I CAN YOU FEEL IT
THE JACKSON 5
SONGWRITERS: MICHAEL JOE JACKSON & JACKIE JACKSON
COUNTRY: U.S.A.
ALBUM: TRIUMPH
LABEL: EPIC RECORDS
GENRE: SOUL MUSIC
YEAR: 1980

Triumph is the fourteenth studio album by the Jacksons, released in 1980 on Epic Records.
It was certified platinum in the US and peaked at No. 10 on the Billboard 200. The Triumph album sold three million copies in its original run. Hit singles from the album were "Lovely One", "Heartbreak Hotel" (which was renamed "This Place Hotel" to avoid confusion with the Elvis Presley song of the same name) and "Can You Feel It".
The Jacksons shared lead vocals and solo spots on some songs, but Michael Jackson, who had recently released his multi-platinum selling album, Off the Wall, handles most of the lead vocal and writing duties. Triumph was the Jacksons' first album to reach number-one on the Billboard R&B Albums chart since Maybe Tomorrow in 1971. The album sold over two million copies worldwide, and the Jacksons did not release another studio LP until Victory in 1984. On December 10, 1980, the album was certified Platinum for the sales of over 1 million copies in the United States.
In 1977, the Jackson 5 were among a small group of artists eligible to receive the newly minted Madison Square Garden Gold Ticket Award for selling over 100,000 tickets to their concerts there. They received the award from Madison Square Garden when they played there as The Jacksons in 1981. On September 3, 1980, the brothers were honored with a star on the Hollywood Walk of Fame as The Jacksons. As the Jackson 5, they were inducted into the Rock and Roll Hall of Fame in 1997 and the Vocal Group Hall of Fame in 1999. Two of the band's recordings ("ABC" and "I Want You Back") are among the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, while the latter track also included in the Grammy Hall of Fame. On September 8, 2008, the Jacksons were honored as BMI Icons at the annual BMI Urban Awards.
In 1992, Suzanne de Passe, Jermaine Jackson, and Jermaine's then common-law wife Margaret Maldonado, worked with Motown to produce The Jacksons: An American Dream, a five-hour television miniseries broadcast based on the history of the Jackson family in a two-part special on ABC.
Influenced by the Temptations, the Supremes, James Brown, The Teenagers and Sly & the Family Stone, the group eventually served as the inspiration for several generations of boy bands, including New Edition, Menudo, New Kids on the Block, NSYNC, the Jonas Brothers, Backstreet Boys, One Direction, and many more.
The rise of the Jackson 5 in the 1960s and 1970s coincided with the rise of a very similar musical family, the Osmonds. The Osmonds had risen to fame as regular performers on The Andy Williams Show; Jay Osmond would later note: "Michael had a unique sense of humor about him, and told us he was so tired of watching the Osmonds on The Andy Williams Show. He explained this was something their father had them do, and Michael joked he became really tired of it!" The song "One Bad Apple", written by George Jackson, who had the Jackson Five in mind when he wrote it, was originally presented to Motown Record's Chairman of the Board Berry Gordy for the group to record, but he turned it down. It was then presented to MGM Records for the Osmonds. "One Bad Apple", which the Osmonds recorded in a similar style to the songs of the Jackson 5 at the time, reached number one and began a string of several hits for the Osmonds. Both bands followed a similar career trajectory: a string of several hits as a group, which eventually led to a breakout star (Michael for the Jacksons, Donny for the Osmonds) becoming a solo artist, a little sister not originally part of the group also rising to fame (Janet Jackson and Marie Osmond respectively), and eventual decline as a smaller group in the 1980s. The two groups' members eventually became friends, despite public perception of a rivalry between the two and allegations that the Osmonds, White Mormon brothers from Utah, were an imitation of the black Jackson 5.
Can you feel it,can you feel it,can you feel it!
If you look around
The whole world's coming together now.
Can you feel it,can you feel it,can you feel it!
Feel it in the air
The wind is taking it everywhere.
Can you feel it,can you feel it, can you feel it!

All the colors of the world should be
Lovin' each other wholeheartedly.
Yes it's alright,take my message to your brother and tell him twice.
Spread the word who tried to teach the man who is hatin' his brother,
When hate won't do
'cause we're all the same
Yes the blood inside of me is inside of you.

Now tell me!

Can you feel it,can you feel it,can you feel it!
Can you see what's going down, you can feel it in your bones

Every breath you take,
Is someone's death in another place.
Every healthy smile,
Is hunger and strife to another child.
But the stars do shine
And promising salvation is near this time.
Can you feel it now,
So brothers and sisters
Shall we know how.

Now tell me!
Can you feel it,tell me can you feel it,can you feel it!
Talk now can you see what's going down open up your mind.

All the children of the world should be
Lovin' each other wholeheartedly
Yes it's alright
Take my message to your brother and tell him twice.
Take the news to the marchin' men
Who are killin' their brothers,when death won't do.
Yes we're all the same
Yes the blood inside my veins is inside of you.

Now tell me!
Can you feel it,can you feel it,can you feel it!
Can you feel it,can you feel it,can you feel it!
LÁGRIMAS NEGRAS
GRUPO: ASÍ SOMOS
COMPOSITOR: MIGUEL MATAMOROS
PAIS: PUERTO RICO
ALBUM: no hay /solo video
DISCOGRÁFICA: aún no hay
GÉNERO: BOLERO
AÑO: 2013

Miguel Matamoros (Santiago de Cuba, 8 de mayo de 1894 - ibídem, 15 de abril de 1971) fue un músico y compositor cubano. Tuvo una gran contribución al desarrollo Del son cubano, ritmo procedente de las zonas rurales del oriente de Cuba. Conocido por ser el autor de temas populares como el bolero-son Lágrimas Negras o el bolero-montuno Son de la Loma que compuso con el Trío Matamoros.
ASÍ SOMOS 5teto se presenta en eventos públicos (FERIAS y FESTIVALES) y ameniza eventos privados (COCTELES, CENAS, BOHEMIAS, RECEPCIONES, CUMPLEAÑOS, CELEBRACIONES FAMILIARES y CORPORATIVAS). Para escuchar una MUESTRA del REPERTORIO y para COTIZACIONES, visite nuestra página Web: http://grupoasisomos.com/5teto.html.
Me encantó la voz del cantante y no obstante no tenga mucha informaciones lo puse en mi blog. Las busqué pero no las he encontrado.
Aunque tú me has echado en el abandono
Aunque tú has muerto todas mis ilusiones
En vez de maldecirte con justo encono
En mis sueños te colmo de bendiciones.

Sufro la inmensa pena de tu extravío
Siento el dolor profundo de tu partida
Y lloro sin que sepas que el llanto mío
Tiene lágrimas negras como mi vida.

Tú me quieres dejar
Yo no quiero sufrir
contigo me voy mi santa
Aunque me cueste morir.

Un jardinero de amor
Siembra una flor y se va
Otro viene y la cultiva
De cuál de los dos será.

Tú me quieres dejar
Yo no quiero sufrir
contigo me voy mi santa
Aunque me cueste morir

Amada prenda querida
No puedo vivir sin verte
Porque mi fin es quererte
Y amarte toda la vida.

Tú me quieres dejar
Yo no quiero sufrir
contigo me voy mi santa
Aunque me cueste morir.

Yo te lo digo mi amor
Te lo repito otra vez
Contigo me voy mi santa
Porque contigo moriré.

Tú me quieres dejar
Yo no quiero sufrir
contigo me voy mi santa
Aunque me cueste morir.
TWIST AND SHOUT
THE BEATLES
SONGWRITERS: BERNS BERT & MEDLEY PHIL
COUNTRY: U.K.
ALBUM: PLEASE PLEASE ME
LABEL: EMI’S PARLOPHONE
GENRE: ROCK
YEAR: 1963

This song was written by Phil Medley and Bert Berns and originally recorded by the band The Top Notes in 1960. The covers were made by The Beatles in 1963 and by Brian Poole and the Tremeloes four months later. The interesting fact is that The Beatles and The Tremeloes were both auditioned on the same day by Decca label, but the former were rejected by the label with a note that "guitar groups are on the way out".
John Lennon had a cold on the day of recording, and it took him much effort to finish the day-long session with "Twist And Shout" being the last song to record. He said later, "That song nearly killed me. My voice wasn't the same for a long time after; every time I swallowed, it was like sandpaper."
The Beatles chose this song to open their Shea Stadium performance on the 15th of August 1965. It was the first rock concert held in a stadium.
This song was featured in the film "Ferris Bueller's Day Off" (1986). The film "Back to School", released two days later, coincidentally featured this song as well. That let the song re-enter charts reaching number 23 in Billboard Hot 100 that year.
Please Please Me is the debut studio album by the English rock band the Beatles. Produced by George Martin, it was released on EMI's Parlophone label on 22 March 1963 in the United Kingdom, following the success of the band's singles "Please Please Me" and "Love Me Do", which reached number 1 on the NME and Melody Maker charts and number 17 on the UK Singles Chart, respectively. The album topped Record Retailer's LP chart for 30 weeks, an unprecedented achievement for a pop album at that time.
Besides their already released singles, the Beatles recorded the majority of Please Please Me in one long recording session at EMI Studios on 11 February 1963; overdubs were later added by Martin to "Misery" and "Baby It's You" on 20 February. Of the album's 14 songs, eight were written by Lennon–McCartney (originally credited "McCartney–Lennon"). Rolling Stone magazine later cited these original compositions as early evidence of the Beatles' "the idea of the self-contained rock band, writing their own hits and playing their own instruments". In 2012, Please Please Me was voted 39th on Rolling Stone's list of the "500 Greatest Albums of All Time". It was voted number 622 in the third edition of Colin Larkin's All Time Top 1000 Albums(2000).
Well, shake it up, baby, now (Shake it up, baby)
Twist and shout (Twist and shout)
C'mon c'mon, c'mon, c'mon, baby, now (Come on baby)
Come on and work it on out (Work it on out)

Well, work it on out, honey (Work it on out)
You know you look so good (Look so good)
You know you got me goin' now (Got me goin')
Just like I knew you would (Like I knew you would)

Well, shake it up, baby, now (Shake it up, baby)
Twist and shout (Twist and shout)
C'mon, c'mon, c'mon, c'mon, baby, now (Come on, baby)
Come on and work it on out (Work it on out)

Well, you twist, you little girl (Twist, little girl)
You know you twist so fine (Twist so fine)
Come on and twist a little closer now (Twist a little closer)
And let me know that you're mine (Let me know you're mine)

Well, shake it up, baby, now (Shake it up, baby)
Twist and shout (Twist and shout)
C'mon, c'mon, c'mon, c'mon, baby, now (Come on, baby)
Come on and work it on out (Work it on out)

Well, you twist, you little girl (Twist, little girl)
You know you twist so fine (Twist so fine)
Come on and twist a little closer now (Twist a little closer)
And let me know that you're mine (Let me know you're mine)

Well, shake it, shake it, shake it, baby, now (Shake it up baby)
Well, shake it, shake it, shake it, baby, now (Shake it up baby)
Well, shake it, shake it, shake it, baby, now (Shake it up baby).
TIRED OF BEING ALONE
AL GREEN
SONGWRITER: AL GREEN
COUNTRY: U. S. A.
ALBUM: AL GREEN GETS NEXT TO YOU
LABEL: HI RECORDS
GENRE: CLASSIC SOUL
YEAR: 1971

"Tired of Being Alone" is a soul song written by Al Green that became popular in the early 1970s and remains popular to this day, being a score in popular shows such as Nip/Tuck. It reached #11 on the Billboard Hot 100 and # 7 on the Hot Soul Singles Chart. Billboard ranked it as the No. 12 song for 1971.
Though released on the 1971 album, Al Green Gets Next to You, the song was written in late 1968 and intended to be released on the 1969 album, Green Is Blues. Problems occurred with the first recording, so it was postponed for production. It was altered and perfected the second time around.
"Tired of Being Alone" was produced and recorded by Willie Mitchell at Hi Records and mixed by Mitchell and Terry Manning.
In 1973, Green performed the song with Chicago on the TV special Chicago in the Rockies. In 2002, this recording appeared as a bonus track on the remastered version of Chicago VI.
In 2004, Green's version was ranked #293 on Rolling Stone's list of The 500 Greatest Songs of All Time.
Albert Leornes Greene (born April 13, 1946), often known as The Reverend Al Green, is na American singer, songwriter and record producer; he is best known for recording a series of soul hit singles in the early 1970s, including "Take Me to the River", "Tired of Being Alone", "I'm Still in Love with You", "Love and Happiness", and his signature song, "Let's Stay Together". After an incident in which his girlfriend committed suicide, Green became an ordained pastor and turned to gospel music. He later returned to secular music.
Green was inducted to the Rock and Roll Hall of Fame in 1995. He was referred to on the museum's site as being "one of the most gifted purveyors of soul music". He has also been referred to as "The Last of the Great Soul Singers". Green is the winner of 11 Grammy Awards, including the Grammy Lifetime Achievement Award. He has also received the BMI Icon award and is a Kennedy Center Honors recipient. He was included in the Rolling Stone list of the 100 Greatest Artists of All Time, ranking at Nº. 65, as well as its list of the 100 Greatest Singers, at No. 14. 
I'm so tired of being alone
I'm so tired of on-my-own
Won't you help me girl
Just as soon as you can

People say that I've found a way
To make you say that you love me
Hey baby, you didn't go for that
It's a natural fact
That I wanna come back
Show me where it's at, baby

I'm so tired of being alone
I'm so tired of on-my-own
Won't you help me girl
Soon as you can

I guess you know that I, uh, I love you so
Even though you don't want me no more
Hey hey hey hey, I'm cryin' tears
All through the years
I'll tell ya like it is
Honey, love me if you will

Yeah baby
Tired of being alone here by myself, now
I tell ya, I'm tired baby
I'm tired of being all wrapped up late at night
In my dreams, nobody but you, baby
Sometimes I wonder
If you love me like you say you do
You see baby, I been thinkin' about it, yeah
I been, I been wantin' to get next to you baby
Ya see, sometimes I hold my arms, I say mmmm hmmm hmmm
Yeah baby
Meeting you has proven to me
To be my greatest dream, yeah

Tired, baby
Yeah, you don't know what I'm talkin' about
Sometimes late at night I get to wonderin' about you baby
Oh baby, baby
I'm so tired of being alone
I'm so tired of being alone
I'm so tired of being alone.