which has sold more than 30 million copies and was the first album to sell a million copies on the compact disc (CD) format. Dire Straits' sound was drawn from a wide variety of musical influences including jazz, folk, and country, as well as the blues-rock of J. J. Cale and Eric Clapton. Their stripped-down sound contrasted with punk rock and demonstrated a roots rock influence that emerged from pub rock.
Lady Writer on the TV
Talk about the Virgin Mary
Reminded me of you
Expectations left to come up to yeah

Lady writer on the TV
Yeah, she had another quality
The way you used to look
And I know you never read a book

Just the way that her hair fell down around her face
Then I recall my fall from grace
Another time, another place

Lady writer on the TV
She had all the brains and the beauty
The picture does not fit
You talked to me when you felt like it

Just the way that her hair fell down around her face
Then I recall my fall from grace
Another time, another place

Yes and your rich old man
You know he'd call her a dead ringer
You got the same command
Plus you mother was a jazz singer

Just the way that her hair fell down around her face
Then I recall my fall from grace
Another time, another place

Lady writer on the TV
She knew all about a history
You couldn't hardly write your name
I think I want you just the same as the

Lady writer on the TV
Talking about the Virgin Mary
Yeah you know I'm talking about you and me
And the lady writer on the TV

Lady writer on the TV
Talking about the Virgin Mary
Yeah you know I'm talking about you and me
And the lady writer on the TV.
WILL YOU STILL LOVE ME TOMORROW
NORAH JONES
SONGWRITERS: GERRY GOFFIN & CAROLE KING
COUNTRY: U. S. A.
ALBUM: NOT TO LATE
LABEL: BLUE NOTE
GENRE: JAZZ
YEAR: 1971

Norah Jones(born Geethali Norah Jones Shankar; March 30, 1979) is an American singer, songwriter, and pianist. She has won many awards and has sold more than 50 million records worldwide. Billboard named her the top jazz artist of the 2000–2009 decade. She has won nine Grammy Awards and was ranked 60th on Billboard magazine's artists of the 2000–2009 decade chart.
In 2002, Jones launched her solo music career with the release of Come Away with Me, which was a fusion of jazz with country music and pop. It was certified Diamond, selling over 27 million copies. The record earned Jones five Grammy Awards, including the Album of the Year, Record of the Year, and Best New Artist. Her subsequent studio albums Feels Like Home, released in 2004; Not Too Late, released in 2007, and 2009's The Fall all gained Platinum status, selling over a million copies each. They were also generally well received by critics. Jones' fifth studio album, Little Broken Hearts, was released on April 27, 2012, and her most recent, sixth studio album, Day Breaks, was released on October 7, 2016. Jones made her film debut in My Blueberry Nights, which was released in 2007.
Jones is the daughter of Indian sitar player and composer Ravi Shankar, and is the half-sister of fellow musician Anoushka Shankar.
Tonight you're mine completely
You give your soul so sweetly
Tonight the light of love is in your eyes
But will you love me tomorrow

Is this a lasting treasure
Or just a moment's pleasure
Can I believe the magic in your sights
And will you love me tomorrow

Tonight with words unspoken
You say that i'm the only one
But will my heart be broken
When the night meets the morning sun

I'd like to know if your love
Is a love I can be sure of
So tell me now and I won't ask again
Will you still love me tomorrow
Will you still love me tomorrow.
Will you still love me tomorrow.
DO YOU FEEL LIKE WE DO
PETER FRAMPTON
SONGWRITERS: FRAMPTON PETER (K); GALLAGHER MICHAEL WILLIAM; SIOMOS JOHN T & WILLS RICHARD WILLIAM
WHERE: MIDNIGHT SPECIAL 1975
COUNTRY: U. K.
ALBUM: FRAMPTON’S CAMEL
LABEL: A & M
GENRE: ROCK
YEAR: 1973

"Do You Feel Like We Do" is a song by Peter Frampton originally appearing on the Frampton's Camel album that he released in 1973. The song became one of the highlights of his live performances in the following years, and it became one of the three hit singles released from his Frampton Comes Alive! album, released in 1976. The live version was recorded at the State University of New York Plattsburgh's Memorial Hall. This live version is featured in Guitar Hero 5 and as downloadable content for Rock Band 3. The studio version of the song is available as downloadable content for Rocksmith 2014.
The song was written and composed in the early 1970s with members of Frampton's band, then called "Frampton's Camel." It was released on the 1973 Frampton's Camel album. This version was shorter than the duration of the live version (approximately 14 minutes), with the studio recording totaling 6 minutes and 44 seconds, and it was not released as a single. The closing notes of the studio version features a guitar riff that has a strong resemblance to The Beatles's "Baby's in Black".
After the lack of success of his "Camel," Frampton performed under his own name and began touring the United States extensively for the next two years, supporting acts such as The J. Geils Band and ZZ Top, as well as performing his own shows at smaller venues. As a result, he developed a strong live following while his albums sold moderately and his singles failed to chart.
"Do You Feel Like We Do" became the closing number of his set and one of the highlights of his show. His concert version was considerably longer, with the version recorded on Frampton Comes Alive! alone exceeding 14 minutes, 4 of which are spent in the rock intro, 4 in the loud rock subito fortissimo outro, and 6 in the long, quiet bridge, featuring several instrumental solos utilizing Bob Mayo's keyboard and Frampton's guitar and talk box skills. Most famously of these were the aforementioned talk box solos, which were performed using na effects pedal that redirects a guitar's sound through a tube coming from the performer's mouth, allowing the guitar to mimic human speech, similarly to a vocoder. Inspiration for the talk box came from Frampton listening to the call letters of Radio Luxembourg. Following the success of the talk box solos, Frampton subsequently marketed such talk boxes under his own "Framptone" brand. To this day, Frampton is considered an exemplary talk box performer, with his solos arguably being the selling point of some of his albums and songs.
Well, woke up this morning with a wine glass in my hand
Whose wine? What wine? Where the hell did I dine?
Must have been a dream I don't believe where I've been
Come on, let's do it again

Do you...you, feel like I do?
How'd ya feel?
Do you...you, feel like I do?

My friend got busted, just the other day
They said,"Don't walk, don't walk, don't walk away"
Drove him to a taxi, bent the boot, hit the bag
Had to play some music, otherwise he'd crack

Do you...you, feel like I do?
How'd ya feel?
Do you...you, feel like I do?

[1st guitar solo]

Do you...you, feel like I do?
Yes ya do
Do you...you, feel like I do?

Champagne for breakfast and a Sherman in my hand
Peach top, Peach tails, never fails
Must have been a dream I don't believe where I've been
Come on, let's do it again

Do you...you, feel like I do?
How'd ya feel?
Do you...you, feel like I...

[keyboard solo]

Do you feel like we do?
Do you feel like we do?
Oh, that's true
Do you feel like we do?
Get back
Do you feel..do you feel like we do?

[2nd guitar solo]

Oh baby do you feel?
Oh baby do you feel, feel like we do?
Do you feel...do you feel...like we do?
I want to thank you
Do you feel like we do?
That's alright, that's alright to feel you'd like
Feel you'd like, a good time
We'll go to bed and good night
Good night, good night, good night, good night, good night.
RIDERS ON THE SRORM
THE DOORS
SONGWRITERS: JIM MORRISON; JOHN DENSMORE; RAY MANZAREK & ROBBY KRIEGER
COUNTRY: U. S. A.
ALBUM: LA WOMAN
LABEL: ELECTRA RECORDS
GENRE: ROCK
YEAR: 1971

L.A. Woman is the sixth studio album by the American rock band the Doors, released on April 19, 1971, on Elektra Records. It is the last to feature the group's lead singer, Jim Morrison, who died three months after the album's release. It saw the band continue to integrate elements of blues back into their music, a direction begun with their previous album, Morrison Hotel. It was also recorded without record producer Paul A. Rothchild after he fell out with the group over the perceived lack of quality of their studio performances. Subsequently, the band co-produced the album with longtime sound engineer Bruce Botnick.
"Love Her Madly" was released as a single in March 1971, preceding the album's release, and it reached the Top 20 in the Billboard Hot 100. Upon release, the album peaked at number nine on the Billboard 200 and reached number 28 on the UK Albums Charts. An additional single in support of the album, "Riders on the Storm", also achieved chart success on Billboard and in the UK. Critics Richie Unterberger and David Quantick have both called L.A. Woman one of the Doors' best albums, citing Morrison's unwavering enthusiasm in his vocal performance, and the band's stripped-down return to their blues rock roots.
Riders on the storm

Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out alone
Riders on the storm

There's a killer on the road
His brain is squirming like a toad
Take a long holiday
Let your children play

If you give this man a ride
Sweet family will die
Killer on the road, yeah

Girl you gotta love your man

Take him by the hand
Make him understand
The world on you depends
Our life will never end
Gotta love your man, yeah

Riders on the storm

Into this house we're born
Into this world we're thrown
Like a dog without a bone
An actor out alone
Riders on the storm

Riders on the storm.