(DON'T FEAR) THE REAPER
BLUE ÖYSTER CULT
SONGWRITER: DONALD “BUCK DHARMA” ROESER
COUNTRY: USA
ÁLBUM: AGENTE OF FORTUNE
LABEL: COLUMBIA
GENRE: HARD ROCK
YEAR: 1976

Blue Öyster Cult(often abbreviated BÖC or BOC) is an American rock band formed on Long Island, New York in 1967, perhaps best known for the singles "(Don't Fear) The Reaper", "Burnin' for You", "Cities on Flame with Rock and Roll", and "Godzilla." Blue Öyster Cult has sold more than 24 million records worldwide, including 7 million in the United States alone. The band's music videos, especially "Burnin' for You," received heavy rotation on MTV when the music television network premiered in 1981, cementing the band's contribution to the development and success of the music video in modern popular culture.
Blue Öyster Cult's longest-lasting and most commercially successful lineup included Donald "Buck Dharma" Roeser (lead guitar, vocals), Eric Bloom (lead vocals, "stun guitar," keyboards, synthesizers), Allen Lanier(keyboards, rhythm guitar, backing vocals), Joe Bouchard(bass, vocals), Albert Bouchard (drums, percussion, vocals). The band's current lineup includes Roeser and Bloom, as well as Danny Miranda (bass, backing vocals), Jules Radino (drums, percussion) and Richie Castellano(keyboard, rhythm guitar, backing vocals).
"(Don't Fear) The Reaper" is a song by American rock band Blue Öyster Cult from the band's 1976 album Agents of Fortune. The song, written and sung by lead guitarist Donald "Buck Dharma" Roeser, deals with eternal love and the inevitability of death. Dharma wrote the song while picturing an early death for himself.
Released as an edited single (omitting the slow building interlude in the original), the song was Blue Öyster Cult's highest chart success, reaching #7 in Cash Box and #12 on the Billboard Hot 100 in late 1976. Critical reception was mainly positive, and in 2004, "(Don't Fear) The Reaper" was listed at number 405 on the Rolling Stone list of the top 500 songs of all time.
All our times have come
Here but now they're gone

Seasons don't fear the reaper
Nor do the wind, the sun or the rain
And we can be like they are
Come on baby (don't fear the reaper)
Baby take my hand (don't fear the reaper)
We'll be able to fly (don't fear the reaper)
Baby I'm your man

La la la la la la
La la la la la la

Valentine is done
Here but now they're gone

Romeo and Juliet
Are together in eternity (Romeo and Juliet)
Forty thousand men and women everyday (like Romeo and Juliet)
Forty thousand men and women everyday (redefine happiness)
Another forty thousand comin' everyday (and we can be like they are)
Come on baby (don't fear the reaper)
Baby take my hand (don't fear the reaper)
We'll be able to fly (don't fear the reaper)
Baby I'm your man

La la la la la la
La la la la la la

Love of two is one
Here but now they're gone

Came the last night of sadness
And it was clear she couldn't go on
Then the door was open and the wind appeared
The candles blew and then disappeared
The curtains flew and then he appeared (saying don't be afraid)
Come on baby (and she had no fear)
And she ran to him (then they started to fly)
They looked backward and said goodbye (she had become like they are)
She had taken his hand (she had become like they are)
Come on baby (don't fear the reaper).
A HORSE WITH NO NAME
AMERICA
SONGWRITER: DEWEY BUNNELL
COUNTRY: USA
ALBUM: AMERICA
LABEL: WARNER BROS
GENRE: FOLK ROCK
YEAR: 1971

America is an American rock band that was formed in London in 1970 by Dewey Bunnell, Dan Peek, and Gerry Beckley. The trio met as sons of US Air Force personnel stationed in London, where they began performing live.
Achieving significant popularity in the 1970s, the trio was famous for its close vocal harmonies and light acoustic folk rock sound. The band released a string of hit albums and singles, many of which found airplay on pop/soft rock stations.
The band came together shortly after the members' graduation from high school, and a record deal with Warner Bros. Records followed. Its debut 1971 album, America, included the transatlantic hits "A Horse with No Name" and "I Need You"; Homecoming(1972) included the single "Ventura Highway"; and Hat Trick(1973), a modest success on the charts that fared poorly in sales, included one minor hit song "Muskrat Love". 1974's Holiday featured the hits "Tin Man" and "Lonely People"; and 1975's Hearts generated the number one single "Sister Golden Hair" alongside "Daisy Jane" History: America's Greatest Hits, a compilation of hit singles, was released the same year and was certified multiplatinum in the United States and Australia. Peek left the group in 1977, and their commercial fortunes declined, despite a brief return to the top in 1982 with the single "You Can Do Magic".
"A Horse with No Name" is a song written by Dewey Bunnell, and originally recorded by the folk rock band America. It was the band's first and most successful single, released in late 1971 in Europe and early 1972 in the United States, and topped the charts in Canada, Finland, and the United States. It was certified gold by the Recording Industry Association of America.
America's self-titled debut album was released initially in Europe, without "A Horse with No Name", and achieved only moderate success. Originally called "Desert Song", "Horse" was written while the band was staying at the home studio of musician Arthur Brown, near Puddletown, Dorset. The first two demos were recorded there, by Jeff Dexter and Dennis Elliott, and were intended to capture the feel of the hot, dry desert that had been depicted at the studio from a Salvador Dalí painting, and the strange horse that had ridden out of an M.C. Escher picture. Writer Dewey Bunnell also says he remembered his childhood travels through the Arizona and New Mexico desert when his family lived at Vandenberg Air Force Base. Bunnell has explained that "A Horse with No Name" was "a metaphor for a vehicle to get away from life's confusion into a quiet, peaceful place".
Trying to find a song that would be popular in both the United States and Europe, Warner Brothers was reluctant to release Beckley's "I Need You" ballad as the first single from America. The label asked the band if it had any other material, then arranged for America to record four more songs at Morgan Studios, Willesden in London. "A Horse with No Name" was released as the featured song on a three-track single in the UK, Ireland, France, Italy and the Netherlands in late 1971. On the release, "A Horse with No Name" shared the A-side with "Everyone I Meet Is from California"; "Sandman" featured on the B-side. However, its early-1972 two-track US release did not include "Sandman", with "Everyone I Meet Is from California" appearing on the B-side.
On the first part of the journey I was looking at all the life
There were plants and birds and rocks and things
There was sand and hills and rings
The first thing I met was a fly with a buzz
And the sky with no clouds
The heat was hot and the ground was dry
But the air was full of sound

I've been through the desert on a horse with no name
It felt good to be out of the rain
In the desert you can't remember your name
'Cause there ain't no one for to give you no pain
La, la, la, la, la, la, la, la, la
La, la, la, la, la, la, la, la, la

After two days in the desert sun my skin began to turn red
After three days in the desert fun, I was looking at a river bed
And the story it told of a river that flowed
Made me sad to think it was dead

You see I've been through the desert on a horse with no name
It felt good to be out of the rain
In the desert you can't remember your name
'Cause there ain't no one for to give you no pain
La, la, la, la, la, la, la, la, la
La, la, la, la, la, la, la, la, la

After nine days I let the horse run free
'Cause the desert had turned to sea
There were plants and birds and rocks and things
There was sand and hills and rings
The ocean is a desert with it's life underground
And a perfect disguise above
Under the cities lies a heart made of ground
But the humans will give no love

You see, I've been through the desert on a horse with no name
It felt good to be out of the rain
In the desert you can't remember your name
'Cause there ain't no one for to give you no pain
La, la, la, la, la, la, la, la, la
La, la, la, la, la, la, la, la
La, la, la, la, la, la, la, la
YOU'RE SO VAIN
CARLY SIMON
SONGWRITER: CARLY SIMON
COUNTRY: USA
ÁLBUM: NO SECRETS
LABEL: TRIDENT STUDIOS
GENRE: ROMANTIC
YEAR: 1971

Carly Elisabeth Simon (born June 25, 1945) is an American singer-songwriter, musician, and children's author. She first rose to fame in the 1970s with a string of hit records; her 13 Top 40 U.S. hits include "Anticipation" (No. 13), "You Belong To Me" (No. 6), "Coming Around Again" (No. 18), and her four Gold certified singles "Jesse" (No. 11), "Mockingbird" (No. 5, a duet with James Taylor), "You're So Vain" (No. 1), and "Nobody Does It Better" (No. 2) from the 1977 James Bond film, The Spy Who Loved Me.
"You're So Vain" is a song written in 1971 by Carly Simon and released in November 1972. The song is a critical profile of a self-absorbed lover about whom Simon asserts "You're so vain, you probably think this song is about you." The title subject's identity has long been a matter of speculation, with Simon stating that the song refers to three men, only one of whom she has named publicly, actor Warren Beatty. The song is ranked at #92 on Billboard's Greatest Songs of All-Time. "You're So Vain" was voted #216 in RIAA's Songs of the Century, and in August 2014, the UK's Official Charts Company crowned it the ultimate song of the 1970s.
The distinctive bass guitar intro is played by Klaus Voormann. The strings were arranged by Simon and orchestrated by Paul Buckmaster. Simon plays piano on the track. Mick Jagger also sings backing vocals from the second chorus on.
You walked into the party
Like you were walking on a yacht
Your hat strategically dipped below one eye
Your scarf, it was apricot
You had one eye on the mirror
And watched yourself gavotte
And all the girls dreamed that they'd be your partner
They'd be your partner, and
You're so vain
You probably think this song is about you
You're so vain,
I'll bet you think this song is about you
Don't you?
Don't you?
Oh, you had me several years ago
When I was still naïve
Well, you said that we made such a pretty pair
And that you would never leave
But you gave away the things you loved
And one of them was me
I had some dreams, they were clouds in my coffee
Clouds in my coffee, and
You're so vain
You probably think this song is about you
You're so vain, you're so vain
I'll bet…
KIA KAHA
LINK
SONGWRITER: MAHORI SONG'S
COUNTRY: NEW-ZELAND
ALBUM: KIA KAHA
LABEL: LINK/SUN GENERATION RECORDS
GENRE: POP ROCK/GOSPEL
YEAR: 2017

A uniquely local expression of worship from Aotearoa, NZ. This project is about hope, for Māori and non-Māori alike. It is a karanga (call) to who we as a nation are becoming as we awaken to the narrative of our land. It is a hope that heralds us to our ancestors, to remember, honour, and engage with the story and cultural collision that will forever shape our creativity in the world. Kia kaha, kia māia, kia manawanui.
When I first heard the dream of the Huia, I knew that my life would never be the same. It sounds so dramatic, but my life since that point has drastically changed. The community that I am part of has been on this journey of cultural reconciliation for a while now and in light of the journey we have released an album!
This album has come out of an incredible journey of Māori and non Māori figuring out what it means to be here and what it means to be in partnership. To be fair my people Tangata Tiriti* have needed the most learning and need still to learn what it means to be here. These songs are more than nice melodies and good ideas, they come out of a journey, through and by God towards te ao Māori, towards land and sea and towards cultural hope and reconciliation.
These songs came out of a desire to see Māori be all that they were meant to be...
to see Samoans become all they were meant to be...
to see Pākehā become all they were meant to be...
Oh not my will but yours be done
Reveal the will of the father
Oh not my will but yours be done
Reveal the will of the father
Reveal the will of the father
Reveal the will of the father

I trust, I trust, I trust you lord
I trust you know it all for me
I trust, I trust, I trust you lord
I trust you know it all for me

Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing

Oh not my will but yours be done
Reveal the will of the father
Oh not my will but yours be done
Reveal the will of the father
Reveal the will of the father
Reveal the will of the father

I trust, I trust, I trust you lord
I trust you know it all for me
I trust, I trust, I trust you lord
I trust you know it all for me

Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Kia kaha, kia māia, kia manawanui
Be strong, be steadfast, be willing
Be strong, be steadfast, be willing
Be strong, be steadfast, be willing

You are more than enough for me
You're more than enough
You are more than enough for me
You're more than enough
You are more than enough for me
You're more than enough.