BESAME MUCHO
DAVE BRUBECK
SONGWRITER: CONSUELO VELÁSQUEZ
INSTRUMENT: PIANO
COUNTRY: U. S. A.
ALBUM: ON TIME
LABEL: SMSP
GENRE: JAZZ
YEAR: 1967

David Warren Brubeck(/ˈbruːbɛk/; December 6, 1920 – December 5, 2012) was an American jazz pianist and composer, considered one of the foremost exponents of cool jazz. He wrote a number of jazz standards, including "In Your Own Sweet Way" and "The Duke". Brubeck's style ranged from refined to bombastic, reflecting both his mother's attempts at classical training and his own improvisational skills. His music is known for employing unusual time signatures as well as superimposing contrasting rhythms, meters, and tonalities.
Brubeck experimented with time signatures throughout his career, recording "Pick Up Sticks" in 6/4, "Unsquare Dance" in 7/4, "World's Fair" in 13/4, and "Blue Rondo à la Turk" in 9/8. He was also a composer of orchestral and sacred music and wrote soundtracks for television, such as Mr. Broadway and the animated miniseries This Is America, Charlie Brown.
Often incorrectly attributed to Brubeck, the song "Take Five", which has become a jazz standard, was composed by Brubeck's long-time musical partner, alto saxophonist Paul Desmond. Appearing on one of the top-selling jazz albums, Time Out, and written in 5/4 time, "Take Five" has endured as a jazz classic associated with Brubeck.
Dave Brubeck was born in the San Francisco Bay Area city of Concord, California, and grew up in a city located in the Mother Lode called Ione, California. His father, Peter Howard "Pete" Brubeck, was a cattle rancher, and his mother, Elizabeth (née Ivey), who had studied piano in England under Myra Hess and intended to become a concert pianist, taught piano for extra money.
His father had Swiss ancestry (the family surname was originally Brodbeck) and possibly Native American Modoc lineage, while his maternal grandparents were English and German. Brubeck originally did not intend to become a musician (his two older brothers, Henry and Howard, were already on that track), but took lessons from his mother. He could not read music during these early lessons, attributing this difficulty to poor eyesight, but "faked" his way through well enough that this deficiency went mostly unnoticed.
Intending to work with his father on their ranch, Brubeck entered the College of the Pacific in Stockton, California (now the University of the Pacific), studying veterinary science. He changed to music on the urging of the head of zoology, Dr. Arnold, who told him "Brubeck, your mind's not here. It's across the lawn in the conservatory. Please go there. Stop wasting my time and yours." Later, Brubeck was nearly expelled when one of his professors discovered that he could not read music on sight. Several of his professors came forward, arguing that his ability to write counterpoint and harmony more than compensated, and demonstrated his familiarity with music notation. The college was still afraid that it would cause a scandal, and agreed to let Brubeck graduate only after he had promised never to teach piano.

HOW IT FEELS TO BE FREE
NINA SIMONE
SONGWRITERS: BILLY TAYLOR & DICK DALLAS(RICHARD CARROLL LAMB)
WHERE: AT JAZZ FESTIVAL IN MONTREAUX
COUNTRY: U. S. A.
ALBUM: SILK AND SOUL
LABEL: RCA RECORDS
GENRE: JAZZ
YEAR: 1967

"I Wish I Knew How It Would Feel to Be Free" is a jazz song written by Billy Taylor and Dick Dallas. Taylor's original version (as "I Wish I Knew") was recorded on November 12, 1963, and released on his Right Here, Right Now! album (Capitol ST-2039) the following year. His 1967 instrumental take was later used as the theme music for the Film... review programme series on BBC Television.
Taylor said: "I wrote this song, perhaps my best-known composition, for my daughter Kim. This is one of the best renditions I’ve done because it is very spiritual."
The song served as an anthem for the Civil Rights Movement in America in the 1960s. A widely played version was recorded by Nina Simone in 1967 on her Silk & Soul album.
Lighthouse Family covered it as (I Wish I Knew How It Would Feel to Be) Free/One.
Other artists who have covered the song include Illinois Jacquet(1968), Solomon Burke(1968), Cold Blood (1969), John Denver (1969), Mary Travers(1971), Jools Holland(1997), Levon Helm(2009), Tedeschi Trucks Band, and Emeli Sandé(2012). The song was also covered by Andra Day or the 2017 Film Acrimony.
Nina Simone(/ˈniːnəsɪˈmoʊn/; born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, arranger, and activist in the Civil Rights Movement. Her music spanned a broad range of musical styles including classical, jazz, blues, folk, R&B, gospel, and pop.
Born in North Carolina, the sixth child of a preacher, Waymon initially aspired to be a concert pianist. With the help of a few supporters in her hometown of Tryon, she enrolled in the Juilliard School of Music in New York.
Waymon then applied for a scholarship to study at the prestigious Curtis Institute of Music in Philadelphia, where she was denied admission despite a well-received audition. Waymon became fully convinced this rejection had been entirely due to racial discrimination. In 2003, just days before her death, the Curtis Institute of Music bestowed on her an honorary degree.
To make a living, Eunice Waymon changed her name to "Nina Simone". The change related to her need to disguise herself from family members, having chosen to play "the devil's music" or "cocktail piano" at a nightclub in Atlantic City. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist.
Simone recorded more than 40 albums between 1958 and 1974. She made her debut with the álbum Little Girl Blue. She had a hit in the United States in 1958 with "I Loves You, Porgy".
Simone's musical style fused gospel and pop with classical music, in particular Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice. 
I wish I knew how
It would feel to be free
I wish I could break
All the chains holding me
I wish I could say
All the things that I should say
Say 'em loud say 'em clear
For the whole round world to hear
I wish I could share
All the love that's in my heart
Remove all the bars
That keep us apart
I wish you could know
What it means to be me
Then you'd see and agree
That every man should be free

I wish I could give
All I'm longin' to give
I wish I could live
Like I'm longin' to live
I wish I could do
All the things that I can do
And though I'm'm way over due
I'd'd be starting a new

Well I wish I could be
Like a bird in the sky
How sweet it would be
If I found I could fly
Oh I'd'd soar to the sun
And look down at the sea
Than I'd sing cos I know - yea
Then I'd sing cos I know - yea
Then I'd sing cos I know
I'd'd know how it feels
Oh I'd know how it feels to be free
Yea Yea! Oh, I'd know how it feels
Yes I'd know
Oh, I'd know
How it feels
How it feels
To be free.
PERCHÉ, PERCHÉ
TONY RENIS
PAROLIERE: ALBERTO TESTA
PAESE: ITALIA
ALBUM: MADE IN ITALY
ETICHETTA: EMI MARKETING
GENERE: POP
ANNO: 2004

Tony Renis (nato il 13 maggio 1938), nome d'arte di Elio Cesari, è un cantante, compositore, compositore, produttore musicale e attore cinematografico italiano.
Nato a Milano, ha debuttato a metà degli anni '50, in coppia con Adriano Celentano, esibendo un'impressione di Dean Martin e Jerry Lewis. Nel 1958, ha firmato per l'etichetta "Combo Record" come cantante e ha iniziato a pubblicare cover di canzoni italiane e americane. Nel 1961, Renis debuttò al Festival di Sanremo con la canzone "Pozzanghere". 
Nel 1962, Renis ottenne successi internazionali con la canzone "Quando, quando, quando", scritta con Alberto Testa e rappresentata al Festival di Sanremo. [1] Un anno dopo, vinse lo stesso Festival con la canzone "Una per tutte", e nel 1967 raggiunse il secondo posto con la canzone "Quando dico che ti amo"
Cica cica cica cica cica cica...
Ma perché perché
Penso sempre a te
Ma perché se sogno sogno te
Immaginando immaginando
Che ti sto baciando
Stretta stretta in braccio a me
Ma chissà chissà
Cosa mai sarà
Che cos'hai che un'altra non avrà
Mi son trovato innamorato
All'improvviso accanto a te
Ne conosco centomila ma mi piaci tu
E con te ci sto bene veramente
Tu sei differente
Ma perché perché
Penso sempre a te
Ma perché non vivo senza te
Amore amore ti voglio bene
Sai che son sincero
T'amo per davvero
Ma perché perché. Perché
…...
Ne conosco centomila ma mi piaci tu
E con te ci sto bene veramente
Tu sei differente
Ma perché perché
Penso sempre a te
Ma perché non vivo senza te
Amore amore ti voglio bene
Sai che son sincero
T'amo per davvero
Ma perché perché. Perché
Cica cica cica cica cica...
BE PREPARED
DISNEY
SONGWRITERS: ELTON JOHN & TIM RICE
MOVIE: THE LION KING
COUNTRY: U. S. A.
ALBUM: THE LION KING
LABEL: WALT DISNEY
GENRE: SOUNDTRACK
YEAR: 1994

"Be Prepared" is a song from the 1994 Disney animated film and the 1997 Broadway musical The Lion King. The song was composed by Tim Rice(lyrics) and Elton John(music) and originally performed by Jeremy Irons, Cheech Marin, Jim Cummings (who took over after Irons's voice gave out), and Whoopi Goldberg in the film and by John Vickery, Kevin Cahoon, Stanley Wayne Mathis, and Tracy Nicole Chapman in the original Broadway cast for the musical.
The song is performed as a musical number by Scar. Lusting for the position as king of the Pride Lands, a title held by his envied older brother Mufasa, he constantly spends time devising evil schemes that could potentially earn the throne for him with the assistance of his hyena minions, Shenzi, Banzai, and Ed. In it, Scar is inspired to develop a plot in which he will arrange for both Mufasa and his nephew Simba to be murdered and notifies his spotted hyenas about it through song, earning a large army of minions for himself through his pledge to spare the hungry animals from starvation if they provide him with assistance.
I know that your powers of retention
Are as wet as a warthog's backside
But thick as you are, pay attention
My words are a matter of pride

It's clear from your vacant expression
The lights are not all on upstairs
But we're talking kings and successions
Even you can't be caught unawares

So prepare for a chance of a lifetime
Be prepared for sensational news
A shining new era
Is tiptoeing nearer

And where do we feature?
Just listen to teacher
I know it sounds sordid
But you'll be rewarded
When at last I am given my dues!
And injustice deliciously squared
Be prepared!

[Hyenas] Yeah, we'll be prepared.
Be prepared for what?
[Scar] For the death of the king.
[Hyenas] Why, is he sick?
[Scar] No, fools. We'll kill him. And Simba too!
[Hyenas] Great idea! Who needs a king? No king, no king, la la la la la la.
[Scar] Idiots! There will be a king!
[Hyenas] Hey, but you said, uh...
[Scar] I will be king. Stick with me, and you'll never go hungry again!
[Hyenas] Yay! All right!
Long live the king!
Long live the king!

It's great that we'll soon be connected
With a king who'll be all-time adored

Of course, quid pro quo, you're expected
To take certain duties on board
The future is littered with prizes
And though I'm the main addresse
The point htat I must emphasize is
You won't get a sniff without me

So prepare for the coup of the centrury
Be prepared for the murkiest scam (Oooh!)
Meticulous planning (We'll have food!)
Tenacity spanning (Lots of food)
Decades of denial (We repeat)
Is simply why I'll (Endless meat)
Be king undisputed (Aaaaaaah!)
Respected, saluted (Aaaaaaah!)
And seen for the wonder I am (Aaaaaaah!)

Yes, my teeth and ambitions are bared
Be prepared!
Yes, our teeth and ambitions are bared
Be prepared!