YOU'RE SO VAIN
CARLY SIMON
SONGWRITER: CARLY SIMON
COUNTRY: USA
ÁLBUM: NO SECRETS
LABEL: TRIDENT STUDIOS
GENRE: ROMANTIC
YEAR: 1971

Carly Elisabeth Simon (born June 25, 1945) is an American singer-songwriter, musician, and children's author. She first rose to fame in the 1970s with a string of hit records; her 13 Top 40 U.S. hits include "Anticipation" (No. 13), "You Belong To Me" (No. 6), "Coming Around Again" (No. 18), and her four Gold certified singles "Jesse" (No. 11), "Mockingbird" (No. 5, a duet with James Taylor), "You're So Vain" (No. 1), and "Nobody Does It Better" (No. 2) from the 1977 James Bond film, The Spy Who Loved Me.
"You're So Vain" is a song written in 1971 by Carly Simon and released in November 1972. The song is a critical profile of a self-absorbed lover about whom Simon asserts "You're so vain, you probably think this song is about you." The title subject's identity has long been a matter of speculation, with Simon stating that the song refers to three men, only one of whom she has named publicly, actor Warren Beatty. The song is ranked at #92 on Billboard's Greatest Songs of All-Time. "You're So Vain" was voted #216 in RIAA's Songs of the Century, and in August 2014, the UK's Official Charts Company crowned it the ultimate song of the 1970s.
The distinctive bass guitar intro is played by Klaus Voormann. The strings were arranged by Simon and orchestrated by Paul Buckmaster. Simon plays piano on the track. Mick Jagger also sings backing vocals from the second chorus on.
You walked into the party
Like you were walking on a yacht
Your hat strategically dipped below one eye
Your scarf, it was apricot
You had one eye on the mirror
And watched yourself gavotte
And all the girls dreamed that they'd be your partner
They'd be your partner, and
You're so vain
You probably think this song is about you
You're so vain,
I'll bet you think this song is about you
Don't you?
Don't you?
Oh, you had me several years ago
When I was still naïve
Well, you said that we made such a pretty pair
And that you would never leave
But you gave away the things you loved
And one of them was me
I had some dreams, they were clouds in my coffee
Clouds in my coffee, and
You're so vain
You probably think this song is about you
You're so vain, you're so vain
I'll bet…
KIA KAHA
LINK
SONGWRITER: MAHORI SONG'S
COUNTRY: NEW-ZELAND
ALBUM: KIA KAHA
LABEL: LINK/SUN GENERATION RECORDS
GENRE: POP ROCK/GOSPEL
YEAR: 2017

A uniquely local expression of worship from Aotearoa, NZ. This project is about hope, for Māori and non-Māori alike. It is a karanga (call) to who we as a nation are becoming as we awaken to the narrative of our land. It is a hope that heralds us to our ancestors, to remember, honour, and engage with the story and cultural collision that will forever shape our creativity in the world. Kia kaha, kia māia, kia manawanui.
When I first heard the dream of the Huia, I knew that my life would never be the same. It sounds so dramatic, but my life since that point has drastically changed. The community that I am part of has been on this journey of cultural reconciliation for a while now and in light of the journey we have released an album!
This album has come out of an incredible journey of Māori and non Māori figuring out what it means to be here and what it means to be in partnership. To be fair my people Tangata Tiriti* have needed the most learning and need still to learn what it means to be here. These songs are more than nice melodies and good ideas, they come out of a journey, through and by God towards te ao Māori, towards land and sea and towards cultural hope and reconciliation.
These songs came out of a desire to see Māori be all that they were meant to be...
to see Samoans become all they were meant to be...
to see Pākehā become all they were meant to be...
Oh not my will but yours be done
Reveal the will of the father
Oh not my will but yours be done
Reveal the will of the father
Reveal the will of the father
Reveal the will of the father

I trust, I trust, I trust you lord
I trust you know it all for me
I trust, I trust, I trust you lord
I trust you know it all for me

Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing

Oh not my will but yours be done
Reveal the will of the father
Oh not my will but yours be done
Reveal the will of the father
Reveal the will of the father
Reveal the will of the father

I trust, I trust, I trust you lord
I trust you know it all for me
I trust, I trust, I trust you lord
I trust you know it all for me

Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Be strong, be steadfast, be willing
Be strong, be steadfast, be willing

You are more than enough for me
You're more than enough
You are more than enough for me
You're more than enough
You are more than enough for me
You're more than enough.
AVÔHAI
ZÉ RAMALHO
COMPOSIÇÃO: ZÉ RAMALHO
PAÍS: BRASIL
ÁLBUM: ZÉ RAMALHO
GRAVADORA: SONY MUSIC ENTERTAINMENT
GÊNERO: MPB
ANO: 1978

Avohai é um neologismo criado pelo cantor e compositor brasileiro Zé Ramalho, e consiste na aglutinação das palavras “avô” e “pai”.
De acordo com a história divulgada na biografia do artista – “Zé Ramalho: o poeta dos abismos” – esta palavra teria surgido durante uma experiência com drogas alucinógenas.
O avô de Zé Ramalho teria desempenhado um importante papel paterno para o cantor, que perdeu o pai biológico enquanto ainda era criança.
Na interpretação de Zé Ramalho, o “avôhai” é a sabedoria que consegue passar por gerações, seja de avô para pai, pai para filho, ou mesmo avô para filho.
Zé Ramalho é o álbum de estreia solo do cantor brasileiro Zé Ramalho.
O álbum conta com a participação do tecladista Patrick Moraz, da banda inglesa Yes, na faixa "Avôhai". "Avôhai" foi composta em homenagem ao avô de Zé, que o adotou após o pai morrer afogado dois anos depois de seu nascimento. Ramalho diz que a inspiração para a música veio após uma experiência com cogumelos alucinógenos na fazenda de uns amigos. Ele olhou para o céu e viu a "sombra de uma gigantesca nave espacial", e uma voz disse "Avôhai" em seu ouvido. Ele estava na fazenda para realizar um estudo para a faculdade. "Avôhai" é uma junção das palavras "Avô" e "Pai". Esta foi a primeira das suas canções que Zé ouviu no rádio, quando estava num táxi. 
Um velho cruza a soleira
De botas longas, de barbas longas
De ouro o brilho do seu colar
Na laje fria onde quarava
Sua camisa e seu alforje de caçador

Oh meu velho e invisível
Avôhai
Oh meu velho e indivisível
Avôhai

Neblina turva e brilhante
Em meu cérebro, coágulos de sol
Amanita matutina
E que transparente cortina
Ao meu redor

E se eu disser que é mei sabido
Você diz que é mei pior
E pior do que planeta
Quando perde o girassol

É o terço de brilhante
Nos dedos de minha avó
E nunca mais eu tive medo da porteira
Nem também da companheira
Que nunca dormia só

Avôhai!
Avôhai!
Avôhai!

O brejo cruza a poeira
De fato existe um tom mais leve
Na palidez desse pessoal
Pares de olhos tão profundos
Que amargam as pessoas que fitar

Mas que bebem sua vida
Sua alma na altura que mandar
São os olhos, são as asas
Cabelos de avôhai

Na pedra de turmalina e no terreiro da usina eu me criei
Voava de madrugada e na cratera condenada eu me calei
E se eu calei foi de tristeza você cala por calar
E calado vai ficando só fala quando eu mandar

Rebuscando a consciência com medo de viajar
Até o meio da cabeça do cometa
Girando na carrapeta no jogo de improvisar
Entrecortando eu sigo dentro a linha reta
Eu tenho a palavra certa
Pra doutor não reclamar

Avôhai! Avôhai!
Avôhai! Avôhai!
TILL THE END OF TIME

BECK ROBIN
SONGWRITERS: Buddy Kaye & Ted Mossman
COUNTRY: U. S. A.
ALBUM: THE GRATE ESCAPE
LABEL: HER ROYAL MAJESTY’S RECORDS
GENRE: ROCK
YEAR: 2011

"Till the End of Time" is a popular song written by lyricist Buddy Kaye and composer Ted Mossman and published in 1945. The melody is based on Frédéric Chopin's Polonaise in A flat major, Op. 53, the "Polonaise héroique".
A number of recordings of the song were made in 1945. The biggest hit was by Perry Como; another version by Dick Haymes also charted; the Les Brown orchestra, with vocalist Doris Day, and Ginny Simms also made a recording of the song. It featured prominently in the 1946 film of the same name.
The Perry Como recording was made on July 3, 1945 with the orchestra of Russ Case, and released by RCA Victor as catalog number 20-1709. The record first reached the Billboard magazine charts on August 9, 1945, and lasted 17 weeks on the chart, peaking at #1 (spending 10 consecutive weeks at the top). This was Como's first #1 hit song.
The Dick Haymes recording was recorded on July 2, 1945, and released by Decca Records as catalog number 18699. The record first reached the Billboard magazine charts on September 13, 1945 and lasted 8 weeks on the chart, peaking at #3.
The Les Brown/Doris Day recording was recorded on May 17, 1945, and released by Columbia Records as catalog number 36828. It peaked at #3 on the Billboard magazine pop chart.
The Ginny Simms recording was recorded on July 15, 1945, and released by Columbia Records as catalog number 36849. It did not chart on Billboard.
Robin Beck(born November 7, 1954) is an American singer. She topped the singles chart in the United Kingdom in 1988, and Germany in 1989, with her single "First Time", which had come to the public's attention via its use in a Coca-Cola commercial. Other well-known songs of hers are "Save Up All Your Tears", "In My Heart to Stay", "Tears in the Rain" and "Close to You".
Also, "First Time" was successfully covered or sampled many times, the most recent was made by Sunblock in 2006, peaking at number nine on the UK Singles Chart. Beck also performed it with German pop star Helene Fischer.
Was livin' in a lonely world
A shadow in the night when baby
There you were and you saved me with a smile

You really took my breath away
You caught me by surprise cause darlin'
I wasn't lookin' to meet somebody
But I got lost in your eyes
And here we are so in love
It was all in the stars

I'll love you till the end of time
I'll give my heart I give my life
You know that I would do
Anything for you I feel alive
I promise till the end of days
I'll prove in a thousand ways
I'll be yours and you'll be mine
Till the end of time

You're everything I'll ever need
I know you'll understand, oh baby
Since I met you I been more of a woman
And I'm a better man
And you will never be lost and alone anymore

I'll love you till the end of time
I'll give my heart I give my life
You know that I would do
Anything for you I feel alive
I promise till the end of days
I'll prove in a thousand ways
I'll be yours and you'll be mine
Till the end of time

We're ridin' on a passion of love
We're flyin' in the heavens above
And nothin' gonna bring us down

I love you till the end of time
I give my heart I give my life
I'll be by your side
Day and night

I'll love you till the end of time
I'll give my heart I give my life
You know that I would do
Anything for you I feel alive
I promise till the end of days
I'll prove in a thousand ways
I'll be yours and you'll be mine

I'll love you till the end of time.